This edition features George Orwell's best known novels – 1984 and Animal Farm – with an introduction by Christopher Hitchens. In 1984, London is a grim city where Big Brother is always watching you and the Thought Police can practically read your mind.  Winston Smith joins a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be.

Animal Farm is Orwell's classic satire of the Russian Revolution -- an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm--a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

Corporal Carrot has been promoted! He's now in charge of the new recruits guarding Ankh-Morpork, Discworld's greatest city, from Barbarian Tribes, Miscellaneous Marauders, unlicensed Thieves, and such. It's a big job, particularly for an adopted dwarf. But an even bigger job awaits. An ancient document has just revealed that Ankh-Morpork, ruled for decades by Disorganized crime, has a secret sovereign! And his name is Carrot...

And so begins the most awesome epic encounter of all time, or at least all afternoon, in which the fate of a city—indeed of the universe itself!—depends on a young man's courage, an ancient sword's magic, and a three-legged poodle's bladder.

The Life and Opinions of Tristram Shandy, Gentleman, often regarded as one of the first examples of postmodern literature, is a novel that defies easy categorization. At its heart, it is a comic narrative that intertwines the birth and life of its protagonist, Tristram Shandy, with the eccentric philosophies of his father Walter, and the military obsessions and amours of his Uncle Toby, among a host of other vivid characters like Dr Slop, Corporal Trim, and the parson Yorick.

This novel is celebrated for its boundless imagination, its wry humor, and its rich satire. Laurence Sterne masterfully weaves a story that is as much about the art of fiction itself as it is about the characters within. It is a joyful exploration of the endless possibilities of narrative, and a clever demonstration of its limitations.

The text and notes of this edition are based on the acclaimed Florida Edition, ensuring that readers have access to the best scholarship available. With a critical introduction by Melvyn New and Christopher Ricks's introductory essay from the first Penguin Classics edition, this book represents a cornerstone of English literary history and a must-read for anyone interested in the evolution of the novel.

Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia) is a satirical work of fiction and political philosophy by Thomas More (1478–1535) published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society as described by the character Raphael Hythloday who lived there some years, who describes and its religious, social and political customs.

Don Quixote has become so entranced by reading chivalric romances that he determines to become a knight-errant himself. In the company of his faithful squire, Sancho Panza, his exploits blossom in all sorts of wonderful ways. While Quixote's fancy often leads him astray—he tilts at windmills, imagining them to be giants—Sancho acquires cunning and a certain sagacity. Sane madman and wise fool, they roam the world together, and together they have haunted readers' imaginations for nearly four hundred years.

With its experimental form and literary playfulness, Don Quixote has been generally recognized as the first modern novel. The book has been enormously influential on a host of writers, from Fielding and Sterne to Flaubert, Dickens, Melville, and Faulkner, who reread it once a year, just as some people read the Bible.

Gulliver's Travels describes the four voyages of Lemuel Gulliver, a ship's surgeon. In Lilliput he discovers a world in miniature; towering over the people and their city, he is able to view their society from the viewpoint of a god. However, in Brobdingnag, a land of giants, tiny Gulliver himself comes under observation, exhibited as a curiosity at markets and fairs.

In Laputa, a flying island, he encounters a society of speculators and projectors who have lost all grip on everyday reality; while they plan and calculate, their country lies in ruins. Gulliver's final voyage takes him to the land of the Houyhnhnms, gentle horses whom he quickly comes to admire - in contrast to the Yahoos, filthy bestial creatures who bear a disturbing resemblance to humans. This text, based on the first edition of 1726, reproduces all the original illustrations and includes an introduction by Robert Demaria, Jr, which discusses the ways Gulliver's Travels has been interpreted since its first publication.

Jonathan Swift (1667-1745) was born in Dublin. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Thelonius "Monk" Ellison is an erudite, accomplished but seldom-read author who insists on writing obscure literary papers rather than the so-called "ghetto prose" that would make him a commercial success. He finally succumbs to temptation after seeing the Oberlin-educated author of We's Lives in da Ghetto during her appearance on a talk show, firing back with a parody called My Pafology, which he submits to his startled agent under the gangsta pseudonym of Stagg R. Leigh.

