From “one of the UK’s most interesting authors” (Kirkus Reviews), Patricia Highsmith meets White Lotus in this surprising and suspenseful modern gothic story following a couple running from both secretive pasts and very present dangers while honeymooning on a Greek island.

Still reeling from the chaos of their wedding, Evelyn and Richard arrive on a tiny Greek island for their honeymoon. It’s the end of the season and a storm is imminent. Determined to make the best of it, they check into the sun-soaked doors of the Villa Rosa. Already feeling insecure after seeing the “beautiful people,” the seemingly endless number of young models and musicians lounging along the Mediterranean, Evelyn is wary of the hotel’s owner, Isabella, who seems to only have eyes for Richard.

Isabella ostensibly disapproves of every request Evelyn makes, seemingly annoyed at the fact that they are there at all. Isabella is also preoccupied with her chance to enthrall the only other guests—an American producer named Marcus and his partner Debbie—with the story of “the sleepwalkers,” a couple who had stayed at the hotel recently and drowned.

Everyone seems to want to talk about the sleepwalkers, save for Hamza, a young Turkish man Evelyn had seen with some “beautiful people,” as well as the “dapper little man”—the strange yet fashionable owner of the island’s lone antiques and gift shop she sees everywhere. But what at first seemed eccentric, decorative, or simply ridiculous, becomes a living nightmare. Evelyn and Richard are separated the night of the storm and forced to face dark truths, but it’s their confessions around the origins of their relationship and the years leading up to their marriage that might save them.

Exhilarating, suspenseful, and also very funny, The Sleepwalkers asks urgent questions about relationships, sexuality, and the darkest elements of contemporary society—where our most terrible secrets are hidden in plain sight.

HOW THE DISENCHANTMENT OF EMPIRE LED TO CLIMATE CHANGE.

While industrial states competed to colonize Asia and Africa in the nineteenth century, conversion to Christianity was replaced by a civilizing mission. This new secular impetus strode hand in hand with racial capitalism in the age of empires: a terrestrial paradise was to be achieved through accumulation and the ravaging of nature.

Far from a defence of religion, The States of the Earth argues that phenomena such as evangelism and political Islam are best understood as products of empire and secularization. In a world where material technology was considered divine, religious and secular forces both tried to achieve Heaven on Earth by destroying Earth itself.

A woman is pulled into a love affair with a radical activist, unknowingly echoing her family's dangerous past and risking the foundations of her future in this electrifying novel. The course of your life can change with one split-second decision.

Minnow has always tried to lead the life her single father modeled—private, quiet, hardworking, apolitical. So she is rocked when an instinctive decision to help a student makes her the extremely public face of a scandal in the small town where she teaches. As tensions rise, vandalism and death threats follow, and an overwhelmed Minnow flees to a teaching position in Paris.

There, Minnow falls into an exhilarating and all-consuming relationship with Charles, a young Frenchman whose activism has placed him at odds with his powerful family. As Minnow is pulled into the daring protest Charles and his friends are planning, she unknowingly draws close to repeating a secret tragedy from her family's past. For her father wasn’t always the restrained, conservative man he appears today. There are things he has taken great pains to bury from his family and from the world.

In 1968, Keen is avoiding the Vietnam draft by pursuing a PhD at Harvard. He lives his life in the basement chemistry lab, studiously avoiding the news. But when he unexpectedly falls in love with Olya, a fiery community organizer, he is consumed by her world and loses sight of his own. Learning that his deferment has ended and he’s been drafted, Keen agrees to participate in the latest action that Olya is organizing—one with more dangerous and far-reaching consequences than he could have imagined.

Minnow’s and Keen's intertwining stories take us through the turmoil of the late sixties student movements and into the chaos of the modern world. Exploding with suspense, heart, and intelligence, There's Going to Be Trouble is a story about revolution, legacy, passionate love, and how we live with the consequences of our darkest secrets.

A Good Happy Girl is a poignant, surprising, and immersive novel that delves into the complexities of relationships and the human psyche. We meet Helen, a jittery attorney with a self-destructive streak, who is grappling with the aftermath of a crime of neglect committed by her parents. She has historically coped by compartmentalizing her life—engaging in casual hookups with lesbian couples, caring for her grandmother, and flirting with a young administrative assistant.

Everything changes when Helen encounters Catherine and Katrina, a married lesbian couple whose sexual and emotional intensity begins to unravel the tightly wound fabric of her life. As they prod into Helen's past, they unearth a childhood tragedy she has long been repressing. Facing her father's pleas for help with parole, Helen seizes an opportunity to confront her history and seek answers she has long avoided.

Author Marissa Higgins explores themes of queer domesticity, the effects of incarceration on families, and intergenerational poverty, extending empathy to characters often deprived of it, leading to unsettling and thought-provoking results.

All Things Are Too Small is brilliant cultural critic Becca Rothfeld's soul cry for derangement: imbalance, obsession, gluttony, ravishment, ugliness, and unbound truth in aesthetics, whether we're talking about literature, criticism, or design. In a healthy culture, Rothfeld argues, economic security allows for wild aesthetic experimentation and excess; alas, in the contemporary Anglophone West, we've got it flipped.

The gap between rich and poor, privileged and oppressed, yawns hideously wide, while we stagnate in a cultural equality that imposes restraint. This collection of essays ranges from topics such as Sally Rooney, sadomasochism, and women who wait, making a glorious call to throw off restraint and balance in culture in favor of excess, abandon, and disproportion.

