Set in the dark world of international espionage, from London to Mallorca, Croatia, Paris, and Cap Ferret: the gripping and suspenseful story of a young woman who unwittingly becomes a perfect asset in the long overdue finale of a covert special op.
The young English narrator of Lea Carpenter's dazzling new novel has grown up unhappily in London, dreaming of escape, pretending to be someone else and obsessed with a locked private garden. On the eve of her twenty-first birthday, at a party near that garden, she meets its charismatic and mysterious new owner, Marcus, thirty-three years older, who sweeps her off her feet. Before long they are married at his finca in Mallorca, and at last she has escaped into a new role – but at what price?
On their honeymoon in Croatia, Marcus reveals there is something she can do for him—a plan is in place and she can help with "a favor." This turns out to be posing as an art advisor to a family on Cap Ferret, where Marcus asks her to simply "listen." A helicopter deposits her at a remote, highly guarded and lavishly appointed compound on a spit of land in the Atlantic. It's presided over by an enigmatic, charming patriarch Edouard, along with his wife Dasha, children Nikki and Felix, and populated by a revolving cast of other guests—some suspicious, some intriguing, perhaps none, like her, what they seem.
Only If You're Lucky is a sharp and twisty exploration of female friendship from the New York Times bestselling author Stacy Willingham. The story follows Lucy Sharpe, a character who is larger than life—magnetic, addictive, bold, and dangerous. Especially for Margot, the shy and careful one, who becomes Lucy's roommate during their freshman year at a liberal arts college in South Carolina.
Margot, previously always the sidekick and never the center of attention, is drawn into an off-campus house with three other girls: Lucy, the ringleader; Sloane, the sarcastic one; and Nicole, the nice one. These opposites but deeply intertwined characters lead Margot to finally break out of her shell, a shell she's been in since her best friend Eliza's death just after high school.
As Margot and Lucy grow close, a fraternity boy from the house next door is brutally murdered, and Lucy Sharpe goes missing without a trace. What ensues is a tantalizing thriller that delves into themes of friendship, belonging, loyalty, envy, and betrayal. Stacy Willingham delivers another gripping novel that cements her position as a standout author in psychological suspense.
This is a tale of murder. Or maybe that's not quite true. At its heart, it's a love story, isn't it?
Lana Farrar is a reclusive ex-movie star and one of the most famous women in the world. Every year, she invites her closest friends to escape the English weather and spend Easter on her idyllic private Greek island.
I tell you this because you may think you know this story. You probably read about it at the time - it caused a real stir in the tabloids, if you remember. It had all the necessary ingredients for a press: a celebrity; a private island cut off by the wind...and a murder.
We found ourselves trapped there overnight. Our old friendships concealed hatred and a desire for revenge. What followed was a game of cat and mouse - a battle of wits, full of twists and turns, building to an unforgettable climax. The night ended in violence and death, as one of us was found murdered.
But who am I? My name is Elliot Chase, and I'm going to tell you a story unlike any you've ever heard.
H Is for Hawk meets Joan Didion in the Pyrocene in this arresting combination of memoir, natural history, and literary inquiry that chronicles one woman's experience of life in Northern California during the worst fire season on record. Told in luminous, perceptive prose, The Last Fire Season is a deeply incisive inquiry into what it really means—now—to live in relationship to the elements of the natural world.
When Manjula Martin moved from the city to the woods of Northern California, she wanted to be closer to the wilderness that she had loved as a child. She was also seeking refuge from a health crisis that left her with chronic pain, and found a sense of healing through tending her garden beneath the redwoods of Sonoma County. But the landscape that Martin treasured was an ecosystem already in crisis. Wildfires fueled by climate change were growing bigger and more frequent: each autumn, her garden filled with smoke and ash, and the local firehouse siren wailed deep into the night.
In 2020, when a dry lightning storm ignited hundreds of simultaneous wildfires across the West and kicked off the worst fire season on record, Martin, along with thousands of other Californians, evacuated her home in the midst of a pandemic. Both a love letter to the forests of the West and an interrogation of the colonialist practices that led to their current dilemma, The Last Fire Season, follows her from the oaky hills of Sonoma County to the redwood forests of coastal Santa Cruz, to the pines and peaks of the Sierra Nevada, as she seeks shelter, bears witness to the devastation, and tries to better understand fire's role in the ecology of the West. As Martin seeks a way to navigate the daily experience of living in a damaged body on a damaged planet, she comes to question her own assumptions about nature and the complicated connections between people and the land on which we live.
The Survivors of the Clotilda joins the ranks of Rebecca Skloot’s The Immortal Life of Henrietta Lacks and Zora Neale Hurston’s rediscovered classic Barracoon, offering an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil. This compelling narrative is told through the stories of its survivors—the final documented survivors of any slave ship—whose lives diverged and intersected in profound ways.
The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860—more than half a century after a federal law banned the importation of captive Africans, and nine months before the start of the Civil War. The last of its survivors lived well into the twentieth century, serving as the last witnesses to the final act of a significant and tragic period in world history.
