A ferocious novel by one of the boldest voices in American fiction and the author of The New Me, Margaret Anne (“Moddie”) Yance had just returned to her native land in the Midwestern town of X, to mingle with the friends of her youth, to get back in touch with her roots, and to recover from a stressful decade of living in the city in a small apartment with a man she now believed to be a megalomaniac or perhaps a covert narcissist.

So begins Halle Butler's sadistically precise and hilarious Banal Nightmare, which follows Moddie as she abruptly ends her long-term relationship and moves back to her Midwestern hometown, throwing herself at the mercy of her old friends as they, all suddenly tipping toward middle age, go to parties, size each other up, obsess over past slights, and dream of wild triumphs and elaborate revenge fantasies. When her friend Pam invites a mysterious East Coast artist to take up a winter residency at the local university, Moddie has no choice but to confront the demons of her past and grapple with the reality of what her life has become. As the day of reckoning approaches, friends will become enemies, enemies will become mortal enemies, and old loyalties will be tested to their extreme.

Banal Nightmare is filled with complicated characters who will dazzle you in their rendering just as often as they will infuriate you with their decisions. Halle Butler singularly captures the volatile, angry, aggrieved, surreal and entirely disorienting atmosphere of the modern era.

The provocative and hilarious summer read that will have book lovers cheering and everyone talking! Kirsten Miller, author of The Change, brings us a bracing, wildly entertaining satire about a small Southern town, a pitched battle over banned books, and a little lending library that changes everything.

Beverly Underwood and her arch enemy, Lula Dean, live in the tiny town of Troy, Georgia, where they were born and raised. Now Beverly is on the school board, and Lula has become a local celebrity by embarking on mission to rid the public libraries of all inappropriate books—none of which she’s actually read. To replace the “pornographic” books she’s challenged at the local public library, Lula starts her own lending library in front of her home: a cute wooden hutch with glass doors and neat rows of the worthy literature that she’s sure the town’s readers need.

But Beverly’s daughter Lindsay sneaks in by night and secretly fills Lula Dean’s little free library with banned books wrapped in “wholesome” dust jackets. The Girl’s Guide to the Revolution is wrapped in the cover of The Southern Belle’s Guide to Etiquette. A jacket that belongs to Our Confederate Heroes ends up on Beloved. One by one, neighbors who borrow books from Lula Dean’s library find their lives changed in unexpected ways. Finally, one of Lula Dean’s enemies discovers the library and decides to turn the tables on her, just as Lula and Beverly are running against each other to replace the town’s disgraced mayor.

That’s when all the townspeople who’ve been borrowing from Lula’s library begin to reveal themselves. It’s a diverse and surprising bunch—including the local postman, the prom queen, housewives, a farmer, and the former DA—all of whom have been changed by what they’ve read. When Lindsay is forced to own up to what she’s done, the showdown that’s been brewing between Beverly and Lula will roil the whole town...and change it forever.

Birds Aren't Real presents what is claimed to be the true story of a vast conspiracy involving mass avian murder and the implementation of a large-scale surveillance campaign in US history.

The book asks a provocative question: Have you ever seen a baby pigeon? It points out the curious absence of baby pigeons from our everyday sights, suggesting that pigeons, and indeed all birds, come out of a factory as fully grown adults. This, the authors argue, is one of the many pieces of evidence for the bird drone surveillance crisis they allege began in 1959, when the Deep State is said to have eradicated over 12 billion birds and replaced them with drone replicas designed to spy on citizens.

Authors Peter McIndoe and Connor Gaydos act as whistleblowers, tracing the roots of what they describe as a political conspiracy so expansive that it might be mistaken for an elaborate hoax. They present themselves as Bird Truthers, risking everything to bring to light information about the surveillance crisis, its proliferation, and the individuals today who are striving to spread awareness and restore America to the ideal of freedom. The book is replete with illustrations, activities, and purportedly leaked classified documents meant to persuade even the most skeptical readers of the authors' claims.

The manifesto is urgent, the cause is pressing, and the question lingers: Will you stand and fight before it's too late?

