From beloved and bestselling author Roxane Gay, a strikingly fresh cultural critic (Washington Post), comes an exhilarating collection of her essays on culture, politics, and everything in between.

Since the publication of the groundbreaking Bad Feminist and Hunger, Roxane Gay has continued to tackle big issues embroiling society—state-sponsored violence and mass shootings, women’s rights post-Dobbs, online disinformation, and the limits of empathy—alongside more individual topics: Can I tell my co-worker her perfume makes me sneeze? Is it acceptable to schedule a daily 8 am meeting?

In her role as a New York Times opinion section contributor and the publication’s “Work Friend” columnist, Gay reaches millions of readers with her wise voice and sharp insights. Opinions is a collection of her best nonfiction pieces from the past ten years.

Covering a wide range of topics—politics, feminism, the culture wars, civil rights, and much more—with an all-new introduction in which she reflects on the past decade in America, this sharp, thought-provoking anthology will delight Roxane Gay’s devotees and draw new readers to this inimitable talent.

An electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre. Hey girlfriend I got a proposition, goes something like this: Dare ya to do what you want. Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the 90s and beyond. Her band, Bikini Kill, embodies this iconic time, and today her personal yet feminist lyrics on anthems like "Rebel Girl" and "Double Dare Ya" are more powerful than ever.

But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes clear, being in a "girl band," especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination.

But the relationships she developed during those years buoyed her—including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett— were all a testament to how the punk world could nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands, Le Tigre and The Julie Ruin.

She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful—and how it continues to fuel her revolutionary art and music.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.

Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women.

Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account.

Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

From the author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. Danielle Dutton's endlessly inventive books have been praised as "strikingly smart and daringly feminist" (Jenny Offill), "brilliantly odd" (The Irish Independent), and "beguiling" (The Wall Street Journal).

In Prairie, Dresses, Art, Other, four distinct sections operate like Joseph Cornell boxes, each offering its own vibrant proposal for what contemporary writing might be. "Prairie" is a cycle of stories set in the Midwest, a surreal landscape of wildflowers, ominous rivers, violence, virtual reality, art, fear, and loss. The conceptual work in "Dresses" reconsiders the canon through the lens of its garb, like a wild literary closet. "Art" turns to essay, examining how works of visual art and fiction relate to one another, a theme central to the whole book. The final section, "Other," collects pieces in irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking for reasons as inexplicable as the abiding beauty and strangeness of all of Dutton's work.

The Garden, a novel by Clare Beams, presents a psychologically thrilling tale that explores the deep yearnings of women to become mothers and the intricate ways in which the female body has been subjected to control and manipulation throughout history.

In the year 1948, Irene Willard, having endured five miscarriages in her pursuit to fulfill her husband's desire for a child and currently pregnant again, arrives at a secluded house in the Berkshires that doubles as a hospital. This establishment is run by a duo of doctors dedicated to pioneering a treatment for her condition. With caution, Irene commits to the Halls' methods aimed at 'rectifying the maternal environment', addressing both the physical and psychological aspects.

Amidst this, she stumbles upon an enigmatic walled garden on the property, a space infused with its own mystical forces. As the medical endeavors of the Halls begin to falter, Irene and the other patients are driven to tap into the garden's potential for their own ends. They are forced to confront the immense dangers that come with the promise of extraordinary benefits.

Evoking the atmospheric tension of works by Shirley Jackson and the unsettling themes of Rosemary's Baby, The Garden delves into the realms of motherhood, childbirth, the enigmas of the female anatomy, and the historical efforts to dominate it.

Like Love: Essays and Conversations is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

An electrifying debut novel from an “unusually gifted writer” (Lorrie Moore) about the radical intimacy of physical competition.

An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country.

Through a series of face-offs that are raw, ecstatic, and punctuated by flashes of humor and tenderness, prizewinning writer Rita Bullwinkel animates the competitors’ pasts and futures as they summon the emotion, imagination, and force of will required to win.