In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile—an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston—to the foundation of the quilting community of Gee’s Bend—a Black artistic circle whose cultural influence remains enormous.
An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.
Inspired by Jami Attenberg's wildly popular literary movement #1000WordsofSummer, this writer's guide features encouraging essays on creativity, productivity, and writing from acclaimed authors including Roxane Gay, Lauren Groff, Celeste Ng, Meg Wolitzer, and Carmen Maria Machado.
In 2018, novelist Jami Attenberg, faced with a looming deadline, needed writing inspiration. Using a bootcamp model, she and a friend set out to write one thousand words daily for two weeks straight. They opened this practice to Attenberg's online community and soon hundreds then thousands of people started using the #1000WordsofSummer hashtag to track their work and support one another. What began as a simple challenge between two friends has become a literary movement—write 1,000 words per day without judgment, or bias, or concerns about writer's block, and see what comes of it.
1000 Words is the book-length extension of this movement. It is about becoming—and staying—motivated, discovering yourself and your creative desires, and approaching your craft from a new direction. It features advice from more than fifty well-known writers, including New York Times bestsellers, Pulitzer Prize winners, and stars of the literary world. Framing these letters are words of wisdom and encouragement, plus specific strategies, from Attenberg on how to carve out a creative path for yourself all year round. Paired with vibrant word art illustrations, 1000 Words is an accessible and motivational craft book that allows you to open any page and get a quick and fulfilling hit of inspiration.
A luxury train speeding towards Moscow and a date with destiny.
A CIA plane downed in the jungles of the Golden Triangle.
A Nazi hoard entombed in the remote mountains of South-West Poland.
A missing treasure, the eighth wonder of the world, lost for seven decades.
One Russian magnate's dream of restoring a nation to greatness has set in motion a chain of events which will take the world to the brink of chaos. Only Frances Coffey, the CIA's most legendary spymaster, can prevent it. But to do so, she needs someone special. Enter Argylle, a troubled agent with a tarnished past who may just have the skills to take on one of the most powerful men in the world. If only he can save himself first...
From the celebrated New York Times bestselling author of Such a Fun Age comes a fresh and provocative story about a residential assistant and her messy entanglement with a professor and three unruly students.
It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue. A fresh and intimate portrait of desire, consumption, and reckless abandon, Come & Get It is a tension-filled story about money, indiscretion, and bad behavior.
My Friends is a luminous novel that delves into the themes of friendship, family, and the inconceivable realities of exile. Hisham Matar, the Pulitzer Prize-winning author of The Return, presents readers with an evocative exploration of the illusions of time, suggesting that despite our belief in permanence, change is the only constant.
The narrative unfolds with Khaled, a young boy in Benghazi, who is profoundly impacted by a short story he hears on the radio—a tale of a man being devoured by a cat. The story's author, Hosam Zowa, becomes an obsession for Khaled, propelling him on a transformative journey from his home to the intellectual pursuits at the University of Edinburgh.
As Khaled immerses himself in an open society vastly different from his Libyan roots, he begins to evolve. His involvement in a protest against the Qaddafi regime in London ends in catastrophe, leaving him severely injured and stranded in England as an exile. The risks of even communicating with his family back home are insurmountable.
An unexpected meeting with Hosam Zowa ushers Khaled into a profound friendship that sustains him and eventually compels him to face the harrowing choices between revolution and safety, family and exile, as the Arab Spring takes hold. My Friends is a poignant reflection on the nature of relationships and the ways time can strengthen or fray the bonds we hold dear.
Jill McCorkle, author of the New York Times bestseller Life After Life and the widely acclaimed Hieroglyphics, delivers another breathtaking collection of stories that take an intimate look at the moments when a person's life changes forever. Old Crimes: Stories takes readers deep into the lives of characters who hold their secrets and misdeeds close, even as the past continues to reverberate over time and across generations.
And despite the characters' yearnings for connection, they can't seem to tell the whole truth. In "Low Tones," a woman uses her hearing impairment as a way to guard herself from her husband's commentary. In "Lineman," a telephone lineman tries to keep his family close as he feels himself pushed aside in a digital world. The young couple in "Confessional" buys a confessional for fun, only to discover the cost of honesty. Profoundly moving and unforgettable, the stories in Jill McCorkle's new collection reveal why she has long been considered a master of the form.
Each story reads like a compact, brilliantly condensed novel, probing lives full of great intensity, of longing and affection, of deep regret, and of the inability to ever forget an old crime.
A wondrous, tender novel about a young girl grappling with her role in a tragic loss—and attempting to reshape the narrative of her life—from PEN/Faulkner Award nominee Claire Oshetsky.
Margaret Murphy is a weaver of fantastic tales, growing up in a world where the truth is too much for one little girl to endure. Her first memory is of the day her friend Agnes died.
