First Love: Essays on Friendship is a bracing, intimate essay collection that delves into the power and complexity of female friendship in the wake of violence. Authored by the critically acclaimed Lilly Dancyger, this book emerges from the tragic murder of her cousin Sabina, which profoundly altered her understanding of womanhood and rippled through her closest friendships.

The loss of Sabina, her first love, serves as a catalyst for a bold and refreshing exploration of the connections between women. Dancyger examines the intensity of adolescent best friendships, fluid sexuality, mothering, and chosen family. Each essay is deeply rooted in a significant female friendship from her life, reaching outwards to challenge cultural assumptions about feminine identity and desire, and the ways in which women support one another in a world that often seeks to diminish them.

With seamless integration of personal anecdotes, literature, and pop culture references—from fairytales and true crime to the works of Anaïs Nin and Sylvia Plath, and even the 'sad girls' of Tumblr—Dancyger's essays weave a multifaceted narrative of a life as told through the lens of friendships. This collection is a profound exploration of the essence of loving one another and elevates friendships to the status of love stories, offering them the deep consideration traditionally reserved for romantic relationships.

First Love argues that although friendship cannot shield us from the dangers of the world, the love found within it is always worth the risk. In times of tragedy, Dancyger reminds us, it is our friends who provide the support necessary for survival. Through First Love, the invaluable bonds of friendship are celebrated and given their rightful recognition.

Mean Boys: A Personal History delves into the complex world of male friendships and rivalries, exploring how they shape our identities and experiences. Geoffrey Mak shares his personal journey, examining the intricate dynamics of competition and camaraderie among men.

Through a series of vivid anecdotes and reflective insights, Mak reveals the often unspoken rules that govern male relationships. He sheds light on the challenges and triumphs that come with navigating these bonds, offering a candid look at the role of masculinity in modern society.

This memoir is not just a tale of personal growth but a broader commentary on the societal expectations placed on men. Mak's narrative is both thought-provoking and relatable, as he invites readers to reconsider what it means to be a 'mean boy' in today's world.

From the author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. Danielle Dutton's endlessly inventive books have been praised as "strikingly smart and daringly feminist" (Jenny Offill), "brilliantly odd" (The Irish Independent), and "beguiling" (The Wall Street Journal).

In Prairie, Dresses, Art, Other, four distinct sections operate like Joseph Cornell boxes, each offering its own vibrant proposal for what contemporary writing might be. "Prairie" is a cycle of stories set in the Midwest, a surreal landscape of wildflowers, ominous rivers, violence, virtual reality, art, fear, and loss. The conceptual work in "Dresses" reconsiders the canon through the lens of its garb, like a wild literary closet. "Art" turns to essay, examining how works of visual art and fiction relate to one another, a theme central to the whole book. The final section, "Other," collects pieces in irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking for reasons as inexplicable as the abiding beauty and strangeness of all of Dutton's work.

From internationally renowned writer and Booker Prize winner Salman Rushdie, Knife is a searing, deeply personal account of enduring—and surviving—an attempt on his life thirty years after the fatwa that was ordered against him.

Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. Knife is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.

All Things Are Too Small is brilliant cultural critic Becca Rothfeld's soul cry for derangement: imbalance, obsession, gluttony, ravishment, ugliness, and unbound truth in aesthetics, whether we're talking about literature, criticism, or design. In a healthy culture, Rothfeld argues, economic security allows for wild aesthetic experimentation and excess; alas, in the contemporary Anglophone West, we've got it flipped.

The gap between rich and poor, privileged and oppressed, yawns hideously wide, while we stagnate in a cultural equality that imposes restraint. This collection of essays ranges from topics such as Sally Rooney, sadomasochism, and women who wait, making a glorious call to throw off restraint and balance in culture in favor of excess, abandon, and disproportion.

Like Love: Essays and Conversations is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

We Loved It All: A Memory of Life by Lydia Millet is an intimate evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. In her first work of nonfiction, acclaimed novelist Lydia Millet offers a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.

Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others”―the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers―all figures in the complex tapestry each of us weaves with the surrounding world.

Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth―including our own.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to her battle with depression.

