On a beach in the Dominican Republic, a doomed relationship flounders. In the heat of a hospital laundry room in New Jersey, a woman does her lover's washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own.

In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

In 2083, chocolate and coffee are illegal, paper is hard to find, water is carefully rationed, and New York City is rife with crime and poverty. And yet, for Anya Balanchine, the sixteen-year-old daughter of the city's most notorious (and dead) crime boss, life is fairly routine. It consists of going to school, taking care of her siblings and her dying grandmother, trying to avoid falling in love with the new assistant D.A.'s son, and avoiding her loser ex-boyfriend.

That is until her ex is accidentally poisoned by the chocolate her family manufactures and the police think she's to blame. Suddenly, Anya finds herself thrust unwillingly into the spotlight--at school, in the news, and most importantly, within her mafia family. Engrossing and suspenseful, All These Things I've Done is an utterly unique, unputdownable read that blends both the familiar and the fantastic.

One choice can transform you—or it can destroy you. But every choice has consequences, and as unrest surges in the factions all around her, Tris Prior must continue trying to save those she loves—and herself—while grappling with haunting questions of grief and forgiveness, identity and loyalty, politics and love.

Tris's initiation day should have been marked by celebration and victory with her chosen faction; instead, the day ended with unspeakable horrors. War now looms as conflict between the factions and their ideologies grows. And in times of war, sides must be chosen, secrets will emerge, and choices will become even more irrevocable—and even more powerful. Transformed by her own decisions but also by haunting grief and guilt, radical new discoveries, and shifting relationships, Tris must fully embrace her Divergence, even if she does not know what she may lose by doing so.

New York Times bestselling author Veronica Roth's much-anticipated second book of the dystopian DIVERGENT series is another intoxicating thrill ride of a story, rich with hallmark twists, heartbreaks, romance, and powerful insights about human nature.

You Against Me is an intense and riveting novel from Jenny Downham, the critically acclaimed author of Before I Die. It's a story that delves into the complexities of family loyalty and the difficult choices that come with it.

When Mikey's sister claims she has been assaulted, his world is turned upside down. And when Ellie's brother stands accused of this terrible crime, despite his protests of innocence, her world starts to crumble. The paths of Mikey and Ellie intersect, and as they navigate the turbulent waters of truth and justice, two worlds collide.

This is a brave and unflinching novel that explores themes of loyalty, revenge, and love. Above all, it's a book that confronts the dilemmas of love in the face of family adversity.

Poor Economics presents an insightful and disruptive portrait of how poor people actually live, challenging the most common assumptions about economics. Abhijit V. Banerjee and Esther Duflo, Nobel Prize-winning economists and MIT professors, delve into the real-life decisions and dilemmas faced by the poor based on extensive field research conducted worldwide.

Poor Economics demonstrates that to create a world free of poverty, it is crucial to understand the everyday choices confronting those living on less than a dollar a day. This book offers a profound rethinking of the economics of poverty, providing readers with a closer look at life through the lens of economic decisions, and suggesting that the battle against poverty starts with proper comprehension of these daily struggles.

The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners--a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life--has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life.

Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers...

Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away... By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

Michael Blomkvist, crusading journalist and publisher of the magazine Millennium, has decided to run a story that will expose an extensive sex trafficking operation between Eastern Europe and Sweden, implicating well-known and highly placed members of Swedish society, business, and government.

But he has no idea just how explosive the story will be until, on the eve of publication, the two investigating reporters are murdered. And even more shocking for Blomkvist: the fingerprints found on the murder weapon belong to Lisbeth Salander - the troubled, wise-beyond-her-years genius hacker who came to his aid in The Girl with the Dragon Tattoo, and who now becomes the focus and fierce heart of The Girl Who Played with Fire.

As Blomkvist, alone in his belief in Salander's innocence, plunges into an investigation of the slayings, Salander herself is drawn into a murderous hunt in which she is the prey, and which compels her to visit her dark past in an effort for her to settle with it, once and for all.

Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him.

Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.

In The Life You Can Save, Peter Singer compellingly lays out the case for why and how we can take action to provide immense benefit to others, at minimal cost to ourselves. Using ethical arguments, illuminating examples, and case studies of charitable giving, he shows that our current response to world poverty is not only insufficient but morally indefensible. And he provides practical recommendations of charities proven to dramatically improve, and even save, the lives of children, women and men living in extreme poverty.

The Life You Can Save teaches us to be a part of the solution, helping others as we help ourselves.