No one blames Margaret. Not in so many words. Her mother insists to everyone who will listen that her daughter never even left the house that day. Left alone to make sense of tragedy, Margaret wills herself to forget these unbearable memories, replacing them with imagined stories full of faith and magic—that always end happily.
Enter Poor Deer: a strange and formidable creature who winds her way uninvited into Margaret’s made-up tales. Poor Deer will not rest until Margaret faces the truth about her past and atones for her role in Agnes’s death.
Heartrending, hopeful, and boldly imagined, Poor Deer explores the journey toward understanding the children we once were and the stories we tell ourselves to make sense of life’s most difficult moments.
The Atlas Complex marks the much-anticipated, heart-shattering conclusion in Olivie Blake's trilogy that began with the New York Times bestselling phenomenon, The Atlas Six. Only the extraordinary are chosen. Only the cunning survive.
An explosive return to the library leaves the six Alexandrians vulnerable to the lethal terms of their recruitment. Old alliances quickly fracture as the initiates take opposing strategies as to how to deal with the deadly bargain they have so far failed to uphold. Those who remain with the archives wrestle with the ethics of their astronomical abilities, while elsewhere, an unlikely pair from the Society cohort partner to influence politics on a global stage.
And still the outside world mobilizes to destroy them, while the Caretaker himself, Atlas Blakely, may yet succeed with a plan foreseen to have world-ending stakes. It’s a race to survive as the six Society recruits are faced with the question of what they're willing to betray for limitless power—and who will be destroyed along the way.
Renowned journalist and author Elizabeth Flock delves into a topic that many shy away from, challenging our notions about the role and necessity of female-led violence in opposing systems that are fundamentally against women. The Furies: Women, Vengeance, And Justice is a profound inquiry into the lives of three women who, facing failure from the very institutions designed to safeguard them—government, police, courts—resorted to violence to reclaim power, safety, and freedom.
The book presents immersive narratives of Brittany Smith, a young woman from Stevenson, Alabama, who, after claiming to have killed a man in self-defense against rape, was denied protection by the Stand-Your-Ground law; Angoori Dahariya, who leads a gang in Uttar Pradesh, India, avenging victims of domestic abuse; and Cicek Mustafa Zibo, a member of an all-female militia that confronted ISIS in Syria.
Through Flock's compelling prose and extensive on-the-ground research, this work explores the nuances of whether women's safety can ever be fully ensured without the use of force. It asks hard-hitting questions about the effectiveness of vengeance, the potential for creating lasting change within misogynistic and paternalistic systems, and the vision of societies where women wield real power.
The Furies ignites a conversation about gender equality, power dynamics, and the celebrated yet complex legacy of women who fight back.
When Ruby McTavish Callahan Woodward Miller Kenmore dies, she's not only North Carolina's richest woman, she's also its most notorious. The victim of a famous kidnapping as a child and a widow four times over, Ruby ruled the tiny town of Tavistock from Ashby House, her family's estate high in the Blue Ridge mountains.
In the aftermath of her death, that estate—along with a nine-figure fortune and the complicated legacy of being a McTavish—pass to her adopted son, Camden.
But to everyone's surprise, Cam wants little to do with the house or the money—and even less to do with the surviving McTavishes. Instead, he rejects his inheritance, settling into a normal life as an English teacher in Colorado and marrying Jules, a woman just as eager to escape her own messy past.
Ten years later, Camden is a McTavish in name only, but a summons in the wake of his uncle's death brings him and Jules back into the family fold at Ashby House. Its views are just as stunning as ever, its rooms just as elegant, but coming home reminds Cam why he was so quick to leave in the first place.
Jules, however, has other ideas, and the more she learns about Cam's estranged family—and the twisted secrets they keep—the more determined she is for her husband to claim everything Ruby once intended for him to have.
But Ruby's plans were always more complicated than they appeared. As Ashby House tightens its grip on Jules and Camden, questions about the infamous heiress come to light. Was there any truth to the persistent rumors following her disappearance as a girl? What really happened to those four husbands, who all died under mysterious circumstances? And why did she adopt Cam in the first place? Soon, Jules and Cam realize that an inheritance can entail far more than what's written in a will—and that the bonds of family stretch far beyond the grave.
A master of rural noir returns with a fierce, mesmerizing novel about exceptional women and the soul of a small town.
On an island in the Great Massasauga Swamp—an area known as “The Waters” to the residents of nearby Whiteheart, Michigan—herbalist Hermine “Herself” Zook has healed the local women of their ailments for generations. As stubborn as her tonics are powerful, Herself inspires reverence and fear in the people of Whiteheart, and even in her own three daughters. The youngest, beautiful and inscrutable Rose Thorn, has left her own daughter, eleven-year-old Dorothy “Donkey” Zook, to grow up wild.
Donkey spends her days searching for truths in the lush landscape and in her math books, waiting for her wayward mother and longing for a father, unaware that family secrets, passionate love, and violent men will flood through the swamp and upend her idyllic childhood.