Being Reflected Upon is a memoir in verse from one of America's legendary poets. Alice Notley delivers a collection that serves as a window into the sources of her telepathic and visionary poetics. The book is a reflective journey through Notley's Paris-based life between 2000 and 2017, a period that encapsulates her experiences with illness and recovery following her first breast cancer treatment.

As Notley penned these poems, she discovered connections between events of this period and those from previous decades. The narrative moves from reminiscences of her mother and childhood in California to meditations on illness and recovery. It also encompasses various poetic adventures in cities like Amsterdam, Berlin, Prague, and Edinburgh.

The collection is deeply concerned with the mysteries of consciousness and the connection between the living and the dead. The term "stream-of-consciousness" is not just a stylistic description but also teases out a lived physics or philosophy that Notley explores through her work.

Death Styles is a poignant exploration of the intertwining of style and survival in the face of profound loss. Following her award-winning collection, Toxicon and Arachne, author Joyelle McSweeney embarks on a personal challenge to write a poem each day, using a single icon as a creative spark. From the unexpected muses like River Phoenix and Mary Magdalene to a backyard skunk, McSweeney delves deep into each subject, pushing through the exhaustion of grief.

With its candid and mesmerizing lyrics, Death Styles takes readers on a journey through the contradictory forces of survival and mourning. It is a testament to the power of poetic expression to navigate through life's most challenging moments, discovering hope in the act of creation and the resilience to step out of the shadows of death.

From the acclaimed and bestselling writer Nicholson Baker, a deeply personal account of his journey learning how to paint for the first time, and a meditation on the power of art in times of crisis.

Nicholson Baker wanted to learn how to paint. In 2019, after years of researching and writing about secret and often horrible government programs for his book Baseless: My Search for Secrets in the Ruins of the Freedom of Information Act, he was wiped out. Having been steeped for so long in the history of war, violence, and conspiracy, the world had lost some of its brightness. Photography had scratched a creative itch for years, but now, Baker was desperate to squeeze more out of what he saw – he wanted to live, slowly, through the snatches of life he was recording in photos. Maybe, he thought, he could learn to paint? The idea consumed him, but he was nagged by an even more debilitating doubt: What if he failed?

Finding a Likeness is Baker's record of the years he worked to improve his artistic skills, beginning with his first, humble attempts to set paintbrush to paper. Driven by a natural curiosity and a strong desire to paint faces, clouds, and landscapes that actually resemble faces, clouds, and landscapes, he attends classes from local artists, watches YouTube tutorials, and seeks out master painters from the past and present in the hopes of uncovering their secrets. In his inimitable voice, Baker recounts the highs and lows of the creative process, reflects on memories of growing up as the son of two painters, and learns what it means to really see.

Filled with Baker's own art, as well as the work of artists from around the world, Finding a Likeness is a tender and deeply felt testimony to taking a step back and going back to basics. Baker improves dramatically in his craft, but as he considers what it means to try, fail, and try again, he discovers far more than what it takes to paint a cloud – rather, he shows us how to bear witness to the world, to the good and the bad, and to do it all justice with paper and ink.

I Cheerfully Refuse is a career-defining tour-de-force from New York Times bestselling, award-winning novelist Leif Enger. Set in a not-too-distant America, it is the tale of Rainy, a bereaved and pursued musician embarking under sail on a sentient Lake Superior in search of his departed, deeply beloved, bookselling wife.

An endearing bear of an Orphean narrator, Rainy seeks refuge in the harbors, fogs, and remote islands of the inland sea. Encountering lunatic storms and rising corpses from the warming depths, Rainy finds on land an increasingly desperate and illiterate people, a malignant billionaire ruling class, crumbled infrastructure, and a lawless society.

Amidst the Gulliver-like challenges of life at sea and no safe landings, Rainy is lifted by physical beauty, surprising humor, generous strangers, and an unexpected companion in a young girl who comes aboard. As his innate guileless nature begins to make an inadvertent rebel of him, Rainy's private quest for the love of his life grows into something wider and wilder, sweeping up friends and foes alike in his strengthening wake.

A sharp and scintillating summer novel that will make readers laugh out loud and cry happy tears from the New York Times bestselling author of Yours Truly.

Justin has a curse, and thanks to a Reddit thread, it's now all over the internet. Every woman he dates goes on to find their soul mate the second they break up. When a woman slides into his DMs with the same problem, they come up with a plan: They'll date each other and break up. Their curses will cancel each other's out, and they'll both go on to find the love of their lives. It's a bonkers idea... and it just might work.

Emma hadn't planned that her next assignment as a traveling nurse would be in Minnesota, but she and her best friend agree that dating Justin is too good of an opportunity to pass up, especially when they get to rent an adorable cottage on a private island on Lake Minnetonka.

It's supposed to be a quick fling, just for the summer. But when Emma's toxic mother shows up and Justin has to assume guardianship of his three siblings, they're suddenly navigating a lot more than they expected–including catching real feelings for each other. What if this time Fate has actually brought the perfect pair together?

Like Love: Essays and Conversations is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

New and Selected Poems is an indispensable collection that spans more than three decades of profound, luminous poetry from acclaimed poet Marie Howe. Characterized by "a radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions," as noted by Matthew Zapruder in the New York Times Magazine, Howe's poetry effortlessly transforms penetrating observations of everyday life into sacred, humane miracles.

This essential volume draws from each of Howe's four previous collections—including What the Living Do (1997), a haunting archive of personal loss, and the National Book Award–longlisted Magdalene (2017), a spiritual and sensual exploration of contemporary womanhood—and contains more than fifteen new poems. Whether speaking in the voice of the goddess Persephone or contemplating aging while walking the dog, Howe is hailed as "a light-bearer, an extraordinary poet of our human sorrow and ordinary joy" by Dorianne Laux.