Frenetic, surprising, and strikingly original, Headshot is a portrait of the desire, envy, perfectionism, madness, and sheer physical pleasure that motivates young women to fight—even, and perhaps especially, when no one else is watching.

A groundbreaking exploration of gendered oppression—its origins, its histories, our attempts to understand it, and our efforts to combat it

For centuries, societies have treated male domination as natural to the human species. But how would our understanding of gender inequality—our imagined past and contested present—look if we didn’t assume that men have always ruled over women, if we saw inequality as something more fragile that has had to be constantly remade and reasserted?

In The Patriarchs: The Origins of Inequality, award-winning science journalist Angela Saini explores the roots of what we call patriarchy, uncovering a complex history of how it first became embedded in societies and spread across the globe from prehistory into the present. She travels to the world’s earliest known human settlements, analyzes the latest research findings in science and archaeology, and traces cultural and political histories from the Americas to Asia.

In the 19th and 20th centuries, philosophers, historians, anthropologists, and feminists began to actively question what patriarchy meant as part of the attempt to understand the origins of inequality. In our own time, despite the pushback against sexism, abuse, and discrimination, even revolutionary efforts to bring about equality have often ended in failure and backlash. But The Patriarchs: The Origins of Inequality is a hopeful book—one that reveals a multiplicity to human arrangements that undercuts the old grand narratives and exposes male supremacy as no more, and no less, than an ever-shifting element in systems of control.

The #1 New York Times bestselling historical novelist delivers her magnum opus—a landmark work of feminist nonfiction that radically redefines our understanding of the extraordinary roles ordinary women played throughout British history.

Most histories have been written by men, about men, relegating women—with the exception of a few queens—to the shadows of time. Now, bestselling author Philippa Gregory reveals the importance of ordinary women, providing a more balanced and truer chronicle that expands and adds rich detail to the story of Great Britain.

In Normal Women, Gregory draws on an enormous archive of primary and secondary sources to rewrite British history, focusing on the agency, persistence, and effectiveness of everyday women throughout periods of social and cultural transition. She sweeps from the making of the Bayeux tapestry in the eleventh century to the Black Death in 1348—after which women were briefly paid the same wages as men, the last time for seven centuries—to the 1992 ordination of women by the Church of England, when the church accepted, for the first time, that a woman could perform the miracle of the mass.

Through the stories of the female soldiers of the civil war, the guild widows who founded the prosperity of the City of London, highwaywomen and pirates, miners, ship owners, international traders, the women who ran London theaters and commissioned plays from Shakespeare, and the "female husbands" who married each other legally in church and lived as husband and wife, Gregory redefines "normal" female behavior to include heroism, rebellion, crime, treason, money-making, and sainthood. As she makes clear, normal women make history.

Normal Women will include black-and-white illustrations throughout and a full-color insert.

Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.

Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.

She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story.

Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

From the award-winning, bestselling author of No Logo, The Shock Doctrine, and This Changes Everything, Naomi Klein presents a revelatory analysis of the collapsed meanings, blurred identities, and uncertain realities of the mirror world.

Naomi Klein takes a more personal turn, braiding together elements of tragicomic memoir, chilling political reportage, and cobweb-clearing cultural analysis, as she dives deep into what she calls the Mirror World—our destabilized present rife with doubles and confusion, where far right movements playact solidarity with the working class, AI-generated content blurs the line between genuine and spurious, New Age wellness entrepreneurs turned anti-vaxxers further scramble our familiar political allegiances, and so many of us project our own carefully curated digital doubles out into the social media sphere.

Klein begins this richly nuanced intellectual adventure story by grappling with her own doppelganger—a fellow author and public intellectual whose views are antithetical to Klein’s own, but whose name and public persona are sufficiently similar that many people have confused the two over the years. From there, she turns her gaze both inward to our psychic landscapes—drawing on the work of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks—and outward, to our intersecting economic, environmental, medical, and political crises.

