At 6'6" and 240lbs, Forrest Gump is difficult to ignore. This satire follows him from the football dynasties of Bear Bryant to Vietnam, and from encounters with Presidents Johnson and Nixon to pow-wows with Chairman Mao. It also takes in Harvard University, a Hollywood set, and a NASA mission.

Forrest Gump is line bred out of Voltaire and Huck Finn; its humour is wild and coarse, a satire right on the money. It is not the less honest for being so funny, for bringing the woebegone archangels of our culture and history to judgement. Anyone who doesn't read this book deserves to spend the winter in North Dakota (Jim Harrison)

A superbly controlled satire (The Washington Post)

Rollicking, bawdy... A good time... Poking fun at everything (People)

Winston Groom has created the ideal citizen for the modern world - a perfect idiot (P.J. O'Rourke)

Joyously madcap (Publishers Weekly)

Ella Minnow Pea is a girl living happily on the fictional island of Nollop off the coast of South Carolina. Nollop was named after Nevin Nollop, the author of the immortal pangram, "The quick brown fox jumps over the lazy dog."

Now, Ella finds herself acting to save her friends, family, and fellow citizens from the encroaching totalitarianism of the island's Council, which has banned the use of certain letters of the alphabet as they fall from a memorial statue of Nevin Nollop.

As the letters progressively drop from the statue, they also disappear from the novel. The result is both a hilarious and moving story of one girl's fight for freedom of expression, as well as a linguistic tour de force sure to delight word lovers everywhere.

Frances Burney's first and most enduringly popular novel is a vivid, satirical, and seductive account of the pleasures and dangers of fashionable life in late eighteenth-century London. As she describes her heroine's entry into society, womanhood, and, inevitably, love, Burney exposes the vulnerability of female innocence in an image-conscious and often cruel world where social snobbery and sexual aggression are played out in the public arenas of pleasure-gardens, theatre visits, and balls.

But Evelina's innocence also makes her a shrewd commentator on the excesses and absurdities of manners and social ambitions—as well as attracting the attention of the eminently eligible Lord Orville. Evelina, comic and shrewd, is at once a guide to fashionable London, a satirical attack on the new consumerism, an investigation of women's position in the late eighteenth century, and a love story.

Interesting Times: The Play is a new stage adaptation of one of Pratchett's best-selling novels. The Discworld's most inept wizard, Rincewind, has been sent from Unseen University in Ankh-Morpork to the oppressive Agatean Empire to help some well-intentioned rebels overthrow the Emperor.

He's assisted by toy-rabbit-wielding rebels, an army of terracotta warriors, a tax gatherer, and a group of seven very elderly barbarian heroes led by Cohen the Barbarian. Opposing him, though, is the evil and manipulative Lord Hong and his army of 750,000 men.

Rincewind is also aided by Twoflower—Discworld's first tourist and the author of a subversive book about his visit to Ankh-Morpork, which has inspired the rebels in their struggle for freedom. The book is called What I Did On My Holidays.

The Prince of Darkness has been given one last shot at redemption, provided he can live out a reasonably blameless life on Earth. Highly sceptical, naturally, the Old Dealmaker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh.

The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts - to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him.

Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.

Glen Duncan's brilliantly written novel is an investigation of the world of the senses - the seductiveness of evil, and the affection which keeps us human.

From This American Life alum David Rakoff comes a hilarious collection that single-handedly raises self-deprecation to an art form. Whether impersonating Sigmund Freud in a department store window during the holidays, climbing an icy mountain in cheap loafers, or learning primitive survival skills in the wilds of New Jersey, Rakoff clearly demonstrates how he doesn’t belong–nor does he try to.

In his debut collection of essays, Rakoff uses his razor-sharp wit and snarky humor to deliver a barrage of damaging blows that, more often than not, land squarely on his own jaw–hilariously satirizing the writer, not the subject. Joining the wry and the heartfelt, Fraud offers an object lesson in not taking life, or ourselves, too seriously.

Considered by critics to be Barth's most distinguished masterpiece, The Sot-Weed Factor has acquired the status of a modern classic. Set in the late 1600s, it recounts the wildly chaotic odyssey of hapless, ungainly Ebenezer Cooke, sent to the New World to look after his father's tobacco business and to record the struggles of the Maryland colony in an epic poem.