Sociopath: A Memoir is a compelling narrative that delves into the life of an individual grappling with sociopathy. Patric Gagne brings readers into her world, beginning with the realization in her early years that she was different from her peers. Emotions that come naturally to most—fear, guilt, empathy—were foreign to her, leaving her feeling an overwhelming sense of nothingness.

Struggling to conform to societal expectations, Patric resorted to theft, deceit, and occasional violence, all in an attempt to feel something. Her journey took a turn in college when she received confirmation of her long-held suspicion: she was a sociopath. Despite the bleak outlook presented by mental health professionals, who offered no treatment or hope for a 'normal' life, Patric's story takes a hopeful turn when she reconnects with a past love.

This reunion sparks a glimmer of possibility: if she is capable of love, perhaps she isn't the monster society makes sociopaths out to be. With new-found motivation, she sets out on a mission, with the support of her partner and a cast of intriguing characters, to challenge the stigma surrounding her diagnosis and advocate for the millions who, like her, are often misunderstood.

Sociopath: A Memoir is not just a tale of self-discovery and redemption; it's a testament to the power of love and the human spirit's capacity for change. It's a narrative that offers hope and understanding for those who have been labeled as different or difficult, and it encourages a deeper, more empathetic view of mental health.

Table for Two, from the bestselling author of The Lincoln Highway, A Gentleman in Moscow, and Rules of Civility, presents a richly detailed and sharply drawn collection of stories set in New York and Los Angeles.

The millions of readers of Amor Towles are in for a treat as he shares some of his shorter six stories set in New York City and a novella in Los Angeles. The New York stories, most of which are set around the turn of the millennium, explore themes from the death-defying acrobatics of the male ego to the fateful consequences of brief encounters, and the delicate mechanics of compromise that operate at the heart of modern marriages.

In Towles's novel, Rules of Civility, the indomitable Evelyn Ross leaves New York City in September 1938 with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, "Eve in Hollywood" describes how Eve crafts a new future for herself—and others—in the midst of Hollywood's golden age.

Throughout the stories, two characters often find themselves sitting across a table for two where the direction of their futures may hinge upon what they say to each other next.

Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles's canon of stylish and transporting historical fiction.

The Audacity is a razor-sharp satire diving headfirst into the implosion of a Theranos-like company, the unraveling of a marriage, and the absurdity of a billionaires' philanthropy summit. Ryan Chapman offers a narrative that is as incisive as it is entertaining, perfect for fans of Hari Kunzru and The White Lotus.

The story unfurls over a precipitous 72 hours, with a bombshell exposé on the cusp of revealing Victoria Stevens's multibillion-dollar startup as nothing but a colossal sham. Victoria herself has vanished off the face of the Earth. Is she playing dead, leaving her spouse, Guy Sarvananthan, to grapple with the impending disaster and the specter of incarceration? Confronted with the choice of fleeing to his homeland of Sri Lanka in disgrace or living in denial, Guy opts for the latter, jetting off to a secluded Caribbean island. Here, the elite 0.0001% convene to select which of the planet's dire issues they will 'eradicate forever.'

As Guy descends into a spiral of indulgence and intoxication amidst opulent wilderness and luxury yachts, surrounded by titans of industry, hordes of staff, and unexpected disruptors, Victoria tells her tale from a secret location in the California desert. Through feverishly penned diary entries laced with enigmatic self-help dogma, she schemes her return to power, unwavering in her belief that she will once again prove the doubters wrong.

Chapman's novel is a bold plunge into the dark chasm of ultra-late capitalism, likened to 'Martin Amis's Money' but for an era that has lingered far too long in the depths of excess and moral ambiguity.

Literary icon Julia Alvarez returns with an inventive and emotional novel about storytelling itself that will be an instant classic.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.

Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma's characters unspool their secret tales. Among them are Bienvenida, the abandoned second wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.

The characters defy their creator; they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories poses the question: Whose stories get to be told, and whose are buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.

Readers of Isabel Allende's Violeta and Barbara Kingsolver's Demon Copperhead will devour Alvarez's extraordinary new novel about beauty and authenticity that reminds us the stories of our lives are never truly finished, even at the end.

Traces Of Enayat is a brilliant work of creative nonfiction from one of the preeminent poets of the Arab-speaking world, exploring the mysterious life and erasure of Egyptian literature's tragic heroine. Cairo, 1963: four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. In the following decades, it's as if Enayat never existed.

Years later, celebrated Egyptian poet Iman Mersal discovers Enayat's long-forgotten Love and Silence in a Cairo book stall, leading her on a journey of reflection and rediscovery. Through interviews with family members and friends, Mersal retraces Enayat's life and afterlife, tracking down the places where Enayat spent her days. From the glamour of golden-age Egyptian cinema to the Cairo of Mersal's own past, a remarkable portrait emerges of two women striving to live on their own terms.

Traces Of Enayat embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject, crafting a luminous biographical detective story.

We Loved It All: A Memory of Life by Lydia Millet is an intimate evocation of the glory of nature, our vexed position in the animal kingdom, and the difficulty of adoring what we destroy. In her first work of nonfiction, acclaimed novelist Lydia Millet offers a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings.

Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others”―the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers―all figures in the complex tapestry each of us weaves with the surrounding world.

Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth―including our own.

