Crack open Ruby Redfort’s second adventure — and you will literally be on the edge of your wits. Everyone’s favorite girl detective is back for a second mind-blowing installment, packed with all the off-the-wall humor, action, and friendship of the first book. This time, though, it’s an adventure on the wide-open ocean, and Ruby is all at sea. . . . Can she crack the case of the Twinford pirates while evading the clutches of a vile sea monster as well as the evil Count von Viscount? Well, you wouldn’t want to bet against her.

Powerful love comes with a price. Who will be the sacrifice?

Kami has lost the boy she loves, is tied to a boy she does not, and faces an enemy more powerful than ever before. With Jared missing for months and presumed dead, Kami must rely on her new magical link with Ash for the strength to face the evil spreading through her town.

Rob Lynburn is now the master of Sorry-in-the-Vale, and he demands a death. Kami will use every tool at her disposal to stop him. Together with Rusty, Angela, and Holly, she uncovers a secret that might be the key to saving the town. But with knowledge comes responsibility—and a painful choice. A choice that will risk not only Kami’s life, but also the lives of those she loves most.

This final book in the Lynburn Legacy is a wild, entertaining ride from beginning to shocking end.

Unspeakable Things is a fresh look at gender and power in the twenty-first century. It asks difficult questions about dissent and desire, money and masculinity, sexual violence, menial work, mental health, queer politics, and the Internet.

Laurie Penny, a celebrated journalist and activist, draws on a broad history of feminist thought and her own experience in radical subcultures in America and Britain to take on cultural phenomena from the Occupy movement to online dating. She provides her unique spin on economic justice and freedom of speech and offers candid personal insight to rally the defensive against eating disorders, sexual assault, and internet trolls.

Unspeakable Things is a book that is eye-opening not only in the critique it provides but also in the revolutionary alternatives it imagines. It speaks for a new feminism that is about justice and equality, but also about freedom for all. It's about the freedom to be who we are, to love who we choose, to invent new gender roles, and to speak out fiercely against those who would deny us those rights.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters.

She ends on a serious note—because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!”

This book features that now-classic essay with six perfect complements, including an examination of the writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women.

Welcome to Wormwood: a place where curiosity is discouraged and no one has ever left.

Until one girl, Vega Jane, discovers a map that suggests a mysterious world beyond the walls. A world with possibilities and creatures beyond her imagining.

But she will be forced to fight for her freedom. And unraveling the truth may cost Vega her life.

Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world. Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women.

Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love. As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements.

Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better. This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved.

Cammie Morgan has lost her father and her memory, but in the heart-pounding conclusion to the best-selling Gallagher Girls series, she finds her greatest mission yet. Cammie and her friends finally know why the terrorist organization called the Circle of Cavan has been hunting her. Now the spy girls and Zach must track down the Circle’s elite members to stop them before they implement a master plan that will change Cammie—and her country—forever.

Get ready for the Gallagher Girls’ most astounding adventure yet as Ally Carter's New York Times best-selling series comes to breathtaking conclusion that will have readers racing to the last page.

Released for the first time in paperback, this landmark social and political volume on feminism is credited with being responsible for raising awareness, liberating both sexes, and triggering major advances in the feminist movement. Reprint.

Diary of a Wimpy Kid for girls in this hilarious novel!

It’s the biggest dance of the year and I am HOPING my crush, Brandon, (shhhh!!) wants to be my date. But time is running out. What if he doesn’t say yes? Or worse . . . what if he’s waiting for MacKenzie?!!

It’s time for me and my BFFs, Chloe and Zoey to tackle the topic of love, Dork Diaries style! SQUEEEE!!!!

From the award-winning author of We Should All Be Feminists and Half of a Yellow Sun, the story of two Nigerians making their way in the U.S. and the UK, raising universal questions of race, belonging, the overseas experience for the African diaspora, and the search for identity and a home.

Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be black for the first time. 

Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. Fifteen years later, they reunite in a newly democratic Nigeria, and reignite their passion--for each other and for their homeland.