On his mission, Cooke experiences capture by pirates and Indians; the loss of his father's estate to roguish impostors; love for a farmer prostitute; stealthy efforts to rob him of his virginity, which he is (almost) determined to protect; and an extraordinary gallery of treacherous characters who continually switch identities. A hilarious, bawdy tribute to all the most insidious human vices, The Sot-Weed Factor has a lasting relevance for readers of all times.

If we could only put aside our civil pose and say what we really thought, the world would be a lot like the one alluded to in The Unabridged Devil’s Dictionary. There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another."

This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history.

A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth.

This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised.

Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

I am confiding this manuscript to space, not with the intention of saving myself, but to help, perhaps, to avert the appalling scourge that is menacing the human race. Lord have pity on us!

With these words, Pierre Boulle hurtles the reader onto the Planet of the Apes. In this simian world, civilization is turned upside down: apes are men and men are apes; apes rule and men run wild; apes think, speak, produce, wear clothes, and men are speechless, naked, exhibited at fairs, used for biological research. On the planet of the apes, man, having reached to apotheosis of his genius, has become inert.

To this planet come a journalist and a scientist. The scientist is put into a zoo, the journalist into a laboratory. Only the journalist retains the spiritual strength and creative intelligence to try to save himself, to fight the appalling scourge, to remain a man.

Out of this situation, Pierre Boulle has woven a tale as harrowing, bizarre, and meaningful as any in the brilliant roster of this master storyteller. With his customary wit, irony, and disciplined intellect and style, the author of The Bridge Over the River Kwai tells a swiftly moving story dealing with man's conflicts, and takes the reader into a suspenseful and strangely fascinating orbit.

Victor Mancini, a medical-school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

Man and Superman is a powerful drama of ideas by George Bernard Shaw, first written in 1901. Shaw intended to encapsulate the new century's intellectual inheritance by drawing inspiration from a wide range of sources, including Byron's verse satire, Shakespeare, and authors such as Conan Doyle and Kipling.

The play explores the role of the artist, the function of women in society, and Shaw's theory of Creative Evolution. It is a satirical and buoyant exposé of the eternal struggle between the sexes, combining seriousness with comedy. The drama follows the story of Ann Whitefield, who becomes the joint ward of two men: the respectable Roebuck Ramsden and John Tanner, author of "The Revolutionist’s Handbook." Believing marriage would prevent him from achieving his higher intellectual and political ambitions, Tanner is horrified to discover that Ann intends to marry him. He flees to Spain, with the determined young woman in hot pursuit.

The chase leads them to the underworld, where the characters’ alter egos engage in a lively debate on human nature and philosophy in a scene often performed separately as "Don Juan in Hell." Shaw combines elements of comedy and serious philosophical discourse to create a work that remains a classic of twentieth-century English theatre.

London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you."

On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra—a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.

In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all—that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end—a "happy" ending that poses tough questions about just how happy it really is.

That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

In this bitterly funny novel by the renowned Polish author Witold Gombrowicz, a writer finds himself tossed into a chaotic world of schoolboys by a diabolical professor who wishes to reduce him to childishness.

Originally published in Poland in 1937, Ferdydurke became an instant literary sensation and catapulted the young author to fame. Deemed scandalous and subversive by Nazis, Stalinists, and the Polish Communist regime in turn, the novel (as well as all of Gombrowicz's other works) was officially banned in Poland for decades.

It has nonetheless remained one of the most influential works of twentieth-century European literature. Ferdydurke is translated here directly from the Polish for the first time. Danuta Borchardt deftly captures Gombrowicz's playful and idiosyncratic style, and she allows English speakers to experience fully the masterpiece of a writer whom Milan Kundera describes as "one of the great novelists of our century."

Martin Chuzzlewit is Charles Dickens' powerful black comedy that delves into themes of hypocrisy and greed. The story follows the lives of two Chuzzlewits, Martin and Jonas, who embody the characteristic Chuzzlewit selfishness.

Set partly in America, a country Dickens visited in 1842, the novel features a searing satire on the United States. It contrasts the diverse fates of moral redemption and worldly success for one, with increasingly desperate crime for the other.

This engaging tale is laced with blackmail and features some of Dickens' most grotesque characters, including the infamous Mrs. Gamp. With its vivid portrayal of family dynamics and societal conventions, Martin Chuzzlewit remains a timeless classic.

In Anthony Burgess's influential nightmare vision of the future, criminals take over after dark. Teen gang leader Alex narrates in fantastically inventive slang that echoes the violent intensity of youth rebelling against society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom.

