A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie's letter of response.

Here are fifteen invaluable suggestions -compelling, direct, wryly funny, and perceptive- for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can "allow" women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century. It will start a new and urgently needed conversation about what it really means to be a woman today.

The Secret Loves of Geek Girls is a non-fiction anthology that combines prose, comics, and illustrated stories to explore the lives and loves of an outstanding cast of female creators. This collection includes contributions from celebrated names such as Margaret Atwood, Mariko Tamaki, Trina Robbins, Marguerite Bennett, Noelle Stevenson, Marjorie Liu, Carla Speed McNeil, and many more.

This compelling compilation shares tales from both perspectives: the fans who are passionate about video games, comics, and sci-fi, as well as the creators and industry insiders who bring these worlds to life. It offers a unique glimpse into the hearts and minds of women who are deeply engaged in the geek culture.

The Argonauts by Maggie Nelson is a genre-bending memoir that intertwines the author's personal narrative with a deep engagement in literary and theoretical texts. At the heart of this work is a story of romance between Nelson and her partner, artist Harry Dodge, whose experiences of gender transition and reassignment intersect with Nelson's journey through pregnancy.

This reflective, poignant exploration of motherhood, desire, and identity is grounded in an intimate portrayal of the author's queer family life. Nelson challenges the societal norms surrounding sexuality, gender, marriage, and childrearing, advocating for radical individual freedom and the value of caregiving.

Through her narrative, Nelson conducts a rigorous examination of philosophical and theoretical discourses, tracing the contours of what iconic theorists have to say about the complexities of contemporary social structures. The Argonauts is thus not only a memoir but also an impassioned argument for the embracement of unorthodox forms of love and kinship in the modern age.

Rock star, crowdfunding pioneer, and TED speaker Amanda Palmer knows all about asking. Performing as a living statue in a wedding dress, she wordlessly asked thousands of passersby for their dollars. When she became a singer, songwriter, and musician, she was not afraid to ask her audience to support her as she surfed the crowd (and slept on their couches while touring). And when she left her record label to strike out on her own, she asked her fans to support her in making an album, leading to the world's most successful music Kickstarter.

Even while Amanda is both celebrated and attacked for her fearlessness in asking for help, she finds that there are important things she cannot ask for-as a musician, as a friend, and as a wife. She learns that she isn't alone in this, that so many people are afraid to ask for help, and it paralyzes their lives and relationships. In this groundbreaking book, she explores these barriers in her own life and in the lives of those around her, and discovers the emotional, philosophical, and practical aspects of The Art of Asking.

Part manifesto, part revelation, this is the story of an artist struggling with the new rules of exchange in the twenty-first century, both on and off the Internet. The Art of Asking will inspire readers to rethink their own ideas about asking, giving, art, and love.

Milk and Honey is a collection of poetry and prose that delves into the themes of survival, violence, abuse, love, loss, and femininity. It is structured into four distinct chapters, each one confronting a different form of pain and offering a path to healing a different heartache.

The book guides readers through the darkest moments of life and uncovers the sweetness hidden within them—because there is sweetness to be found everywhere, if one is only willing to search for it.

Do you want to get to know the woman we first came to love on Comedy Central's Upright Citizens Brigade? Do you want to spend some time with the lady who made you howl with laughter on Saturday Night Live, and in movies like Baby Mama, Blades of Glory, and They Came Together? Do you find yourself daydreaming about hanging out with the actor behind the brilliant Leslie Knope on Parks and Recreation? Did you wish you were in the audience at the last two Golden Globes ceremonies, so you could bask in the hilarity of Amy's one-liners?

A collection of stories, thoughts, ideas, lists, and haiku from the mind of one of our most beloved entertainers, Yes Please offers Amy’s thoughts on everything from her “too safe” childhood outside of Boston to her early days in New York City, her ideas about Hollywood and “the biz,” the demon that looks back at all of us in the mirror, and her joy at being told she has a “face for wigs.”

Yes Please is a chock-full of words and wisdom to live by. 

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

Cammie Morgan has lost her father and her memory, but in the heart-pounding conclusion to the best-selling Gallagher Girls series, she finds her greatest mission yet. Cammie and her friends finally know why the terrorist organization called the Circle of Cavan has been hunting her. Now the spy girls and Zach must track down the Circle’s elite members to stop them before they implement a master plan that will change Cammie—and her country—forever.

Get ready for the Gallagher Girls’ most astounding adventure yet as Ally Carter's New York Times best-selling series comes to breathtaking conclusion that will have readers racing to the last page.

Released for the first time in paperback, this landmark social and political volume on feminism is credited with being responsible for raising awareness, liberating both sexes, and triggering major advances in the feminist movement. Reprint.