Mila was never meant to learn the truth about her identity. She was a girl living with her mother in a small Minnesota town. She was supposed to forget her past—that she was built in a secret computer science lab and programmed to do things real people would never do.

Now she has no choice but to run—from the dangerous operatives who want her terminated because she knows too much, and from a mysterious group that wants to capture her alive and unlock her advanced technology. However, what Mila’s becoming is beyond anyone’s imagination, including her own, and it just might save her life.

«Éste es un libro sobre la vida... apasionado y alegre, sentimental y burlón.» ROSA MONTERO.

Cuando Rosa Montero leyó el maravilloso diario que Marie Curie comenzó tras la muerte de su esposo, y que se incluye al final de este libro, sintió que la historia de esa mujer fascinante que se enfrentó a su época le llenaba la cabeza de ideas y emociones. La ridícula idea de no volver a verte nació de ese incendio de palabras, de ese vertiginoso torbellino. Al hilo de la extraordinaria trayectoria de Curie, Rosa Montero construye una narración a medio camino entre el recuerdo personal y la memoria de todos, entre el análisis de nuestra época y la evocación íntima. Son páginas que hablan de la superación del dolor, de las relaciones entre hombres y mujeres, del esplendor del sexo, de la buena muerte y de la bella vida, de la ciencia y de la ignorancia, de la fuerza salvadora de la literatura y de la sabiduría de quienes aprenden a disfrutar de la existencia con plenitud y con ligereza.

Vivo, libérrimo y original, este libro inclasificable incluye fotos, remembranzas, amistades y anécdotas que transmiten el primitivo placer de escuchar buenas historias. Un texto auténtico, emocionante y cómplice que te atrapará desde sus primeras páginas.

Nikki Maxwell authors an advice column for the school newspaper in this fifth book of the New York Times bestselling Dork Diaries series.

Nikki Maxwell develops a sudden interest in student journalism that may or may not (okay, definitely does) have to do with the fact that mean girl MacKenzie has started writing a gossip column. And there just might be some juicy info involving Nikki’s crush, Brandon, that Nikki doesn’t want MacKenzie reporting to the world.

So Nikki joins the school newspaper staff—and ends up as an advice columnist! It’s fun at first, answering other kids’ letters. But when Miss Know-It-All’s inbox is suddenly overflowing with pleas for guidance, Nikki feels in need of some help herself. Fortunately, she has BFFs Chloe and Zoey on her side—and at her keyboard!

Welcome to Nikki Maxwell's aDORKable world and the mega-selling Dork Diaries series – now with over 50 million copies in print worldwide!

Nikki finds out that her crush Brandon volunteers at a local animal shelter. He's such a sweet guy – of course he wants to help those adorable puppies!

Then Brandon tells her that the shelter is in danger of closing, and Nikki knows she can't let that happen. So Nikki and her friends Chloe and Zoey enter an ice skating competition to help raise money for the shelter, but skating is harder than Nikki imagined, and of course MacKenzie is stirring trouble too.

Can Nikki transform from dork to ice princess in time to save the day?

Rory Hendrix is the least likely of Girl Scouts. She hasn’t got a troop or even a badge to call her own. But she’s checked the Handbook out from the elementary school library so many times that her name fills all the lines on the card. She pores over its surreal advice (Disposal of Outgrown Uniforms; The Right Use of Your Body; Finding Your Way When Lost) for tips to get off the Calle: that is, Calle de los Flores, the Reno trailer park where she lives with her mother, Jo, the sweet-faced, hard-luck bartender at the Truck Stop.

Rory’s been told she is “third generation in a line of apparent imbeciles, feeble-minded bastards surely on the road to whoredom.” But she’s determined to prove the County and her own family wrong. Brash, sassy, vulnerable, wise, and terrified, she struggles with her mother’s habit of trusting the wrong men, and the mixed blessing of being too smart for her own good.

From diary entries, social worker’s reports, half-recalled memories, story problems, arrest records, family lore, Supreme Court opinions, and her grandmother’s letters, Rory crafts a devastating collage that shows us her world while she searches for the way out of it. Girlchild is a heart-stopping and original debut.