With a “ruthless and precise eye for the details of the physical world” (New York Times Book Review), Bonnie Jo Campbell presents an elegant antidote to the dark side of masculinity, celebrating the resilience of nature and the brutality and sweetness of rural life.
Evie Porter has everything a nice, Southern girl could want: a perfect, doting boyfriend, a house with a white picket fence and a garden, a fancy group of friends. The only catch: Evie Porter doesn’t exist.
The identity comes to Evie Porter. Once she’s given a name and location by her mysterious boss Mr. Smith, she learns everything there is to know about the town and the people in it. Then the target: Ryan Sumner. The last piece of the puzzle is the job.
Evie isn’t privy to Mr. Smith’s real identity, but she knows this job will be different. Ryan has gotten under her skin, and she’s starting to envision a different sort of life for herself. But Evie can’t make any mistakes--especially after what happened last time.
Because the one thing she’s worked her entire life to keep clean, the one identity she could always go back to—her real identity—just walked right into this town. Evie Porter must stay one step ahead of her past while making sure there’s still a future in front of her. The stakes couldn't be higher--but then, Evie has always liked a challenge...
A New York City fairy tale about two sisters that fall under the spell of an underworld cabaret troupe that might be a dangerous cult—but one that makes the materialist world left in its wake feel like a sinister cult itself.
Rose has come a long way. Raised—and often neglected—by a wayward mother in New York City’s chaotic bohemia, Rose has finally built the life she’s always wanted: a good job at a self-help startup, a clean apartment, an engagement to a stable if self-satisfied tech CEO who shares her faith in human potential, hard work, and the sacrifice of childish dreams.
Rose’s sister Cecilia, on the other hand, never grew up. Irresponsible and impetuous, prone to jetting off to a European monastery one month and a falcon rescue the next, Cecilia has spent her life in pursuit of fairy-tale narratives of transcendence and true love—grand ideas Rose knows never work out in the real world. When Cecilia declares she’s come home to New York for good, following the ending of a whirlwind marriage, Rose hopes Cecilia might finally be ready to face adulthood: compromises and all.
But then Cecilia gets involved with the Avalon: a cultish-sounding cabaret troupe—one that appears only at night, on a mysterious red boat that travels New York’s waterways—and soon vanishes: one of a growing number of suspicious disappearances among the city’s lost and loneliest souls. The only way Rose can find Cecilia is by tracking down the Avalon herself.
But as Rose gets closer to solving the mystery of what happened to her sister, the Avalon works its magic on her, too. And the deeper she goes into the Avalon’s underworld, the more she begins to question everything she knows about her own life, and whether she’s willing to leave the real world behind.
It's 1990 and seventeen-year-old Marley West is blazing into the river valley town of Mercury, Pennsylvania. A perpetual loner, she seeks a place at someone's table and a family of her own. The first thing she sees when she arrives in town is three men standing on a rooftop. Their silhouettes blot out the sun.
The Joseph brothers become Marley's whole world before she can blink. Soon, she is young wife to one, The One Who Got Away to another, and adopted mother to them all. As their own mother fades away and their roofing business crumbles under the weight of their unwieldy father’s inflated ego, Marley steps in to shepherd these unruly men.
Years later, an eerie discovery in the church attic causes old wounds to resurface and suddenly the family's survival hangs in the balance. With Marley as their light, the Joseph brothers must decide whether they can save the family they've always known—or whether together they can build something stronger in its place.
This is definitely not a ghost story.
But for a while after you’re gone, I see you everywhere. Every ragged young person sitting huddled on a pavement, every stretched-out body under cardboard in a shop doorway. Two parents stand by powerlessly as their only child seems intent on destroying herself.
As the mother—a novelist—attempts to understand her daughter, she finds herself revisiting her own uneasy, unresolved relationship with her mother. Weaving between childhoods past and present, laced with temptation and betrayal, Nonfiction is an unflinching account of a mother, daughter, wife, and author reckoning with the world around her. But can a writer ever be trusted with the truth of her own story?
Clear-eyed, lacerating, and fearless, Julie Myerson’s A Novel explores maternal love as an emotional foundation to both crave and fear. A hauntingly beautiful and deeply moving love letter from a mother to a daughter, this is a tale of damage and addiction, recovery and creativity, compassion and love.
A twisty debut exploring the dark side of true crime fandom and the blurry lines of female friendship, perfect for fans of Gillian Flynn, My Favorite Murder, and Fleabag
Conspiracy theories from Reddit seduce a disaster-prone woman into an obsession with solving her older sister's cold-case disappearance
Ten years ago, Theodora "Teddy" Angstrom's older sister, Angie, went missing. Her case remains unsolved. Now Teddy's father, Mark, has killed himself. Unbeknownst to Mark's family, he had been active in a Reddit community fixated on Angie, and Teddy can't help but fall down the same rabbit hole.