Ultimately seeking to escape the Mirror World and chart a path beyond confusion and despair, Klein delivers a treatment of the way many of us think and feel now, offering an intellectual adventure story for our times.

A historian explores the complicated relationship between womanhood and motherhood in this timely, refreshingly open-hearted study of the choices women make and the cards they’re dealt.

In an era of falling births, it’s often said that millennials invented the idea of not having kids. But history is full of women without children: some who chose childless lives, others who wanted children but never had them, and still others—the vast majority, then and now—who fell somewhere in between. Modern women considering how and if children fit into their lives are products of their political, ecological, and cultural moment. But history also tells them that they are not alone.

Drawing on deep research and her own experience as a woman without children, historian Peggy O’Donnell Heffington shows that many of the reasons women are not having children today are ones they share with women in the past: a lack of support, their jobs or finances, environmental concerns, infertility, and the desire to live different kinds of lives. Understanding this history—how normal it has always been to not have children, and how hard society has worked to make it seem abnormal—is key, she writes, to rebuilding kinship between mothers and non-mothers, and to building a better world for us all.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies. It is a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs.

Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid.

Ren aches to be in the water. She dreams of the scent of chlorine—the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

What is “woman” if not “mother”?
Anything she wants to be.

Foregoing motherhood has traditionally marked a woman as “other.” With no official place setting for her in our society, she has hovered on the sidelines: the quirky girl, the neurotic career obsessive, the “eccentric” aunt. Instead of continuing to paint women without kids as sad, self-obsessed, or somehow dysfunctional, what if we saw them as boldly forging a first-in-a-civilization vision for a fully autonomous womankind? Or as journalist and thought leader Ruby Warrington asks, What if being a woman without kids were in fact its own kind of legacy?

Taking in themes from intergenerational healing to feminism to environmentalism, this personal look and anthropological dig into a stubbornly taboo topic is a timely and brave reframing of what it means not to be a mom. Our experiences and discourse around non-motherhood are central to women’s ongoing fight for gender equality. And whether we are childless by design or circumstance, we can live without regret, shame, or compromise.

Bold and tenderhearted, Women Without Kids seeks first and foremost to help valorize a path that is the natural consequence of women having more say about the choices we make and how our lives play out. Within this, it unites the unsung sisterhood of non-mothers―no longer pariahs or misfits, but as a vital part of our evolution and collective healing as women, as humans, and as a global family.

In the aftermath of a seemingly inconsequential battle in the fourteenth century of southern India, a young girl named Pampa Kampana is thrust into an extraordinary destiny. Following the tragic death of her mother, she becomes the chosen vessel for a goddess, who empowers her with a profound mission. Pampa Kampana is to be the architect of a magnificent city, Bisnaga—known as "Victory City", destined to be the wonder of the world.

As the centuries unfold, Pampa Kampana's fate and the city's fortunes become inextricably linked. From its mystical inception—planted from a sack of magical seeds—to the inevitable decay wrought by the arrogance of its rulers, Bisnaga's story is one of love, ambition, and myth. Pampa Kampana, whispering the city and its inhabitants into existence, strives to fulfill the goddess's decree: to forge a world where women wield equal influence in a society dominated by men.

Yet, as with all tales, the narrative spirals beyond the control of its creator. Through the ebb and flow of time, as monarchs rise and fall, as victories are celebrated and defeats mourned, and as loyalties evolve, Bisnaga's tapestry grows ever more intricate—with Pampa Kampana at its very heart.

Rendered in the grandeur of an ancient epic, Victory City is a saga that celebrates the enduring power of storytelling, penned by the visionary Salman Rushdie. It is a testament to the fleeting nature of power and the eternal legacy of the stories we leave behind.

Emergency Contact meets Moxie in this cheeky and searing novel that unpacks just how complicated new love can get…when you fall for your enemy.