This edition includes the controversial last chapter not published in the first edition, and Burgess’s introduction, “A Clockwork Orange Resucked.”

Joe Mondragon, a feisty hustler with a talent for trouble, slammed his battered pickup to a stop, tugged on his gumboots, and marched into the arid patch of ground. Carefully (and also illegally), he tapped into the main irrigation channel. And so began—though few knew it at the time—the Milagro beanfield war.

But like everything else in the dirt-poor town of Milagro, it would be a patchwork war, fought more by tactical retreats than by battlefield victories. Gradually, the small farmers and sheepmen begin to rally to Joe's beanfield as the symbol of their lost rights and their lost lands.

And downstate in the capital, the Anglo water barons and power brokers huddle in urgent conference, intent on destroying that symbol before it destroys their multimillion-dollar land-development schemes.

The tale of Milagro's rising is wildly comic and lovingly tender, a vivid portrayal of a town that, half-stumbling and partly prodded, gropes its way toward its own stubborn salvation.

Revised from the rather long original complete works of Shakespeare, this abridged version is written by three Americans, with no qualifications worth speaking of. The playtext is reproduced here with footnotes which will be of no help to anyone and a letter from the authors to the Queen.

Dr. Tom More has created a unique invention: a stethoscope of the human spirit. With this remarkable device, he embarks on an unforgettable odyssey to cure mankind's spiritual flu.

This novel confronts the value of life and its susceptibility to chance and ruin. Set amid the decadence and polarization of a future American society, it is a journey through the complexities of the human psyche, highlighting both its potential and its pitfalls.

The great Irish humorist and writer Flann O'Brien, aka Brian O'Nolan, aka Myles na Gopaleen, also wrote a newspaper column called "Cruiskeen Lawn". The Best of Myles collects the best and funniest, covering such subjects as plumbers, the justice system, and improbable inventions.

Breakfast of Champions is a story featuring one of Kurt Vonnegut's most beloved characters, the aging writer Kilgore Trout. Trout discovers, much to his dismay, that a Midwest car dealer has taken his fiction for reality. What ensues is a satirical romp that deftly critiques American society.

Vonnegut takes aim at war, sex, racism, success, politics, and environmental pollution, challenging the reader to see past the absurdity and recognize the underlying truths.

Deadeye Dick is Kurt Vonnegut’s funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors—a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb—Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness.

Here is a tale of crime and punishment that makes us rethink what we believe and who we say we are. It's a darkly comedic narrative that challenges our perceptions and invites us to explore the chaotic dance of fate and consequence.

Slapstick presents an apocalyptic vision as seen through the eyes of the current King of Manhattan (and last President of the United States). It's a wickedly irreverent look at the all-too-possible results of today’s follies.

But even the end of life-as-we-know-it is transformed by Kurt Vonnegut’s pen into hilarious farce—a final slapstick that may be the Almighty’s joke on us all.

Main Street, the story of an idealistic young woman's attempts to reform her small town, brought Sinclair Lewis immediate acclaim when it was published in 1920. It remains one of the essential texts of the American scene.

Carol Milford dreams of living in a small, rural town. But Gopher Prairie, Minnesota, isn't the paradise she'd imagined. As a work of social satire, this complex and compelling look at small-town America in the early 20th century has earned its place among the classics.

Satirizing small-town life, Main Street is perhaps Sinclair Lewis's most famous book, contributing to his eventual Nobel Prize for Literature. It relates the life and struggles of Carol Milford Kennicott as she comes into conflict with the small-town mentality of the residents of Gopher Prairie.

Galápagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galápagos Islands are about to become the progenitors of a brave, new, and totally different human race. In this inimitable novel, America’s master satirist looks at our world and shows us all that is sadly, madly awry—and all that is worth saving.

Slaughterhouse-Five, an American classic and one of the world's great antiwar books, centers on the infamous World War II firebombing of Dresden. Kurt Vonnegut Jr. describes the novel as a result of a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. The novel combines elements of historical fiction, science fiction, autobiography, and satire in the life story of Billy Pilgrim.

Billy, a barber's son turned draftee turned optometrist turned alien abductee, experiences the destruction of Dresden as a POW. Unlike Vonnegut, he also experiences time travel, or coming "unstuck in time." An instant bestseller, Slaughterhouse-Five established Kurt Vonnegut Jr. as a cult hero in American literature, a status that has only strengthened over time despite censorship challenges. The novel's political edginess, genre-bending inventiveness, frank violence, and transgressive wit have inspired generations of readers to see the world differently and speak out.

