A ferocious novel by one of the boldest voices in American fiction and the author of The New Me, Margaret Anne (“Moddie”) Yance had just returned to her native land in the Midwestern town of X, to mingle with the friends of her youth, to get back in touch with her roots, and to recover from a stressful decade of living in the city in a small apartment with a man she now believed to be a megalomaniac or perhaps a covert narcissist.

So begins Halle Butler's sadistically precise and hilarious Banal Nightmare, which follows Moddie as she abruptly ends her long-term relationship and moves back to her Midwestern hometown, throwing herself at the mercy of her old friends as they, all suddenly tipping toward middle age, go to parties, size each other up, obsess over past slights, and dream of wild triumphs and elaborate revenge fantasies. When her friend Pam invites a mysterious East Coast artist to take up a winter residency at the local university, Moddie has no choice but to confront the demons of her past and grapple with the reality of what her life has become. As the day of reckoning approaches, friends will become enemies, enemies will become mortal enemies, and old loyalties will be tested to their extreme.

Banal Nightmare is filled with complicated characters who will dazzle you in their rendering just as often as they will infuriate you with their decisions. Halle Butler singularly captures the volatile, angry, aggrieved, surreal and entirely disorienting atmosphere of the modern era.

The provocative and hilarious summer read that will have book lovers cheering and everyone talking! Kirsten Miller, author of The Change, brings us a bracing, wildly entertaining satire about a small Southern town, a pitched battle over banned books, and a little lending library that changes everything.

Beverly Underwood and her arch enemy, Lula Dean, live in the tiny town of Troy, Georgia, where they were born and raised. Now Beverly is on the school board, and Lula has become a local celebrity by embarking on mission to rid the public libraries of all inappropriate books—none of which she’s actually read. To replace the “pornographic” books she’s challenged at the local public library, Lula starts her own lending library in front of her home: a cute wooden hutch with glass doors and neat rows of the worthy literature that she’s sure the town’s readers need.

But Beverly’s daughter Lindsay sneaks in by night and secretly fills Lula Dean’s little free library with banned books wrapped in “wholesome” dust jackets. The Girl’s Guide to the Revolution is wrapped in the cover of The Southern Belle’s Guide to Etiquette. A jacket that belongs to Our Confederate Heroes ends up on Beloved. One by one, neighbors who borrow books from Lula Dean’s library find their lives changed in unexpected ways. Finally, one of Lula Dean’s enemies discovers the library and decides to turn the tables on her, just as Lula and Beverly are running against each other to replace the town’s disgraced mayor.

That’s when all the townspeople who’ve been borrowing from Lula’s library begin to reveal themselves. It’s a diverse and surprising bunch—including the local postman, the prom queen, housewives, a farmer, and the former DA—all of whom have been changed by what they’ve read. When Lindsay is forced to own up to what she’s done, the showdown that’s been brewing between Beverly and Lula will roil the whole town...and change it forever.

Birds Aren't Real presents what is claimed to be the true story of a vast conspiracy involving mass avian murder and the implementation of a large-scale surveillance campaign in US history.

The book asks a provocative question: Have you ever seen a baby pigeon? It points out the curious absence of baby pigeons from our everyday sights, suggesting that pigeons, and indeed all birds, come out of a factory as fully grown adults. This, the authors argue, is one of the many pieces of evidence for the bird drone surveillance crisis they allege began in 1959, when the Deep State is said to have eradicated over 12 billion birds and replaced them with drone replicas designed to spy on citizens.

Authors Peter McIndoe and Connor Gaydos act as whistleblowers, tracing the roots of what they describe as a political conspiracy so expansive that it might be mistaken for an elaborate hoax. They present themselves as Bird Truthers, risking everything to bring to light information about the surveillance crisis, its proliferation, and the individuals today who are striving to spread awareness and restore America to the ideal of freedom. The book is replete with illustrations, activities, and purportedly leaked classified documents meant to persuade even the most skeptical readers of the authors' claims.

The manifesto is urgent, the cause is pressing, and the question lingers: Will you stand and fight before it's too late?

The Winner, a propulsive literary thriller from Whiting Award winner Teddy Wayne, delves into the life of Conor O'Toole, a young law student who finds himself teaching tennis in a posh gated community near Cape Cod. Amid the casually glamorous surroundings of Cutters Neck, Conor is living in a guest cottage, a world away from the cramped Yonkers apartment he shares with his diabetic mother.

