From beloved and bestselling author Roxane Gay, a strikingly fresh cultural critic (Washington Post), comes an exhilarating collection of her essays on culture, politics, and everything in between.

Since the publication of the groundbreaking Bad Feminist and Hunger, Roxane Gay has continued to tackle big issues embroiling society—state-sponsored violence and mass shootings, women’s rights post-Dobbs, online disinformation, and the limits of empathy—alongside more individual topics: Can I tell my co-worker her perfume makes me sneeze? Is it acceptable to schedule a daily 8 am meeting?

In her role as a New York Times opinion section contributor and the publication’s “Work Friend” columnist, Gay reaches millions of readers with her wise voice and sharp insights. Opinions is a collection of her best nonfiction pieces from the past ten years.

Covering a wide range of topics—politics, feminism, the culture wars, civil rights, and much more—with an all-new introduction in which she reflects on the past decade in America, this sharp, thought-provoking anthology will delight Roxane Gay’s devotees and draw new readers to this inimitable talent.

First Love: Essays on Friendship is a bracing, intimate essay collection that delves into the power and complexity of female friendship in the wake of violence. Authored by the critically acclaimed Lilly Dancyger, this book emerges from the tragic murder of her cousin Sabina, which profoundly altered her understanding of womanhood and rippled through her closest friendships.

The loss of Sabina, her first love, serves as a catalyst for a bold and refreshing exploration of the connections between women. Dancyger examines the intensity of adolescent best friendships, fluid sexuality, mothering, and chosen family. Each essay is deeply rooted in a significant female friendship from her life, reaching outwards to challenge cultural assumptions about feminine identity and desire, and the ways in which women support one another in a world that often seeks to diminish them.

With seamless integration of personal anecdotes, literature, and pop culture references—from fairytales and true crime to the works of Anaïs Nin and Sylvia Plath, and even the 'sad girls' of Tumblr—Dancyger's essays weave a multifaceted narrative of a life as told through the lens of friendships. This collection is a profound exploration of the essence of loving one another and elevates friendships to the status of love stories, offering them the deep consideration traditionally reserved for romantic relationships.

First Love argues that although friendship cannot shield us from the dangers of the world, the love found within it is always worth the risk. In times of tragedy, Dancyger reminds us, it is our friends who provide the support necessary for survival. Through First Love, the invaluable bonds of friendship are celebrated and given their rightful recognition.

Mean Boys: A Personal History delves into the complex world of male friendships and rivalries, exploring how they shape our identities and experiences. Geoffrey Mak shares his personal journey, examining the intricate dynamics of competition and camaraderie among men.

Through a series of vivid anecdotes and reflective insights, Mak reveals the often unspoken rules that govern male relationships. He sheds light on the challenges and triumphs that come with navigating these bonds, offering a candid look at the role of masculinity in modern society.

This memoir is not just a tale of personal growth but a broader commentary on the societal expectations placed on men. Mak's narrative is both thought-provoking and relatable, as he invites readers to reconsider what it means to be a 'mean boy' in today's world.

From the author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. Danielle Dutton's endlessly inventive books have been praised as "strikingly smart and daringly feminist" (Jenny Offill), "brilliantly odd" (The Irish Independent), and "beguiling" (The Wall Street Journal).

In Prairie, Dresses, Art, Other, four distinct sections operate like Joseph Cornell boxes, each offering its own vibrant proposal for what contemporary writing might be. "Prairie" is a cycle of stories set in the Midwest, a surreal landscape of wildflowers, ominous rivers, violence, virtual reality, art, fear, and loss. The conceptual work in "Dresses" reconsiders the canon through the lens of its garb, like a wild literary closet. "Art" turns to essay, examining how works of visual art and fiction relate to one another, a theme central to the whole book. The final section, "Other," collects pieces in irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking for reasons as inexplicable as the abiding beauty and strangeness of all of Dutton's work.

From internationally renowned writer and Booker Prize winner Salman Rushdie, Knife is a searing, deeply personal account of enduring—and surviving—an attempt on his life thirty years after the fatwa that was ordered against him.

Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. Knife is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.