Eliza Quan is the perfect candidate for editor in chief of her school paper. That is, until ex-jock Len DiMartile decides on a whim to run against her. Suddenly her vast qualifications mean squat because inexperienced Len—who is tall, handsome, and male—just seems more like a leader.

When Eliza's frustration spills out in a viral essay, she finds herself inspiring a feminist movement she never meant to start, caught between those who believe she's a gender equality champion and others who think she's simply crying misogyny.

Amid this growing tension, the school asks Eliza and Len to work side by side to demonstrate civility. But as they get to know one another, Eliza feels increasingly trapped by a horrifying realization—she just might be falling for the face of the patriarchy himself.

When tech scavenger Xích Si is captured and imprisoned by the infamous pirates of the Red Banner, she expects to be tortured or killed. Instead, their leader, Rice Fish, makes Xích Si an utterly incredible proposition: an offer of marriage. Both have their reasons for this arrangement: Xích Si needs protection; Rice Fish, a sentient spaceship, needs a technical expert to investigate the death of her first wife, the Red Scholar. That’s all there is to it.

But as the interstellar war against piracy rages on and their own investigation reaches a dire conclusion, the two of them discover that their arrangement has evolved into something much less business-focused and more personal...and tender. And maybe the best thing that’s ever happened to either of them—but only if they can find a way to survive together.

A rich space opera and an intensely soft romance, from an exceptional SF author.

Against White Feminism: Notes on Disruption offers a radically inclusive, intersectional, and transnational approach to the fight for women’s rights. For too long, upper-middle-class white women have been heralded as the 'experts' on feminism, presiding over multinational feminist organizations and writing much of the feminist canon.

Rafia Zakaria, an American Muslim woman, attorney, and political philosopher, champions a reconstruction of feminism in this transformative overview and counter-manifesto. She centers women of color in the dialogue, challenging the global, long-standing affinity of white feminism with colonial, patriarchal, and white supremacist ideals.

Zakaria covers topics like the legacy of the British feminist imperialist savior complex and the condescension of the white feminist-led 'aid industrial complex.' She critiques the conflation of sexual liberation as the 'sum total of empowerment,' following in the tradition of intersectional feminist forebears like Kimberlé Crenshaw, Adrienne Rich, and Audre Lorde.

In this staggering, radical critique, Zakaria refutes and reimagines the apolitical aspirations of white feminist empowerment, placing Black and Brown feminist thought at the forefront.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it's the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America's most beloved cooking show Supper at Six. Elizabeth's unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn't just teaching women to cook. She's daring them to change the status quo.

We've Got This: Stories of Disabled Parenting offers a profound insight into the lives of parents with disabilities. Writer and musician Eliza Hull presents an anthology where twenty-five parents share their personal narratives of raising children while navigating the complexities that come with being Deaf, disabled, or chronically ill.

The book explores the triumphs and challenges they face, and most importantly, it confronts the societal attitudes that often pose the greatest barriers. These stories are not commonly found in parenting literature, making this collection an essential read for understanding the diverse experiences of disabled parenting.

With contributions from a variety of voices such as Jacinta Parsons, Kristy Forbes, Graeme Innes, and many others, this anthology is a testament to the resilience and joy that can be found in the face of adversity. It challenges misconceptions and celebrates the existence and capabilities of disabled parents everywhere.

The Quiet Before: On the Unexpected Origins of Radical Ideas is an exploration of the formation of social movements through history and the role of technology in shaping them. Gal Beckerman, an editor at The New York Times Book Review, presents a narrative that spans from the 1600s to the present, examining how the quiet conception of revolutionary ideas in small, private groups has led to significant social changes, from the scientific revolution to the suffrage movement, and from feminism to modern-day epidemiology.