From the award-winning author of We Should All Be Feminists and Half of a Yellow Sun, the story of two Nigerians making their way in the U.S. and the UK, raising universal questions of race, belonging, the overseas experience for the African diaspora, and the search for identity and a home.

Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be black for the first time. 

Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. Fifteen years later, they reunite in a newly democratic Nigeria, and reignite their passion--for each other and for their homeland.

«Éste es un libro sobre la vida... apasionado y alegre, sentimental y burlón.» ROSA MONTERO.

Cuando Rosa Montero leyó el maravilloso diario que Marie Curie comenzó tras la muerte de su esposo, y que se incluye al final de este libro, sintió que la historia de esa mujer fascinante que se enfrentó a su época le llenaba la cabeza de ideas y emociones. La ridícula idea de no volver a verte nació de ese incendio de palabras, de ese vertiginoso torbellino. Al hilo de la extraordinaria trayectoria de Curie, Rosa Montero construye una narración a medio camino entre el recuerdo personal y la memoria de todos, entre el análisis de nuestra época y la evocación íntima. Son páginas que hablan de la superación del dolor, de las relaciones entre hombres y mujeres, del esplendor del sexo, de la buena muerte y de la bella vida, de la ciencia y de la ignorancia, de la fuerza salvadora de la literatura y de la sabiduría de quienes aprenden a disfrutar de la existencia con plenitud y con ligereza.

Vivo, libérrimo y original, este libro inclasificable incluye fotos, remembranzas, amistades y anécdotas que transmiten el primitivo placer de escuchar buenas historias. Un texto auténtico, emocionante y cómplice que te atrapará desde sus primeras páginas.

Times are hard for new vampire Merit. Since shapeshifters announced their presence to the world, humans have been rallying against supernaturals, and inside Cadogan House, things between Merit and her Master, Ethan Sullivan, are...tense. Worst of all, a violent vampire attack has left three women missing, and the mayor of Chicago has a simple demand for Merit and Ethan: Get your House in order. Or else.

Merit needs to get to the bottom of the crime, but, unable to tell who’s on her side, she calls in a dangerous favor from a member of an underground vamp group that may have intel on the attack. Merit soon finds herself in the dark heart of Chicago’s supernatural society—a world ready to fulfill the protesting humans’ worst fears, and a place where she’ll learn that being a vampire means getting a little blood on your hands.

It’s the twenty-first century, and although we tried to rear unisex children—boys who play with dolls and girls who like trucks—we failed. Even though the glass ceiling is cracked, most women stay comfortably beneath it. And everywhere we hear about vitally important “hardwired” differences between male and female brains. The neuroscience that we read about in magazines, newspaper articles, books, and sometimes even scientific journals increasingly tells a tale of two brains, and the result is more often than not a validation of the status quo.

Women, it seems, are just too intuitive for math, men too focused for housework. Drawing on the latest research in neuroscience and psychology, Cordelia Fine debunks the myth of hardwired differences between men’s and women’s brains, unraveling the evidence behind such claims as men’s brains aren’t wired for empathy and women’s brains aren’t made to fix cars. She then goes one step further, offering a very different explanation of the dissimilarities between men’s and women’s behavior. Instead of a “male brain” and a “female brain,” Fine gives us a glimpse of plastic, mutable minds that are continuously influenced by cultural assumptions about gender.

Passionately argued and unfailingly astute, Delusions of Gender provides us with a much-needed corrective to the belief that men’s and women’s brains are intrinsically different—a belief that, as Fine shows with insight and humor, all too often works to the detriment of ourselves and our society.

When Cammie Morgan enrolled at the Gallagher Academy, she knew she was preparing for the dangerous life of a spy. What she didn’t know was that the serious, real-life danger would start during her junior year of high school. But that’s exactly what happened two months ago when Cammie faced off against an ancient terrorist organization dead set on kidnapping her.

Now the danger follows her everywhere, and even Cammie “The Chameleon” can’t hide. When a terrifying encounter in London reveals that one of her most-trusted allies is actually a rogue double-agent, Cammie no longer knows if she can trust her classmates, her teachers—or even her own heart.

In this fourth installment of the New York Times best-selling series, the Gallagher Girls must hack, spy, steal, and lie their way to the truth.as they go searching for answers, recognizing that the key to Cammie’s future may lie deep in the past.

The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the Observer

This beautifully designed edition forms part of a series with five other cherished poets, including Wendy Cope, Don Paterson, Philip Larkin, Simon Armitage and Alice Oswald.

Life as a ship's boy aboard HMS Dolphin is a dream come true for Jacky Faber. Gone are the days of scavenging for food and fighting for survival on the streets of eighteenth-century London. Instead, Jacky is becoming a skilled and respected sailor as the crew pursues pirates on the high seas.