All Things Are Too Small is brilliant cultural critic Becca Rothfeld's soul cry for derangement: imbalance, obsession, gluttony, ravishment, ugliness, and unbound truth in aesthetics, whether we're talking about literature, criticism, or design. In a healthy culture, Rothfeld argues, economic security allows for wild aesthetic experimentation and excess; alas, in the contemporary Anglophone West, we've got it flipped.

The gap between rich and poor, privileged and oppressed, yawns hideously wide, while we stagnate in a cultural equality that imposes restraint. This collection of essays ranges from topics such as Sally Rooney, sadomasochism, and women who wait, making a glorious call to throw off restraint and balance in culture in favor of excess, abandon, and disproportion.

Like Love: Essays and Conversations is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

We Loved It All: A Memory of Life by Lydia Millet is an intimate evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. In her first work of nonfiction, acclaimed novelist Lydia Millet offers a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.

Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others”―the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers―all figures in the complex tapestry each of us weaves with the surrounding world.

Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth―including our own.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to her battle with depression.

She traces this loneliness to an inability to feel truly safe with others and a historic hyper-awareness stemming from the effects of slavery. In this collection of essays as intimate as being in the room with Morgan and her therapist, Morgan examines America's cultural history and relationship to Black Americans through the ages, through such topics as the ubiquity of a beauty culture that excludes Black women, the implications of Bill Cosby's fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious.

With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman's psyche—and of the writer's search to both tell the truth and deconstruct it.

Ghost Dogs: On Killers And Kin is a collection of essays from the literary master and bestselling author of Townie, Andre Dubus III. In this work, Dubus reflects on a life filled with challenges, contradictions, and fulfillments. The narrative takes readers on an intimate journey through the author's personal experiences, thoughts, and emotions.

No Judgement: Essays is a forthcoming collection by Lauren Oyler, known for her sharp wit and insightful commentary. While the descriptive copy is not yet available from the Publisher, readers can expect a series of compelling essays that delve into the art of being critical.

Oyler's work often explores the intersection of culture, social media, and literature, offering a unique perspective on contemporary issues. This collection promises to be an essential read for anyone interested in the power of critique in our modern world.

Joan Acocella, one of our finest cultural critics, has the rare ability to examine literature and unearth the lives contained within it—its authors, its subjects, and the communities from which it sprung. In her hands, arts criticism becomes a celebration and an investigation, and her essays pulse with unadulterated enthusiasm.

As Kathryn Harrison wrote in The New York Times, "Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have?" The Bloodied Nightgown and Other Essays gathers twenty-four essays from the past decade and a half of Acocella's career, as well as an introduction that frames her simple preoccupations, "life and art."

In agile, inspired prose, the New Yorker staff writer moves from J. R. R. Tolkien's translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling in the book of Job. Her appetite (and reading list) knows no bounds. This collection is a joy and a revelation, a library in itself, and Acocella our dream companion among its shelves.

Poet and journalist Shayla Lawson follows their National Book Critics Circle finalist This Is Major with these daring and exquisitely crafted essays, where Lawson journeys across the globe, finds beauty in tumultuous times, and powerfully disrupts the constraints of race, gender, and disability.

With their signature prose, at turns bold, muscular, and luminous, Shayla Lawson travels the world to explore deeper meanings held within love, time, and the self.

Through encounters with a gorgeous gondolier in Venice, an ex-husband in the Netherlands, and a lost love on New Year’s Eve in Mexico City, Lawson's travels bring unexpected wisdom about life in and out of love. They learn the strength of friendships and the dangers of beauty during a narrow escape in Egypt. They examine Blackness in post-dictatorship Zimbabwe, then take us on a secretive tour of Black freedom movements in Portugal.

Through a deeply insightful journey, Lawson leads readers from a castle in France to a hula hoop competition in Jamaica to a traditional theater in Tokyo to a Prince concert in Minnesota and, finally, to finding liberation on a beach in Bermuda, exploring each location—and their deepest emotions—to the fullest. In the end, they discover how the trials of marriage, grief, and missed connections can lead to self-transformation and unimagined new freedoms.

A well-known writer, activist, and disability rights advocate, Henrietta Bollinger's debut essay collection speaks to their experiences as a queer, disabled person, and as a twin. Articulations is a timely, personal, and poignant appraisal of life in Aotearoa New Zealand.