She traces this loneliness to an inability to feel truly safe with others and a historic hyper-awareness stemming from the effects of slavery. In this collection of essays as intimate as being in the room with Morgan and her therapist, Morgan examines America's cultural history and relationship to Black Americans through the ages, through such topics as the ubiquity of a beauty culture that excludes Black women, the implications of Bill Cosby's fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious.

With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman's psyche—and of the writer's search to both tell the truth and deconstruct it.

Ghost Dogs: On Killers And Kin is a collection of essays from the literary master and bestselling author of Townie, Andre Dubus III. In this work, Dubus reflects on a life filled with challenges, contradictions, and fulfillments. The narrative takes readers on an intimate journey through the author's personal experiences, thoughts, and emotions.

No Judgement: Essays is a forthcoming collection by Lauren Oyler, known for her sharp wit and insightful commentary. While the descriptive copy is not yet available from the Publisher, readers can expect a series of compelling essays that delve into the art of being critical.

Oyler's work often explores the intersection of culture, social media, and literature, offering a unique perspective on contemporary issues. This collection promises to be an essential read for anyone interested in the power of critique in our modern world.

Joan Acocella, one of our finest cultural critics, has the rare ability to examine literature and unearth the lives contained within it—its authors, its subjects, and the communities from which it sprung. In her hands, arts criticism becomes a celebration and an investigation, and her essays pulse with unadulterated enthusiasm.

As Kathryn Harrison wrote in The New York Times, "Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have?" The Bloodied Nightgown and Other Essays gathers twenty-four essays from the past decade and a half of Acocella's career, as well as an introduction that frames her simple preoccupations, "life and art."

In agile, inspired prose, the New Yorker staff writer moves from J. R. R. Tolkien's translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling in the book of Job. Her appetite (and reading list) knows no bounds. This collection is a joy and a revelation, a library in itself, and Acocella our dream companion among its shelves.

Poet and journalist Shayla Lawson follows their National Book Critics Circle finalist This Is Major with these daring and exquisitely crafted essays, where Lawson journeys across the globe, finds beauty in tumultuous times, and powerfully disrupts the constraints of race, gender, and disability.

With their signature prose, at turns bold, muscular, and luminous, Shayla Lawson travels the world to explore deeper meanings held within love, time, and the self.

Through encounters with a gorgeous gondolier in Venice, an ex-husband in the Netherlands, and a lost love on New Year’s Eve in Mexico City, Lawson's travels bring unexpected wisdom about life in and out of love. They learn the strength of friendships and the dangers of beauty during a narrow escape in Egypt. They examine Blackness in post-dictatorship Zimbabwe, then take us on a secretive tour of Black freedom movements in Portugal.

Through a deeply insightful journey, Lawson leads readers from a castle in France to a hula hoop competition in Jamaica to a traditional theater in Tokyo to a Prince concert in Minnesota and, finally, to finding liberation on a beach in Bermuda, exploring each location—and their deepest emotions—to the fullest. In the end, they discover how the trials of marriage, grief, and missed connections can lead to self-transformation and unimagined new freedoms.

A well-known writer, activist, and disability rights advocate, Henrietta Bollinger's debut essay collection speaks to their experiences as a queer, disabled person, and as a twin. Articulations is a timely, personal, and poignant appraisal of life in Aotearoa New Zealand.

Soundtracked by the Topp Twins, Anika Moa, Woody Guthrie and more, Bollinger's essays take us on a journey from first crushes and first periods to parliamentary reform and Disability Pride. They challenge the norms of our ableist society, asking us to consider better ways of being with each other and ourselves.

The beloved bestselling author of Here for It returns with an all-new collection of heartening, deeply relatable, and laugh-out-loud essays about what happens after happily ever after.

After going viral "reading" the chaotic political news, having one-too-many awkward social encounters, and coming to terms with his intersecting identities, R. Eric Thomas finally knew who he was and where he was going. He was living his best life. But then everything changed.

In this collection of insightful and hilarious essays, Thomas moves back to his perpetually misunderstood hometown of Baltimore (a place he never wanted to return, even to be buried) and behaving completely out of character. They say you can't go home again, but what if you and home have changed beyond recognition?

