First Love: Essays on Friendship is a bracing, intimate essay collection that delves into the power and complexity of female friendship in the wake of violence. Authored by the critically acclaimed Lilly Dancyger, this book emerges from the tragic murder of her cousin Sabina, which profoundly altered her understanding of womanhood and rippled through her closest friendships.

The loss of Sabina, her first love, serves as a catalyst for a bold and refreshing exploration of the connections between women. Dancyger examines the intensity of adolescent best friendships, fluid sexuality, mothering, and chosen family. Each essay is deeply rooted in a significant female friendship from her life, reaching outwards to challenge cultural assumptions about feminine identity and desire, and the ways in which women support one another in a world that often seeks to diminish them.

With seamless integration of personal anecdotes, literature, and pop culture references—from fairytales and true crime to the works of Anaïs Nin and Sylvia Plath, and even the 'sad girls' of Tumblr—Dancyger's essays weave a multifaceted narrative of a life as told through the lens of friendships. This collection is a profound exploration of the essence of loving one another and elevates friendships to the status of love stories, offering them the deep consideration traditionally reserved for romantic relationships.

First Love argues that although friendship cannot shield us from the dangers of the world, the love found within it is always worth the risk. In times of tragedy, Dancyger reminds us, it is our friends who provide the support necessary for survival. Through First Love, the invaluable bonds of friendship are celebrated and given their rightful recognition.

Mean Boys: A Personal History delves into the complex world of male friendships and rivalries, exploring how they shape our identities and experiences. Geoffrey Mak shares his personal journey, examining the intricate dynamics of competition and camaraderie among men.

Through a series of vivid anecdotes and reflective insights, Mak reveals the often unspoken rules that govern male relationships. He sheds light on the challenges and triumphs that come with navigating these bonds, offering a candid look at the role of masculinity in modern society.

This memoir is not just a tale of personal growth but a broader commentary on the societal expectations placed on men. Mak's narrative is both thought-provoking and relatable, as he invites readers to reconsider what it means to be a 'mean boy' in today's world.

From the author of Margaret the First and SPRAWL comes a prose collection like no other, where different styles of writing and different spaces of experience create a collage of the depths and strangeness of contemporary life. Danielle Dutton's endlessly inventive books have been praised as "strikingly smart and daringly feminist" (Jenny Offill), "brilliantly odd" (The Irish Independent), and "beguiling" (The Wall Street Journal).

In Prairie, Dresses, Art, Other, four distinct sections operate like Joseph Cornell boxes, each offering its own vibrant proposal for what contemporary writing might be. "Prairie" is a cycle of stories set in the Midwest, a surreal landscape of wildflowers, ominous rivers, violence, virtual reality, art, fear, and loss. The conceptual work in "Dresses" reconsiders the canon through the lens of its garb, like a wild literary closet. "Art" turns to essay, examining how works of visual art and fiction relate to one another, a theme central to the whole book. The final section, "Other," collects pieces in irregular ("other") forms, stories-as-essays or essays-as-stories that defy category and are hilarious or heartbreaking for reasons as inexplicable as the abiding beauty and strangeness of all of Dutton's work.

From internationally renowned writer and Booker Prize winner Salman Rushdie, Knife is a searing, deeply personal account of enduring—and surviving—an attempt on his life thirty years after the fatwa that was ordered against him.

Speaking out for the first time, and in unforgettable detail, about the traumatic events of August 12, 2022, Salman Rushdie answers violence with art, and reminds us of the power of words to make sense of the unthinkable. Knife is a gripping, intimate, and ultimately life-affirming meditation on life, loss, love, art—and finding the strength to stand up again.

All Things Are Too Small is brilliant cultural critic Becca Rothfeld's soul cry for derangement: imbalance, obsession, gluttony, ravishment, ugliness, and unbound truth in aesthetics, whether we're talking about literature, criticism, or design. In a healthy culture, Rothfeld argues, economic security allows for wild aesthetic experimentation and excess; alas, in the contemporary Anglophone West, we've got it flipped.