Soundtracked by the Topp Twins, Anika Moa, Woody Guthrie and more, Bollinger's essays take us on a journey from first crushes and first periods to parliamentary reform and Disability Pride. They challenge the norms of our ableist society, asking us to consider better ways of being with each other and ourselves.

The New York Times bestselling author of The Book of Delights and Inciting Joy is back with a new chronicle of small, daily wonders—and it is exactly the book we need in these unsettling times.

Ross Gay’s essays have been called “exquisite,” “imperative,” and “brilliant.” Now, in this new collection of genre-defying pieces, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight.

For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “ubiquitous, nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren.

As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us.

For his many fans eagerly awaiting this new volume and for readers who have enjoyed the works of Aimee Nezhukumatathil, Zadie Smith, and Rebecca Solnit, Gay once again offers us literature that feels as fluent and familiar as a chat with a close friend. The Book of (More) Delights is a collection to savor and share.

The beloved bestselling author of Here for It returns with an all-new collection of heartening, deeply relatable, and laugh-out-loud essays about what happens after happily ever after.

After going viral "reading" the chaotic political news, having one-too-many awkward social encounters, and coming to terms with his intersecting identities, R. Eric Thomas finally knew who he was and where he was going. He was living his best life. But then everything changed.

In this collection of insightful and hilarious essays, Thomas moves back to his perpetually misunderstood hometown of Baltimore (a place he never wanted to return, even to be buried) and behaving completely out of character. They say you can't go home again, but what if you and home have changed beyond recognition?

From attending his twenty-year high school reunion and discovering another person's face on his name badge, to splattering an urgent care room with blood à la The Shining, to being terrorized by a plague of gay frogs who've overtaken his backyard, Thomas provides the nitty, and sometimes the gritty, details of wrestling with the life he thought he'd left behind while trying to establish a new one.

With wit, heart, and hope for the future, Congratulations, The Best Is Over! is the not-so-gentle reminder we all need that even when life doesn't go according to plan, we can still find our way back home.

Samantha Irby invites us to share in the gory particulars of her real life, all that festers behind the glitter and glam.

The success of Irby's career has taken her to new heights. She fields calls with job offers from Hollywood and walks the red carpet with the iconic ladies of Sex and the City. Finally, she has made it. But, behind all that new-found glam, Irby is just trying to keep her life together as she always had.

Her teeth are poisoning her from inside her mouth, and her diarrhea is back. She gets turned away from a restaurant for wearing ugly clothes, she goes to therapy and tries out Lexapro, gets healed with Reiki, explores the power of crystals, and becomes addicted to QVC. Making light of herself as she takes us on an outrageously funny tour of all the details that make up a true portrait of her life, Irby is once again the relatable, uproarious tonic we all need.

Our Migrant Souls is a defining exploration of the Latino identity in the United States by Pulitzer Prize-winning writer Héctor Tobar. The term "Latino" is one of the most rapidly growing but loosely defined major race categories in the country.

Composed as a direct address to young people who identify or are classified as "Latino," this book stands as the first account of the historical and social forces shaping Latino identity. Tobar examines the impacts of colonialism, public policy, immigration, media, and pop culture, decoding the meaning of "Latino" as a racial and ethnic identity in contemporary America.

Our Migrant Souls gives voice to the frustrations and aspirations of young Latinos who have witnessed the transformation of Latinidad into negative stereotypes and have faced insult and division. Tobar shares his experiences as a journalist, novelist, mentor, leader, and educator, intertwining his personal narrative and his parents' migration from Guatemala with his journey across the country to uncover a narrative that is expansive, inspiring, and alive.

Arrangements in Blue is a poignant memoir that delves into the life of poet Amy Key, who, in her forties, embarks on an exploration of living without romantic love. With expectations of love shaped by Joni Mitchell's album Blue, Key reflects on a life that has unfolded differently than she imagined.

Key's journey is one of self-discovery, as she builds a home, travels solo, contemplates motherhood, and learns to recognize her personal milestones. She uncovers the often overlooked forms of connection and care, while also confronting the challenging emotions of loneliness, envy, grief, and failure.

This memoir is not just Key's story but an invitation to live and love more honestly, honoring the life one leads completely by oneself. Arrangements in Blue is a testament to the expansive potential of self-friendship and the importance of candidly embracing the full spectrum of human experience.