The Winner, a propulsive literary thriller from Whiting Award winner Teddy Wayne, delves into the life of Conor O'Toole, a young law student who finds himself teaching tennis in a posh gated community near Cape Cod. Amid the casually glamorous surroundings of Cutters Neck, Conor is living in a guest cottage, a world away from the cramped Yonkers apartment he shares with his diabetic mother.

Despite being surrounded by oceanfront luxury, Conor and his mother have bills to pay, and attracting new clients for tennis lessons is harder than he anticipated. That's until he crosses paths with a sharp-tongued divorcée named Catherine, who offers to pay him double his rate, with the expectation of some additional, more intimate services.

As Conor becomes entangled in a secret, erotic affair, he also finds himself romantically drawn to a quirky, outspoken girl he met on the beach—who happens to be Catherine's daughter. Caught in a tangled web of desire and deception, Conor believes he's found a way to balance everything, until he makes a disastrous, irreversible mistake. This darkly comedic thriller skewers the elite with wit and delivers an unputdownable, cinematic, and psychologically astute narrative.

A controversial LA author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid's life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events.

Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet and celebrity-obsessed world. With notes of Southern California citrus and sultry smokiness, Perfume and Pain is a satirical romp through Hollywood and lesbian melodrama.

Reboot is a raucous and wickedly smart satire of Hollywood, toxic fandom, and our chronically online culture. It follows David Crader, a washed-up actor on his quest to revive the cult TV drama that catapulted him to teenage fame.

Once a former child actor from the hit 90s teen drama Rev Beach, David now juggles his new roles as deadbeat dad, part-time alcoholic, and occasional videogame voice actor. Summoned to Los Angeles by Grace, his ex-wife and former co-star, David sees an opportunity for a reboot—not just of the show that made him famous but also of his listless existence.

Hollywood, the Internet, and a fractured nation have other plans, though. David soon drinks himself to a realization: The seemingly innocuous revival of an old Buffy rip-off could be the spark that sets ablaze a nation gripped by far-right conspiracies, toxic fandoms, and mass violence.

Reboot is a madcap and eerily prescient speculative comedy for our era of glass-eyed doomscrolling and 90s nostalgia. It's a tale of former teen heartthrobs, online edge lords, and fish-faced cryptids, perfect for anyone who still agonizes over Angel versus Spike, lives in fear of the QAnon mom next door, or has run afoul of a rabid "stan" and lived to tell the tale.

The Audacity is a razor-sharp satire diving headfirst into the implosion of a Theranos-like company, the unraveling of a marriage, and the absurdity of a billionaires' philanthropy summit. Ryan Chapman offers a narrative that is as incisive as it is entertaining, perfect for fans of Hari Kunzru and The White Lotus.

The story unfurls over a precipitous 72 hours, with a bombshell exposé on the cusp of revealing Victoria Stevens's multibillion-dollar startup as nothing but a colossal sham. Victoria herself has vanished off the face of the Earth. Is she playing dead, leaving her spouse, Guy Sarvananthan, to grapple with the impending disaster and the specter of incarceration? Confronted with the choice of fleeing to his homeland of Sri Lanka in disgrace or living in denial, Guy opts for the latter, jetting off to a secluded Caribbean island. Here, the elite 0.0001% convene to select which of the planet's dire issues they will 'eradicate forever.'

As Guy descends into a spiral of indulgence and intoxication amidst opulent wilderness and luxury yachts, surrounded by titans of industry, hordes of staff, and unexpected disruptors, Victoria tells her tale from a secret location in the California desert. Through feverishly penned diary entries laced with enigmatic self-help dogma, she schemes her return to power, unwavering in her belief that she will once again prove the doubters wrong.

Chapman's novel is a bold plunge into the dark chasm of ultra-late capitalism, likened to 'Martin Amis's Money' but for an era that has lingered far too long in the depths of excess and moral ambiguity.

Victim is a fearless satire about Javier Perez, a hustler from the Bronx who manipulates his life story for gain. With the bite of Paul Beatty and the subversive wit of Danzy Senna, this debut novel explores the lengths to which one man will go to make his story resonate.

Javier, from a family of hustlers, learns early how to turn his background—murdered drug dealer dad, single cash-strapped mom, best friend in prison for gang activity—into opportunities. His tailored story secures a full scholarship to a prestigious university, bringing him closer to his dream of becoming a famous writer.