Ellison quickly finds himself with a six-figure advance from a major house, a multimillion-dollar offer for the movie rights, and a monster bestseller on his hands. The money helps with a family crisis, allowing Ellison to care for his widowed mother as she drifts into the fog of Alzheimer's, but it doesn't ease the pain after his sister, a physician, is shot by right-wing fanatics for performing abortions.

The dark side of wealth surfaces when both the movie mogul and talk-show host demand to meet the nonexistent Leigh, forcing Ellison to don a disguise and invent a sullen, enigmatic character to meet the demands of the market. The final indignity occurs when Ellison becomes a judge for a major book award and My Pafology (title changed to Fuck) gets nominated, forcing the author to come to terms with his perverse literary joke.

Percival Everett's talent is multifaceted, sparked by a satiric brilliance that skewers the conventions of racial and political correctness. Erasure is a passionate exploration of identity, authenticity, and the literary world.

At 6'6" and 240lbs, Forrest Gump is difficult to ignore. This satire follows him from the football dynasties of Bear Bryant to Vietnam, and from encounters with Presidents Johnson and Nixon to pow-wows with Chairman Mao. It also takes in Harvard University, a Hollywood set, and a NASA mission.

Forrest Gump is line bred out of Voltaire and Huck Finn; its humour is wild and coarse, a satire right on the money. It is not the less honest for being so funny, for bringing the woebegone archangels of our culture and history to judgement. Anyone who doesn't read this book deserves to spend the winter in North Dakota (Jim Harrison)

A superbly controlled satire (The Washington Post)

Rollicking, bawdy... A good time... Poking fun at everything (People)

Winston Groom has created the ideal citizen for the modern world - a perfect idiot (P.J. O'Rourke)

Joyously madcap (Publishers Weekly)

From This American Life alum David Rakoff comes a hilarious collection that single-handedly raises self-deprecation to an art form. Whether impersonating Sigmund Freud in a department store window during the holidays, climbing an icy mountain in cheap loafers, or learning primitive survival skills in the wilds of New Jersey, Rakoff clearly demonstrates how he doesn’t belong–nor does he try to.

In his debut collection of essays, Rakoff uses his razor-sharp wit and snarky humor to deliver a barrage of damaging blows that, more often than not, land squarely on his own jaw–hilariously satirizing the writer, not the subject. Joining the wry and the heartfelt, Fraud offers an object lesson in not taking life, or ourselves, too seriously.

Considered by critics to be Barth's most distinguished masterpiece, The Sot-Weed Factor has acquired the status of a modern classic. Set in the late 1600s, it recounts the wildly chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem.

On his mission, Cooke experiences capture by pirates and Indians; the loss of his father's estate to roguish impostors; love for a farmer prostitute; stealthy efforts to rob him of his virginity, which he is (almost) determined to protect; and an extraordinary gallery of treacherous characters who continually switch identities. A hilarious, bawdy tribute to all the most insidious human vices, The Sot-Weed Factor has a lasting relevance for readers of all times.

Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

In Anthony Burgess's influential nightmare vision of the future, criminals take over after dark. Teen gang leader Alex narrates in fantastically inventive slang that echoes the violent intensity of youth rebelling against society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom.

This edition includes the controversial last chapter not published in the first edition, and Burgess’s introduction, “A Clockwork Orange Resucked.”

Revised from the rather long original complete works of Shakespeare, this abridged version is written by three Americans, with no qualifications worth speaking of. The playtext is reproduced here with footnotes which will be of no help to anyone and a letter from the authors to the Queen.

Breakfast of Champions is a story featuring one of Kurt Vonnegut's most beloved characters, the aging writer Kilgore Trout. Trout discovers, much to his dismay, that a Midwest car dealer has taken his fiction for reality. What ensues is a satirical romp that deftly critiques American society.

Vonnegut takes aim at war, sex, racism, success, politics, and environmental pollution, challenging the reader to see past the absurdity and recognize the underlying truths.

Galápagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave, new, and totally different human race. In this inimitable novel, America’s master satirist looks at our world and shows us all that is sadly, madly awry—and all that is worth saving.