Teddy's investigation quickly gets her in hot water with her gun-nut boyfriend, her long-lost half brother, and her colleagues at the prestigious high school where she teaches English. Further complicating matters is Teddy's growing obsession with Mickey, a charming amateur sleuth who is eerily keen on helping her solve the case.
Bewitched by Mickey, Teddy begins to lose her moral compass. As she struggles to reconcile new information with old memories, her erratic behavior reaches a fever pitch, but she won't stop until she finds Angie—or destroys herself in the process.
A biting critique of the internet's voyeurism, Rabbit Hole is an outrageous and heart-wrenching character study of a mind twisted by grief—and a page-turning mystery that's as addictive as a late-night Reddit binge.
In present-day Greece, deep in an ancient forest, lives a family: Irini, a musician, who teaches children to read and play music; her husband, Tasso, who paints pictures of the forest, his greatest muse; and Chara, their young daughter, whose name means joy. On the fateful day that will forever alter the trajectory of their lives, flames chase fleeing birds across the sky. The wildfire that will consume their home, and their lives as they know it, races toward them.
Months later, as the village tries to rebuild, Irini stumbles upon the man who started the fire, a land speculator who had intended only a small, controlled burn to clear forestland to build on but instead ignited a catastrophe. He is dying, although the cause is unclear, and in her anger at all he took from them, Irini makes a split-second decision that will haunt her.
As the local police investigate the suspicious death, Tasso mourns his father, who has not been seen since before the fire. Tasso's hands were burnt in the flames, leaving him unable to paint, and he struggles to cope with the overwhelming loss of his artistic voice and his beloved forest. Only his young daughter, who wants to repair the damage that's been done, gives him hope for the future.
Gorgeously written, sweeping in scope and intimate in tone, The Book of Fire is a masterful work about the search for meaning in the wake of tragedy, as well as the universal ties that bind people together, and to the land that they call home.
A spellbinding, sweeping novel about a Malayan mother who becomes an unlikely spy for the invading Japanese forces during WWII—and the shocking consequences that rain upon her community and family.
Malaya, 1945. Cecily Alcantara's family is in terrible danger: her fifteen-year-old son, Abel, has disappeared, and her youngest daughter, Jasmin, is confined in a basement to prevent being pressed into service at the comfort stations. Her eldest daughter Jujube, who works at a tea house frequented by drunk Japanese soldiers, becomes angrier by the day.
Cecily knows two things: that this is all her fault; and that her family must never learn the truth.
A decade prior, Cecily had been desperate to be more than a housewife to a low-level bureaucrat in British-colonized Malaya. A chance meeting with the charismatic General Fuijwara lured her into a life of espionage, pursuing dreams of an 'Asia for Asians.' Instead, Cecily helped usher in an even more brutal occupation by the Japanese. Ten years later as the war reaches its apex, her actions have caught up with her. Now her family is on the brink of destruction—and she will do anything to save them.
Spanning years of pain and triumph, told from the perspectives of four unforgettable characters, The Storm We Made is a dazzling saga about the horrors of war; the fraught relationships between the colonized and their oppressors, and the ambiguity of right and wrong when survival is at stake.
This Plague of Souls marks the return of Mike McCormack, the Booker-listed author of the literary sensation Solar Bones. In this terse metaphysical thriller, we follow the story of Nealon, a man stepping back into the world after a stint in prison, only to find his home devoid of warmth, light, and the presence of his family. As if existence itself has chosen to ignore or erase him, Nealon is left to grapple with the void.
However, mysterious calls from a stranger claiming to know the fate of his missing loved ones set Nealon on a path of discovery. A meeting is arranged against the backdrop of a looming terrorist attack, where Nealon engages in a conversation riddled with hidden truths and deliberate omissions. This verbal chess match takes him on a journey through his past, his childhood, and into the heart of international crimes committed in the name of revenge against a world deemed beyond redemption.
McCormack weaves a brooding exploration of the ties that bind rural Ireland to the atrocities of the 21st century. This narrative offers a sharp portrayal of a young family's struggle and a relentless probe into our responsibilities towards our kin and the wider world.
Never Met a Duke Like You is a tale of opposites attracting in a dazzling Regency romance that's been compared to Clueless meeting Bridgerton. We meet Lady Vesper Lyndhurst, a beautiful and clever duke's daughter who revels in luxury and has a special talent for matchmaking. Although she's taken a vow against love for herself, she excels at arranging it for others.
Enter the Duke of Greydon, who, burdened by an insolvent estate, reluctantly returns to England to save his family's dwindling fortunes. He's been away for years, content to be free from his mother's grasp and the trivialities of high society. But upon his return, he finds that little has changed, including his feelings for the infuriatingly attractive heiress who lives next door.
An unforeseen incident lands the pair, who have evolved from friends to adversaries, trapped in an attic. In the close quarters, their undeniable chemistry sparks into a fiery connection that they find increasingly difficult to deny. Despite being complete opposites with seemingly incompatible lives, destiny, the ever-persistent matchmaker, seems to have a different plan in store for them.