As a college student, Javier embellishes his life story beyond recognition. The only real tie to his past is his correspondence with his childhood best friend, Gio, who's unconcerned with Javier's newfound insights into white privilege and the school-to-prison pipeline. After graduation, a viral essay catapults Javier to journalist status at a legendary magazine, where his "unique perspective" is celebrated.

But Gio knows the truth behind Javier's facade. Once out of prison, will Gio join in on Javier's ruse, or will the deceit unravel? Victim humorously critiques virtue signaling and trauma narratives, questioning the authenticity of diversity and the extremes one might pursue for a compelling story.

From the New York Times bestselling author of The Nix, Nathan Hill presents Wellness, a witty and poignant new novel about marriage, middle age, tech-obsessed health culture, and the bonds that keep people together.

When Jack and Elizabeth meet as college students in the '90s, they quickly become a duo, each finding a kindred spirit in one another. Together, they strive to make a mark in Chicago's thriving underground art scene. Two decades later, as they navigate the complexities of married life and parenting, they find themselves amidst cults posing as mindfulness support groups, polyamorous advances, social media conflicts, and the enigmatic Love Potion Number Nine.

For the first time, Jack and Elizabeth face a struggle to recognize each other amidst the chaos. They confront unfulfilled career dreams and the shadows of their own dysfunctional families. In the process, they must embark on personal journeys of self-discovery or risk losing the best thing in their lives: each other.

Wellness takes readers from the raw '90s Chicago art scene to a present-day suburbia rife with detox diets and renovation frenzies. It explores the absurdities of modern technology and modern love with depth and humor, offering profound insights into intimacy and connection. Nathan Hill reimagines the love story with a healthy dose of insight, irony, and heart.

Daniel is a young, idealistic Human determined to make a difference for his people. He lives in a distant future in which Earth has been colonised by aliens. His mission: infiltrate the Alien government called the Hierarch and push for it to honour the infamous Covenant of Wellington, the founding agreement between the Hierarch and Humans.

Turncoat explores the trauma of Maori public servants and the deeply conflicted role they are expected to fill within the machinery of government. From casual racism to co-governance, Treaty settlements to tino rangatiratanga, Turncoat is a timely critique of the Aotearoa zeitgeist, holding a mirror up to Pakeha New Zealanders and asking: What if it happened to you?

Yellowface has been described as 'A riot' by PANDORA SYKES, 'Razor-sharp' by TIME, 'A wild ride' by STYLIST, 'Darkly comic' by GQ, and 'Satirical and humorous' by COSMOPOLITAN. It introduces us to Athena Liu, a literary darling, and June Hayward, literally nobody.

When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. With a blend of dark humour, as evidence threatens June's stolen success, she will discover exactly how far she will go to keep what she thinks she deserves, leading to deadly consequences. What happens next is entirely everyone else's fault.

Disorientation by Elaine Hsieh Chou is an outrageously hilarious and startlingly tender debut novel that captures a Taiwanese American woman's coming-of-consciousness amid chaos on a college campus.

Twenty-nine-year-old PhD student Ingrid Yang is on a mission to finish her dissertation on the late canonical poet Xiao-Wen Chou and move away from reading about 'Chinese-y' things. However, years of grueling research have left her with nothing but a junk food addiction and stomach pain. When Ingrid stumbles upon a curious note in the Chou archives, she believes she's found her escape from academic hell. But she's about to discover she's in over her head. Her attempts to decipher the note's message lead to a shocking revelation that turns her academic life and her understanding of the world outside upside down.

Joined by her friend Eunice Kim and pursued by her rival Vivian Vo, Ingrid finds herself on a wild ride of mishaps and misadventures, ranging from book burnings and hallucinations to protests and propaganda. As Ingrid's life spirals out of control, she begins to question her relationships with white men and white institutions, and ultimately, she must confront herself.

Disorientation is a searing satire of privilege and power in America, a deep dive into personal complicity, and a compelling story of unspoken rage. Elaine Hsieh Chou presents a provocative question: Who gets to tell our stories, and how does the narrative shift when we take the reins?