Every other day, Kali D’Angelo is a normal sixteen-year-old girl. She goes to public high school, argues with her father, and is human.

And then every day in between... she’s something else entirely. Though she still looks like herself, every twenty-four hours, predatory instincts take over, and Kali becomes a feared demon-hunter with the undeniable urge to hunt, trap, and kill zombies, hellhounds, and other supernatural creatures. Kali has no idea why she is the way she is, but she gives in to instinct anyway, even though the government considers it environmental terrorism.

When Kali notices a mark on the lower back of a popular girl at school, she knows instantly that the girl is marked for death by one of these creatures. Kali has twenty-four hours to save her, and unfortunately, she’ll have to do it as a human. With the help of a few new friends, Kali takes a risk that her human body might not survive and learns the secrets of her mysterious condition in the process.

Ruby Redfort is a genius code-cracker, a daring detective, and a gadget-laden special agent who just happens to be a 13-year-old girl.

She and her slick side-kick butler, Hitch, foil crimes and get into loads of scrapes with evil villains, but they're always ice-cool in a crisis.

How to Be a Woman is a hilarious and insightful exploration into the life of modern women. Although women now have the vote and access to contraception, life isn't exactly a stroll down the catwalk. Caitlin Moran, with her rapier wit, dives into the uncertainties and questions that plague women today.

Why do bras hurt? Why are we supposed to get Brazilians? And why the incessant talk about babies? Caitlin Moran interweaves laugh-out-loud funny scenes from her own life with provocative observations on women's lives. From the riot of adolescence to her development as a writer, wife, and mother, Moran slices right to the truth—whether it's about the workplace, strip clubs, love, fat, abortion, popular entertainment, or children.

With humor, insight, and verve, How To Be a Woman lays bare the reasons female rights and empowerment are essential issues not only for women today but also for society itself.

In 1897 England, sixteen-year-old Finley Jayne has no one... except the "thing" inside her.When a young lord tries to take advantage of Finley, she fights back. And wins. But no normal Victorian girl has a darker side that makes her capable of knocking out a full-grown man with one punch...Only Griffin King sees the magical darkness inside her that says she's special, says she's one of them. The orphaned duke takes her in from the gaslit streets against the wishes of his band of misfits: Emily, who has her own special abilities and an unrequited love for Sam, who is part robot; and Jasper, an American cowboy with a shadowy secret.Griffin's investigating a criminal called The Machinist, the mastermind behind several recent crimes by automatons. Finley thinks she can help and finally be a part of something, finally fit in.But The Machinist wants to tear Griff's little company of strays apart, and it isn't long before trust is tested on all sides. At least Finley knows whose side she's on even if it seems no one believes her.

The 50 contestants in the Miss Teen Dream pageant thought this was going to be a fun trip to the beach, where they could parade in their state-appropriate costumes and compete in front of the cameras. But, sadly, their airplane had another idea, crashing on a desert island and leaving the survivors stranded with little food, little water, and practically no eyeliner.

What’s a beauty queen to do? Continue to practice for the talent portion of the program - or wrestle snakes to the ground? Get a perfect tan - or learn to run wild? And what should happen when the sexy pirates show up?

Welcome to the heart of non-exfoliated darkness.

Times are hard for new vampire Merit. Since shapeshifters announced their presence to the world, humans have been rallying against supernaturals, and inside Cadogan House, things between Merit and her Master, Ethan Sullivan, are...tense. Worst of all, a violent vampire attack has left three women missing, and the mayor of Chicago has a simple demand for Merit and Ethan: Get your House in order. Or else.

Merit needs to get to the bottom of the crime, but, unable to tell who’s on her side, she calls in a dangerous favor from a member of an underground vamp group that may have intel on the attack. Merit soon finds herself in the dark heart of Chicago’s supernatural society—a world ready to fulfill the protesting humans’ worst fears, and a place where she’ll learn that being a vampire means getting a little blood on your hands.

A novel about best friends, betrayal, and drama.

