An innocent family, carjacked on a desolate highway, is abducted to a bizarre new world. A world being born in the Californian desert. They discover Earth has been invaded by an alien microorganism. The deadly entity attacks like a virus, but survivors of the disease genetically bond with it, developing amazing powers, near-immortality, unnatural desires - and a need to spread the contagion and create a secret colony of the transformed. Now the meaning of "survival" changes. For the babies born in the colony are clearly, undeniably, not human...

In a violent near-future, Asa Elias Doyle and her companions encounter an alien life form so heinous and destructive, they exile themselves in the desert so as not to contaminate other humans. To resist the compulsion to infect others is mental agony, but to succumb is to relinquish humanity and free will. Desperate, they kidnap a doctor and his two daughters as they cross the wasteland--and endanger the world.

In an alternate America marked by volatile class warfare, Blake Maslin is traveling with his teenage twin daughters when their car is ambushed. Their attackers appear sickly yet possess inhuman strength, and they transport Blake's family to an isolated compound. There, the three captives discover that the compound's residents have a highly contagious alien disease that has mutated their DNA to make them powerful, dangerous, and compelled to infect others. If Blake and his daughters do not escape, they will be infected with a virus that will either kill them outright or transform them into outcasts whose very existence is a threat to the world around them. In the following hours, Blake and his daughters each must make a vital choice: risk everything to escape and warn the rest of the world, or accept their new reality -- as well as the uncertain fate of the human race.

Sinopticon: A Celebration of Chinese Science Fiction is a groundbreaking anthology that brings together thirteen extraordinary tales of speculative fiction from China, translated into English for the very first time. Curated and translated by the critically acclaimed writer and essayist Xueting Christine Ni, this collection offers a diverse and captivating array of stories that will take readers on a journey through the imaginative landscapes of Chinese science fiction.

From the celebrated Jiang Bo's 'Starship: Library' to Regina Kanyu Wang's 'The Tide of Moon City', and Anna Wu's 'Meisje met de Parel', readers are presented with a tapestry of narratives that span a variety of themes and perspectives. The writers featured in this anthology include award winners, bestsellers, screenwriters, playwrights, philosophers, university lecturers, and computer programmers, showcasing the breadth and depth of Chinese SF.

Sinopticon invites readers to explore the transformational and often visionary world of Chinese speculative fiction, making it an essential read for all fans of the genre.

From the New York Times bestselling author of Jonathan Strange & Mr. Norrell, Susanna Clarke delivers an intoxicating, hypnotic new novel set in a dreamlike alternative reality with Piranesi.

Piranesi's house is no ordinary building; its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls, an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.

There is one other person in the house--a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

Exhalation by Ted Chiang is a collection of nine profoundly original, provocative, and poignant stories. Some of these tales, including two published for the first time, offer a stunning exploration of humanity's oldest questions and new quandaries that could only be examined by Chiang's imaginative mind.

In "The Merchant and the Alchemist's Gate", we encounter a time-traveling portal that confronts a fabric seller in ancient Baghdad with his past mistakes and the possibility of second chances. The titular story, "Exhalation", presents an alien scientist faced with a universe-altering discovery. "Anxiety Is the Dizziness of Freedom" challenges our understanding of choice and free will through the lens of alternate universes.

These stories navigate the essence of the universe and what it means to be human, each in its own unique and beautifully crafted manner. Chiang's second collection of short fiction is a testament to the power of science fiction to investigate the beauty, meaning, and compassion of the human condition.

From quiet, elegiac, contemporary tales to far-future, deep-space sagas, the stories chosen by series editor John Joseph Adams and guest editor Karen Joy Fowler for The Best American Science Fiction and Fantasy 2016 demonstrate the vast spectrum of what science fiction and fantasy aims to illuminate. These narratives display the full gamut of the human experience, interrogating our hopes and our fears—of not just what we can accomplish or destroy as a person, but what we can accomplish or destroy as a people—and throwing us into strange new worlds that can only be explored when we shed the shackles of reality.