This book delves into the correspondence that ignited the scientific revolution, the petitions that won voting rights in 1830s Britain, the zines that expressed women's rage in the early 1990s, and the messaging apps utilized by epidemiologists during a pandemic. Beckerman highlights the importance of secluded spaces where radical ideas can incubate before reaching a wider audience and cautions that the prevalence of social media may be undermining these productive environments. By examining the successes and failures of movements like the Arab Spring, Occupy Wall Street, and Black Lives Matter, The Quiet Before offers insights into what current social media platforms lack and proposes ways to foster the growth of radical ideas in the future.

The Authority Gap provides an incisive, intersectional look at a significant gender bias: the resistance to women's authority and power. Despite advancements toward equality, there is still a pervasive failure to take women as seriously as men. Journalist Mary Ann Sieghart offers a compelling perspective on this issue as it manifests in various aspects of life, including pop culture, media, education, and politics.

Through a wealth of data from psychology, sociology, political science, and business, and interviews with influential women such as Booker Prize winner Bernardine Evaristo, classicist Mary Beard, U.S. Secretary of the Treasury Janet Yellen, and Hillary Clinton, Sieghart explores the intersection of gender bias with racial and class biases. The book examines the unconscious biases that affect our behavior towards women and outlines measures for individual and societal change. The Authority Gap is an eye-opening and motivating work that addresses how we can work together to narrow the gender gap and counteract systemic sexism for the benefit of everyone.

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era.

This is a witch hunt. We're witches, and we're hunting you.

From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author Lindy West turns that refrain on its head. You think this is a witch hunt? Fine. You've got one.

In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics.

West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.”

We cannot understand how we got here—how the land of the free became Trump's America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

Going toe-to-toe with a brooding Scotsman is rather bold for a respectable suffragist, but when he happens to be one's unexpected husband, what else is an unwilling bride to do?

London banking heiress Hattie Greenfield wanted just three things in life:

• Acclaim as an artist.
• A noble cause.
• Marriage to a young lord who puts the gentle in gentleman.

Why then does this Oxford scholar find herself at the altar with the darkly attractive financier Lucian Blackstone, whose murky past and ruthless business practices strike fear in the hearts of Britain's peerage? Now she's stuck with a churlish Scot who just might be the end of her ambitions.

When the daughter of his business rival all but falls into his lap, Lucian sees opportunity. As a self-made man, he has vast wealth but holds little power, and Hattie might be the key to finally setting long-harbored political plans in motion. Driven by an old desire for revenge, he has no room for his new wife's apprehensions or romantic notions, bewitching as he finds her.

But a sudden journey to Scotland paints everything in a different light. Hattie slowly sees the real Lucian and realizes she could win everything—as long as she is prepared to lose her heart.

What to Expect When You’re Not Expected to Expect Anything Anymore Did you see the title and flame-filled cover of this book, and did your weary, sweaty, confused, and exasperated soul scream, That one! That is the book for me!!? If so, I’d first like to extend my deepest sympathies, an ice pack, and some of these very helpful edibles. If it’s three in the morning as you’re reading this, as it may well be, you likely want those more than a book. But since I can’t really give you the other stuff, I can at least offer you this book.

Perimenopause and menopause experiences are as unique as all of us who move through them. While there’s no one-size-fits-all, Heather Corinna tells you what can happen and what you can do to take care of yourself, all the while busting myths and offering real self-care tips—the kind that won’t break the bank or your soul—and running the gamut from hot flashes to hormone therapy.

With big-tent, practical, clear information and support, and inclusive of so many who have long been left out of the discussion—people with disabilities; queer, transgender, nonbinary, and other gender-diverse people; BIPOC; working class and other folks—What Fresh Hell Is This? is the cooling pillow and empathetic best friend to help you through the fire.

From the #1 New York Times bestselling author of The Flight Attendant, the enthralling story of a young Puritan woman who marries the wrong man and soon finds herself caught up in the violence and hysteria of the Salem Witch Trials.