From attending his twenty-year high school reunion and discovering another person's face on his name badge, to splattering an urgent care room with blood à la The Shining, to being terrorized by a plague of gay frogs who've overtaken his backyard, Thomas provides the nitty, and sometimes the gritty, details of wrestling with the life he thought he'd left behind while trying to establish a new one.

With wit, heart, and hope for the future, Congratulations, The Best Is Over! is the not-so-gentle reminder we all need that even when life doesn't go according to plan, we can still find our way back home.

Our Migrant Souls is a defining exploration of the Latino identity in the United States by Pulitzer Prize-winning writer Héctor Tobar. The term "Latino" is one of the most rapidly growing but loosely defined major race categories in the country.

Composed as a direct address to young people who identify or are classified as "Latino," this book stands as the first account of the historical and social forces shaping Latino identity. Tobar examines the impacts of colonialism, public policy, immigration, media, and pop culture, decoding the meaning of "Latino" as a racial and ethnic identity in contemporary America.

Our Migrant Souls gives voice to the frustrations and aspirations of young Latinos who have witnessed the transformation of Latinidad into negative stereotypes and have faced insult and division. Tobar shares his experiences as a journalist, novelist, mentor, leader, and educator, intertwining his personal narrative and his parents' migration from Guatemala with his journey across the country to uncover a narrative that is expansive, inspiring, and alive.

Arrangements in Blue is a poignant memoir that delves into the life of poet Amy Key, who, in her forties, embarks on an exploration of living without romantic love. With expectations of love shaped by Joni Mitchell's album Blue, Key reflects on a life that has unfolded differently than she imagined.

Key's journey is one of self-discovery, as she builds a home, travels solo, contemplates motherhood, and learns to recognize her personal milestones. She uncovers the often overlooked forms of connection and care, while also confronting the challenging emotions of loneliness, envy, grief, and failure.

This memoir is not just Key's story but an invitation to live and love more honestly, honoring the life one leads completely by oneself. Arrangements in Blue is a testament to the expansive potential of self-friendship and the importance of candidly embracing the full spectrum of human experience.

In her first book, How to Do Nothing, Jenny Odell wrote about the importance of disconnecting from the "attention economy" to spend time in quiet contemplation. But what if you don't have time to spend? In order to answer this seemingly simple question, Odell took a deep dive into the fundamental structure of our society and found that the clock we live by was built for profit, not people. This is why our lives, even in leisure, have come to seem like a series of moments to be bought, sold, and processed ever more efficiently.

Odell shows us how our painful relationship to time is inextricably connected not only to persisting social inequities but to the climate crisis, existential dread, and a lethal fatalism. This dazzling, subversive, and deeply hopeful book offers us different ways to experience time—inspired by pre-industrial cultures, ecological cues, and geological timescales—that can bring within reach a more humane, responsive way of living. As planet-bound animals, we live inside shortening and lengthening days alongside gardens growing, birds migrating, and cliffs eroding; the stretchy quality of waiting and desire; the way the present may suddenly feel marbled with childhood memory; the slow but sure procession of a pregnancy; the time it takes to heal from injuries.

Odell urges us to become stewards of these different rhythms of life in which time is not reducible to standardized units and instead forms the very medium of possibility. Saving Time tugs at the seams of reality as we know it—the way we experience time itself—and rearranges it, imagining a world not centered on work, the office clock, or the profit motive. If we can "save" time by imagining a life, identity, and source of meaning outside these things, time might also save us.

Enseñar a Hablar a un Monstruo es una indagación literaria sobre el gran misterio que nos hace humanos: el lenguaje. Es el primer libro de no ficción del novelista, traductor y profesor de linguística José C. Vales. Este ensayo narrativo y literario nos propone un viaje al origen del lenguaje, la evolución de las lenguas y el milagro de la escritura.

Armado con múltiples preguntas y reflexiones, el autor plantea las diferentes teorías que explican por qué estamos dotados de lenguaje, cómo evoluciona y de qué manera empieza a transcribirse. El texto es una lectura deliciosa, amena, interesante y sugerente respecto a un tema universal, explicado con afán didáctico y libre de tecnicismos.

Con el estilo que caracteriza a José C. Vales, repleto de lucidez, sabiduría y siempre con su toque irónico pero amable, descubriremos el fascinante mundo de la comunicación humana.