In her first book, How to Do Nothing, Jenny Odell wrote about the importance of disconnecting from the "attention economy" to spend time in quiet contemplation. But what if you don't have time to spend? In order to answer this seemingly simple question, Odell took a deep dive into the fundamental structure of our society and found that the clock we live by was built for profit, not people. This is why our lives, even in leisure, have come to seem like a series of moments to be bought, sold, and processed ever more efficiently.

Odell shows us how our painful relationship to time is inextricably connected not only to persisting social inequities but to the climate crisis, existential dread, and a lethal fatalism. This dazzling, subversive, and deeply hopeful book offers us different ways to experience time—inspired by pre-industrial cultures, ecological cues, and geological timescales—that can bring within reach a more humane, responsive way of living. As planet-bound animals, we live inside shortening and lengthening days alongside gardens growing, birds migrating, and cliffs eroding; the stretchy quality of waiting and desire; the way the present may suddenly feel marbled with childhood memory; the slow but sure procession of a pregnancy; the time it takes to heal from injuries.

Odell urges us to become stewards of these different rhythms of life in which time is not reducible to standardized units and instead forms the very medium of possibility. Saving Time tugs at the seams of reality as we know it—the way we experience time itself—and rearranges it, imagining a world not centered on work, the office clock, or the profit motive. If we can "save" time by imagining a life, identity, and source of meaning outside these things, time might also save us.

Enseñar a Hablar a un Monstruo es una indagación literaria sobre el gran misterio que nos hace humanos: el lenguaje. Es el primer libro de no ficción del novelista, traductor y profesor de linguística José C. Vales. Este ensayo narrativo y literario nos propone un viaje al origen del lenguaje, la evolución de las lenguas y el milagro de la escritura.

Armado con múltiples preguntas y reflexiones, el autor plantea las diferentes teorías que explican por qué estamos dotados de lenguaje, cómo evoluciona y de qué manera empieza a transcribirse. El texto es una lectura deliciosa, amena, interesante y sugerente respecto a un tema universal, explicado con afán didáctico y libre de tecnicismos.

Con el estilo que caracteriza a José C. Vales, repleto de lucidez, sabiduría y siempre con su toque irónico pero amable, descubriremos el fascinante mundo de la comunicación humana.

Kick the Latch is a piercing narrative about one woman's remarkable life at the racetrack. With its unyielding brevity and enigmatic complexities, the novel captures the essence of a life spent in the world of horse racing—the flat expanse, the improvised structures of the backstretch, the undercurrent of discord and tension, the euphoria of the winner's circle, and the convivial atmosphere of the racetrack bar.

Kathryn Scanlan's Kick the Latch vividly portrays the life of Sonia, a horse trainer, through the lens of her particular environment and the distinctive vernacular of those who inhabit it—grooms, jockeys, trainers, and others intimately involved in the sport. The book is a testament to Scanlan's skill in crafting a composite portrait that resonates with authenticity and a profound sense of character.

Carved with a unique artistic vision, the story launches out of the gates with intensity, inviting readers on an exhilarating journey through the inner circle of the racetrack.

We've Got This: Stories of Disabled Parenting offers a profound insight into the lives of parents with disabilities. Writer and musician Eliza Hull presents an anthology where twenty-five parents share their personal narratives of raising children while navigating the complexities that come with being Deaf, disabled, or chronically ill.

The book explores the triumphs and challenges they face, and most importantly, it confronts the societal attitudes that often pose the greatest barriers. These stories are not commonly found in parenting literature, making this collection an essential read for understanding the diverse experiences of disabled parenting.

With contributions from a variety of voices such as Jacinta Parsons, Kristy Forbes, Graeme Innes, and many others, this anthology is a testament to the resilience and joy that can be found in the face of adversity. It challenges misconceptions and celebrates the existence and capabilities of disabled parents everywhere.

The beloved New York Times bestselling author reflects on home, family, friendships, and writing in this deeply personal collection of essays.

“Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart.

At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life-changing. It introduced her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both.

A literary alchemist, Patchett plumbs the depths of her experiences to create engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds us how fleeting and enigmatic life can be.

From the enchantments of Kate DiCamillo’s children’s books to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

Wow, No Thank You. is a rip-roaring, edgy, and unabashedly raunchy new collection of hilarious essays from the beloved author Samantha Irby.