You Are Here: Poetry In The Natural World, edited by the twenty-fourth Poet Laureate of the United States, Ada Limón, is a singular collection of poems that reflects on our relationship to the natural world. This book brings together fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more.

Contrary to the traditional images evoked by "nature poetry," this collection presents an updated and vibrant perspective. Each poem interacts with the author's local landscape, whether it's the vast array of flora in a national park or a resilient tree blooming by a bus stop. These works offer an intimate model of how we relate to the world around us.

Through a beautifully diverse range of voices from across the United States, You Are Here challenges our preconceptions about nature and poetry. The collection is both joyful and provocative, wondrous and urgent, offering a lyrical reimagining of what "nature" and "poetry" signify in the current era, and inviting readers to experience both in a fresh, new light.

From the New York Times bestselling author of Boy Erased, an electrifying, deeply moving novel about the love story between two men in Puritan New England.

Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister's words a love so captivating it transcends language.

As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next. And when the religious ecstasies of the Great Awakening begin to take hold, igniting a new era of zealotry, Nathaniel and Arthur search for a path out of an impossible situation, imagining a future for themselves which has no name. Their wives and children must do the same, looking beyond the known world for a new kind of wilderness, both physical and spiritual.

Set during the turbulent historical upheavals which shaped America's destiny and following in the tradition of Nathaniel Hawthorne's The Scarlet Letter, All the World Beside reveals the very human lives just beneath the surface of dogmatic belief.

A new book from the acclaimed psychoanalytic writer Adam Phillips on giving up to feel more alive. To give up or not to give up? The question can feel inescapable but the answer is never simple. Giving up our supposed vices is one thing; giving up on life itself is quite another. One form of self-sacrifice feels positive, something to admire and aspire to, while the other is profoundly unsettling, if not actively undesirable.

There are always, it turns out, both good and bad sacrifices, but it is not always clear beforehand which is which. We give something up because we believe we can no longer go on as we are. In this sense, giving up is a critical moment—an attempt to make a different future. In On Giving Up, the acclaimed psychoanalyst Adam Phillips illuminates both the gaps and the connections between the many ways of giving up and helps us to address the central question: What must we give up in order to feel more alive?

The Angel of Indian Lake marks the gripping conclusion to a trilogy that has captured the hearts of horror enthusiasts. Four years have passed since Jade Daniels left Proofrock, Idaho, behind, serving time to shield her friend Letha and her family. The town she returns to bears little resemblance to the one she knew, transformed by time and dark undercurrents.

In Proofrock, the unresolved haunts the living, from serial killer followers to outsiders chasing the allure of the Wild West. But the most chilling piece of unfinished business is the curse of the Lake Witch, lying in wait for Jade's return. As she makes her stand, the story unfolds—a tapestry of generational trauma, from the Indigenous to the townsfolk, woven into the rugged Idaho mountains.

Renowned author Stephen Graham Jones delivers an epic finale that is not only a tale of personal sacrifice but also a profound narrative of the American West, etched in blood.

Lisa Scottoline, the bestselling author of What Happened to the Bennetts, presents another pulse-pounding domestic thriller about family, justice, and the lies that tear us apart.

TJ Devlin is the charming disappointment in the prominent Devlin family, all of whom are lawyers at their highly successful firm—except him. After a stint in prison and rehab for alcoholism, TJ can't get hired anywhere except at the firm, in a make-work job with the title of investigator.

But one night, TJ's world turns upside down after his older brother John confesses that he just murdered one of the clients, an accountant he'd confronted with proof of embezzlement. It seems impossible coming from John, the firstborn son and Most Valuable Devlin.

TJ plunges into the investigation, seizing the chance to prove his worth and save his brother. But in no time, TJ and John find themselves entangled in a lethal web of deception and murder. TJ will fight to save his family, but what he learns might break them first.

There's Always This Year is a poignant, personal reflection on basketball, talent, and allegiance, and of course, LeBron James—from the author of the National Book Award finalist A Little Devil in America. While Hanif Abdurraqib is an acclaimed author, a gifted poet, and one of our culture's most insightful critics, he is most of all, at heart, an Ohioan.

Growing up in Columbus in the 1990s, Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron were forged, and countless others weren't. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tensions between excellence and expectation, and the very notion of role models, all of which he expertly weaves together with memoir. "Here is where I would like to tell you about the form on my father's jumpshot," Abdurraqib writes. "The truth, though, is that I saw my father shoot a basketball only one time."

There's Always This Year is a classic Abdurraqib triumph, brimming with joy, pain, solidarity, comfort, outrage, and hope. It's about basketball in the way They Can't Kill Us Until They Kill Us is about music and A Little Devil in America is about history—no matter the subject, Abdurraqib's exquisite writing is always poetry, always profound, and always a clarion call to radically reimagine how we think about our culture, our country, and ourselves.

Frances Ha meets No One Is Talking About This in a debut that follows two twenty-something siblings-turned-roommates navigating an absurd world about to suffer great change—a Seinfeldian novel of existentialism and sisterhood. It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely.

Poppy is a year out from a suicide attempt only Jules knows about, and as she searches for work and meaning in Brooklyn, Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen. Then the hives that’ve plagued Poppy since childhood flare up. Jules’s uterus turns against her. Poppy brings home a maladjusted rescue dog named Amy Klobuchar. The girls’ mother—a newly devout Messianic Jew—starts falling for the same deep-state conspiracy theories as Jules’s online mommies.