Kick the Latch is a piercing narrative about one woman's remarkable life at the racetrack. With its unyielding brevity and enigmatic complexities, the novel captures the essence of a life spent in the world of horse racing—the flat expanse, the improvised structures of the backstretch, the undercurrent of discord and tension, the euphoria of the winner's circle, and the convivial atmosphere of the racetrack bar.

Kathryn Scanlan's Kick the Latch vividly portrays the life of Sonia, a horse trainer, through the lens of her particular environment and the distinctive vernacular of those who inhabit it—grooms, jockeys, trainers, and others intimately involved in the sport. The book is a testament to Scanlan's skill in crafting a composite portrait that resonates with authenticity and a profound sense of character.

Carved with a unique artistic vision, the story launches out of the gates with intensity, inviting readers on an exhilarating journey through the inner circle of the racetrack.

We've Got This: Stories of Disabled Parenting offers a profound insight into the lives of parents with disabilities. Writer and musician Eliza Hull presents an anthology where twenty-five parents share their personal narratives of raising children while navigating the complexities that come with being Deaf, disabled, or chronically ill.

The book explores the triumphs and challenges they face, and most importantly, it confronts the societal attitudes that often pose the greatest barriers. These stories are not commonly found in parenting literature, making this collection an essential read for understanding the diverse experiences of disabled parenting.

With contributions from a variety of voices such as Jacinta Parsons, Kristy Forbes, Graeme Innes, and many others, this anthology is a testament to the resilience and joy that can be found in the face of adversity. It challenges misconceptions and celebrates the existence and capabilities of disabled parents everywhere.

We've all been there: stuck in a cycle of what-ifs, plagued by indecision, paralyzed by the fear of getting it wrong. Nobody wants to live a life of constant overthinking, but it doesn't feel like something we can choose to stop doing. It feels like something we're wired to do, something we just can't escape. But is it? Anne Bogel's answer is no. Not only can you overcome negative thought patterns that are repetitive, unhealthy, and unhelpful, you can replace them with positive thought patterns that will bring more peace, joy, and love into your life.

In Don't Overthink It, you'll find actionable strategies that can make an immediate and lasting difference in how you deal with questions both small--Should I buy these flowers?--and large--What am I doing with my life? More than a book about making good decisions, Don't Overthink It offers you a framework for making choices you'll be comfortable with, using an appropriate amount of energy, freeing you to focus on all the other stuff that matters in life.

Acclaimed essayist and bookseller Mary Laura Philpott presents a charmingly relatable and wise memoir-in-essays about what happened after she checked off all the boxes on her successful life’s to-do list and realized she might need to reinvent the list—and herself.

Mary Laura Philpott thought she’d cracked the code: Always be right, and you’ll always be happy.

But once she’d completed her life’s to-do list (job, spouse, house, babies—check!), she found that instead of feeling content and successful, she felt anxious. Lost. Stuck in a daily grind of overflowing calendars, grueling small talk, and sprawling traffic. She’d done everything “right,” but she felt all wrong. What’s the worse failure, she wondered: smiling and staying the course, or blowing it all up and running away? And are those the only options?

In this memoir-in-essays full of spot-on observations about home, work, and creative life, Philpott takes on the conflicting pressures of modern adulthood with wit and heart. She offers up her own stories to show that identity crises don’t happen just once or only at midlife; reassures us that small, recurring personal re-inventions are both normal and necessary; and advises that if you’re going to faint, you should get low to the ground first. Most of all, Philpott shows that when you stop feeling satisfied with your life, you don’t have to burn it all down and set off on a transcontinental hike (unless you want to, of course). You can call upon your many selves to figure out who you are, who you’re not, and where you belong. Who among us isn’t trying to do that?

I Miss You When I Blink is the funny, poignant, and deeply affecting book you’ll want to share with all your friends, as you learn what Philpott has figured out along the way: that multiple things can be true of us at once—and that sometimes doing things wrong is the way to do life right.

Su cuerpo dejarán es un ensayo que explora la relación entre el cuerpo y la poesía. Alejandra Eme Vázquez se sumerge en una reflexión sobre cómo el cuerpo se convierte en el vehículo para la expresión poética y cómo la poesía, a su vez, moldea nuestra percepción del cuerpo. A través de un lenguaje íntimo y revelador, la autora nos invita a considerar la poesía como una extensión de nuestro ser más físico y emocional.

