Daniel is a young, idealistic Human determined to make a difference for his people. He lives in a distant future in which Earth has been colonised by aliens. His mission: infiltrate the Alien government called the Hierarch and push for it to honour the infamous Covenant of Wellington, the founding agreement between the Hierarch and Humans.

Turncoat explores the trauma of Maori public servants and the deeply conflicted role they are expected to fill within the machinery of government. From casual racism to co-governance, Treaty settlements to tino rangatiratanga, Turncoat is a timely critique of the Aotearoa zeitgeist, holding a mirror up to Pakeha New Zealanders and asking: What if it happened to you?

Yellowface has been described as 'A riot' by PANDORA SYKES, 'Razor-sharp' by TIME, 'A wild ride' by STYLIST, 'Darkly comic' by GQ, and 'Satirical and humorous' by COSMOPOLITAN. It introduces us to Athena Liu, a literary darling, and June Hayward, literally nobody.

When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. With a blend of dark humour, as evidence threatens June's stolen success, she will discover exactly how far she will go to keep what she thinks she deserves, leading to deadly consequences. What happens next is entirely everyone else's fault.

Yellowface has been described as 'A riot' by PANDORA SYKES, 'Razor-sharp' by TIME, 'A wild ride' by STYLIST, 'Darkly comic' by GQ, and 'Satirical and humorous' by COSMOPOLITAN. It introduces us to Athena Liu, a literary darling, and June Hayward, literally nobody.

When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. With a blend of dark humour, as evidence threatens June's stolen success, she will discover exactly how far she will go to keep what she thinks she deserves, leading to deadly consequences. What happens next is entirely everyone else's fault.

Disorientation by Elaine Hsieh Chou is an outrageously hilarious and startlingly tender debut novel that captures a Taiwanese American woman's coming-of-consciousness amid chaos on a college campus.

Twenty-nine-year-old PhD student Ingrid Yang is on a mission to finish her dissertation on the late canonical poet Xiao-Wen Chou and move away from reading about 'Chinese-y' things. However, years of grueling research have left her with nothing but a junk food addiction and stomach pain. When Ingrid stumbles upon a curious note in the Chou archives, she believes she's found her escape from academic hell. But she's about to discover she's in over her head. Her attempts to decipher the note's message lead to a shocking revelation that turns her academic life and her understanding of the world outside upside down.

Joined by her friend Eunice Kim and pursued by her rival Vivian Vo, Ingrid finds herself on a wild ride of mishaps and misadventures, ranging from book burnings and hallucinations to protests and propaganda. As Ingrid's life spirals out of control, she begins to question her relationships with white men and white institutions, and ultimately, she must confront herself.

Disorientation is a searing satire of privilege and power in America, a deep dive into personal complicity, and a compelling story of unspoken rage. Elaine Hsieh Chou presents a provocative question: Who gets to tell our stories, and how does the narrative shift when we take the reins?

"The Loved One" is a delightful and dark satire that swirls together the cultural nuances of America and Britain. The story follows Dennis Barlow, a British expatriate and aspiring poet, who finds himself in the peculiar world of Hollywood.

After a failed stint as a screenwriter, Dennis takes up a job at a pet cemetery, much to the surprise of his fellow British expats. However, the community is soon distracted by the suicide of one of their own, and Dennis is tasked with arranging the funeral.

As the plot unfolds, Dennis enters the artificial paradise of the Whispering Glades Memorial Park, where he meets the beautiful Aimée Thanatogenos, a junior cosmetician, and the master embalmer, Mr. Joyboy. Can Dennis navigate the bizarre world of American-style death rituals and maintain his reputation among his countrymen?

This novel is a savage critique of the Anglo-American cultural divide, depicting a world where love, reputation, and death come at a very high cost. Join Dennis on this hilarious journey through the surreal landscape of Hollywood's funeral industry.

We Live in Water is a darkly comic and moving collection of short stories by New York Times bestselling author Jess Walter. This suite of diverse stories explores personal struggles and diminished dreams, marked by the author's wry wit and generosity of spirit, making him a favorite among booksellers and readers alike.

These stories range from comic tales of love to social satire and suspenseful crime fiction. Journey through hip Portland, once-hip Seattle, never-hip Spokane, a condemned casino in Las Vegas, and a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys, and men committing suicide by fishing.

In the title story, "We Live in Water," a lawyer returns to his corrupt hometown to find his father, who disappeared 30 years earlier. In "Thief," a blue-collar worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family fund. "Anything Helps" sees a homeless man trying to raise money to buy his son the new Harry Potter book. In "Virgo," a newspaper editor attempts to get back at his superstitious ex-girlfriend by screwing with her horoscope.

Also included are "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved cult status after their first publication online. This collection reveals Jess Walter as a ridiculously talented writer and one of the freshest voices in American literature.

In a not-too-distant future L.A. where master chefs rule the town like crime lords and people literally kill for a seat at the best restaurants, a bloody culinary war is raging.

On one side, the Internationalists, who blend foods from all over the world into exotic delights. On the other, the "Vertical Farm," who prepare nothing but organic, vegetarian, macrobiotic dishes. Into this maelstrom steps Jiro, a renegade and ruthless sushi chef, known to decapitate patrons who dare request a California Roll, or who stir wasabi into their soy sauce.

Both sides want Jiro to join their factions. Jiro, however, has bigger ideas, and in the end, no chef may be left alive!

Anthony Bourdain, top chef, acclaimed writer (Kitchen Confidential, Medium Raw) and star of the hit travel show, No Reservations, co-writes with Joel Rose (Kill Kill Faster Faster, The Blackest Bird) this stylized send-up of food culture and society, with detailed and dynamic art by Langdon Foss.

A bitingly funny grand tour of our culture of excess from an award-winning humorist. Whether David Rakoff is contrasting the elegance of one of the last flights of the supersonic Concorde with the good-times-and-chicken-wings populism of Hooters Air; working as a cabana boy at a South Beach hotel; or traveling to a private island off the coast of Belize to watch a soft-core video shoot—where he is provided with his very own personal manservant—rarely have greed, vanity, selfishness, and vapidity been so mercilessly skewered.

Somewhere along the line, our healthy self-regard has exploded into obliterating narcissism; our manic getting and spending have now become celebrated as moral virtues. Simultaneously a Wildean satire and a plea for a little human decency, Don’t Get Too Comfortable shows that far from being bobos in paradise, we’re in a special circle of gilded-age hell.

From This American Life alum David Rakoff comes a hilarious collection that single-handedly raises self-deprecation to an art form. Whether impersonating Sigmund Freud in a department store window during the holidays, climbing an icy mountain in cheap loafers, or learning primitive survival skills in the wilds of New Jersey, Rakoff clearly demonstrates how he doesn’t belong–nor does he try to.

In his debut collection of essays, Rakoff uses his razor-sharp wit and snarky humor to deliver a barrage of damaging blows that, more often than not, land squarely on his own jaw–hilariously satirizing the writer, not the subject. Joining the wry and the heartfelt, Fraud offers an object lesson in not taking life, or ourselves, too seriously.

Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

Animal Farm is a brilliant political satire and a powerful and affecting story of revolutions and idealism, power, and corruption. 'All animals are equal. But some animals are more equal than others.' Mr. Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm.

Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.

When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.