A trip home to Florida ends in disaster. Amy Klobuchar may or may not have rabies. And Jules struggles halfheartedly to scrape her way to the source of her ennui, slowly and cruelly coming to blame Poppy for her own insufficiencies as a friend, a writer, and a sister. As the year shambles on and a new decade looms near, Jules and Poppy—comrades, competitors, permanent fixtures in each other’s lives—must ask themselves what they want their futures to look like, and whether they’ll spend them together or apart.

Deadpan, dark, and brutally funny, Worry is a sharp portrait of two sisters enduring a dread-filled American moment from a nervy new voice in contemporary fiction.

A Chance Meeting: Encounters Between American Writers And Artists by Rachel Cohen is a tapestry of creativity and circumstance, chronicling the many links and serendipitous meetings between giants of American culture. This inventive consideration of American culture evokes actual meetings between historical figures such as Henry James, Gertrude Stein, Zora Neale Hurston, and Marcel Duchamp.

The narrative reveals how these figures met in ordinary ways—a careful arrangement after long admiration, a friend's casual introduction, or simply standing near the drinks. They conversed for a few hours or for decades, and later, it seemed impossible that they could have missed each other. From a boyhood encounter between Henry James and Mathew Brady to the partnership of Avedon and James Baldwin, the book delves into the friendships, mentorships, and collaborations that sparked creativity and influenced American literature and art.

Cohen's work draws the reader into the mysterious process by which creativity has been sparked and passed on among iconoclastic American writers and artists, forming a long chain of influence stretching from the Civil War era through a century that profoundly affected contemporary culture.

From one of the most influential writers of this generation, A Year of Last Things is Michael Ondaatje's long-awaited return to poetry. This gorgeous and surprising collection delves into memory, love, and the act of looking back.

In pieces that are sometimes wittily funny, moving, and always wise, we journey back through time by way of alchemical leaps, unearthing writings by revered masters, moments of shared tenderness, and abandoned landscapes we hold onto to rediscover the influence of every border crossed.

Moving from a Sri Lankan boarding school to Moliere's chair during his last stage performance, to Bulgarian churches and their icons, to a California coast, and his beloved Canadian rivers, Michael Ondaatje casts a brilliant eye that merges his past and present, in the way memory and the distant shores of art and lost friends continue to influence all that surrounds him.

As in this startling passage from his poem His chair, a narrow bed, a motel room, the fox:
At the Hacienda Motel in Los Angeles Sam Cooke was shot dead. 'See my shadow on the wall...'
All those motels and hotels in literature and song, where X wrote this, where Y got drunk, where Z overdosed. The one Hank Williams was driven past, dead already in his car. The Slaviansky Bazaar Hotel in Lady with a Dog where Dmitri imagines their dark but hopeful future. The Hotel du Grand Miroir in Brussels where Baudelaire lived his last few months. (A decade later Verlaine shot Rimbaud there.) The Casa Verdi in Milan where retired opera singers were welcome along with the various heteronyms of Fernando Pessoa in their afterlife.

For fans of Never Let Me Go and My Dark Vanessa, Annie Bot is a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control.

Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard. She’s learning, too.

Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?

Good Half Gone delves into the haunting tale of Iris Walsh and her quest for the truth behind her twin sister Piper's disappearance. As a teenager, Iris narrowly escaped the same chilling fate that befell her sister—abduction and a presumed life of trafficking. The investigation, hindered by scant evidence, grew cold and was eventually abandoned.

Now an adult, Iris is driven by a single goal: to unearth proof of what happened to Piper. With the police unwilling to reopen the case, Iris takes matters into her own hands. She secures an internship at Shoal Island Hospital, a remote facility for the criminally insane. It's a place shrouded in secrecy, where the shadows hold more than just darkness.

Iris's determination to uncover the truth leads her to discover that the hospital's sinister undercurrents run deeper than anyone imagined. The patients might be confined, but they're not the only ones under surveillance. As Iris delves into the hospital's mysteries, she realizes that the true danger may be lurking much closer than she thought.

James, by Percival Everett, is a brilliant and action-packed reimagining of The Adventures of Huckleberry Finn, told from the perspective of the enslaved character Jim. This novel is both harrowing and ferociously funny, showcasing Jim's agency, intelligence, and compassion in a radically new light.

When Jim overhears that he is about to be sold and separated from his wife and daughter, he decides to hide on Jackson Island to plan his next move. Meanwhile, Huck Finn, seeking to escape his violent father, fakes his own death. Together, they embark on a dangerous and transcendent journey down the Mississippi River, facing floods, storms, and scam artists, all while navigating the promise and peril of the Free States and beyond.

With electrifying humor and lacerating observations, James is set to be a major publishing event, redefining a cornerstone of twenty-first century American literature.

For fans of The Silent Patient and Gone Girl, a razor-sharp and Hitchcock-inspired psychological thriller about two ordinary women who make a dangerous pact to take revenge for each other after being pushed to the brink. One dark evening on New York City’s Upper West Side, two strangers meet by chance. Over drinks, Amanda and Wendy realize they have much in common, especially loneliness and an intense desire for revenge against the men who destroyed their families. As they talk into the night, they come up with the perfect plan: if you kill for me, I’ll kill for you.

In another part of the city, Ruth is home alone when the beautiful brownstone she shares with her husband, Scott, is invaded. She’s attacked by a man with piercing blue eyes, who disappears into the night. Will she ever be able to feel safe again while the blue-eyed stranger is out there? Intricate, heart-racing, and from an author who "is the real deal" (Lee Child, #1 New York Times bestselling author), Kill for Me, Kill for You will keep you breathless until the final page.

The award-winning author of The Leavers offers a visionary novel of friendship, art, and ambition that asks: What is the value of a meaningful life?