Slaughterhouse-Five, an American classic and one of the world's great antiwar books, centers on the infamous World War II firebombing of Dresden. Kurt Vonnegut Jr. describes the novel as a result of a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. The novel combines elements of historical fiction, science fiction, autobiography, and satire in the life story of Billy Pilgrim.

Billy, a barber's son turned draftee turned optometrist turned alien abductee, experiences the destruction of Dresden as a POW. Unlike Vonnegut, he also experiences time travel, or coming "unstuck in time." An instant bestseller, Slaughterhouse-Five established Kurt Vonnegut Jr. as a cult hero in American literature, a status that has only strengthened over time despite censorship challenges. The novel's political edginess, genre-bending inventiveness, frank violence, and transgressive wit have inspired generations of readers to see the world differently and speak out.

More than fifty years after its initial publication during the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety remains darkly humorous and profoundly affecting, serving as an enduring beacon through our own era's uncertainties.

From the recipient of the 1998 Nobel Prize in Literature, a “brilliant...enchanting novel” (New York Times Book Review) of romance, deceit, religion, and magic set in eighteenth-century Portugal at the height of the Inquisition. When King and Church exercise absolute power, what happens to the dreams of ordinary people? In early eighteenth century Lisbon, Baltasar, a soldier who has lost a hand in battle, falls in love with Blimunda, a young girl with strange visionary powers. From the day that he follows her home from the auto-da-fe where her mother is condemned and sent into exile, the two are bound body and soul by a love of unassailable strength. A third party shares their supper that evening: Padre Bartolemeu Lourenço, whose fantasy is to invent a flying machine. As the inquisition rages and royalty and religion clash, they pursue his impossible, not to mention heretical, dream of flight.

Weaving together multiple storylines to present both breathtaking fiction and incisive commentary, renowned Portuguese writer and winner of the 1998 Nobel Prize in Literature, José Saramago spins an epic and captivating yarn, equal parts historical fiction, political satire, religious criticism, and whimsical romance. Hailed by USA Today as “an unexpected gem,” Baltasar and Blimunda is a captivating literary tour de force, full of magic and adventure, exquisite historical detail, and the power of both human folly and human will.

"Neighbours... hah. People'd live for ages side by side, nodding at one another amicably on their way to work, and then some trivial thing would happen and someone would be having a garden fork removed from their ear."

Throughout history, there's always been a perfectly good reason to start a war. Never more so if it is over a 'strategic' piece of old rock in the middle of nowhere. It is after all every citizen's right to bear arms to defend what they consider to be their own. Even if it isn't. And in such pressing circumstances, you really shouldn't let small details like the absence of an army or indeed the money to finance one get in the way of a righteous fight with all the attendant benefits of out-and-out nationalism...

"Anything you do in the past changes the future. The tiniest little actions have huge consequences. You might tread on an ant now and it might entirely prevent someone from being born in the future."

There's nothing like the issue of evolution to get under the skin of academics. Especially when those same academics are by chance or bad judgement deposited at a critical evolutionary turning point when one wrong move could have catastrophic results for the future. Unfortunately, in the hands of such an inept and cussed group of individuals, the sensitive issue of causality is sadly only likely to receive the same scant respect that they show to one another...

The Master and Margarita, recognized as one of the essential classics of modern Russian literature, is an audacious revision of the stories of Faust and Pontius Pilate. The novel's portrayal of Soviet life in the 1930s is so ferociously accurate that it could not be published during Bulgakov's lifetime, appearing only in a censored edition in the 1960s.

One hot spring, the devil arrives in Moscow, accompanied by a retinue including a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: the Master, a writer criticized for daring to write a novel about Christ and Pontius Pilate, and Margarita, who loves the Master so deeply that she is willing to go to hell for him.

A novel of inexhaustible energy, humor, and philosophical depth, Bulgakov's work emerges splendidly in this English translation, revealing its nuances for the first time.