Dead Souls, a seminal work in Russian literature, offers a vivid portrayal of provincial Russian life. It is celebrated for its realistic depiction as well as for its exaggerated narrative, serving both as a tribute to the Russian spirit and a scathing satire of the imperial Russian flaws of venality, vulgarity, and pomp. At the heart of the story is Gogol's cunning antihero, Chichikov, who traverses the countryside engaging in transactions for "dead souls" - deceased serfs who still represent value to those astute enough to trade in them. This journey introduces us to a cast reminiscent of Dickens, filled with peasants, landowners, and scheming officials, all drawn into Chichikov's elaborate scheme. Through this narrative, Gogol masterfully explores themes of human oddity and error, making Dead Souls a masterpiece of both humor and insight.

A stunning reinvention of the myth of Narcissus as a modern novel of manners, about two young, well-heeled couples whose parallel lives converge and intertwine over the course of a summer, by a sharp new voice in fiction.

Wes and Diana are the kind of privileged, well-educated, self-involved New Yorkers you may not want to like but can't help wanting to like you. With his boyish good looks, blue-blood pedigree, and the recent tidy valuation of his tech startup, Wes would have made any woman weak in the knees—any woman, that is, except perhaps his wife. Brilliant to the point of cunning, Diana possesses her own arsenal of charms, handily deployed against Wes in their constant wars of will and rhetorical sparring.

Vivien and Dale live in Philadelphia, but with ties to the same prep schools and management consulting firms as Wes and Diana, they’re of the same ilk. With a wedding date on the horizon and carefully curated life of coupledom, Vivien and Dale make a picture-perfect pair on Instagram. But when Vivien becomes a visiting curator at The Metropolitan Museum of Art just as Diana is starting a new consulting project in Philadelphia, the two couples’ lives cross and tangle. It’s the summer of 2015 and they’re all enraptured by one another and too engulfed in desire to know what they want—despite knowing just how to act.

In this wickedly fun debut, A. Natasha Joukovsky crafts an absorbing portrait of modern romance, rousing real sympathy for these flawed characters even as she skewers them. Shrewdly observed, whip-smart, and shot through with wit and good humor, The Portrait of a Mirror is a piercing exploration of narcissism, desire, self-delusion, and the great mythology of love.

The author of Fight Club takes America beyond our darkest dreams in this timely satire. People pass the word only to those they trust most: Adjustment Day is coming. They’ve been reading a mysterious book and memorizing its directives. They are ready for the reckoning.

Adjustment Day, the author’s first novel in four years, is an ingeniously comic work in which Chuck Palahniuk does what he does best: skewer the absurdities in our society. Smug, geriatric politicians bring the nation to the brink of a third world war in an effort to control the burgeoning population of young males; working-class men dream of burying the elites; and professors propound theories that offer students only the bleakest future.

When Adjustment Day arrives, it fearlessly makes real the logical conclusion of every separatist fantasy, alternative fact, and conspiracy theory lurking in the American psyche.

From the author of the underground sensation Fight Club comes this wickedly incisive second novel, a mesmerizing, unnerving, and hilarious vision of cult and post-cult life.

Tender Branson—last surviving member of the so-called Creedish Death Cult—is dictating his life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the airplane, which will crash shortly into the vast Australian outback. Before it does, he will unfold the tale of his journey from an obedient Creedish child and humble domestic servant to an ultra-buffed, steroid- and collagen-packed media messiah, author of a best-selling autobiography, Saved from Salvation, and the even better selling Book of Very Common Prayer (The Prayer to Delay Orgasm, The Prayer to Prevent Hair Loss, The Prayer to Silence Car Alarms). He'll reveal the truth of his tortured romance with the elusive and prescient Fertility Hollis, share his insight that "the only difference between suicide and martyrdom is press coverage," and deny responsibility for the Tender Branson Sensitive Materials Sanitary Landfill, a 20,000-acre repository for the nation's outdated pornography. Among other matters both bizarre and trenchant.

Not since Kurt Vonnegut's Mother Night and Jerzy Kosinski's Being There has there been as dark and telling a satire on the wages of fame and the bedrock lunacy of the modern world. Unpredictable, compelling, and unforgettable, Survivor is Chuck Palahniuk at his deadpan peak; and it cements his place as one of the most original writers in fiction today.

White Noise tells the story of Jack Gladney, his fourth wife, Babette, and their four ultramodern offspring, as they navigate the rocky passages of family life to the background babble of brand-name consumerism.