More than fifty years after its initial publication during the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety remains darkly humorous and profoundly affecting, serving as an enduring beacon through our own era's uncertainties.

The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist, Charles Croker, once a college football star, is now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality.

Charlie has a 29,000-acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.

Meanwhile, Conrad Hensley, an idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.

Back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.

Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to this hilarious and telling novel — Tom Wolfe’s most outstanding achievement to date.

From the recipient of the 1998 Nobel Prize in Literature, a “brilliant...enchanting novel” (New York Times Book Review) of romance, deceit, religion, and magic set in eighteenth-century Portugal at the height of the Inquisition. When King and Church exercise absolute power, what happens to the dreams of ordinary people? In early eighteenth century Lisbon, Baltasar, a soldier who has lost a hand in battle, falls in love with Blimunda, a young girl with strange visionary powers. From the day that he follows her home from the auto-da-fe where her mother is condemned and sent into exile, the two are bound body and soul by a love of unassailable strength. A third party shares their supper that evening: Padre Bartolemeu Lourenço, whose fantasy is to invent a flying machine. As the inquisition rages and royalty and religion clash, they pursue his impossible, not to mention heretical, dream of flight.

Weaving together multiple storylines to present both breathtaking fiction and incisive commentary, renowned Portuguese writer and winner of the 1998 Nobel Prize in Literature, José Saramago spins an epic and captivating yarn, equal parts historical fiction, political satire, religious criticism, and whimsical romance. Hailed by USA Today as “an unexpected gem,” Baltasar and Blimunda is a captivating literary tour de force, full of magic and adventure, exquisite historical detail, and the power of both human folly and human will.

"Neighbours... hah. People'd live for ages side by side, nodding at one another amicably on their way to work, and then some trivial thing would happen and someone would be having a garden fork removed from their ear."

Throughout history, there's always been a perfectly good reason to start a war. Never more so if it is over a 'strategic' piece of old rock in the middle of nowhere. It is after all every citizen's right to bear arms to defend what they consider to be their own. Even if it isn't. And in such pressing circumstances, you really shouldn't let small details like the absence of an army or indeed the money to finance one get in the way of a righteous fight with all the attendant benefits of out-and-out nationalism...

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage à la mode, Marian discovers, is something she literally can't stomach...

The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and the desire to be consumed. This groundbreaking work of fiction is marked by blazingly surreal humor and a colorful cast of eccentric characters.

"Anything you do in the past changes the future. The tiniest little actions have huge consequences. You might tread on an ant now and it might entirely prevent someone from being born in the future."

There's nothing like the issue of evolution to get under the skin of academics. Especially when those same academics are by chance or bad judgement deposited at a critical evolutionary turning point when one wrong move could have catastrophic results for the future. Unfortunately, in the hands of such an inept and cussed group of individuals, the sensitive issue of causality is sadly only likely to receive the same scant respect that they show to one another...

Before his brain began to shrink, Barney Panofsky clung to two cherished beliefs: Life was absurd, and nobody truly understood anybody else. Even his friends tend to agree that Barney is a wife-abuser, an intellectual fraud, a purveyor of pap, a drunk with a penchant for violence and probably a murderer. But when his sworn enemy threatens to publish this calumny, Barney is driven to write his own memoirs, rewinding the spool of his life, editing, selecting, and plagiarising, as his memory plays tricks on him—and on the reader.

Ebullient and perverse, he has seen off three wives: the enigmatic Clara, whom he drove to suicide in Paris in 1952; the garrulous Second Mrs. Panofsky; and finally Miriam, who stayed married to him for decades before running off with a sober academic. Houdini-like, Barney slides from crisis to success, from lowlife to highlife in Montreal, Paris, and London, his outrageous exploits culminating in the scandal he carries around like a humpback—the murder charge that he goes on denying to the end.

Bob Slocum was living the American dream. He had a beautiful wife, three lovely children, a nice house... and all the mistresses he desired. He had it all — all, that is, but happiness. Slocum was discontent. Inevitably, inexorably, his discontent deteriorated into desolation until... something happened.

Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain — recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.