An Arab and a Jew open a restaurant together across the street from the United Nations.... It sounds like the beginning of an ethnic joke, but it's the axis around which spins the long-awaited new Tom Robbins novel, a gutsy, fun-loving, and alarmingly provocative book in which a bean can philosophizes, a dessert spoon mystifies, a young waitress takes on the New York art world, and a rowdy redneck welder discovers the lost god of Palestine--while the illusions that obscure humanity's view of the true universe fall away, one by one, like Salome's veils. Or like the walls of the repeatedly bombed restaurant--for Isaac & Ishmael's, an experiment in international brotherhood, is assaulted by Arabs, Jews, and Christians alike (and not because of its lousy menu). Its greatest crisis, however, comes when it engenders a showdown between the Dance of the Seven Veils and the Super Bowl. Skinny Legs and All, Robbins's most political novel, is also his most controversial, dealing as it does--in Robins's audacious manner--with the most sensitive issues of the day: race, politics marriage, art, religion, money and lust. This time, the bestselling author of Jitterbug Perfume, Even Cowgirls Get the Blues, et al., is writing about the upcoming millennium as seen through the violently scratched lens of the Middle East. But though Jerusalem, ancient an new, is the book's spiritual and psychological setting, every scene but the last takes place in a contemporary America. Leave it to a daredevil like Tom Robbins to pull that one off. Skinny Legs and All lyrically weaves through what some call the "End Days" of our planet. Refusing to avert its gaze from the horrors of the apocalypse, it also refuses to let the alleged end of the world spoil its mood. And its mood is defiantly upbeat. In Skinny Legs and All, the reader will encounter some of the most unusual characters in all fiction, some of the most juicy phrases, some of the most intriguing stories, some of the most challenging ideas. Characters, phrases, stories, and ideas dance together on the page, wild and sexy, like Salome herself. Or was it Jezebel?

Patrick Bateman is twenty-six and he works on Wall Street. He is handsome, sophisticated, charming, and intelligent. He is also a psychopath. American Psycho takes us on a head-on collision with America's greatest dream—and its worst nightmare. It is a bleak, bitter, black comedy about a world we all recognize but do not wish to confront.

Through the eyes of Bateman, the novel explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. As Bateman moves among the young and trendy in 1980s Manhattan, his outward success conceals a soul preoccupied with torture and murder, prefiguring an apocalyptic horror that no society could bear to confront.

In a comic masterpiece following the misadventures of a simple but hugely ambitious waiter in pre-World War II Prague, who rises to wealth only to lose everything with the onset of Communism, Bohumil Hrabal takes us on a tremendously funny and satirical trip through 20th-century Czechoslovakia.

First published in 1971 in a typewritten edition, then finally printed in book form in 1989, I Served the King of England is an extraordinary and subtly tragicomic novel, telling the tale of Ditie, a hugely ambitious but simple waiter in a deluxe Prague hotel in the years before World War II. Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.

Man discovers a species of giant, intelligent newts and learns to exploit them so successfully that the newts gain skills and arms enough to challenge man's place at the top of the animal kingdom. Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

A Confederacy of Dunces is a tragicomic tale featuring the unforgettable Ignatius J. Reilly, a 30-year-old medievalist who lives with his mother in New Orleans. Ignatius' life of leisure is disrupted by a series of misadventures, beginning with a near-arrest and a car accident involving his inebriated mother. As Ignatius is thrust into the working world, he turns his employers at the Levy Pants Company upside down.

The narrative is populated by a cast of marvelous secondary characters, including a stripper with a talented cockatoo, a septuagenarian secretary, a gay blade, a sinister nightclub owner, and Myrna Minkoff, the girl Ignatius loves to loathe. Ignatius' journey is a modern-day quixotic quest against the forces of modernity and ignorance, making him a giant of comedic proportions in a world that seems too small to contain him.

Author John Kennedy Toole showcases a New Orleans that teems with life and energy, crafting a story that is as complex and vibrant as anything found in Dickens. Despite its comic surface, the novel reveals a deep melancholy beneath its hero's bluster, making Ignatius not just a figure of fun but a character with whom readers can sympathize.

Catch-22 is set during World War II, from 1942 to 1944, and follows the life of Captain John Yossarian, a U.S. Army Air Forces B-25 bombardier. The narrative primarily takes place while the fictional 256th Squadron is based on the island of Pianosa, in the Mediterranean Sea, west of Italy.

The book delves into Yossarian's experiences and those of his fellow airmen as they strive to maintain their sanity amidst the chaos of war, with the overarching goal of fulfilling their service requirements to return home.