So Late in the Day: Stories of Women and Men is a triptych of stories delving into the complexities of love, lust, betrayal, misogyny, and the fascinating interactions between women and men. Claire Keegan, celebrated for her powerful short fiction, offers three exquisite stories, newly revised and expanded, forming a brilliant examination of gender dynamics from her earliest to her most recent work.
In “So Late in the Day”, Cathal faces a long weekend, reflecting on a woman with whom he could have spent his life, had he behaved differently.
In “The Long and Painful Death”, a writer’s residency at the seaside home of Heinrich Böll is disrupted by an academic who imposes his presence and opinions.
And in “Antarctica”, a married woman travels out of town to explore infidelity and finds herself in the grip of a possessive stranger.
Each story probes the dynamics that corrupt potential connections between women and men, highlighting a lack of generosity, the weight of expectation, and the looming threat of violence. Potent, charged, and breathtakingly insightful, these three essential tales will linger with readers long after the book is closed.
So many ways to torpedo your career and your love life…So little time. A woman accidentally reveals all her secrets in this witty and charming novel from the author of Eight Perfect Hours.
Two years ago, thirty-year-old receptionist Millie Chandler had her heart spectacularly broken in public. Ever since, she has been a closed book, vowing to keep everything to herself—her feelings, her truths, even her dreams—in an effort to protect herself from getting hurt again.
But Millie does write emails—sarcastic replies to her rude boss, hard truths to her friends, and of course, that one-thousand-word love declaration to her ex who is now engaged to someone else. The emails live safely in her drafts, but after a server outage at work, Millie wakes up to discover that all her emails have been sent. Every. Single. One. As every truth, lie, and secret she’s worked so hard to keep only to herself are catapulted out into the open, Millie must fix the chaos her words have caused, and face everything she’s ever swept under the carpet.
A call to action for therapists to politicize their practice through an emotional decolonial lens. An essential work that centers colonial and historical trauma in a framework for healing, Decolonizing Therapy illuminates that all therapy is—and always has been—inherently political.
To better understand the mental health oppression and institutional violence that exists today, we must become familiar with the root of disembodiment from our histories, homelands, and healing practices. Only then will readers see how colonial, historical, and intergenerational legacies have always played a role in the treatment of mental health.
This book is the emotional companion and guide to decolonization. It is an invitation for Eurocentrically trained clinicians to acknowledge privileged and oppressed parts while relearning what we thought we knew. Ignoring collective global trauma makes delivering effective therapy impossible; not knowing how to interrogate privilege (as a therapist, client, or both) makes healing elusive; and shying away from understanding how we as professionals may be participating in oppression is irresponsible.
How to Build a Boat is the story of a remarkable boy and his search for his mother. This tale is told with warmth, tenderness, and flair, capturing the essence of human connection and the quest for belonging.
Join this heartwarming adventure that explores the depths of family bonds and the courage it takes to navigate life's challenges. With every turn of the page, you'll be drawn into a world where hope sails high and dreams are crafted with care.
Hunt on Dark Waters is the first fantasy romance novel in the Crimson Sails series from Katee Robert, the New York Times bestselling author of the TikTok smash-hit Neon Gods.
Evelyn is a witch with a perfect storm of impulses: terrible taste in bed partners, sticky fingers, and a lust for danger. After she steals from her vampire ex and falls through a portal to another realm, she's fished out of the waters by a band of seafarers and their telekinetic captain.
She's immediately given a choice—join their ship's crew or die. Bowen, the captain, has no memory of his life before he became one of the Cŵn Annwn. He and his band of pirates patrol the magical sea in between realms, ensuring the safety of the portals to other worlds. Despite his guarded nature, he can't help but be attracted to the brassy pickpocket.
As the tension between Bowen and Evelyn heats up, so does the danger on the high seas. Evelyn, who has no intention of keeping her vows to the Cŵn Annwn, may force both herself and Bowen to pay the ultimate price if she betrays the crew.
My Name Is Barbra, the long-awaited memoir by the superstar of stage, screen, recordings, and television, is a testament to a career that spans six decades. Barbra Streisand, a living legend and one of the few EGOT winners, has one of the most recognizable voices in the history of popular music. Her story unfolds from her beginnings in Brooklyn to her ascension to stardom in New York nightclubs, her iconic performance in Funny Girl, and her myriad of successes thereafter.
Streisand's narrative is as frank, funny, opinionated, and charming as the woman herself. She shares her early challenges in acting, her venture into singing, the recording of her acclaimed albums, the painstaking journey of creating Yentl, and her directorial work on The Prince of Tides. The book also delves into her friendships with notable figures, her political activism, and the joy she's found in her marriage to James Brolin.
With a story as captivating as her performances, Barbra Streisand's memoir is a celebration of an extraordinary life in entertainment, eagerly awaited by her legions of fans.