Boston, 1662. Mary Deerfield is twenty-four years old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But here in the New World, amid this community of saints, Mary is the second wife of Thomas Deerfield, a man as cruel as he is powerful. When Thomas, prone to drunken rage, drives a three-tined fork into the back of Mary's hand, she resolves that she must divorce him to save her life. But in a world where every neighbor is watching for signs of the devil, a woman like Mary--a woman who harbors secret desires and finds it difficult to tolerate the brazen hypocrisy of so many men in the colony--soon finds herself the object of suspicion and rumor.

When tainted objects are discovered buried in Mary's garden, when a boy she has treated with herbs and simples dies, and when their servant girl runs screaming in fright from her home, Mary must fight to not only escape her marriage, but also the gallows. A twisting, tightly plotted thriller from one of our greatest storytellers, Hour of the Witch is a timely and terrifying novel of socially sanctioned brutality and the original American witch hunt.

Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary's book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.

Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it's impossible to tell where the curse leaves off and Hollywood begins.

In the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.

But when the Eastwood sisters—James Juniper, Agnes Amaranth, and Beatrice Belladonna—join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote—and perhaps not even to live—the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be.

An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women's suffrage—the lost ways are calling.

This explosive book of history and cultural criticism argues that white feminism has been a weapon of white supremacy and patriarchy deployed against Black and Indigenous women and all colonized women. It offers a long-overdue validation of the experiences of women of color.

Taking us from the slave era—when white women fought in court to keep ownership of their slaves—through the centuries of colonialism—when they offered a soft face for brutal tactics—to the modern workplace, White Tears/Brown Scars examines the entrenched systems of white supremacy that we are socialized within, a reality that we must apprehend in order to fight.

Examining subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral BBQ Becky video, and nineteenth-century lynchings of Mexicans in the American Southwest, Ruby Hamad builds a powerful argument about these systems.

Lady Lucie is fuming. She and her band of Oxford suffragists have finally scraped together enough capital to control one of London's major publishing houses, with one purpose: to use it in a coup against Parliament. But who could have predicted that the one person standing between her and success is her old nemesis and London's undisputed lord of sin, Lord Ballentine?

Or that he would be willing to hand over the reins for an outrageous price—a night in her bed. Lucie tempts Tristan like no other woman, burning him up with her fierceness and determination every time they clash. But as their battle of wills and words fans the flames of long-smoldering devotion, the silver-tongued seducer runs the risk of becoming caught in his own snare.

As Lucie tries to out-maneuver Tristan in the boardroom and the bedchamber, she soon discovers there's truth in what the poets say: all is fair in love and war…

En los futuros donde suceden estos diez relatos, una colecció de dispositivos como pings, ansibles, lentillas, perfiladores o telones sensoriales -algunos de ellos instalados dentro del cuerpo humano- permiten a las personas conectar sus mentes en una nube digital, compartir sus pensamientos y memorias, ponerles filtros a sus percepciones o calcular el éxito de un romance, mientras comen tacos de canasta o navegan sobre las calles de una Ciudad de México totalmente cubierta por el agua.

Con una inteligencia arrasadora, Andrea Chapela enfrenta a las protagonistas a realidades donde el conocimiento científico, la tecnología de punta y la vida cotidiana interactúan de forma cada vez ms intrincada e inevitable, de modo que incluso en la intimidad de la mente ya no reina la voz de la propia conciencia. La tecnología deja de ser un fetiche técnico para mostrar su capacidad de moldear los afectos y los vínculos humanos.

Las protagonistas son mujeres que se encuentran en una disyuntiva en sus relaciones personales a partir de un dispositivo de tecnología mental o de asimilación de la realidad que, a pesar de que debería facilitar la vida, amenaza con volver ms asfixiantes, impredecibles o peligrosas las interacciones humanas. La mente y sus secretos, la percepción y la duda de si percibimos solo lo que deseamos, los límites de la intimidad; estos son algunos de los temas que trata el libro.

It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again.

Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all--and in the process, they learn that there's more to Cinderella's story than they ever knew.

This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them.