Winner of the 1985 National Book Award, this narrative captures the particular strangeness of life lived when the fear of death cannot be denied, repressed, or obscured and ponders the role of the family in a time when the very meaning of our existence is under threat.

Tutunamayanlar, Türk edebiyatının en önemli eserlerinden biri olarak kabul edilir. Berna Moran, eseri "hem söyledikleri hem de söyleyiş biçimiyle bir başkaldırı" olarak niteler. Moran'a göre, "Oğuz Atay'ın mizah gücü, duyarlılığı ve kullandığı teknik incelikler, Tutunamayanlar'ı büyük bir yeteneğin ürünü yapmış, yapıttaki bu yetkinlik Türk romanını çağdaş roman anlayışıyla aynı hizaya getirmiş ve ona çok şey kazandırmıştır." Küçük burjuva dünyasını zekice alaya alan Atay, saldırısını, tutunanların anlamayacağı, reddedeceği türden bir romanla yapar. Tutunamayanlar, 1970 TRT Roman Ödülü'nü kazanmıştır.

'Sorry?' said Carrot. If it's just a thing, how can it commit murder? A sword is a thing' - he drew his own sword; it made an almost silken sound - 'and of course you can't blame a sword if someone thrust it at you, sir.' For members of the City Watch, life consists of troubling times, linked together by periods of torpid inactivity. Now is one such troubling time. People are being murdered, but there's no trace of anything alive having been at the crime scene. Is there ever a circumstance in which you can blame the weapon not the murderer? Such philosophical questions are not the usual domain of the city's police, but they're going to have to start learning fast...

The originality, concentrated power and ‘fierce indignation’ of his satirical writing have earned Jonathan Swift a reputation as the greatest prose satirist in English literature. Gulliver’s Travels is, of course, his world renowned masterpiece in the genre; however, Swift wrote other, shorter works that also offer excellent evidence of his inspired lampoonery. Perhaps the most famous of these is A Modest Proposal, in which he straight-facedly suggests that Ireland could solve its hunger problems by using its children for food.

Also included in this collection are The Battle of Books, A Meditation upon a Broomstick, A Discourse Concerning the Mechanical Operations of the Spirit and An Argument Against Abolishing Christianity in England. This inexpensive edition will certainly be welcomed by teachers and students of English literature, but its appeal extends to any reader who delights in watching a master satirist wield words as weapons.

Candide is the story of a gentle man who, though pummeled and slapped in every direction by fate, clings desperately to the belief that he lives in "the best of all possible worlds." On the surface a witty, bantering tale, this eighteenth-century classic is actually a savage, satiric thrust at the philosophical optimism that proclaims that all disaster and human suffering is part of a benevolent cosmic plan.

Fast, funny, often outrageous, the French philosopher's immortal narrative takes Candide around the world to discover that -- contrary to the teachings of his distinguished tutor Dr. Pangloss -- all is not always for the best. Alive with wit, brilliance, and graceful storytelling, Candide has become Voltaire's most celebrated work.

The Canterbury Tales is a timeless piece of literature, penned by Geoffrey Chaucer at the end of the 14th century. This vibrant collection of stories is presented in the form of a storytelling contest by a group of pilgrims on their journey to the shrine of Saint Thomas Becket at Canterbury Cathedral. The tales, most of which are in verse with some in prose, showcase Chaucer's unparalleled wit and insight into the human condition.

Each character, from the noble Knight to the bawdy Wife of Bath, is drawn with vivid detail, bringing to life the social spectrum of Chaucer's time. The stories themselves range from romantic adventures to moral allegories, reflecting the rich diversity of medieval society. Chaucer's daring use of the English language, rather than the conventional Latin, marked a pivotal moment in the evolution of English literature.

Although The Canterbury Tales remains an unfinished masterpiece, with some tales left incomplete and others lacking final revision, its legacy endures. The work continues to captivate readers with its complex characters, intricate narratives, and biting social commentary.

In a fit of enlightenment democracy and ebullient goodwill, King Verence invites Uberwald's undead, the Magpyrs, into Lancre to celebrate the birth of his daughter. But once ensconced within the castle, these wine-drinking, garlic-eating, sun-loving modern vampires have no intention of leaving. Ever.