Same Bed Different Dreams is a wild, sweeping novel that imagines an alternate secret history of Korea and the traces it leaves on the present. Loaded with assassins, mad poets, RPGs, slasher films, pop bands, and the perils of social media, this book challenges your view of twentieth-century history and offers a vision akin to A Gravity's Rainbow for another war, an unfinished war.
In 1919, Korean patriots establish the Korean Provisional Government (KPG) to protest the Japanese occupation. This government-in-exile proves mostly symbolic, but what if the KPG still existed today, clandestinely working toward a unified Korea? The novel weaves together three distinct narrative voices with an archive of mysterious images, twisting reality and blending Korean history with American pop culture.
The protagonist, Soon Sheen, a former writer now working for the tech giant GLOAT, stumbles upon an unfinished manuscript seemingly penned by the KPG. This revisionist history connects both well-known figures and lesser-known individuals to the KPG's grand project, from Syngman Rhee and architect-poet Yi Sang to Jack London and Marilyn Monroe. Even the television series M*A*S*H, the Moonies, and a history of violence from the assassination of President McKinley to the downing of a passenger plane that almost sparked a war are woven into the narrative.
Authored by Ed Park, acclaimed for Personal Days, Same Bed Different Dreams is a raucously funny achievement of imagination. A thrilling blend of history and fiction, it pulls readers into another dimension—one in which utopia is not just a dream, but a possibility.
Naomi Alderman, the bestselling, award-winning author of The Power, delivers a dazzling tour de force with The Future. This novel is a thrilling tale where a handful of friends plot a daring heist to save the world from the tech giants whose greed threatens life as we know it.
When Martha Einkorn fled her father's isolated compound in Oregon, she never expected to find herself working for a powerful social media mogul hell-bent on controlling everything. Surrounded by mega-rich companies designing private weather, predictive analytics, and covert weaponry, Martha must confront technological prophecies and apocalyptic warnings that once seemed like mere parables.
Meanwhile, across the world, Lai Zhen, an internet-famous survivalist, finds herself fleeing from an assassin in a mall in Singapore. As she's cornered and desperate, a remarkable piece of software appears on her phone, guiding her escape. The origins of this software and its ultimate purpose become the burning questions that could define their very survival.
Martha and Zhen's worlds are on a collision course, setting off an explosive chain of events. While a few billionaires assure their own safety, leading the world to destruction, Martha's relentless drive and Zhen's insatiable curiosity might just lead to something beautiful or the cataclysmic end of civilization.
By turns thrilling, hilarious, tender, and always piercingly brilliant, The Future unfolds at breakneck speed, highlighting the corrupting power of the few and the courage required to stand up to them. The future is coming. The Future is here.
An intimate, sharply funny novel about a couple heading toward their wedding, and the three friends who may draw them apart.
Meet Celine and Luke—for all intents and purposes the happy couple. Luke (a serial cheater) and Celine (more interested in piano than in domestic life) plan to marry in a year. Archie (the best man) should be moving on from his love for Luke and up the corporate ladder, but he finds himself utterly stuck. Phoebe (the bridesmaid and Celine’s sister) just wants to get to the bottom of Luke’s frequent unexplained disappearances. And Vivian (a wedding guest), as the only one with any emotional distance, observes her friends like ants in a colony.
As the wedding approaches and these five lives intersect, each will find themselves looking for a path to their happily ever after—but does it lie at the end of an aisle?
Elegy plus comedy is the only way to express how we live in the world today, says a character in Sigrid Nunez’s ninth novel. The Vulnerables offers a meditation on our contemporary era, as a solitary female narrator asks what it means to be alive at this complex moment in history and considers how our present reality affects the way a person looks back on her past.
Humor, to be sure, is a priceless refuge. Equally vital is connection with others, who here include an adrift member of Gen Z and a spirited parrot named Eureka. The Vulnerables reveals what happens when strangers are willing to open their hearts to each other and how far even small acts of caring can go to ease another’s distress.
A search for understanding about some of the most critical matters of our time, Nunez’s new novel is also an inquiry into the nature and purpose of writing itself.
Absolution is a captivating tale that delves deep into the complexities of forgiveness, redemption, and the human condition. Crafted with Alice Mc Dermott's signature eloquence and insight, the novel takes readers on a profound journey through the lives of its characters as they seek solace and understanding in a world that often seems unforgiving.
In a narrative that weaves past and present, Absolution challenges the reader to confront their own notions of guilt and absolution, while offering a powerful exploration of love, loss, and the possibility of healing. Mc Dermott masterfully creates a poignant story that resonates with the heart and mind, making it an unforgettable reading experience.
A queer and dangerously hungry mountain lion narrates this fever dream of a novel, carrying us on a universal journey through a wondrous and menacing modern day L.A.
A lonely, lovable, queer mountain lion lives in the drought-devastated land under the Hollywood sign. Fascinated by the voices around them, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma and, in quiet moments, grappling with the complexities of their own identity.