Hood Feminism: Notes from the Women That a Movement Forgot is a potent and electrifying critique of today’s feminist movement, announcing a fresh new voice in black feminism. In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement, arguing that it has chronically failed to address the needs of all but a few women.

Mainstream feminists rarely talk about meeting basic needs as a feminist issue, argues Kendall. Issues such as food insecurity, access to quality education, safe neighborhoods, a living wage, and medical care are all feminist issues. All too often, however, the focus is not on basic survival for the many, but on increasing privilege for the few.

Moreover, prominent white feminists broadly suffer from their own myopia with regard to how things like race, class, sexual orientation, and ability intersect with gender. Kendall asks, How can we stand in solidarity as a movement when there is the distinct likelihood that some women are oppressing others?

Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on reproductive rights, politics, pop culture, and the stigma of mental health, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

Nuria Varela nos ofrece la continuación a su best seller Feminismo para principiantes. En este libro, Varela realiza un análisis riguroso y esclarecedor de las últimas teorías, movilizaciones y propuestas del movimiento político y social que, con sus aciertos y contradicciones, está poniendo en jaque la desigualdad estructural de la sociedad.

Políticas de la identidad, posfeminismo, feminismos poscoloniales, teoría queer, transfeminismo, interseccionalidad, biopolítica y ciberfeminismo son solo algunos de los conceptos que se tratan en este nuevo libro, indispensable para entender el momento crucial en que nos encontramos.

The Testaments, Margaret Atwood's highly anticipated sequel to The Handmaid's Tale, unfolds the darkly compelling story of Gilead more than fifteen years after Offred's ambiguous end. With The Testaments, Atwood opens the innermost workings of Gilead and brings the iconic story to a dramatic conclusion through the voices of three female narrators.

Two of the narrators, Daisy and Agnes, have grown up as part of the first generation in the new order of Gilead. They are joined by a third voice, Aunt Lydia, who wields power through the ruthless accumulation and deployment of secrets. Each woman is forced to come to terms with who she is, and how far she will go for what she believes.

As the regime of Gilead begins to rot from within, these three women's lives converge in a potentially explosive manner. The Testaments answers the questions that have tantalized readers for decades, offering a harrowing and exhilarating exploration of resistance against oppression.

England, 1879. Annabelle Archer, the brilliant but destitute daughter of a country vicar, has earned herself a place among the first cohort of female students at the renowned University of Oxford. In return for her scholarship, she must support the rising women's suffrage movement. Her charge: recruit men of influence to champion their cause. Her target: Sebastian Devereux, the cold and calculating Duke of Montgomery who steers Britain's politics at the Queen's command. Her challenge: not to give in to the powerful attraction she can't deny for the man who opposes everything she stands for.

Sebastian is appalled to find a suffragist squad has infiltrated his ducal home, but the real threat is his impossible feelings for green-eyed beauty Annabelle. He is looking for a wife of equal standing to secure the legacy he has worked so hard to rebuild, not an outspoken commoner who could never be his duchess. But he wouldn't be the greatest strategist of the Kingdom if he couldn't claim this alluring bluestocking without the promise of a ring...or could he? Locked in a battle with rising passion and a will matching her own, Annabelle will learn just what it takes to topple a duke....

A stunning debut for author Evie Dunmore and her Oxford suffragists in which a fiercely independent vicar's daughter takes on a powerful duke in a fiery love story that threatens to upend the British social order.

The Seed: Infertility Is a Feminist Issue is a compelling exploration of how feminism has historically overlooked the struggles of infertile women. In pop culture as much as in policy advocacy, the feminist movement has often left these women out in the cold.

This book traverses the chilly landscape of miscarriage, and the particular grief that accompanies the longing to make a family. Framed by her own desire for a child, journalist Alexandra Kimball brilliantly reveals the pain and loneliness of infertility, especially as a lifelong feminist.

Her experiences in online infertility support groups—where women gather in forums to discuss IVF, surrogacy, and isolation—leave her longing for a real-life community of women working to break down the stigma of infertility.