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction.

Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.

Tiny Beautiful Things: Advice on Love and Life from Dear Sugar brings the best of Cheryl Strayed's 'Dear Sugar' advice columns from The Rumpus, along with never-before-published pieces, all together in one place. With a new introduction by Steve Almond, this collection is a treasure trove of wisdom, humor, and heartfelt advice.

Strayed, the author of the bestselling memoir Wild, once wrote anonymously as Sugar, offering guidance to thousands seeking help for their real-life struggles. Whether it's dealing with infidelity, grieving a loved one, facing financial hardships, or experiencing the highs of love and success, Strayed approaches each topic with candor and empathy.

Rich with compassion and unflinching honesty, Tiny Beautiful Things is a soothing balm for the varied challenges of life, affirming that we are all capable of facing them with grace and resilience.

Papeles falsos, primer libro de Valeria Luiselli, está compuesto por una serie de ensayos narrativos de temas diversos, donde la constante es el registro de la original mirada de la autora, siempre presta a encontrar detalles o conexiones entre ideas de muy diverso orden, ecos de un pensamiento que por fuerza obliga al lector a repensar. La escondida tumba de Brodsky en Venecia; la inclasificable y elusiva saudade portuguesa; el lenguaje como ruptura con la «infancia previa a la infancia», son algunos de los ingeniosos pretextos para el despliegue de una escritura precisa, que nos deja la impresión de estar presenciando en persona esas particularidades, guiados por un lúcido filtro que sugiere múltiples variaciones de una realidad que se transforma con el pasar de su lectura.

David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives -- a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.

A Room of One's Own is an extended essay by Virginia Woolf. First published on the 24th of October, 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers and characters in fiction, the manuscript for the delivery of the series of lectures, titled Women and Fiction, and hence the essay, are considered nonfiction. The essay is seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.

In this exuberantly praised book — a collection of seven pieces on subjects ranging from television to tennis, from the Illinois State Fair to the films of David Lynch, from postmodern literary theory to the supposed fun of traveling aboard a Caribbean luxury cruiseliner — David Foster Wallace brings to nonfiction the same curiosity, hilarity, and exhilarating verbal facility that has delighted readers of his fiction, including the bestselling Infinite Jest.

El libro de los abrazos es una síntesis perfecta del imaginario más inspirado de su autor. Celebraciones, sucedidos, profecías, crónicas, sueños, memorias y desmemorias, deliciosos relatos breves en los que hasta las paredes hablan.

Un libro ilustrado por partida doble: a la mirada luminosa de Galeano se suman sus grabados.

“Lea una historia por día y será usted feliz la mitad del año. Lea una historia por día y estará usted triste la otra mitad. Cada página es tan hermosa como el libro.” (Koos Hageraats, HP/De Tijd, Holanda.)

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia. Sólo hacía nueve años que se le había concedido el voto a la mujer y aún quedaba mucho camino por recorrer.

Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.

Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.

Sarmiento, proscrito por la tiranía rosista y exiliado por dos veces en Chile, fue periodista brillante, político y polemista literario. "Facundo" es una biografía concebida como historia, historia de las guerras civiles de su patria centradas en la figura de Juan Facundo Quiroga, el más famoso, cruel, violento y despiadado caudillo de las guerras civiles argentinas. El desarrollo de los acontecimientos impulsó a Sarmiento a unir el tema biográfico a la realidad presente, denunciando a su enemigo Rosas.

Although his work has been restricted to the short story, the essay, and poetry, Jorge Luis Borges of Argentina is recognized all over the world as one of the most original and significant figures in modern literature. In his preface, Andre Maurois writes: "Borges is a great writer who has composed only little essays or short narratives. Yet they suffice for us to call him great because of their wonderful intelligence, their wealth of invention, and their tight, almost mathematical style."

Labyrinths is a representative selection of Borges' writing, some forty pieces drawn from various books of his published over the years. The translations are by Harriet de Onis, Anthony Kerrigan, and others, including the editors, who have provided a biographical and critical introduction, as well as an extensive bibliography.