Aldous Huxley's lifelong concern with the dichotomy between passion and reason finds its fullest expression both thematically and formally in his masterpiece Point Counter Point. By presenting a vision of life in which diverse aspects of experience are observed simultaneously, Huxley characterizes the symptoms of the disease of the modern man in the manner of a composer—themes and characters are repeated, altered slightly, and played off one another in a tone that is at once critical and sympathetic.

First published in 1928, Huxley's satiric view of intellectual life in the '20s is populated with characters based on such celebrities as D.H. Lawrence, Katherine Mansfield, Nancy Cunard, and John Middleton Murry, as well as Huxley himself.

Topanga Canyon is home to two couples on a collision course. Los Angeles liberals Delaney and Kyra Mossbacher lead an ordered sushi-and-recycling existence in a newly gated hilltop community: he a sensitive nature writer, she an obsessive realtor. Mexican immigrants Candido and America Rincon desperately cling to their vision of the American Dream as they fight off starvation in a makeshift camp deep in the ravine. And from the moment a freak accident brings Candido and Delaney into intimate contact, these four and their opposing worlds gradually intersect in what becomes a tragicomedy of error and misunderstanding.

Youth in Revolt is the journals of Nick Twisp, California's most precocious diarist. Over the course of six months, Nick faces the trials and tribulations of teenage life, including high school struggles, divorced parents, and the quest to lose his virginity.

Nick's transformation from an unassuming fourteen-year-old to a modern youth in open revolt is both hilarious and poignant. As his family splinters and worlds collide, Nick must navigate economic deprivation, homelessness, and the challenges of public school. With a competitive Type-A father and murderous canines (in triplicate), his life is anything but ordinary.

All the while, Nick ardently vies for the affections of the beautiful Sheeni Saunders, a teenage goddess and ultimate intellectual goad. This rollercoaster of teenage angst is a satirical take on adolescence, filled with witty humor and unexpected adventures.

Once regarded as a brilliant eccentric whose works skirted the outer fringes of English art and literature, William Blake (1757–1827) is today recognized as a major poet, a profound thinker, and one of the most original and exciting English artists. Nowhere is his glorious poetic and pictorial legacy more evident than in The Marriage of Heaven and Hell, which many consider his most inspired and original work.

The Marriage of Heaven and Hell is both a humorous satire on religion and morality and a work that concisely expresses Blake's essential wisdom and philosophy. Much of it is revealed in the 70 aphorisms of his "Proverbs of Hell." This beautiful edition, reproduced from a rare facsimile, invites readers to enjoy the rich character of Blake's own hand-printed text along with his deeply stirring illustrations, reproduced on 27 full-color plates. A typeset transcription of the text is included.

Riotous Assembly is a blazing satire of South African apartheid, penned by the master of comic fiction, Tom Sharpe. This novel combines the slapstick comedy and extreme irony that Sharpe is renowned for, providing a lacerating account of the Hazelstone family's war against the police force of a provincial town in South Africa during apartheid.

The story unfolds with Miss Hazelstone of Jacaranda Park committing a sensational crime passionel by killing her Zulu cook. The gallant members of the South African police force are soon on the scene, including Kommandant van Heerden, whose secret longing for the heart of an English gentleman leads to the most memorable transplant operation yet recorded.
Luitenant Verkramp of the Security Branch is ever active in the pursuit of Communist cells, while Konstabel Els has a propensity for shooting first and not thinking later.

In the course of the strange events that follow, readers encounter some very esoteric perversions when the Kommandant is held captive in Miss Hazelstone's remarkable rubber room, and some even more amazing perversions of justice when Miss Hazelstone's brother, the Bishop of Barotseland, is sentenced to be hanged on the ancient gallows in the local prison.

This novel provides a completely fresh approach to the South African scene—an approach startling in its deadpan savagery and yet also outrageously funny.

Murphy, Samuel Beckett's first published novel, was written in English and published in London in 1938. Beckett himself subsequently translated the book into French, and it was published in France in 1947. The novel recounts the hilarious but tragic life of Murphy in London as he attempts to establish a home and to amass sufficient fortune for his intended bride to join him.

Set in London and Dublin, during the first decades of the Irish Republic, the title character loves Celia in a “striking case of love requited” but must first establish himself in London before his intended bride will make the journey from Ireland to join him. Beckett comically describes the various schemes that Murphy employs to stretch his meager resources and the pastimes that he uses to fill the hours of his days.