Only an uneasy alliance between a nervous young priest and the argumentative local witches can save the country from being taken over by people with a cultivated bloodlust and bad taste in silk waistcoats. For them, there's only one way to fight. Go for the throat, or as the vampyres themselves say... Carpe Jugulum.

Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.

This cult classic of gonzo journalism is not just about reckless behavior; beneath the hallucinogenic facade is a stinging criticism of American greed and consumerism. The narrative follows Raoul Duke and his attorney Dr. Gonzo as they embark on a surreal quest that blurs the line between reality and fantasy, fueled by nearly every drug imaginable in search of the elusive American dream.

Also a major motion picture directed by Terry Gilliam, starring Johnny Depp and Benicio del Toro, this 50th Anniversary Edition celebrates the enduring legacy of Hunter S. Thompson's work.

Thomas Pynchon's classic post-modern satire, which tells the wonderfully unusual story of Oedipa Maas, first published in 1965. When her ex-lover, wealthy real-estate tycoon Pierce Inverarity dies and designates her the co-executor of his estate, California housewife Oedipa Mass is thrust into a paranoid mystery of metaphors, symbols, and the United States Postal Service. Traveling across Southern California, she meets some extremely interesting characters, and attains a not-inconsiderable amount of self-knowledge.

Fool—the bawdy and outrageous New York Times bestseller from the unstoppable Christopher Moore—is a hilarious new take on William Shakespeare's King Lear...as seen through the eyes of the foolish liege's clownish jester, Pocket. A rousing tale of gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, Fool joins Moore's own Lamb, Fluke, The Stupidest Angel, and You Suck! as modern masterworks of satiric wit and sublimely twisted genius, prompting Carl Hiassen to declare Christopher Moore "a very sick man, in the very best sense of the word."

There's been a murder. Allegedly. William de Worde is the Discworld's first investigative journalist. He didn't mean to be - it was just an accident. But, as William fills his pages with reports of local club meetings and pictures of humorously shaped vegetables, dark forces high up in Ankh-Morpork's society are plotting to overthrow the city's ruler, Lord Vetinari.

An ethical journalist, de Worde has a proclivity for investigating stories—a nasty habit that soon creates powerful enemies eager to stop his presses. And what better way than to start the Inquirer, a titillating (well, what else would it be?) tabloid that conveniently interchanges what's real for what sells. But de Worde's got an inside line on the hot story concerning Ankh-Morpork's leading patrician, Lord Vetinari. The facts say Vetinari is guilty. But as William de Worde learns, facts don't always tell the whole story. There's that pesky little thing called ... the truth.

The Bonfire of the Vanities is a 1987 satirical novel by Tom Wolfe. The story is a drama about ambition, racism, social class, politics, and greed in 1980s New York City, and centers on three main characters: WASP bond trader Sherman McCoy, Jewish assistant district attorney Larry Kramer, and British expatriate journalist Peter Fallow.

One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system.

In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.

The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

In a nightmarish ruined world slowly awakening to the light after sleeping in darkness, the infant rediscoveries of science are secretly nourished by cloistered monks dedicated to the study and preservation of the relics and writings of the blessed Saint Isaac Leibowitz. From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes.

Seriously funny, stunning, and tragic, eternally fresh, imaginative, and altogether remarkable, A Canticle for Leibowitz retains its ability to enthrall and amaze. It is now, as it always has been, a masterpiece.

Cold Comfort Farm is a wickedly funny portrait of British rural life in the 1930s. Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

In The Good Soldier Švejk, celebrated Czech writer and anarchist Jaroslav Hašek combined dazzling wordplay and piercing satire in a hilariously subversive depiction of the futility of war. Good-natured and garrulous, Švejk becomes the Austrian army's most loyal Czech soldier when he is called up on the outbreak of World War I -- although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards and getting drunk, he uses all his cunning and genial subterfuge to deal with the police, clergy, and officers who chivy him toward battle.

Cecil Parrott's vibrant translation conveys the brilliant irreverence of this classic about a hapless Everyman caught in a vast bureaucratic machine.