Irby is forty, and increasingly uncomfortable in her own skin despite what inspirational Instagram infographics have promised her. She has left her job as a receptionist at a veterinary clinic, published successful books, and has been friendzoned by Hollywood. She left Chicago and moved into a house with a garden that requires repairs and know-how, with her wife in a Blue town in the middle of a Red state, where she now hosts book clubs and makes mason jar salads. This is the bourgeois life of a Hallmark Channel dream.

She goes on bad dates with new friends, spends weeks in Los Angeles taking meetings with "tv executives slash amateur astrologers" while being a "cheese fry-eating slightly damp Midwest person," with neck pain and no cartilage in her knees, who still hides past due bills under her pillow.

The essays in this collection draw on the raw, hilarious particulars of Irby's new life. Wow, No Thank You. is Irby at her most unflinching, riotous, and relatable.

We've all been there: stuck in a cycle of what-ifs, plagued by indecision, paralyzed by the fear of getting it wrong. Nobody wants to live a life of constant overthinking, but it doesn't feel like something we can choose to stop doing. It feels like something we're wired to do, something we just can't escape. But is it? Anne Bogel's answer is no. Not only can you overcome negative thought patterns that are repetitive, unhealthy, and unhelpful, you can replace them with positive thought patterns that will bring more peace, joy, and love into your life.

In Don't Overthink It, you'll find actionable strategies that can make an immediate and lasting difference in how you deal with questions both small--Should I buy these flowers?--and large--What am I doing with my life? More than a book about making good decisions, Don't Overthink It offers you a framework for making choices you'll be comfortable with, using an appropriate amount of energy, freeing you to focus on all the other stuff that matters in life.

Acclaimed essayist and bookseller Mary Laura Philpott presents a charmingly relatable and wise memoir-in-essays about what happened after she checked off all the boxes on her successful life’s to-do list and realized she might need to reinvent the list—and herself.

Mary Laura Philpott thought she’d cracked the code: Always be right, and you’ll always be happy.

But once she’d completed her life’s to-do list (job, spouse, house, babies—check!), she found that instead of feeling content and successful, she felt anxious. Lost. Stuck in a daily grind of overflowing calendars, grueling small talk, and sprawling traffic. She’d done everything “right,” but she felt all wrong. What’s the worse failure, she wondered: smiling and staying the course, or blowing it all up and running away? And are those the only options?

In this memoir-in-essays full of spot-on observations about home, work, and creative life, Philpott takes on the conflicting pressures of modern adulthood with wit and heart. She offers up her own stories to show that identity crises don’t happen just once or only at midlife; reassures us that small, recurring personal re-inventions are both normal and necessary; and advises that if you’re going to faint, you should get low to the ground first. Most of all, Philpott shows that when you stop feeling satisfied with your life, you don’t have to burn it all down and set off on a transcontinental hike (unless you want to, of course). You can call upon your many selves to figure out who you are, who you’re not, and where you belong. Who among us isn’t trying to do that?

I Miss You When I Blink is the funny, poignant, and deeply affecting book you’ll want to share with all your friends, as you learn what Philpott has figured out along the way: that multiple things can be true of us at once—and that sometimes doing things wrong is the way to do life right.

Su cuerpo dejarán es un ensayo que explora la relación entre el cuerpo y la poesía. Alejandra Eme Vázquez se sumerge en una reflexión sobre cómo el cuerpo se convierte en el vehículo para la expresión poética y cómo la poesía, a su vez, moldea nuestra percepción del cuerpo. A través de un lenguaje íntimo y revelador, la autora nos invita a considerar la poesía como una extensión de nuestro ser más físico y emocional.

Ross Gay’s The Book of Delights is a genre-defying book of essays—some as short as a paragraph; some as long as five pages—that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives.

His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a black man; the ecological and psychic violence of our consumer culture; the loss of those he loves.

Among Gay’s funny, poetic, philosophical delights: the way Botan Rice Candy wrappers melt in your mouth, the volunteer crossing guard with a pronounced tremor whom he imagines as a kind of boat-woman escorting pedestrians across the River Styx, a friend’s unabashed use of air quotes, pickup basketball games, the silent nod of acknowledgment between black people.