Holly might be new, but she already knows who to watch out for: Jess Flynn, the most popular girl in the freshman class. Holly's best friend back in Melbourne, Calypso, says Jess is a liar, a shoplifter, and a boyfriend–stealer. Calypso wants revenge for her ex–friend's betrayal, and Holly's only too happy to oblige.

But it's not proving easy to follow Calypso's plan and catch Jess red–handed. As Holly gets to know her, Jess isn't fitting the terrible picture Calypso painted.

Roxie Logan is on the run from a bad boyfriend who just will not catch a hint that it is o-v-e-r. She's not in the mood for love at first sight. Unfortunately, her eyes fall on Hank Nightingale and she knows it's trouble from the get-go.

Roxie tries to hold Hank at arm's length, but Hank wants to be a lot closer (as in, a lot a lot). Roxie's trouble catches up with her and Hank wants to help, but Roxie knows in her heart that she's no good for a White Hat type of guy.

The problem is, no one agrees with her, especially her crazy, hippie best friend, Annette, or her parents, the even crazier small-town Herb and Trish.

Roxie's got the odds stacked up against her and has no choice but to hold on and just ride it out through kidnappings, car chases, society parties, and a wild night at the Haunted House.

A gift…or a curse?

Jessica Mastriani has never liked attention. All she wants is to make it to high school graduation like any ordinary girl. But when Jess is struck by lightning, she becomes anything but ordinary: suddenly she has the ability to locate missing children.

Now Jess is getting noticed in all the wrong ways and by all the wrong people. The media is obsessed with her and her story. The FBI is tapping her phone. And what’s going on with sexy senior Rob?

Soon Jess learns the hard way that not everyone who is lost wants to be found…. With no one to trust, it's up to Jess to decide what to do with her new power—before it’s decided for her.

It’s the twenty-first century, and although we tried to rear unisex children—boys who play with dolls and girls who like trucks—we failed. Even though the glass ceiling is cracked, most women stay comfortably beneath it. And everywhere we hear about vitally important “hardwired” differences between male and female brains. The neuroscience that we read about in magazines, newspaper articles, books, and sometimes even scientific journals increasingly tells a tale of two brains, and the result is more often than not a validation of the status quo.

Women, it seems, are just too intuitive for math, men too focused for housework. Drawing on the latest research in neuroscience and psychology, Cordelia Fine debunks the myth of hardwired differences between men’s and women’s brains, unraveling the evidence behind such claims as men’s brains aren’t wired for empathy and women’s brains aren’t made to fix cars. She then goes one step further, offering a very different explanation of the dissimilarities between men’s and women’s behavior. Instead of a “male brain” and a “female brain,” Fine gives us a glimpse of plastic, mutable minds that are continuously influenced by cultural assumptions about gender.

Passionately argued and unfailingly astute, Delusions of Gender provides us with a much-needed corrective to the belief that men’s and women’s brains are intrinsically different—a belief that, as Fine shows with insight and humor, all too often works to the detriment of ourselves and our society.

When Cammie Morgan enrolled at the Gallagher Academy, she knew she was preparing for the dangerous life of a spy. What she didn’t know was that the serious, real-life danger would start during her junior year of high school. But that’s exactly what happened two months ago when Cammie faced off against an ancient terrorist organization dead set on kidnapping her.

Now the danger follows her everywhere, and even Cammie “The Chameleon” can’t hide. When a terrifying encounter in London reveals that one of her most-trusted allies is actually a rogue double-agent, Cammie no longer knows if she can trust her classmates, her teachers—or even her own heart.

In this fourth installment of the New York Times best-selling series, the Gallagher Girls must hack, spy, steal, and lie their way to the truth.as they go searching for answers, recognizing that the key to Cammie’s future may lie deep in the past.

The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the Observer

This beautifully designed edition forms part of a series with five other cherished poets, including Wendy Cope, Don Paterson, Philip Larkin, Simon Armitage and Alice Oswald.

Life as a ship's boy aboard HMS Dolphin is a dream come true for Jacky Faber. Gone are the days of scavenging for food and fighting for survival on the streets of eighteenth-century London. Instead, Jacky is becoming a skilled and respected sailor as the crew pursues pirates on the high seas.