There's only one problem: Jacky is a girl. And she will have to use every bit of her spirit, wit, and courage to keep the crew from discovering her secret. This could be the adventure of her life--if only she doesn't get caught...

Newly translated and unabridged in English for the first time, Simone de Beauvoir’s masterwork is a powerful analysis of the Western notion of “woman,” and a groundbreaking exploration of inequality and otherness. This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as it was back then, and will continue to provoke and inspire generations of men and women to come.

The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners--a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life--has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life.

Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers...

Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away... By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

When Cammie "The Chameleon" Morgan visits her roommate Macey in Boston, she thinks she's in for an exciting end to her summer break. After all, she's there to watch Macey's father accept the nomination for vice president of the United States. But when you go to the world's best school (for spies), "exciting" and "deadly" are never far apart. Cammie and Macey soon find themselves trapped in a kidnappers' plot, with only their espionage skills to save them.

As her junior year begins, Cammie can't shake the memory of what happened in Boston, and even the Gallagher Academy for Exceptional Young Women doesn't feel like the safe haven it once did. Shocking secrets and old flames seem to lurk around every one of the mansion's corners as Cammie and her friends struggle to answer the questions, Who is after Macey? And how can the Gallagher Girls keep her safe?

Soon Cammie is joining Bex and Liz as Macey's private security team on the campaign trail. The girls must use their spy training at every turn as the stakes are raised, and Cammie gets closer and closer to the shocking truth.

Meet Nikki Maxwell! She's starting eighth grade at a new school—and her very first diary packed with hilarious stories and art in Book One of the #1 New York Times bestselling Dork Diaries series! New school. New mean girl. New crush. New diary so I can spill about all of it…

I put a lot of really personal stuff in this diary along with my sketches and doodles. But, mostly it’s about how TRAUMATIC it was transferring to my new private middle school, Westchester Country Day. And, how a lot of the CCP (Cool, Cute & Popular) kids were really SNOBBY and made my life TOTALLY miserable. People like, oh, I don’t know, maybe…MACKENZIE HOLLISTER!! And, it just so happened that I got stuck with a locker right next to hers. I could NOT believe I had such CRAPPY luck. I knew right then and there it was going to be a VERY, VERY long school year :-( !

EM WATTS IS GONE. Emerson Watts didn’t even want to go to the new SoHo Stark Megastore grand opening. But someone needed to look out for her sister, Frida, whose crush, British heartthrob Gabriel Luna, would be singing and signing autographs there along with the newly appointed Face of Stark, teen supermodel sensation Nikki Howard. How was Em to know that disaster would strike, changing her and life as she’d known it forever? One bizarre accident later, and Em Watts, always the tomboy, never the party princess, is no longer herself. Literally. Now getting her best friend, Christopher, to notice that she’s actually a girl is the least of Em’s problems. But what Em’s pretty sure she’ll never be able to accept might just turn out to be the one thing that’s going to make her dream come true.

NIKKI HOWARD IS HERE TO STAY.

Tommy and his sister Annika have a new neighbor, and her name is Pippi Longstocking. She has crazy red pigtails, no parents to tell her what to do, a horse that lives on her porch, and a flair for the outrageous that seems to lead to one adventure after another!

"Let her prove herself worthy as a man." Newly knighted, Alanna of Trebond seeks adventure in the vast desert of Tortall. Captured by fierce desert dwellers, she is forced to prove herself in a duel to the death -- either she will be killed or she will be inducted into the tribe. Although she triumphs, dire challenges lie ahead.

As her mythic fate would have it, Alanna soon becomes the tribe's first female shaman -- despite the desert dwellers' grave fear of the foreign woman warrior. Alanna must fight to change the ancient tribal customs of the desert tribes -- for their sake and for the sake of all Tortall. Alanna's journey continues...

O Pioneers! (1913) was Willa Cather's first great novel, and to many it remains her unchallenged masterpiece. No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.

At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

From the New York Times bestselling author of All About Love, a brave and astonishing work that challenges patriarchal culture and encourages men to reclaim the best part of themselves.

Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation.

But toxic masculinity punishes those fundamental emotions, and it's so deeply ingrained in our society that it's hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women.

Charlotte Bront tells the story of orphaned Jane Eyre, who grows up in the home of her heartless aunt, enduring loneliness and cruelty. This troubled childhood strengthens Jane's natural independence and spirit - which prove necessary when she finds employment as a governess to the young ward of Byronic, brooding Mr Rochester.