Just because you can't explain it, doesn't mean it's a miracle. Religion is a controversial business in the Discworld. Everyone has their own opinion, and indeed their own gods, who come in all shapes and sizes. In such a competitive environment, there is a pressing need to make one's presence felt. And it's certainly not remotely helpful to be reduced to be appearing in the form of a tortoise, a manifestation far below god-like status in anyone's book. In such instances, you need an acolyte, and fast. Preferably one who won't ask too many questions...

Death has to happen. That's what bein' alive is all about. You're alive, and then you're dead. It can't just stop happening. But it can. And it has. So what happens after death is now less of a philosophical question than a question of actual reality. On the Disc, as here, they need Death. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls. There's no telling what might happen, particularly when they discover that life really is only for the living...

The riotous adventures of Vernon Gregory Little in small town Texas and beachfront Mexico mark one of the most spectacular, irreverent and bizarre debuts of the twenty-first century so far. Its depiction of innocence and simple humanity (all seasoned with a dash of dysfunctional profanity) in an evil world is never less than astonishing. The only novel to be set in the barbecue sauce capital of Central Texas, Vernon God Little suggests that desperate times throw up the most unlikely of heroes.

This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square, a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.

Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions—a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space.

Jane Austen's first novel—published posthumously in 1818—tells the story of Catherine Morland and her dangerously sweet nature, innocence, and sometime self-delusion. Though Austen's fallible heroine is repeatedly drawn into scrapes while vacationing at Bath and during her subsequent visit to Northanger Abbey, Catherine eventually triumphs, blossoming into a discerning woman who learns truths about love, life, and the heady power of literature. The satirical novel pokes fun at the gothic novel while earnestly emphasizing caution to the female sex.

Arch-swindler Moist Van Lipwig never believed his confidence crimes were hanging offenses - until he found himself with a noose tightly around his neck, dropping through a trapdoor, and falling into...a government job?

By all rights, Moist should have met his maker. Instead, it's Lord Vetinari, supreme ruler of Ankh-Morpork, who promptly offers him a job as Postmaster. Since his only other option is a nonliving one, Moist accepts the position - and the hulking golem watchdog who comes along with it, just in case Moist was considering abandoning his responsibilities prematurely.

Getting the moribund Postal Service up and running again, however, may be a near-impossible task, what with literally mountains of decades-old undelivered mail clogging every nook and cranny of the broken-down post office building; and with only a few creaky old postmen and one rather unstable, pin-obsessed youth available to deliver it. Worse still, Moist could swear the mail is talking to him.

Worst of all, it means taking on the gargantuan, money-hungry Grand Trunk clacks communication monopoly and its bloodthirsty piratical head, Mr. Reacher Gilt.

But it says on the building Neither Rain Nor Snow Nor Glom of Nit...Inspiring words (admittedly, some of the bronze letters have been stolen), and for once in his wretched life Moist is going to fight. And if the bold and impossible are what's called for, he'll do it - in order to move the mail, continue breathing, get the girl, and specially deliver that invaluable commodity that every human being (not to mention troll, dwarf, and, yes, even golem) requires: hope.

Terry Pratchett's profoundly irreverent novels are consistent number one bestseller in England, where they have catapulted him into the highest echelons of parody next to Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen. In this Discworld installment, Death comes to Mort with an offer he can't refuse -- especially since being, well, dead isn't compulsory.As Death's apprentice, he'll have free board and lodging, use of the company horse, and he won't need time off for family funerals. The position is everything Mort thought he'd ever wanted, until he discovers that this perfect job can be a killer on his love life.

Oscar Wilde's The Importance of Being Earnest is a madcap farce about mistaken identities, secret engagements, and lovers' entanglements that continues to delight readers more than a century after its 1895 publication and premiere performance. The rapid-fire wit and eccentric characters have made it a mainstay of the high school curriculum for decades.

Cecily Cardew and Gwendolen Fairfax are both in love with the same mythical suitor. Jack Worthing has wooed Gwendolen as Ernest, while Algernon has also posed as Ernest to win the heart of Jack's ward, Cecily. When all four arrive at Jack's country home on the same weekend, the "rivals" fight for Ernest's undivided attention and the "Ernests" to claim their beloveds—pandemonium breaks loose. Only a senile nursemaid and an old, discarded handbag can save the day.