There's only one problem: Jacky is a girl. And she will have to use every bit of her spirit, wit, and courage to keep the crew from discovering her secret. This could be the adventure of her life--if only she doesn't get caught...

It’s like Diary of a Wimpy Kid for girls in this hilarious novel!

Recipe for disaster: 4 parties. Add 2 friends and 1 crush. Divide by 1 mean girl out to RUIN Nikki. Mix well, put fingers over eyes, and CRINGE.

I thought it would NEVER happen, but my life is FINALLY going well for me. I’m adjusting to my new school and hanging out with my BFFs Chloe and Zoey. And, get this! My crush, Brandon, has asked ME to be his lab partner—a seriously awesome development.

However, when I overhear mean girl MacKenzie bragging that Brandon’s taking HER to the Halloween dance, I’m totally BUMMED and sign-up instead to spend Halloween at a kid’s party with my bratty, little sister, Brianna.

Lucky for me, I find out Mackenzie is lying and my dream of going to the party with Brandon could actually become a reality! But, can I juggle TWO events at the exact same time and survive a wacky assortment of trials, tribulations and disasters?!! HELP!!!

Newly translated and unabridged in English for the first time, Simone de Beauvoir’s masterwork is a powerful analysis of the Western notion of “woman,” and a groundbreaking exploration of inequality and otherness. This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as it was back then, and will continue to provoke and inspire generations of men and women to come.

Julie Klausner's candid and funny debut I Don't Care About Your Band sheds light on the humiliations we endure to find love—and the lessons that can be culled from the wreckage.

I Don't Care About Your Band posits that lately the worst guys to date are the ones who seem sensitive. It's the jerks in nice guy clothing, not the players in Ed Hardy, who break the hearts of modern girls who grew up in the shadow of feminism, thinking they could have everything, but end up compromising constantly.

The cowards, the kidults, the critics, and the contenders: these are the stars of Klausner's memoir about how hard it is to find a man—good or otherwise—when you're a cynical grown-up exiled in the dregs of Guyville.

Off the popularity of her New York Times Modern Love piece about getting the brush-off from an indie rock musician, I Don't Care About Your Band is marbled with the wry strains of Julie Klausner's precocious curmudgeonry and brimming with truths that anyone who's ever been on a date will relate to.

Klausner is an expert at landing herself waist-deep in crazy, time and time again, in part because her experience as a comedy writer (Best Week Ever, TV Funhouse on SNL) and sketch comedian from NYC's Upright Citizens Brigade fuels her philosophy of how any scene should unfold, which is, "What? That sounds crazy? Okay, I'll do it."

I Don't Care About Your Band charts a distinctly human journey of a strong-willed but vulnerable protagonist who loves men like it's her job, but who's done with guys who know more about love songs than love.

Klausner's is a new outlook on dating in a time of pop culture obsession, and she spent her 20's doing personal field research to back up her philosophies. This is the girl's version of High Fidelity. By turns explicit, funny and moving, Klausner's debut shows the evolution of a young woman who endured myriad encounters with the wrong guys, to emerge with real-world wisdom on matters of the heart.

What do Katie-Rose, Yasaman, Milla, and Violet all have in common? Other than being named after flowers, practically nothing. Katie-Rose is a film director in training. Yasaman is a computer whiz. Milla is third in command of the A list. And Violet is the new girl in school. They’re fab girls, all of them, but they sure aren’t friends. And if evil queen bee Medusa— ’scuse me, Modessa—has her way, they never will be.

But this is the beginning of a new school year, when anything can happen and social worlds can collide...

Told in Lauren Myracle’s inventive narrative style—here a fresh mix of instant messages, blog posts, screenplay, and straight narrative—Luv Ya Bunches is a funny, honest depiction of the shifting alliances and rivalries that shape school days, and of the lasting friendships that blossom from the skirmishes.

The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners--a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life--has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life.

Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers...

Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away... By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

When Cammie "The Chameleon" Morgan visits her roommate Macey in Boston, she thinks she's in for an exciting end to her summer break. After all, she's there to watch Macey's father accept the nomination for vice president of the United States. But when you go to the world's best school (for spies), "exciting" and "deadly" are never far apart. Cammie and Macey soon find themselves trapped in a kidnappers' plot, with only their espionage skills to save them.