As her feelings for Rochester develop, Jane gradually uncovers Thornfield Hall's terrible secret, forcing her to make a choice. Should she stay with Rochester and live with the consequences, or follow her convictions - even if it means leaving the man she loves? A novel of intense power and intrigue, Jane Eyre dazzled readers with its passionate depiction of a woman's search for equality and freedom.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here.

Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish shopkeeper whose sister-in-law, a doctor, persuades him to take a solo trip to Europe, with revivifying results; "The Yellow Wallpaper"; and three other outstanding stories.

These charming tales are not only highly readable and full of humor and invention, but also offer ample food for thought about the social, economic, and personal relationship of men and women — and how they might be improved.

NEW YORK TIMES BESTSELLER • More than 2.7 million copies sold! • “A deeply spiritual book [that] honors what is tough, smart and untamed in women.”—The Washington Post Book World Book club pick for Emma Watson’s Our Shared Shelf Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species. For though the gifts of wildish nature belong to us at birth, society’s attempt to “civilize” us into rigid roles has muffled the deep, life-giving messages of our own souls. In Women Who Run with the Wolves, Dr. Clarissa Pinkola Estés unfolds rich intercultural myths, fairy tales, folk tales, and stories, many from her own traditions, in order to help women reconnect with the fierce, healthy, visionary attributes of this instinctual nature. Through the stories and commentaries in this remarkable book, we retrieve, examine, love, and understand the Wild Woman, and hold her against our deep psyches as one who is both magic and medicine. Dr. Estés has created a new lexicon for describing the female psyche. Fertile and life-giving, it is a psychology of women in the truest sense, a knowing of the soul.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .

Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

The Awakening, first published in 1899, remains a significant work of literature for its bold treatment of female marital infidelity and its exploration of a woman's social and personal turmoil. Kate Chopin's novel takes readers back to the late Victorian period, challenging the conventional romantic fiction of the time with its candid portrayal of Edna Pontellier, a woman confined within a repressive marriage, who seeks and discovers an intense emotional and physical connection beyond the realm of her matrimonial life.

The narrative is not only remarkable for addressing then-taboo subjects but also for its literary finesse. Edmund Wilson praised the work for being "quite uninhibited and beautifully written," drawing parallels with D. H. Lawrence's approach to infidelity. Today, while the shock factor of its central theme has diminished, the novel's psychological depth and stark honesty in the portrayal of an extramarital affair continue to garner admiration and critical acclaim.

Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

A young woman harnesses her newfound power to challenge the ruthless man who controls her, in this brilliant and provocative novel from the award-winning author of Parable of the Sower.

Mary is a treacherous experiment. Her creator, an immortal named Doro, has molded the human race for generations, seeking out those with unusual talents like telepathy and breeding them into a new subrace of humans who obey his every command. The result is a young black woman living on the rough outskirts of Los Angeles in the 1970s, who has no idea how much power she will soon wield. Doro knows he must handle Mary carefully or risk her ending like his previous dead, either by her own hand or Doro's. What he doesn't suspect is that Mary's maturing telepathic abilities may soon rival his own power. By linking telepaths with a viral pattern, she will create the potential to break free of his control once and for all-and shift the course of humanity.

The Left Hand of Darkness by Ursula K. Le Guin is a groundbreaking work of science fiction that explores the story of a lone human emissary to Winter, an alien world whose inhabitants spend most of their time without a gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. However, to achieve this, he must bridge the gulf between his own views and those of the completely dissimilar culture he encounters.

Embracing aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness is celebrated as a landmark achievement in the annals of intellectual science fiction. The novel delves into complex themes involving gender and sexuality, challenging readers' perceptions of human nature and societal constructs. It is not only an adventure story but also a profound thought experiment that invites contemplation about the fluidity of gender and the potential for understanding amidst cultural differences.

The Bell Jar is the only novel written by American poet Sylvia Plath. It chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time.

Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia. Sólo hacía nueve años que se le había concedido el voto a la mujer y aún quedaba mucho camino por recorrer.

Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.

Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.

Louisa May Alcott's classic tale of four sisters.

Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy. The four March sisters couldn't be more different. But with their father away at war, and their mother working to support the family, they have to rely on one another. Whether they're putting on a play, forming a secret society, or celebrating Christmas, there's one thing they can't help wondering: Will Father return home safely?

It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

Delta of Venus by Anaïs Nin is a lush, magical world where the characters of her imagination possess the most universal of desires and exceptional of talents. Among these provocative stories, a Hungarian adventurer seduces wealthy women then vanishes with their money; a veiled woman selects strangers from a chic restaurant for private trysts; and a Parisian hatmaker named Mathilde leaves her husband for the opium dens of Peru. Delta of Venus is an extraordinarily rich and exotic collection from the master of erotic writing.