The anthology includes works by Rachel Swirsky, Sofia Samatar, Charlie Jane Anders, Ted Chiang, Kelly Link, Maria Dahvana Headley, Kij Johnson, Catherynne M. Valente, Dexter Palmer, and others. KAREN JOY FOWLER, guest editor, is the author of six novels and four short story collections, including We Are All Completely Beside Ourselves. She is the winner of the 2014 PEN/Faulkner Award, a finalist for the Man Booker Prize, and has won numerous Nebula and World Fantasy awards. JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds and Wastelands. He is the editor and publisher of the digital magazines Lightspeed and Nightmare and is the editor of John Joseph Adams Books, a new science fiction/fantasy novel imprint from Houghton Mifflin Harcourt.

Stories of Your Life and Others by Ted Chiang is a collection that combines the very strange with the heartbreakingly familiar. The stories present characters who face sudden and inevitable changes, such as the rise of automatons or the arrival of aliens, and must find a way to maintain some sense of normalcy.

With a blend of sharp intelligence and humor, Chiang's stories explore what it means to be alive in a world filled with uncertainty, beauty, and wonder. This collection includes the following stories:

• Tower of Babylon
• Understand
• Division by Zero
• Story of Your Life
• Seventy-Two Letters
• The Evolution of Human Science
• Hell is the Absence of God
• Liking What You See: A Documentary

Additionally, the collection features Story Notes that provide insights into the creation of each piece. Stories of Your Life and Others has been recognized as a contemporary classic and includes 'Story of Your Life,' which inspired the major motion picture Arrival.

A major new novel from one of science fiction's most powerful voices, AURORA tells the incredible story of our first voyage beyond the solar system. Brilliantly imagined and beautifully told, it is the work of a writer at the height of his powers.

Our voyage from Earth began generations ago. Now, we approach our new home. AURORA.

Ancillary Mercy is the stunning conclusion to the trilogy that began with Ancillary Justice. For a moment, things seemed to be under control for Breq, the soldier who used to be a warship. Then a search of Athoek Station's slums turns up someone who shouldn't exist and a messenger from the mysterious Presger empire arrives, as does Breq's old enemy, the divided, heavily armed, and possibly insane Anaander Mianaai—ruler of an empire at war with itself.

Breq could flee with her ship and crew, but that would leave the people of Athoek in terrible danger. Breq has a desperate plan. The odds aren't good, but that's never stopped her before.

In the far future, humans have colonized a distant planet, home to the enigmatic Ariekei, sentient beings famed for a language unique in the universe, one that only a few altered human ambassadors can speak.

Avice Benner Cho, a human colonist, has returned to Embassytown after years of deep-space adventure. She cannot speak the Ariekei tongue, but she is an indelible part of it, having long ago been made a figure of speech, a living simile in their language.

When distant political machinations deliver a new ambassador to Arieka, the fragile equilibrium between humans and aliens is violently upset. Catastrophe looms, and Avice is torn between competing loyalties—to a husband she no longer loves, to a system she no longer trusts, and to her place in a language she cannot speak yet speaks through her.

The Word for World is Forest by Ursula K. Le Guin is a profound narrative set in a future where Terrans have established a logging colony and military base named 'New Tahiti' on a planet inhabited by the Athsheans—a species with a culture deeply intertwined with lucid dreaming.

Terran exploitation clashes with the Athsheans' way of life, leading to a spiraling overturn of the ancient society. Interstellar travel has become commonplace amongst humans, and the novel introduces the ansible—a device enabling instantaneous communication across light years—and the formation of the League of All Worlds.

The peaceful Athsheans call their world 'Athshe,' meaning 'forest,' a stark contrast to the Terrans' 'dirt.' The Terran colonists' approach to colonization mirrors the destructive patterns of the 19th century, including deforestation, farming, mining, and enslavement. Without a cultural understanding of tyranny, slavery, or war, the Athsheans initially offer no resistance—until a single act of violence ignites a rebellion that forever alters the inhabitants of both worlds.

Rocannon's World, authored by Ursula K. Le Guin, unfolds on a remote world inhabited by three native races: the subterranean Gdemiar, the ethereal Fiia, and the valiant warrior clan, the Liuar. Earth scientist Rocannon has been conducting an ethnological survey on this technologically unsophisticated planet when it is abruptly besieged by a fleet of starships, insurgents against the League of All Worlds.

As the sole survivor of his survey team, Rocannon finds himself stranded among alien cultures. He takes up the mantle of leadership to liberate this newly discovered world from its invaders, becoming a legend in the process, as he wages a resistance that will have tales told of his heroism for ages to come.