As her junior year begins, Cammie can't shake the memory of what happened in Boston, and even the Gallagher Academy for Exceptional Young Women doesn't feel like the safe haven it once did. Shocking secrets and old flames seem to lurk around every one of the mansion's corners as Cammie and her friends struggle to answer the questions, Who is after Macey? And how can the Gallagher Girls keep her safe?

Soon Cammie is joining Bex and Liz as Macey's private security team on the campaign trail. The girls must use their spy training at every turn as the stakes are raised, and Cammie gets closer and closer to the shocking truth.

Meet Nikki Maxwell! She's starting eighth grade at a new school—and her very first diary packed with hilarious stories and art in Book One of the #1 New York Times bestselling Dork Diaries series! New school. New mean girl. New crush. New diary so I can spill about all of it…

I put a lot of really personal stuff in this diary along with my sketches and doodles. But, mostly it’s about how TRAUMATIC it was transferring to my new private middle school, Westchester Country Day. And, how a lot of the CCP (Cool, Cute & Popular) kids were really SNOBBY and made my life TOTALLY miserable. People like, oh, I don’t know, maybe…MACKENZIE HOLLISTER!! And, it just so happened that I got stuck with a locker right next to hers. I could NOT believe I had such CRAPPY luck. I knew right then and there it was going to be a VERY, VERY long school year :-( !

Calpurnia Virginia Tate is eleven years old in 1899 when she wonders why the yellow grasshoppers in her Texas backyard are so much bigger than the green ones. With a little help from her notoriously cantankerous grandfather, an avid naturalist, she figures out that the green grasshoppers are easier to see against the yellow grass, so they are eaten before they can get any larger.

As Callie explores the natural world around her, she develops a close relationship with her grandfather, navigates the dangers of living with six brothers, and comes up against just what it means to be a girl at the turn of the century.

Debut author Jacqueline Kelly deftly brings Callie and her family to life, capturing a year of growing up with unique sensitivity and a wry wit.

EM WATTS IS GONE. Emerson Watts didn’t even want to go to the new SoHo Stark Megastore grand opening. But someone needed to look out for her sister, Frida, whose crush, British heartthrob Gabriel Luna, would be singing and signing autographs there along with the newly appointed Face of Stark, teen supermodel sensation Nikki Howard. How was Em to know that disaster would strike, changing her and life as she’d known it forever? One bizarre accident later, and Em Watts, always the tomboy, never the party princess, is no longer herself. Literally. Now getting her best friend, Christopher, to notice that she’s actually a girl is the least of Em’s problems. But what Em’s pretty sure she’ll never be able to accept might just turn out to be the one thing that’s going to make her dream come true.

NIKKI HOWARD IS HERE TO STAY.

The Beauty Myth is the bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, writer and journalist Naomi Wolf is troubled by a different kind of social control, which she argues may be just as restrictive as the traditional image of homemaker and wife.

It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of "the flawless beauty." This gripping and frank exposé reveals the oppressive function of the beauty myth and the destructive obsession it engenders.

Massie Block: When the Pretty Committee deems its boy-fast null and void, boy fever sweeps through BOCD. What better way to backhandspring into new crush Dempsey's heart—and make old crush Derrington jealous—than cheer for him on the soccer field? And just like that, Massie forms BOCD's first-ever cheerleading squad. But will Massie still have something to cheer about when Dempsey starts spending a lot of time with LBR Layne Abeley? Give me an "E" for Ehmagawd!

Kristen Gregory: With Massie and her SBFF (secret best friend forever) Layne vying for the same boy, Kristen has to make a choice: A) the Pretty Committee, or B) the Witty Committee. And if she doesn't choose fast, she'll end up C) Committeeless.

Dylan Marvil: Is hiding something, and it's not just those peanut butter Luna bars stashed under her mattress. She's got a secret crush on Derrington—and it's no secret that he likes burpilicious redheads...