In the tradition of Eula Biss’s On Immunity and Barbara Ehrenreich's Bright-sided, Kimball marries perceptive analysis with deep reportage. Her findings highlight the paradoxical cultural attitudes towards women's rights to actively choose to have children.

Braiding together feminist history, memoir, and reporting from the front lines of the battle for reproductive rights and technology, The Seed inspires readers to envision a world where no woman is made to feel that her biology is her destiny.

Queenie is a disarmingly honest, boldly political, and truly inclusive novel that speaks to anyone who has gone looking for love and found something very different in its place.

Queenie Jenkins is a twenty-five-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she's constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places—including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.

As Queenie careens from one questionable decision to another, she finds herself wondering, "What are you doing? Why are you doing it? Who do you want to be?"—all of the questions today's woman must face in a world trying to answer them for her.

With fresh and honest prose, Queenie is a remarkably relatable exploration of what it means to be a modern woman searching for meaning in today's world.

Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez is a groundbreaking book that brings to light the gender bias that permeates our society. The book reveals how the world is largely built for and by men, leading to a systemic disregard for women's experiences. This bias manifests itself in various aspects of life, from medical research to technology, workplaces, and even urban planning.

The author compiles an array of case studies, stories, and new research from around the globe, illustrating the 'invisible' ways in which women are consistently overlooked, and the significant consequences this has on their lives. Invisible Women uncovers the 'gender data gap,' which has led to widespread and systemic discrimination against women, affecting their health, safety, and economic well-being.

Through this compelling narrative, Perez advocates for change, urging us to view the world through a more equitable lens. This book is not just an eye-opener but a call to action for a more just society where both men and women are equally considered.

The Huntress, by Kate Quinn, is a historical fiction narrative that intricately weaves the paths of a battle-haunted English journalist and a fearless Russian female bomber pilot with an extensive objective: to track down a Nazi war criminal hiding in America.

Nina Markova, fueled by her dreams to fly, joins the legendary Night Witches—an all-female night bomber regiment during World War II. Her survival and courage are tested when a disastrous encounter with the Huntress, a lethal Nazi murderess, puts her life on the line. In a surprising twist of fate, the hunter becomes the hunted.

Meanwhile, Ian Graham, a journalist who has seen the horrors of war, is on a mission to seek justice. He partners with Nina to find the elusive Huntress, but to succeed in their quest, both must confront a shared secret that could derail everything.

In post-war Boston, young Jordan McBride's aspirations to become a photographer are met with a wave of skepticism when her father brings home a new German fiancée. Suspicions about her stepmother's past set Jordan on a troubling path that might unbury secrets too dangerous to confront.

Kate Quinn offers a story of grit, suspense, and the relentless pursuit of justice.

Smart, humorous, and strikingly original thoughts on race, beauty, money, and more—by one of today's most intrepid public intellectuals.

Tressie McMillan Cottom, the writer, professor, and acclaimed author of Lower Ed, now brilliantly shifts gears from running regression analyses on college data to unleashing another identity: a purveyor of wit, wisdom—and of course Black Twitter snark—about all that is right and much that is so very wrong about this thing we call society. In the bestselling tradition of bell hooks and Roxane Gay, McMillan Cottom’s freshman collection illuminates a particular trait of her tribe: being thick. In form, and in substance.

This bold compendium, likely to find its place on shelves alongside Lindy West, Rebecca Solnit, and Maggie Nelson, dissects everything from beauty to Obama to pumpkin spice lattes. Yet Thick will also fill a void on those very shelves: a modern black American female voice waxing poetic on self and society, serving up a healthy portion of clever prose and southern aphorisms in a style uniquely her own.

McMillan Cottom has crafted a black woman’s cultural bible, as she mines for meaning in places many of us miss and reveals precisely how—when you’re in the thick of it—the political, the social, and the personal are almost always one and the same.