Despite being surrounded by oceanfront luxury, Conor and his mother have bills to pay, and attracting new clients for tennis lessons is harder than he anticipated. That's until he crosses paths with a sharp-tongued divorcée named Catherine, who offers to pay him double his rate, with the expectation of some additional, more intimate services.

As Conor becomes entangled in a secret, erotic affair, he also finds himself romantically drawn to a quirky, outspoken girl he met on the beach—who happens to be Catherine's daughter. Caught in a tangled web of desire and deception, Conor believes he's found a way to balance everything, until he makes a disastrous, irreversible mistake. This darkly comedic thriller skewers the elite with wit and delivers an unputdownable, cinematic, and psychologically astute narrative.

A controversial LA author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid's life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events.

Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet and celebrity-obsessed world. With notes of Southern California citrus and sultry smokiness, Perfume and Pain is a satirical romp through Hollywood and lesbian melodrama.

Reboot is a raucous and wickedly smart satire of Hollywood, toxic fandom, and our chronically online culture. It follows David Crader, a washed-up actor on his quest to revive the cult TV drama that catapulted him to teenage fame.

Once a former child actor from the hit 90s teen drama Rev Beach, David now juggles his new roles as deadbeat dad, part-time alcoholic, and occasional videogame voice actor. Summoned to Los Angeles by Grace, his ex-wife and former co-star, David sees an opportunity for a reboot—not just of the show that made him famous but also of his listless existence.

Hollywood, the Internet, and a fractured nation have other plans, though. David soon drinks himself to a realization: The seemingly innocuous revival of an old Buffy rip-off could be the spark that sets ablaze a nation gripped by far-right conspiracies, toxic fandoms, and mass violence.

Reboot is a madcap and eerily prescient speculative comedy for our era of glass-eyed doomscrolling and 90s nostalgia. It's a tale of former teen heartthrobs, online edge lords, and fish-faced cryptids, perfect for anyone who still agonizes over Angel versus Spike, lives in fear of the QAnon mom next door, or has run afoul of a rabid "stan" and lived to tell the tale.

The Audacity is a razor-sharp satire diving headfirst into the implosion of a Theranos-like company, the unraveling of a marriage, and the absurdity of a billionaires' philanthropy summit. Ryan Chapman offers a narrative that is as incisive as it is entertaining, perfect for fans of Hari Kunzru and The White Lotus.

The story unfurls over a precipitous 72 hours, with a bombshell exposé on the cusp of revealing Victoria Stevens's multibillion-dollar startup as nothing but a colossal sham. Victoria herself has vanished off the face of the Earth. Is she playing dead, leaving her spouse, Guy Sarvananthan, to grapple with the impending disaster and the specter of incarceration? Confronted with the choice of fleeing to his homeland of Sri Lanka in disgrace or living in denial, Guy opts for the latter, jetting off to a secluded Caribbean island. Here, the elite 0.0001% convene to select which of the planet's dire issues they will 'eradicate forever.'

As Guy descends into a spiral of indulgence and intoxication amidst opulent wilderness and luxury yachts, surrounded by titans of industry, hordes of staff, and unexpected disruptors, Victoria tells her tale from a secret location in the California desert. Through feverishly penned diary entries laced with enigmatic self-help dogma, she schemes her return to power, unwavering in her belief that she will once again prove the doubters wrong.

Chapman's novel is a bold plunge into the dark chasm of ultra-late capitalism, likened to 'Martin Amis's Money' but for an era that has lingered far too long in the depths of excess and moral ambiguity.

Victim is a fearless satire about Javier Perez, a hustler from the Bronx who manipulates his life story for gain. With the bite of Paul Beatty and the subversive wit of Danzy Senna, this debut novel explores the lengths to which one man will go to make his story resonate.

Javier, from a family of hustlers, learns early how to turn his background—murdered drug dealer dad, single cash-strapped mom, best friend in prison for gang activity—into opportunities. His tailored story secures a full scholarship to a prestigious university, bringing him closer to his dream of becoming a famous writer.

As a college student, Javier embellishes his life story beyond recognition. The only real tie to his past is his correspondence with his childhood best friend, Gio, who's unconcerned with Javier's newfound insights into white privilege and the school-to-prison pipeline. After graduation, a viral essay catapults Javier to journalist status at a legendary magazine, where his "unique perspective" is celebrated.

But Gio knows the truth behind Javier's facade. Once out of prison, will Gio join in on Javier's ruse, or will the deceit unravel? Victim humorously critiques virtue signaling and trauma narratives, questioning the authenticity of diversity and the extremes one might pursue for a compelling story.