Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.

Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.

She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story.

Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

Survivor Song thrusts us into a chillingly prescient tale of suspense and terror. Massachusetts is overwhelmed by a rabies-like virus, spread by saliva and with a terrifyingly short incubation period. The infected are driven to bite and infect as many others as they can before succumbing to the disease. Amidst the chaos, hospitals are inundated, and society crumbles as the government's emergency protocols falter.

Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician, receives a frantic call from Natalie, a pregnant friend whose husband has been killed by an infected neighbor. Bitten herself, Natalie's only hope is to reach a hospital for the rabies vaccine. The clock is ticking for her and her unborn child.

What follows is a desperate odyssey through a landscape twisted into a barely recognizable terrain of danger and terror. Survivor Song is an all-too-plausible novel that not only races through the pages but shakes readers to their core, showcasing Paul Tremblay's mastery of the horror genre.

The Black Tides of Heaven is a captivating entry into Neon Yang's Tensorate Series. This standalone novella intertwines fantasy and science fiction with elements of Asian culture in a phenomenon known as 'silkpunk.' It introduces readers to Mokoya and Akeha, twin siblings with extraordinary abilities, who find themselves entangled in the politics and power struggles of their mother's Protectorate.

As a rebellion simmers, Akeha must navigate the dangerous terrain of independence and ideology, pulling away from Mokoya's prophetic visions and the life they once knew at the Grand Monastery. The story poses a poignant question: Can Akeha find peace and purpose within the rebellion without severing the deep bond with Mokoya?

Three hundred years after the events of the Mistborn trilogy, Scadrial is now on the verge of modernity, with railroads to supplement the canals, electric lighting in the streets and the homes of the wealthy, and the first steel-framed skyscrapers racing for the clouds.

The Bands of Mourning are the mythical metal minds owned by the Lord Ruler, said to grant anyone who wears them the powers that the Lord Ruler had at his command. Hardly anyone thinks they really exist. A kandra researcher has returned to Elendel with images that seem to depict the Bands, as well as writings in a language that no one can read. Waxillium Ladrian is recruited to travel south to the city of New Seran to investigate. Along the way he discovers hints that point to the true goals of his uncle Edwarn and the shadowy organization known as The Set.

What would happen if the world were ending? A catastrophic event renders the earth a ticking time bomb. In a feverish race against the inevitable, nations around the globe band together to devise an ambitious plan to ensure the survival of humanity far beyond our atmosphere, in outer space.

But the complexities and unpredictability of human nature coupled with unforeseen challenges and dangers threaten the intrepid pioneers, until only a handful of survivors remain.

Five thousand years later, their progeny—seven distinct races now three billion strong—embark on yet another audacious journey into the unknown, to an alien world utterly transformed by cataclysm and time: Earth.

A writer of dazzling genius and imaginative vision, Neal Stephenson combines science, philosophy, technology, psychology, and literature in a magnificent work of speculative fiction that offers a portrait of a future that is both extraordinary and eerily recognizable. As he did in Anathem, Cryptonomicon, the Baroque Cycle, and Reamde, Stephenson explores some of our biggest ideas and perplexing challenges in a breathtaking saga that is daring, engrossing, and altogether brilliant.

Shadows of Self is the sequel to The Allow of Law, part of the Mistborn series. When family obligations forced Waxillium Ladrian to forsake the frontier lands and return to the metropolis of his birth to take his place as head of a noble House, he little imagined that the crime-fighting skills acquired during twenty years in the dusty plains would be just as applicable in the big city.

He soon learned that there too, just being a talented Twinborn —one who can use both Allomancy and Feruchemy, the dominant magical modes on Scadrial —would not suffice. This bustling, optimistic, but still shaky society will now face its first test by terrorism and assassination, crimes intended to stir up labor strife and religious conflict. Wax, his eccentric sidekick Wayne, and brilliant, beautiful young Marasi, now officially part of the constabulary, must unravel the conspiracy before civil strife can stop Scadrial's progress in its tracks.

Sanderson's fantasy world partakes equally of steampunk, early industry, and the Wild West, and he cleverly incorporates the metal-shaping magic of feruchemists and allomancers. Fantasy fans will savor this exciting escapade.

MaddAddam, the thrilling conclusion to Margaret Atwood's speculative fiction trilogy, weaves together the tales of characters from Oryx and Crake and The Year of the Flood. This novel confirms the ultimate endurance of humanity, community, and love.

Toby and Ren have rescued their friend Amanda from the Painballers and return to the MaddAddamite cob house, now a fortress against threats both human and animal. Amidst the Crakers, the gentle species crafted by the late Crake, Toby takes up the mantle of religious overseer. As the Crakers' reluctant prophet, Jimmy, recovers from illness, Toby grapples with her own emotions, including jealousy over her lover, Zeb.

Zeb's quest to find Adam One, the founder of the God's Gardeners, unveils his tumultuous past involving a lost brother, a hidden murder, and a bear. With the Painballers looming, the MaddAddamites and their allies must prepare for a fierce confrontation.

Combining adventure, humor, romance, and Atwood's signature inventive storytelling, MaddAddam is an extraordinary tale set in a familiar yet fantastical world, offering a satirical reflection on our own potential future.

The year is 2312. Scientific and technological advances have opened gateways to an extraordinary future. Earth is no longer humanity's only home; new habitats have been created throughout the solar system on moons, planets, and in between. But in this year, 2312, a sequence of events will force humanity to confront its past, its present, and its future.

The first event takes place on Mercury, on the city of Terminator, itself a miracle of engineering on an unprecedented scale. It is an unexpected death, but one that might have been foreseen. For Swan Er Hong, it is an event that will change her life. Swan was once a woman who designed worlds. Now she will be led into a plot to destroy them.

What if our pain was the most beautiful thing about us? In the aftermath of a fatal car accident, a private journal of love notes written by a husband to his wife passes into the keeping of a hospital patient, and from there through the hands of five other suffering people, touching each of them uniquely.

I love the soft blue veins on your wrist. I love your lopsided smile. I love watching TV and shelling sunflower seeds with you.

The six recipients - a data analyst, a photojournalist, a schoolchild, a missionary, a writer, and a street vendor - inhabit an acutely observed, beautifully familiar yet particularly strange universe, as only Kevin Brockmeier could imagine it: a world in which human pain is expressed as illumination, so that one's wounds glitter, fluoresce, and blaze with light.

As we follow the journey of the book from stranger to stranger, we come to understand how intricately and brilliantly they are connected, in all their human injury and experience.

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend.

More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over. A few score thousand survivors live on, not knowing whether they are the only ones left on earth.

They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price.

VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.

In the first novel of the New York Times bestselling Temeraire series, a rare bond is formed between a young man and a dragon, and together they must battle in the Napoleonic Wars.

Aerial combat brings a thrilling new dimension to the Napoleonic Wars as valiant warriors rise to Britain’s defense by taking to the skies . . . not aboard aircraft but atop the mighty backs of fighting dragons. When HMS Reliant captures a French frigate and seizes its precious cargo, an unhatched dragon egg, fate sweeps Capt. Will Laurence from his seafaring life into an uncertain future–and an unexpected kinship with a most extraordinary creature. Thrust into the rarified world of the Aerial Corps as master of the dragon Temeraire, he will face a crash course in the daring tactics of airborne battle. For as France’s own dragon-borne forces rally to breach British soil in Bonaparte’s boldest gambit, Laurence and Temeraire must soar into their own baptism of fire.

“Just when you think you’ve seen every variation possible on the dragon story, along comes Naomi Novik. . . . Her wonderful Temeraire is a dragon for the ages.”—Terry Brooks.