The gap between rich and poor, privileged and oppressed, yawns hideously wide, while we stagnate in a cultural equality that imposes restraint. This collection of essays ranges from topics such as Sally Rooney, sadomasochism, and women who wait, making a glorious call to throw off restraint and balance in culture in favor of excess, abandon, and disproportion.

Like Love: Essays and Conversations is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

We Loved It All: A Memory of Life by Lydia Millet is an intimate evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. In her first work of nonfiction, acclaimed novelist Lydia Millet offers a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.

Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others”―the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers―all figures in the complex tapestry each of us weaves with the surrounding world.

Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth―including our own.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

Dubbed a voice of her generation, poet and writer Morgan Parker has spent much of her adulthood in therapy, trying to square the resonance of her writing with the alienation she feels in nearly every aspect of life, from her lifelong singleness to her battle with depression.

She traces this loneliness to an inability to feel truly safe with others and a historic hyper-awareness stemming from the effects of slavery. In this collection of essays as intimate as being in the room with Morgan and her therapist, Morgan examines America's cultural history and relationship to Black Americans through the ages, through such topics as the ubiquity of a beauty culture that excludes Black women, the implications of Bill Cosby's fall from grace in a culture predicated on acceptance through respectability, and the pitfalls of visibility as seen through the mischaracterizations of Serena Williams as alternately iconic and too ambitious.

With piercing wit and incisive observations, You Get What You Pay For is ultimately a portal into a deeper examination of racial consciousness and its effects on mental well-being in America today. Weaving unflinching criticism with intimate anecdotes, this devastating memoir-in-essays paints a portrait of one Black woman's psyche—and of the writer's search to both tell the truth and deconstruct it.

Ghost Dogs: On Killers And Kin is a collection of essays from the literary master and bestselling author of Townie, Andre Dubus III. In this work, Dubus reflects on a life filled with challenges, contradictions, and fulfillments. The narrative takes readers on an intimate journey through the author's personal experiences, thoughts, and emotions.

No Judgement: Essays is a forthcoming collection by Lauren Oyler, known for her sharp wit and insightful commentary. While the descriptive copy is not yet available from the Publisher, readers can expect a series of compelling essays that delve into the art of being critical.

Oyler's work often explores the intersection of culture, social media, and literature, offering a unique perspective on contemporary issues. This collection promises to be an essential read for anyone interested in the power of critique in our modern world.

Joan Acocella, one of our finest cultural critics, has the rare ability to examine literature and unearth the lives contained within it—its authors, its subjects, and the communities from which it sprung. In her hands, arts criticism becomes a celebration and an investigation, and her essays pulse with unadulterated enthusiasm.

As Kathryn Harrison wrote in The New York Times, "Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have?" The Bloodied Nightgown and Other Essays gathers twenty-four essays from the past decade and a half of Acocella's career, as well as an introduction that frames her simple preoccupations, "life and art."

In agile, inspired prose, the New Yorker staff writer moves from J. R. R. Tolkien's translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling in the book of Job. Her appetite (and reading list) knows no bounds. This collection is a joy and a revelation, a library in itself, and Acocella our dream companion among its shelves.

Poet and journalist Shayla Lawson follows their National Book Critics Circle finalist This Is Major with these daring and exquisitely crafted essays, where Lawson journeys across the globe, finds beauty in tumultuous times, and powerfully disrupts the constraints of race, gender, and disability.

With their signature prose, at turns bold, muscular, and luminous, Shayla Lawson travels the world to explore deeper meanings held within love, time, and the self.

Through encounters with a gorgeous gondolier in Venice, an ex-husband in the Netherlands, and a lost love on New Year’s Eve in Mexico City, Lawson's travels bring unexpected wisdom about life in and out of love. They learn the strength of friendships and the dangers of beauty during a narrow escape in Egypt. They examine Blackness in post-dictatorship Zimbabwe, then take us on a secretive tour of Black freedom movements in Portugal.

Through a deeply insightful journey, Lawson leads readers from a castle in France to a hula hoop competition in Jamaica to a traditional theater in Tokyo to a Prince concert in Minnesota and, finally, to finding liberation on a beach in Bermuda, exploring each location—and their deepest emotions—to the fullest. In the end, they discover how the trials of marriage, grief, and missed connections can lead to self-transformation and unimagined new freedoms.