This edition includes a glossary and reader's notes to help the modern reader appreciate Wilde's wry wit and elaborate plot twists.

Kingdoms wobble, crowns topple and knives flash on the magical Discworld as the statutory three witches meddle in royal politics. The wyrd sisters battle against frightful odds to put the rightful king on the throne. At least, that's what they think...

Lamb: The Gospel According to Biff, Christ's Childhood Pal dives into the untold story of Jesus's early years, a time not documented in the scriptures. Narrated by Biff, Jesus's childhood best friend, this novel brings a unique and humorous perspective to the life of the Son of God, known here as Joshua.

Through the eyes of Biff, readers are taken on a journey filled with remarkable adventures, mystical encounters, and humorous escapades. From practicing kung fu to reviving the dead, Biff recounts the extraordinary experiences he shared with Joshua, showcasing a side of the Messiah that is both divine and relatably human.

As Joshua approaches his ultimate fate, Biff is determined to support his friend, joined by other familiar figures such as Mary Magdalene, affectionately referred to as "Maggie." In a tale that is both heartfelt and hilariously irreverent, Christopher Moore crafts a story that is as imaginative as it is compelling, offering a fresh take on a timeless narrative.

Globalia offers a daring political satire that dissects the mechanisms of oligarchic neoliberal democracy. Behind the bloody distinctions of nation and race, a universalizing democracy has been imposed in Globalia. Society now enjoys health and prosperity but is numbed in a consumptive paroxysm. Everyone speaks the same language, are radical environmentalists, neurasthenics, idle, and addicted to cosmetic surgery. To maintain cohesion, residents are kept in an unconscious self-absorption by the media and frightened by continuous terrorist attacks. As the terrorist attacks are diminishing, the Globalian authorities have decided to create a New Enemy to guarantee terror. This enemy will be an element of the system whose function is to cement its values even more... A humorous farce of contemporary society and an unflattering reflection of a probable future.

This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind.  Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

Corporal Carrot has been promoted! He's now in charge of the new recruits guarding Ankh-Morpork, Discworld's greatest city, from Barbarian Tribes, Miscellaneous Marauders, unlicensed Thieves, and such. It's a big job, particularly for an adopted dwarf. But an even bigger job awaits. An ancient document has just revealed that Ankh-Morpork, ruled for decades by Disorganized crime, has a secret sovereign! And his name is Carrot...

And so begins the most awesome epic encounter of all time, or at least all afternoon, in which the fate of a city—indeed of the universe itself!—depends on a young man's courage, an ancient sword's magic, and a three-legged poodle's bladder.

The Life and Opinions of Tristram Shandy, Gentleman, often regarded as one of the first examples of postmodern literature, is a novel that defies easy categorization. At its heart, it is a comic narrative that intertwines the birth and life of its protagonist, Tristram Shandy, with the eccentric philosophies of his father Walter, and the military obsessions and amours of his Uncle Toby, among a host of other vivid characters like Dr Slop, Corporal Trim, and the parson Yorick.

This novel is celebrated for its boundless imagination, its wry humor, and its rich satire. Laurence Sterne masterfully weaves a story that is as much about the art of fiction itself as it is about the characters within. It is a joyful exploration of the endless possibilities of narrative, and a clever demonstration of its limitations.

The text and notes of this edition are based on the acclaimed Florida Edition, ensuring that readers have access to the best scholarship available. With a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition, this book represents a cornerstone of English literary history and a must-read for anyone interested in the evolution of the novel.

Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia) is a satirical work of fiction and political philosophy by Thomas More (1478–1535) published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

Don Quixote has become so entranced by reading chivalric romances that he determines to become a knight-errant himself. In the company of his faithful squire, Sancho Panza, his exploits blossom in all sorts of wonderful ways. While Quixote's fancy often leads him astray—he tilts at windmills, imagining them to be giants—Sancho acquires cunning and a certain sagacity. Sane madman and wise fool, they roam the world together, and together they have haunted readers' imaginations for nearly four hundred years.

With its experimental form and literary playfulness, Don Quixote has been generally recognized as the first modern novel. The book has been enormously influential on a host of writers, from Fielding and Sterne to Flaubert, Dickens, Melville, and Faulkner, who reread it once a year, just as some people read the Bible.