The thirteenth novel in Émile Zola’s great Les Rougon-Macquart sequence, Germinal expresses outrage at the exploitation of the many by the few, but also shows humanity’s capacity for compassion and hope. Etienne Lantier, an unemployed railway worker, is a clever but uneducated young man with a dangerous temper. Forced to take a back-breaking job at Le Voreux mine when he cannot get other work, he discovers that his fellow miners are ill, hungry, in debt, and unable to feed and clothe their families. When conditions in the mining community deteriorate even further, Lantier finds himself leading a strike that could mean starvation or salvation for all.

New translation
Includes introduction, suggestions for further reading, filmography, chronology, explanatory notes, and glossary

The Uses of Haiti tells the truth about uncomfortable matters—uncomfortable, that is, for the structures of power and the doctrinal framework that protects them from scrutiny. It tells the truth about what has been happening in Haiti, and the US role in its bitter fate.

Noam Chomsky, from the introduction

In this third edition of the classic The Uses of Haiti, Paul Farmer looks at what has happened to the health of the poor in Haiti since the coup. Winner of a McArthur Genius Award, Paul Farmer is a physician and anthropologist who has worked for 25 years in Haiti, where he serves as medical director of a hospital serving the rural poor. He is the subject of the Tracy Kidder biography, Mountains Beyond Mountains.

Globalia offers a daring political satire that dissects the mechanisms of oligarchic neoliberal democracy. Behind the bloody distinctions of nation and race, a universalizing democracy has been imposed in Globalia. Society now enjoys health and prosperity but is numbed in a consumptive paroxysm. Everyone speaks the same language, are radical environmentalists, neurasthenics, idle, and addicted to cosmetic surgery. To maintain cohesion, residents are kept in an unconscious self-absorption by the media and frightened by continuous terrorist attacks. As the terrorist attacks are diminishing, the Globalian authorities have decided to create a New Enemy to guarantee terror. This enemy will be an element of the system whose function is to cement its values even more... A humorous farce of contemporary society and an unflattering reflection of a probable future.

Pedagogy of the Oppressed, first published in Portuguese in 1968 and subsequently translated and published in English in 1970, presents the methodology of the late Paulo Freire. His work has been instrumental in empowering countless impoverished and illiterate individuals globally. The book gains particular relevance in the United States and Western Europe as it addresses the increasing acceptance of a permanent underclass among underprivileged and minority populations in urban areas.

The 30th Anniversary Edition includes a significant new introduction detailing Freire's life and the profound influence of this book, contributed by Donaldo Macedo, a writer and authoritative voice on Freire's work. This edition aims to motivate a new wave of educators, students, and general readers to engage with Freire's influential teachings.

Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed, by James C. Scott, is an essential work that delves into the reasons behind the failure of states to execute large-scale social planning successfully. It presents an analysis of various disasters, from Russia to Tanzania, probing why such efforts often result in calamity.

The book argues that disasters occur when states impose oversimplified visions on complex realities that they cannot fully comprehend. Scott emphasizes the importance of recognizing local, practical knowledge alongside formal, systematic knowledge. He critiques 'development theory' and state planning that ignores the values and wishes of the people it affects. This persuasive narrative identifies four conditions common to all planning disasters: the state's administrative ordering of nature and society; a 'high-modernist ideology' that overestimates the role of science in improving human life; the use of authoritarian power to implement broad interventions; and the inability of a weakened civil society to resist such plans.

Written with clarity, Seeing Like a State brings to light the intricate nature of the world we inhabit and serves as a cautionary tale about the limits of grand societal engineering.

The Pulitzer Prize-winning epic of the Great Depression, The Grapes of Wrath chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads—driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity.

A portrait of the conflict between the powerful and the powerless, of one man’s fierce reaction to injustice, and of one woman’s stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck’s powerful landmark novel is perhaps the most American of American Classics.

When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness, and death that centres on the lives of the women and children of a hillside favela. Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage.

It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing – and controversial – is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.

Originally written in 1952 but not published until 1985, Queer is an enigma - both an unflinching autobiographical self-portrait and a coruscatingly political novel. It is Burroughs' only realist love story and a montage of comic-grotesque fantasies that paved the way for his masterpiece, Naked Lunch.

Set in Mexico City during the early fifties, Queer follows William Lee's hopeless pursuit of desire from bar to bar in the American expatriate scene. As Lee breaks down, the trademark Burroughsian voice emerges; a maniacal mix of self-lacerating humor and the Ugly American at his ugliest. A haunting tale of possession and exorcism, Queer is also a novel with a history of secrets, as this new edition reveals.