And more than any other subject, Gay celebrates the beauty of the natural world—his garden, the flowers in the sidewalk, the birds, the bees, the mushrooms, the trees.

This is not a book of how-to or inspiration, though it could be read that way. The Book of Delights is about our connection to the world, to each other, and the rewards that come from a life closely observed. Gay’s pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

The Collected Schizophrenias is an intimate and moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness. It cuts right to the core.

Schizophrenia is not a single unifying diagnosis, and Esmé Weijun Wang writes not just to her fellow members of the "collected schizophrenias" but to those who wish to understand it as well.

Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community's own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life.

In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalization to the complexity of compounding factors such as PTSD and Lyme disease, Wang's analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative.

An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.

Smart, humorous, and strikingly original thoughts on race, beauty, money, and more—by one of today's most intrepid public intellectuals.

Tressie McMillan Cottom, the writer, professor, and acclaimed author of Lower Ed, now brilliantly shifts gears from running regression analyses on college data to unleashing another identity: a purveyor of wit, wisdom—and of course Black Twitter snark—about all that is right and much that is so very wrong about this thing we call society. In the bestselling tradition of bell hooks and Roxane Gay, McMillan Cottom’s freshman collection illuminates a particular trait of her tribe: being thick. In form, and in substance.

This bold compendium, likely to find its place on shelves alongside Lindy West, Rebecca Solnit, and Maggie Nelson, dissects everything from beauty to Obama to pumpkin spice lattes. Yet Thick will also fill a void on those very shelves: a modern black American female voice waxing poetic on self and society, serving up a healthy portion of clever prose and southern aphorisms in a style uniquely her own.

McMillan Cottom has crafted a black woman’s cultural bible, as she mines for meaning in places many of us miss and reveals precisely how—when you’re in the thick of it—the political, the social, and the personal are almost always one and the same.

David Sedaris returns with his most deeply personal and darkly hilarious book.

If you've ever laughed your way through David Sedaris's cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong.

When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And life at the Sea Section, as he names the vacation home, is exactly as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself.

With Calypso, Sedaris sets his formidable powers of observation toward middle age and mortality. Make no mistake: these stories are very, very funny—it's a book that can make you laugh 'til you snort, the way only family can. Sedaris's powers of observation have never been sharper, and his ability to shock readers into laughter unparalleled. But much of the comedy here is born out of that vertiginous moment when your own body betrays you and you realize that the story of your life is made up of more past than future.

This is beach reading for people who detest beaches, required reading for those who loathe small talk and love a good tumor joke. Calypso is simultaneously Sedaris's darkest and warmest book yet—and it just might be his very best.

Smart, edgy, hilarious, and unabashedly raunchy New York Times bestselling author Samantha Irby explodes onto the printed page in her uproarious first collection of essays. Irby laughs her way through tragicomic mishaps, neuroses, and taboos as she struggles through adulthood: chin hairs, depression, bad sex, failed relationships, masturbation, taco feasts, inflammatory bowel disease, and more.

Updated with her favorite Instagramable, couch-friendly recipes, this much-beloved romp is a treat for anyone in dire need of Irby's infamous, scathing wit and poignant candor.

Sometimes you just have to laugh, even when life is a dumpster fire. With We Are Never Meeting in Real Life., "bitches gotta eat" blogger and comedian Samantha Irby turns the serio-comic essay into an art form.

Whether talking about how her difficult childhood has led to a problem in making "adult" budgets, explaining why she should be the new Bachelorette—she's "35-ish, but could easily pass for 60-something"—detailing a disastrous pilgrimage-slash-romantic-vacation to Nashville to scatter her estranged father's ashes, sharing awkward sexual encounters, or dispensing advice on how to navigate friendships with former drinking buddies who are now suburban moms—hang in there for the Costco loot—she's as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction.

Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.

A guy walks into a bar car and...

From here, the story could take many turns. When this guy is David Sedaris, the possibilities are endless, but the result is always the same: he will both delight you with twists of humor and intelligence and leave you deeply moved.

Sedaris remembers his father's dinnertime attire (shirtsleeves and underpants), his first colonoscopy (remarkably pleasant), and the time he considered buying the skeleton of a murdered Pygmy.

With Let's Explore Diabetes with Owls, David Sedaris shows once again why his work has been called hilarious, elegant, and surprisingly moving.