Eventually, Murphy lands a job as a nurse at Magdalen Mental Mercyseat hospital, where he is drawn into the mad world of the patients which ends in a fateful game of chess. While grounded in the comedy and absurdity of much of daily life, Beckett’s work is also an early exploration of themes that recur throughout his entire body of work including sanity and insanity and the very meaning of life.

The Master and Margarita, recognized as one of the essential classics of modern Russian literature, is an audacious revision of the stories of Faust and Pontius Pilate. The novel's portrayal of Soviet life in the 1930s is so ferociously accurate that it could not be published during Bulgakov's lifetime, appearing only in a censored edition in the 1960s.

One hot spring, the devil arrives in Moscow, accompanied by a retinue including a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: the Master, a writer criticized for daring to write a novel about Christ and Pontius Pilate, and Margarita, who loves the Master so deeply that she is willing to go to hell for him.

A novel of inexhaustible energy, humor, and philosophical depth, Bulgakov's work emerges splendidly in this English translation, revealing its nuances for the first time.

J R is the long-awaited novel from William Gaddis, author of The Recognitions, that tremendous book which, in the twenty years since its publication, has come to be acknowledged as an American masterpiece. And J R is a book of comparable magnitude, substance, and humor—a rushing, raucous look at money and its influence, at love and its absence, at success and its failures, in the magnificently orchestrated circus of all its larger- and smaller-than-life characters; a frantic, forlorn comedy about who uses—and misuses—whom.

At the center: J R, ambitious sixth-grader in torn sneakers, bred on the challenge of "free enterprise" and fired by heady mail-order promises of "success." His teachers would rather be elsewhere, his principal doubles as a bank president, his Long Island classroom mirrors the world he sees around him—a world of public relations and private betrayals where everything (and everyone) wears a price tag, a world of "deals" where honesty is no substitute for experience, and the letter of the law flouts its spirit at every turn.

Operating from the remote anonymity of phone booths and the local post office, with beachheads in a seedy New York cafeteria and a catastrophic, carton-crammed tenement on East 96th Street, J R parlays a deal for thousands of surplus Navy picnic forks through penny stock flyers and a distant textile-mill bankruptcy into a nationwide, hydra-headed "family of companies."

The J R Corp and its Boss engulf brokers, lawyers, Congressmen, disaffected school teachers and disenfranchised Indians, drunks, divorcées, second-hand generals, and a fledgling composer hopelessly entangled in a nightmare marriage of business and the arts. Their bullish ventures—shaky mineral claims and gas leases, cost-plus defense contracts, a string of nursing homes cum funeral parlors, a formula for frozen music—burgeon into a paper empire ranging from timber to textiles, from matchbooks to (legalized) marijuana, from prostheses to publishing, inadvertently crushing hopes, careers, an entire town, on a collision course with the bigger world... the pragmatic Real World where the business of America is business, where the stock market exists as a convenience, and the tax laws make some people more equal than others... the world that makes the rules because it plays to win, and plays for keeps.

Absurdly logical, mercilessly real, gathering its own tumultuous momentum for the ultimate brush with commodity trading when the drop in pork belly futures masks the crumbling of our own, J R captures the reader in the cacophony of voices that revolves around this young captive of his own myths—voices that dominate the book, talking to each other, at each other, into phones, on intercoms, from TV screens and radios—a vast mosaic of sound that sweeps the reader into the relentless "real time" of spoken words in a way unprecedented in modern fiction.

The disturbing clarity with which this finished writer captures the ways in which we deal, dissemble, stumble through our words—through our lives—while the real plans are being made elsewhere makes J R the extraordinary novel that it is.

The dazzling and exuberant moral stories of Rabelais (c.1471-1553) expose human follies with their mischievous and often obscene humour, while intertwining the realistic with carnivalesque fantasy to make us look afresh at the world.

Gargantua depicts a young giant, reduced to laughable insanity by an education at the hands of paternal ignorance, old crones, and syphilitic professors, who is rescued and turned into a cultured Christian knight.

In Pantagruel and its three sequels, Rabelais parodied tall tales of chivalry and satirized the law, theology, and academia to portray the bookish son of Gargantua who becomes a Renaissance Socrates, divinely guided in his wisdom, and his idiotic, self-loving companion Panurge.