In Red Mars, award-winning author Kim Stanley Robinson presents the first installment of his acclaimed Mars Trilogy. The novel chronicles the ambitious endeavor of terraforming Mars, beginning in 2026 with the arrival of a group of 100 colonists. Among them are leaders such as John Boone, Maya Toitavna, Frank Chalmers, and Arkady Bogdanov, who carry the burden of their mission's success and the dreams of humanity.

The colonists embark on a monumental task to transform the barren, hostile climate of the red planet into a habitable environment. Their plans include orbiting giant satellite mirrors to reflect sunlight, sprinkling black dust on the polar caps to capture warmth, and drilling massive tunnels into the mantle to release hot gases.

Set against a backdrop of massive planetary changes, the narrative delves into the personal lives of the colonists, exploring their rivalries, loves, and friendships. As some become consumed by their passion for Mars, others see the planet as a chance for profit or a laboratory for genetic breakthroughs. However, not everyone is in favor of altering Mars, leading to conflicts that could jeopardize the entire mission.

Red Mars is a brilliant and imaginative epic that combines cutting-edge science with human drama, exploring the complexities of colonization and the ethical dilemmas of altering an entire world.

The combined mind-force of a telepathic race, Patternist thoughts can destroy, heal, rule. For the strongest mind commands the entire pattern and all within. Now the son of the Patternmaster craves this ultimate power, He has murdered or enslaved every threat to his ambition--except one. In the wild, mutant-infested hills, a young apprentice must be hunted down and destroyed because he is the tyrant's equal... and the Patternmaster's other son.

The Girl Who Was Plugged In by James Tiptree, Jr. (aka Alice Sheldon) is a critically acclaimed work, celebrated for its compelling short fiction. The novella, awarded the Hugo for best novella in 1974, presents a dystopian future dominated by corporate power, where traditional advertising is obsolete and life itself becomes a form of commercial influence through celebrities and product placements.

In this world, Philadelphia ("P.") Burke, a seventeen-year-old girl with profound deformities, is given a second chance at life after a suicide attempt. She is selected to become one of these pivotal celebrities, operating a flawless, brainless body engineered specifically for this role. As she steps into her new persona, a public figure whose sole responsibility is to be seen purchasing products, she becomes entangled in the complexities of fame, identity, and unexpected love.

2001: A Space Odyssey is a classic work of science fiction that remains an influential part of the genre fifty years after its original publication. The story begins with the discovery of a black monolith on the moon, an event that leads humanity to send a manned expedition deep into the solar system in hopes of establishing contact with an alien intelligence. As the crew embarks on their momentous journey, they encounter unforeseen and inexplicable disasters.

Arthur C. Clarke's novel is not only compelling and prophetic but also addresses the perennial question of mankind's place in the universe. With Clarke's extensive knowledge of physics and astronomy, the narrative is both scientifically informed and richly imaginative, offering readers a gripping adventure that extends to the very limits of time and space.

The Earth colony of Landin has been stranded on Werel for ten years—and ten of Werel's years are over 600 terrestrial years. The lonely and dwindling human settlement is beginning to feel the strain. Every winter—a season that lasts for 15 years—the Earthmen have neighbors: the humanoid hilfs, a nomadic people who only settle down for the cruel cold spell.

The hilfs fear the Earthmen, whom they think of as witches and call the farborns. But hilfs and farborns have common enemies: the hordes of ravaging barbarians called gaals and eerie preying snow ghouls. Will they join forces or be annihilated?

I, Robot is a fixup novel of science fiction short stories or essays by American writer Isaac Asimov. The stories, which originally appeared in the American magazines Super Science Stories and Astounding Science Fiction between 1940 and 1950, are woven together by a framing narrative. In this narrative, the fictional Dr. Susan Calvin tells each story to a reporter in the 21st century.

The stories share a theme of the interaction of humans, robots, and morality. Together, they tell a larger story of Asimov's fictional history of robotics. The collection explores profound questions such as: What is human? And is humanity obsolete?

Asimov's Three Laws of Robotics are central to the narrative:

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.

2. A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.

3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

These laws lay the foundation for a bold new era of evolution, opening up enormous possibilities—and unforeseen risks. As humans and robots struggle to coexist on Earth and in space, the future of both hangs in the balance. I, Robot not only changes our perception of robots but also challenges the timeless myth of man's dream to play god—with all its rewards and terrors.