In the early 1980s, Giselle Chin, Jackie Ong, and Ellen Ng are three teenagers drawn together by their shared sense of alienation and desire for something different. “Allied in the weirdest parts of themselves,” they envision each other as artistic collaborators and embark on a future defined by freedom and creativity.

By the time they are adults, their dreams are murkier. As a performance artist, Giselle must navigate an elite social world she never conceived of. As a coder thrilled by the internet’s early egalitarian promise, Jackie must contend with its more sinister shift toward monetization and surveillance. And as a community activist, Ellen confronts the increasing gentrification and policing overwhelming her New York City neighborhood. Over time their friendship matures and changes, their definitions of success become complicated, and their sense of what matters evolves.

Moving from the predigital 1980s to the art and tech subcultures of the 1990s to a strikingly imagined portrait of the 2040s, Memory Piece is an innovative and audacious story of three lifelong friends as they strive to build satisfying lives in a world that turns out to be radically different from the one they were promised.

The Black Box: Writing The Race is a profound exploration of how Black Americans have wielded the power of the written word to carve out their identity, defy the falsehoods of racism, and engage in robust debates within their own community throughout American history.

Derived from the renowned introductory course in African American Studies at Harvard, led by Henry Louis Gates, Jr., this work narrates the journey of Black self-definition in America. It highlights the efforts of literary giants such as Phillis Wheatley, Frederick Douglass, W.E.B. Du Bois, Booker T. Washington, Zora Neale Hurston, Richard Wright, James Baldwin, and Toni Morrison. These figures have utilized literature to create a "home" for Black individuals in a society marred by virulent racism.

At its core, the book celebrates the paradox that a community, initially shaped by oppressors to rationalize inhumane enslavement, has reinvented itself through literature. This transformation has been an act of defiance, leading to the emergence of a culture that is resilient, creative, and powerful, despite internal disagreements about the essence of being "Black" and the crafting of a past that fosters a more equitable future.

The Black Box: Writing The Race is an epic tale that documents how a multitude of creative minds have revealed and resisted the confines of the metaphorical "black box"—a label imposed upon them, often arbitrarily, since the nation's inception. This book captures the saga of a people's creation through their essays, speeches, novels, plays, and poems, chronicling their persistent struggle and triumph.

From the author of The Watchmaker of Filigree Street, a stunning queer sci-fi novel about the relationship between an Earth refugee and a xenophobic Mars politician.

In the wake of an environmental catastrophe, January, once a principal in London's Royal Ballet, has become a refugee in Tharsis, the terraformed colony on Mars. There, January’s life is dictated by his status as an Earthstronger—a person whose body is not adjusted to lower gravity and so poses a danger to those born on, or naturalized to, Mars. January’s job choices, housing, and even transportation are dictated by this second-class status, and now a xenophobic politician named Aubrey Gale is running on a platform that would make it all worse: Gale wants all Earthstrongers to naturalize, a process that is always disabling and sometimes deadly.

When Gale chooses January for an on-the-spot press junket interview that goes horribly awry, January’s life is thrown into chaos, but Gale’s political fortunes are damaged, too. Gale proposes a solution to both their problems: a five-year made-for-the-press marriage that would secure January’s future without naturalization and ensure Gale’s political success. But when January accepts the offer, he discovers that Gale is not at all like they appear in the press. They're kind, compassionate, and much more difficult to hate than January would prefer.

As their romantic relationship develops, the political situation worsens, and January discovers Gale has an enemy, someone willing to destroy all of Tharsis to make them pay—and January may be the only person standing in the way. Un-put-downably immersive and utterly timely, Natasha Pulley’s new novel is a gripping story about privilege, strength, and life across class divisions, perfect for readers of Sarah Gailey and Tamsyn Muir.

From the critically beloved, New York Times bestselling author of The Tiger's Wife and Inland, Téa Obreht presents a magical novel of mothers and daughters, displacement and belonging, and myths both old and new.

There’s the world you can see. And then there’s the one you can’t. Welcome to The Morningside.

After being expelled from their ancestral home in a not-so-distant-future, Silvia and her mother finally settle at The Morningside, a crumbling luxury tower in a place called Island City where Silvia’s aunt Ena serves as the superintendent. Silvia feels unmoored in her new life because her mother has been so diligently secretive about their family's past, and because the once-vibrant city she lives in is now half-underwater.

Silvia knows almost nothing about the place where she was born and spent her early years, nor does she fully understand why she and her mother had to leave. But in Ena there is an opening: a person willing to give the young girl glimpses into the folktales of her demolished homeland, a place of natural beauty and communal spirit that is lacking in Silvia's lonely and impoverished reality.

Enchanted by Ena’s stories, Silvia begins seeing the world with magical possibilities and becomes obsessed with the mysterious older woman who lives in the penthouse of the Morningside. Bezi Duras is an enigma to everyone in the building: She has her own elevator entrance and leaves only to go out at night and walk her three massive hounds, often not returning until the early morning.

Silvia’s mission to unravel the truth about this woman’s life, and her own haunted past, may end up costing her everything. Startling, inventive, and profoundly moving, The Morningside is a novel about the stories we tell—and the stories we refuse to tell—to make sense of where we came from and who we hope we might become.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

Wild Houses is the riotous, raucous, and deeply resonant debut novel from Colin Barrett, whom the Financial Times hails as "one of the best story writers in the English language today." This novel follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry. Barrett, celebrated for his collections Young Skins and Homesickness, cements his reputation as one of contemporary Irish literature's most daring stylists, praised by Oprah Daily as "a doyen of the sentence," and by the Los Angeles Times as a writer of "unique genius."