An Arab and a Jew open a restaurant together across the street from the United Nations.... It sounds like the beginning of an ethnic joke, but it's the axis around which spins the long-awaited new Tom Robbins novel, a gutsy, fun-loving, and alarmingly provocative book in which a bean can philosophizes, a dessert spoon mystifies, a young waitress takes on the New York art world, and a rowdy redneck welder discovers the lost god of Palestine--while the illusions that obscure humanity's view of the true universe fall away, one by one, like Salome's veils. Or like the walls of the repeatedly bombed restaurant--for Isaac & Ishmael's, an experiment in international brotherhood, is assaulted by Arabs, Jews, and Christians alike (and not because of its lousy menu). Its greatest crisis, however, comes when it engenders a showdown between the Dance of the Seven Veils and the Super Bowl. Skinny Legs and All, Robbins's most political novel, is also his most controversial, dealing as it does--in Robins's audacious manner--with the most sensitive issues of the day: race, politics marriage, art, religion, money and lust. This time, the bestselling author of Jitterbug Perfume, Even Cowgirls Get the Blues, et al., is writing about the upcoming millennium as seen through the violently scratched lens of the Middle East. But though Jerusalem, ancient an new, is the book's spiritual and psychological setting, every scene but the last takes place in a contemporary America. Leave it to a daredevil like Tom Robbins to pull that one off. Skinny Legs and All lyrically weaves through what some call the "End Days" of our planet. Refusing to avert its gaze from the horrors of the apocalypse, it also refuses to let the alleged end of the world spoil its mood. And its mood is defiantly upbeat. In Skinny Legs and All, the reader will encounter some of the most unusual characters in all fiction, some of the most juicy phrases, some of the most intriguing stories, some of the most challenging ideas. Characters, phrases, stories, and ideas dance together on the page, wild and sexy, like Salome herself. Or was it Jezebel?

If the Marquis de Sade were to crash one of P.G. Wodehouse's house parties, the chaos might resemble the nightmarishly funny goings-on in this novel by the author of London Fields.

The residents of Appleseed Rectory have primed themselves both for a visit from a triad of Americans and a weekend of copious drug taking and sexual gymnastics. There's even a heifer to be slugged and a pair of doddering tenants to be ingeniously harassed.

But none of these variously bright and dull young things has counted on the intrusion of "dead babies" — dreary spasms of reality. Or on the uninvited presence of a mysterious prankster named Johnny, whose sinister idea of fun makes theirs look like a game of backgammon.

Patrick Bateman is twenty-six and he works on Wall Street. He is handsome, sophisticated, charming, and intelligent. He is also a psychopath. American Psycho takes us on a head-on collision with America's greatest dream—and its worst nightmare. It is a bleak, bitter, black comedy about a world we all recognize but do not wish to confront.

Through the eyes of Bateman, the novel explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. As Bateman moves among the young and trendy in 1980s Manhattan, his outward success conceals a soul preoccupied with torture and murder, prefiguring an apocalyptic horror that no society could bear to confront.

In a comic masterpiece following the misadventures of a simple but hugely ambitious waiter in pre-World War II Prague, who rises to wealth only to lose everything with the onset of Communism, Bohumil Hrabal takes us on a tremendously funny and satirical trip through 20th-century Czechoslovakia.

First published in 1971 in a typewritten edition, then finally printed in book form in 1989, I Served the King of England is an extraordinary and subtly tragicomic novel, telling the tale of Ditie, a hugely ambitious but simple waiter in a deluxe Prague hotel in the years before World War II. Ditie is called upon to serve not the King of England, but Haile Selassie. It is one of the great moments in his life. Eventually, he falls in love with a Nazi woman athlete as the Germans are invading Czechoslovakia. After the war, through the sale of valuable stamps confiscated from the Jews, he reaches the heights of his ambition, building a hotel. He becomes a millionaire, but with the institution of communism, he loses everything and is sent to inspect mountain roads. Living in dreary circumstances, Ditie comes to terms with the inevitability of his death, and with his place in history.

Man discovers a species of giant, intelligent newts and learns to exploit them so successfully that the newts gain skills and arms enough to challenge man's place at the top of the animal kingdom. Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

Broad humor and bitter irony collide in this fictional autobiography of Rabo Karabekian, who, at age seventy-one, wants to be left alone on his Long Island estate with the secret he has locked inside his potato barn. But then, a voluptuous young widow badgers Rabo into telling his life story—and Vonnegut in turn tells us the plain, heart-hammering truth about man’s careless fancy to create or destroy what he loves.

Bringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a future cure.

When he awakens in 2039, he is faced with a future unlike any that the Congress could have ever imagined. Translated by Michael Kandel.