Catch-22 is renowned for its unique blend of hilarity and horror, its originality, and its powerful vitality. It presents a microcosm of the twentieth-century world as perceived by someone dangerously sane, offering both outrageous humor and a poignant reflection on the human condition.

Our Mutual Friend is a satiric masterpiece about the allure and peril of money, revolving around the inheritance of a dust-heap where the rich discard their trash. When the body of John Harmon, the dust-heap’s expected heir, is found in the Thames, fortunes change hands in unexpected ways, elevating "Noddy" Boffin from a low-born but kindly clerk to "the Golden Dustman."

As Charles Dickens’s last complete novel, Our Mutual Friend delves into the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With a flavorful cast of characters and numerous subplots, it stands as one of Dickens’s most complex—and satisfying—novels.

Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime—and brings about his own downfall.

The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien—the cold exploiter whose Machiavellian campaign is undercut by his own emotions—is one of the most intriguing characters in European literature.

Vanity Fair is William Makepeace Thackeray's classic tale of class, society, and corruption. No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George.

As the two heroines make their way through the tawdry glamour of Regency society, battles—military and domestic—are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin with his devotion to Amelia, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

Coward, scoundrel, lover, and cheat, but there is no better man to go into the jungle with. Join Flashman in his adventures as he survives fearful ordeals and outlandish perils across the four corners of the world.

Can a man be all bad? When Harry Flashman’s adventures as the reluctant secret agent in Afghanistan lead him to join the exclusive company of Lord Cardigan’s Hussars and play a part in the disastrous Retreat from Kabul, it culminates in the rascal’s finest – and most dishonest – turn.

Second only to Slaughterhouse-Five of Vonnegut's canon in its prominence and influence, God Bless You, Mr. Rosewater (1965) presents Eliot Rosewater, an itinerant, semi-crazed millionaire wandering the country in search of heritage and philanthropic outcome, introducing the science fiction writer Kilgore Trout to the world and Vonnegut to the collegiate audience which would soon make him a cult writer.

Trout, modeled according to Vonnegut on the science fiction writer Theodore Sturgeon (with whom Vonnegut had an occasional relationship) is a desperate, impoverished but visionary hack writer who functions for Eliot Rosewater as both conscience and horrid example. Rosewater, seeking to put his inheritance to some meaningful use (his father was an entrepreneur), tries to do good within the context of almost illimitable cynicism and corruption.

It is in this novel that Rosewater wanders into a science fiction conference--an actual annual event in Milford, Pennsylvania--and at the motel delivers his famous monologue evoked by science fiction writers and critics for almost half a century: "None of you can write for sour apples... but you're the only people trying to come to terms with the really terrific things which are happening today." Money does not drive Mr. Rosewater (or the corrupt lawyer who tries to shape the Rosewater fortune) so much as outrage at the human condition.

The novel was adapted for a 1979 Alan Menken musical. The novel is told mostly through a collection of short stories dealing with Eliot's interactions with the citizens of Rosewater County, usually with the last sentence serving as a punch line. The antagonist's tale, Mushari's, is told in a similar short essay fashion. The stories reveal different hypocrisies of humankind in a darkly humorous fashion.

Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it. Dr Felix Hoenikker, one of the founding 'fathers' of the atomic bomb, has left a deadly legacy to the world. For he's the inventor of 'ice-nine', a lethal chemical capable of freezing the entire planet.

The search for its whereabouts leads to Hoenikker's three eccentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker's Death Wish comes true when his last, fatal gift to humankind brings about the end, that for all of us, is nigh...

George F. Babbitt is a middle-aged realtor, family man, and resident of Zenith, a fictitious Midwestern city. His main preoccupation is to climb the social ladder by conforming to the norms of his environment. The novel depicts his daily routines and occasional misadventures in an unorthodox writing style, where the protagonist appears altogether foolish, funny, and pathetic. This work was both celebrated as an incisive satire of American culture and criticized as an exaggeration, but was ultimately influential in Sinclair Lewis being awarded the 1930 Nobel Prize in Literature.

Animal Farm is a brilliant political satire and a powerful and affecting story of revolutions and idealism, power, and corruption. 'All animals are equal. But some animals are more equal than others.' Mr. Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm.

Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.

When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.