As Ballina prepares for its biggest weekend of the year, introspective loner Dev answers his door on Friday night to find Doll English— younger brother of small-time local dealer Cillian English—bruised and in the clutches of Gabe and Sketch Ferdia, County Mayo's fraternal enforcers and Dev's cousins. Dev's quiet homelife is upturned as he is quickly and unwillingly drawn headlong into the Ferdias' frenetic revenge plot against Cillian.

Meanwhile, Doll's girlfriend, seventeen-year-old Nicky, reeling from a fractious Friday and plagued by ghosts and tragedy of her own, sets out on a feverish mission to save Doll, even as she questions her future in Ballina. Set against Barrett's trademark depictions of small-town Irish life, Wild Houses is a thrillingly-told story of two outsiders striving to find themselves as their worlds collapse in chaos and violence.

The Corrections meets We Need to Talk About Kevin in this harrowing multigenerational saga about a family harboring a serial killer in their midst, from the Pulitzer Prize and Tony Award finalist playwright Adam Rapp.

It's August in Elmira, a small town in upstate New York, and the year is 1951. While Myra Lee Larkin, newly 13, reads a copy of The Catcher in the Rye secretly under the counter of the local diner, a young Micky Mantle approaches her table, chats her up, offers her a ride home. That night, none of her family believe it was really the Yankees outfielder. The matter consumes her until later that evening when the entire town's attention is torn away to the grisly triple homicide that occurs just three doors down from the Larkins on their quiet suburban street.

Wolf at the Table unfolds from there, tracing the epic, multigenerational saga of the Larkin family over the next fifty years. Myra and her five younger siblings fan out across the Eastern United States, and yet violence seems to follow them everywhere. Her middle sisters, Lexy and Fiona, struggle with class and power, while Alec, the youngest and only boy, finds his fate more and more tightly wound to that of a prominent serial killer. Myra lands in Chicago, serving as a prison nurse to death row inmates while trying to raise her young son, Ronan, after his father ends up in a psychiatric hospital. All the while, Alec descends into ever-darker brushes with violence, and becomes alienated from the rest of the family, sending his mother cryptic postcards full of ominous portent.

It is only the threat of a final confrontation that pulls back the curtain on the myth the family tells itself about its successes, its propriety, and its adherence to good Irish Catholic values. Spanning more than five decades of one family's pursuit of the American dream, Wolf at the Table explores our consistent proximity to violence and its effect over time. Adam Rapp writes with a gorgeous acuity that cuts straight to the heart of each character, and he reveals the devastating reality just beneath the veneer of good society.

After Annie is a novel that delves into the complexities of family dynamics, emotions, and the intimate secrets of life in a small town. It is a poignant exploration of the themes of loss, love, and the enduring strength that these powerful emotions can imbue in individuals.

The sudden death of Annie Brown leaves an irreplaceable void in the lives of her husband, four young children, and her best friend. Her husband, Bill Brown, finds himself struggling to cope, while Annie's best friend, Annemarie, is drawn back to old, destructive habits in the absence of Annie's supportive presence. It falls upon Annie's daughter, Ali, to take on the mantle of responsibility, striving to maintain a semblance of their former life and confronting the intricate realities of adulthood.

As the year progresses, the memory of Annie remains a towering influence in their lives. Yet, through their shared grief and love, each of them discovers an inner resilience that enables them to grow, change, and ultimately become stronger. The novel celebrates the transformative power of love and the ability to forge ahead in the face of loss.

Authored by Anna Quindlen, a writer renowned for her emotional depth and insightful portrayal of the human condition, After Annie is a testament to how adversity can shape us in unexpected and profound ways. It is a narrative that concludes with a message of hope, reaffirming the capacity for personal growth and the unyielding strength of the human spirit.

An electrifying debut novel from an “unusually gifted writer” (Lorrie Moore) about the radical intimacy of physical competition.

An unexpected tragedy at a community pool. A family’s unrelenting expectation of victory. The desire to gain or lose control; to make time speed up or stop; to be frighteningly, undeniably good at something. Each of the eight teenage girl boxers in this blistering debut novel has her own reasons for the sacrifices she has made to come to Reno, Nevada, to compete to be named the best in the country.

Through a series of face-offs that are raw, ecstatic, and punctuated by flashes of humor and tenderness, prizewinning writer Rita Bullwinkel animates the competitors’ pasts and futures as they summon the emotion, imagination, and force of will required to win.

Frenetic, surprising, and strikingly original, Headshot is a portrait of the desire, envy, perfectionism, madness, and sheer physical pleasure that motivates young women to fight—even, and perhaps especially, when no one else is watching.

Award-winning author and critic Emily Raboteau uses the lens of motherhood to craft a powerfully moving meditation on race, climate, environmental justice —and what it takes to find shelter. Lessons For Survival is a probing series of pilgrimages from the perspective of a mother struggling to raise her children to thrive without coming undone in an era of turbulent intersecting crises.

With camera in hand, Raboteau goes in search of birds, fluttering in the air or painted on buildings, and ways her children may safely play in city parks while avoiding pollution, pandemics, and the police. She ventures abroad to learn from indigenous peoples, and in her own family and community discovers the most intimate meanings of resilience. Raboteau bears witness to the inner life of Black women/motherhood, and to the brutalities and possibilities of cities, while celebrating the beauty and fragility of nature.

This innovative work of reportage and autobiography will appeal to readers of the bestseller All We Can Save and Joan Didion’s The White Album alike. Lessons For Survival stitches together multiple stories of protection, offering a profound sense of hope.