'Nicholas Nickleby' is a vibrant and heart-wrenching tale of young Nicholas left penniless after his father's death. He seeks assistance from his wealthy uncle, only to find him unscrupulous and uncaring. Forced to fend for himself and protect his mother and sister, Nicholas embarks on a journey that introduces him to a cast of extraordinary characters, from the tyrannical headmaster Wackford Squeers of Dotheboys Hall to the eccentric Crummles theatre family.

Charles Dickens, with his signature flair for the dramatic and the absurd, crafts a story that not only entertains but also delivers a fierce critique of social injustice and cruelty. The adventures of Nicholas and the friends and foes he meets along the way showcase Dickens's comic genius and his deep empathy for the underdog.

This edition, published by Penguin, includes original illustrations by 'Phiz', enriching the narrative with visual storytelling that complements Dickens's richly detailed world. An introduction by Mark Ford offers insights into the novel's historical context and its place within Dickens's body of work, making it an essential read for both new and returning readers of Dickens.

Shevek, a brilliant physicist, decides to take action. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life.

Shevek must make the unprecedented journey to the utopian mother planet, Urras, to challenge the complex structures of life and living, and ignite the fires of change. The Dispossessed is a penetrating examination of society and humanity—and one man's brave undertaking to question the unquestionable and ignite the fires of change.

Jerry Renault ponders the question on the poster in his locker: Do I dare disturb the universe? Refusing to sell chocolates in the annual Trinity school fund-raiser may not seem like a radical thing to do. But when Jerry challenges a secret school society called The Vigils, his defiant act turns into an all-out war. Now the only question is: Who will survive?

First published in 1974, Robert Cormier's groundbreaking novel, an unflinching portrait of corruption and cruelty, has become a modern classic.

To Kill a Mockingbird is a timeless classic that delves into the heart of a sleepy Southern town, exposing the moral dilemmas that shake its foundation. First published in 1960 and awarded the Pulitzer Prize in 1961, Harper Lee's novel captures the essence of innocence and experience, kindness and cruelty, love and hatred, humor and pathos.

This compelling narrative is told through the eyes of a young girl named Scout, whose father, Atticus Finch, is a lawyer tasked with defending a black man unjustly accused of a terrible crime. Set against the backdrop of the mid-1930s Depression in Alabama, the story is a profound commentary on the virulent prejudice that plagues the town. Atticus's quiet heroism and the events that unfold challenge the conscience of a community steeped in hypocrisy and violence.

Lee herself described the book as a simple love story, yet it resonates with readers as much more—a reflection on human behavior and societal norms.

Breve e intensa novela publicada en 1948, este logrado fruto de la denominada "literatura existencial" le dio a su autor un reconocimiento que traspasó las fronteras nacionales. El túnel es la mejor introducción al universo prodigioso de Ernesto Sábato; un clásico de las letras del continente, una historia sobre el drama del hombre arrojado en el sinsentido más doloroso: la conciencia de la nada.
El narrador describe una historia de amor y muerte en la que muestra la soledad del individuo contemporáneo. No están ausentes de esta trama policial y de suspenso, la locura y la increíble reflexión del protagonista, el pintor Juan Pablo Castel, debatiéndose por comprender las causas que lo arrastraron a matar a la mujer que amaba, María Iribarne, y que era su única vía de salvación. En este alucinante drama de la vida interior, seres intrincados en la bestial búsqueda de comprensión ceden a la mentira, la hipocresía y los celos desmedidos hasta el crimen más inexplicable. Aventura amorosa, aventura onírica, aventura del ser que dan testimonio de un asesinato, de cierta memoria culpable y de una valiente introspección.
Técnicamente perfecta y de lectura apasionante, El túnel excede el negativismo ácido de Sartre y la frenética huida hacia el vacío que plantea El extranjero de Camus, pero tiene de esos dos maestros literarios la impronta genial que hace de la escritura una radiografía del alma atormentada.

Animal Farm is a brilliant political satire and a powerful and affecting story of revolutions and idealism, power, and corruption. 'All animals are equal. But some animals are more equal than others.' Mr. Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm.

Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.

When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.

Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history's keenest observers of human nature and civilization.

Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New World also speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites.

“Aldous Huxley is the greatest 20th century writer in English.” —Chicago Tribune

Un mundo feliz es un clásico de la literatura del siglo XX, una sombría metáfora sobre el futuro. La novela describe un mundo en el que finalmente se han cumplido los peores vaticinios: triunfan los dioses del consumo y la comodidad y el orbe se organiza en diez zonas en apariencia seguras y estables. Sin embargo, este mundo ha sacrificado valores humanos esenciales, y sus habitantes son procreados in vitro a imagen y semejanza de una cadena de montaje.