Alicia Rivera: Prefers pliés to pom-poms, especially when Massie orders her to the bottom of the cheer-pyramid. Can Alicia accept her beta status, or is it time to become alpha of her own squad?

Claire Lyons: Now that she's back with Cam, Claire finally has her love life in order. But her friends are trading crushes like styling tips. Will the Pretty Committee survive the boy-swap intact, or is the Clique about to come apart at the seams?

The clarion call to change that galvanized a generation. When Germaine Greer's The Female Eunuch was first published, it created a shock wave of recognition in women, one that could be felt around the world. It went on to become an international bestseller, translated into more than twelve languages, and a landmark in the history of the women's movement.

Positing that sexual liberation is the key to women's liberation, Greer examines the inherent and unalterable biological differences between men and women, as well as the profound psychological differences that result from social conditioning. Drawing on history, literature, biology, and popular culture, Greer's searing examination of women's oppression is a vital, passionately argued social commentary.

This book serves as both an important historical record of where we've been and a shockingly relevant treatise on what still remains to be achieved.

Once upon a time, in a land you only think you know, lived a little girl and her mother... or the woman she thought was her mother.

Every day, when the little girl played in her pretty garden, she grew more curious about what lay on the other side of the garden wall... a rather enormous garden wall.

And every year, as she grew older, things seemed weirder and weirder, until the day she finally climbed to the top of the wall and looked over into the mines and desert beyond.

Newbery Honor-winning author Shannon Hale teams up with husband Dean Hale and brilliant artist Nathan Hale (no relation) to bring readers a swashbuckling and hilarious twist on the classic story as you've never seen it before.

Watch as Rapunzel and her amazing hair team up with Jack (of beanstalk fame) to gallop around the wild and western landscape, changing lives, righting wrongs, and bringing joy to every soul they encounter.

The higher you climb, the farther you have to fall...

Reed Brennan knew being elected president of exclusive Billings Hall would change her life. What she didn't count on was being dumped by her boyfriend, Josh Hollis, or being held responsible for a fire that destroyed Easton Academy's oldest building.

And now the administration wants to shut Billings down. Forever. As president, it's up to Reed to save Billings Hall. What better way to win over the headmaster than to host a glam fund-raising event in New York City? Everyone needs a date, and the newly single Reed is the most eligible girl on campus. All of Easton's hottest boys are angling to take her out, and for once, Reed's biggest problem is which one to choose.

Reed has never felt so popular or powerful—until the police start asking questions about Cheyenne Martin's death. Excited party buzz quickly turns to whispered rumors and dark moods, and one thing becomes clear: There is someone who wants to see Billings, and Reed, go down. And they will do anything to make it happen.

Okay, so cats don't always land on their feet. I know that better than most. Since rejoining the Pride, I've made big decisions and even bigger mistakes: the kind paid for with innocent lives.

As the first and only female enforcer, I have plenty to prove to my father, the Pride, and myself. And with murdered toms turning up in our territory, I'm working harder than ever, though I always find the energy for a little after-hours recreation with Marc, my partner both on- and off-duty.

But not all of my mistakes are behind me. We're beginning to suspect that the dead are connected to a rash of missing human women and that they can all be laid at my feet—two or four, take your pick. And one horrible indiscretion may yet cost me more than I can bear...

Frankie Landau-Banks at age 14: Debate Club. Her father's "bunny rabbit." A mildly geeky girl attending a highly competitive boarding school.

Frankie Landau-Banks at age 15: A knockout figure. A sharp tongue. A chip on her shoulder. And a gorgeous new senior boyfriend: the supremely goofy, word-obsessed Matthew Livingston.

Frankie Landau-Banks, at age 16: No longer the kind of girl to take "no" for an answer and possibly a criminal mastermind. This is the story of how she got that way.

Frankie Landau-Banks. No longer the kind of girl to take "no" for an answer. Especially when "no" means she's excluded from her boyfriend's all-male secret society. Not when her ex-boyfriend shows up in the strangest of places. Not when she knows she's smarter than any of them. When she knows Matthew's lying to her. And when there are so many, many pranks to be done.