How to think about the end of the world and what we must do to rebuild beyond that final moment, for readers of The Mushroom at the End of the World by Anna Lowenhaupt Tsing and Extinction: A Radical History by Ashley Dawson. What are we to think as we face the sixth extinction moment? Kant's invitation to imagine an 'end of all things' no longer feels like just a thought experiment.

Philosopher Ben Ware argues that we must accept this without looking away. In fact, extinction is the very lens through which we see our current reality. He argues that in order to map the catastrophic present, we will first need to take a tiger's leap into the past in order to construct a new 'dialectics of extinctions'.

On Extinction takes us on a breath-taking philosophical journey. Bringing dialectical thought to bear on one of the most pressing issues of our times, Ware argues that radical politics today should not be concerned with merely averting the worst, but rather with beginning again at the end: bringing to completion a mode of political and economic life which tethers us all–the yet to be born–to a sick but undying present. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need.

Marilynne Robinson, one of our greatest novelists and thinkers, presents a radiant, thrilling interpretation of the book of Genesis.

For generations, the book of Genesis has been treated by scholars as a collection of documents, by various hands, expressing different factional interests, with borrowings from other ancient literatures that mark the text as derivative. In other words, academic interpretation of Genesis has centered on the question of its basic coherency, just as fundamentalist interpretation has centered on the question of the appropriateness of reading it as literally true.

Both of these approaches preclude an appreciation of its greatness as literature, its rich articulation and exploration of themes that resonate through the whole of Scripture. Reading Genesis, which includes the original text, is a powerful consideration of the profound meanings and promise of God's enduring covenant with humanity. This magisterial book radiates gratitude for the constancy and benevolence of God's abiding faith in Creation.

From #1 New York Times bestselling author Lisa Gardner comes a harrowing new installment in the Frankie Elkin series. Frankie Elkin is an expert at finding the missing persons that the rest of the world has forgotten. However, she couldn't have anticipated the latest request—to locate the long-lost sister of a female serial killer facing execution in three weeks' time.

No man truly fears a woman. Not even one who is her father's daughter.

The case was sensational. Kaylee Pierson had confessed from the beginning, waived all appeals. She had called herself 'death,' but people called her the devil. Despite the media's chronicling of her tragic circumstances—the childhood spent with a violent father—no one could find sympathy for 'the Beautiful Butcher' who had led eighteen men home from bars before viciously slitting their throats.

Now, with only twenty-one days left to live, Pierson has received a lead on the whereabouts of the sister who was kidnapped over a decade ago. She needs Frankie's help to find her. The Beautiful Butcher's offer: When was the last time your search ended with finding the living?

Unable to resist the chance for a rescue, Frankie takes on Pierson's request. Twelve years ago, five-year-old Leilani went missing in Hawaii. The main suspect? Pierson's tech mogul ex-boyfriend, Sanders MacManus. Now, on a remote island in the middle of the Pacific—the site of MacManus's latest vanity project—fresh evidence has appeared. To learn the truth and possibly save a young woman's life, Frankie must go undercover at the isolated base camp. A dozen strangers. Countless dangerous secrets. Zero means of calling for help. And then the storm rolls in…

The Moon That Turns You Back is a new collection of poetry by Hala Alyan, the author of The Arsonists' City and The Twenty-Ninth Year. This collection explores the fragmentation of memory, archive, and family across different times and places. Alyan delves into the experiences of displacement and war, creating a tapestry of memories that interlink Brooklyn, Beirut, and Jerusalem.

The poems challenge the boundaries between space and time, intermingling daily life with the brutalities of geopolitical strife. Alyan examines the forces that can displace an individual from home and body, and conversely, the resilience and love that can anchor a person back into their essence and familial legacy. The work raises poignant questions about transformation and stability for those who have led a life in constant change.

The Werewolf At Dusk: Stories confronts the primal theme of "the beast within" us all. This collection celebrates the singular genius of David Small, known for the #1 New York Times bestseller Stitches. Through a series of captivating tales, Small explores the darker corners of the human psyche with a blend of horror and psychological nuance. Each story is a testament to the transformative power of narrative and the shadowy line between reality and imagination.

Through The Night Like A Snake: Latin American Horror Stories is a collection that slithers into the heart of fear, showcasing the rich tapestry of terror woven by various Latin American authors. Each story offers a glimpse into the eerie and often unspoken corners of the human psyche, as influenced by the cultural and social nuances of Latin America.

From the haunting prose of Mónica Ojeda to the chilling narratives of Tomás Downey, Camila Sosa Villada, Julián Isaza, and Maximiliano Barrientos, this anthology promises to keep readers gripping their seats. It's an exploration of horror that transcends language and borders, providing a unique lens through which to experience the genre.

Until August, the extraordinary rediscovered novel from the Nobel Prize-winning author of Love in the Time of Cholera and One Hundred Years of Solitude, invites readers into the contemplative world of Ana Magdalena Bach. Sitting alone by the lagoon's blue waters, Ana reflects on the men at the hotel bar. Despite twenty-seven years of a happy marriage and a life filled with love for her husband and children, she is drawn to the island where her mother is buried every August, where she indulges in a night with a new lover.

Through the sultry Caribbean evenings, brimming with salsa and boleros, Ana delves deeper into her desires and the fears nestled in her heart. Until August is a constantly surprising and joyously sensual exploration of freedom, regret, self-transformation, and the enigmatic nature of love. It is a profound meditation and an unexpected gift from one of the world's most revered writers.