No Kidding, comedy writer Henriette Mantel, along with Jennifer Coolidge, tackles the topic of actually not having kids. This fascinating collection features a star-studded group of contributors—including Margaret Cho, Wendy Liebman, Laurie Graff, and other accomplished, funny women—writing about why they opted out of motherhood.

Whether their reasons have to do with courage, apathy, monetary considerations, health issues, or something else entirely, the essays featured in the pages of No Kidding honestly (and humorously) delve into the minds of women who have chosen what they would call a more sane path.

Hilarious, compelling, and inspiring, No Kidding reveals a perspective that has too long been hidden, shamed, and silenced—and celebrates an entire population of women who have decided that kids are just not right for them.

Tiny Beautiful Things: Advice on Love and Life from Dear Sugar brings the best of Cheryl Strayed's 'Dear Sugar' advice columns from The Rumpus, along with never-before-published pieces, all together in one place. With a new introduction by Steve Almond, this collection is a treasure trove of wisdom, humor, and heartfelt advice.

Strayed, the author of the bestselling memoir Wild, once wrote anonymously as Sugar, offering guidance to thousands seeking help for their real-life struggles. Whether it's dealing with infidelity, grieving a loved one, facing financial hardships, or experiencing the highs of love and success, Strayed approaches each topic with candor and empathy.

Rich with compassion and unflinching honesty, Tiny Beautiful Things is a soothing balm for the varied challenges of life, affirming that we are all capable of facing them with grace and resilience.

Devil Sent the Rain is a dynamic collection of essays and journalism by acclaimed author Tom Piazza. Following his prize-winning novel City of Refuge and the post-Katrina classic Why New Orleans Matters, Piazza explores American music and character in this engaging work.

Piazza’s writing is filled with energy and tender, insightful words for the brilliant and irascible, from Jimmy Martin to Norman Mailer. Time and time again, Piazza identifies the unlikely, precious connections between recent events, art, letters, and music. Through his words, these byways of popular culture provide an unexpected measure of the times.

Papeles falsos, primer libro de Valeria Luiselli, está compuesto por una serie de ensayos narrativos de temas diversos, donde la constante es el registro de la original mirada de la autora, siempre presta a encontrar detalles o conexiones entre ideas de muy diverso orden, ecos de un pensamiento que por fuerza obliga al lector a repensar. La escondida tumba de Brodsky en Venecia; la inclasificable y elusiva saudade portuguesa; el lenguaje como ruptura con la «infancia previa a la infancia», son algunos de los ingeniosos pretextos para el despliegue de una escritura precisa, que nos deja la impresión de estar presenciando en persona esas particularidades, guiados por un lúcido filtro que sugiere múltiples variaciones de una realidad que se transforma con el pasar de su lectura.

State by State is a panoramic portrait of America, edited by Matt Weiland and Sean Wilsey. This collection celebrates and appreciates all fifty states (and Washington, D.C.) through the eyes of fifty-one acclaimed writers.

Inspired by the Depression-era WPA guides, this anthology features delightful essays on the American character. Contributors include renowned and bestselling authors such as Louise Erdrich, Jonathan Franzen, Ann Patchett, Anthony Bourdain, William T. Vollmann, S.E. Hinton, Dave Eggers, Myla Goldberg, Rick Moody, and Alexander Payne.

Experience the full plumage of American life, in all its riotous glory, as these essays take you on a journey through the states, each with its own unique flavor and story.

David Sedaris's ability to transform the mortification of everyday life into wildly entertaining art is elevated to wilder and more entertaining heights than ever in this remarkable new book.

Trying to make coffee when the water is shut off, David considers using the water in a vase of flowers, leading his chain of associations from the French countryside to a hilariously uncomfortable memory of buying drugs in a mobile home in rural North Carolina.

In essay after essay, Sedaris proceeds from bizarre conundrums of daily life—having a lozenge fall from your mouth into the lap of a fellow passenger on a plane or armoring the windows with LP covers to protect the house from neurotic songbirds—to the most deeply resonant human truths.

Culminating in a brilliant account of his venture to Tokyo in order to quit smoking, David Sedaris's sixth essay collection is a new masterpiece of comic writing from a writer worth treasuring.

David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.