When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call 'ellay'. As they confront a carousel of temptations and threats, the lion takes us on a tour that spans the cruel inequalities of Los Angeles. But even when salvation finally seems within reach, they are forced to face down the ultimate choice: do they want to eat a person, or become one?
Feral and vulnerable, profound and playful, Henry Hoke's debut novel Open Throat is a marvel of storytelling that brings the mythic to life.
"Unmasking AI: My Mission to Protect What Is Human in a World of Machines" is a compelling exploration into the evolution of artificial intelligence and its implications on human rights and society. Penned by Dr. Joy Buolamwini, a leading figure in the field of AI research, this book is a call to action to mitigate the harms caused by unchecked technological development.
Starting from her early engagement with robotics in high school to her groundbreaking research at MIT, Buolamwini unfolds her journey of unmasking the "coded gaze"—a term she coined to describe the encoded discrimination within tech products. Through her work with the Algorithmic Justice League, she has been a pivotal force in the movement against AI-induced biases, advocating for a future where technology serves all of humanity equally.
With an intersectional approach, Buolamwini highlights the overlapping issues of racism, sexism, colorism, and ableism in the tech industry, urging for a collective effort towards algorithmic justice. "Unmasking AI" is not just a critique of the current state of artificial intelligence but a hopeful vision for a more inclusive and equitable technological future.
Iris Kelly Doesn't Date is a witty and heartfelt new romantic comedy by Ashley Herring Blake. Iris Kelly, a romance author, is surrounded by love in every corner of her life, yet she prefers to stick to her commitment-free lifestyle, despite the pressure to settle down. But as she faces a looming deadline for her second book, Iris finds herself completely out of inspiration.
One night, Iris's visit to a Portland bar leads her to Stefania, a sexy stranger with whom she shares a night of passion, only for it to turn into a disaster. The plot thickens when Iris auditions for a local play and encounters Stefania again, who is actually named Stevie. In a twist of fate, Stevie convinces Iris to pose as her girlfriend, sparking an arrangement that could provide the perfect fodder for Iris's book.
As they act out their fake relationship, Iris and Stevie find themselves in a blur of emotions, questioning the authenticity of their connection and who will dare to make the first real move.
From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War.
“‘Let us descend,’ the poet now began, ‘and enter this blind world.’” — Inferno, Dante Alighieri
Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.
Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.
From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.
The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others.
The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears's groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last.
Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.
Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.
She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story.
Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.
From "a master of verbal burlesque [and] a connoisseur of psychological blackmail" (John Updike), Witold Gombrowicz's harrowing and hilarious pastiche of the Gothic novel, now in a new, authoritative English translation.
Witold Gombrowicz is considered by many to be Poland's greatest modernist, and in The Possessed, he demonstrates his playful brilliance and astonishing range by using the familiar tropes of the Gothic novel to produce a darkly funny and lively subversion of the form.
With dreams of escaping his small-town existence and the limitations of his class, a young tennis coach travels to the heart of the Polish countryside to train Maja Ocholowska, a beautiful and promising player whose bourgeois family has fallen upon difficult circumstances. Yet as Maja and the young man are alternately drawn to and repulsed by the other, they find themselves embroiled in the fantastic happenings taking place at the dilapidated castle nearby, where a mad prince haunts the halls, and bewitched towels, conniving secretaries, famous clairvoyants, and uncanny doubles conspire to determine the fate of the lovers.
Serialized first in Poland in the days preceding the Nazi invasion, and now translated directly into English for the first time by Antonia Lloyd-Jones, The Possessed is a comic jewel, a hair-raising thriller, and a provocative early masterpiece from the acclaimed author of classics like Pornografia and Cosmos.
Some People Need Killing: A Memoir Of Murder In My Country is a riveting account by journalist Patricia Evangelista, who came of age in the aftermath of a street revolution that promised a new future for the Philippines. Decades later, as the nation grappled with mounting inequality, it witnessed the fragility of its democratic institutions under the regime of Rodrigo Duterte.
Evangelista's book is a meticulously reported chronicle of the Philippines' drug war. For six years, she immersed herself in the world of killers and survivors, documenting the police and vigilante killings carried out in the name of Duterte's war on drugs—a conflict that has led to the slaughter of thousands and created an atmosphere of fear.
The book's title comes from the words of a vigilante, reflecting a psychological accommodation that many in the country have made: "I'm really not a bad guy," he said. "I'm not all bad. Some people need killing." Through her profound act of witness and literary journalism, Evangelista offers a dissection of the grammar of violence and an investigation into the human impulses to dominate and resist.
The Dictionary People is a fascinating history and celebration of the many far-flung volunteers who helped define the English language, word by word.
The Oxford English Dictionary is one of mankind’s greatest achievements, and yet, curiously, its creators are almost never considered. Who were the people behind this unprecedented book? As Sarah Ogilvie reveals, they include three murderers, a collector of pornography, the daughter of Karl Marx, a president of Yale, a radical suffragette, a vicar who was later found dead in the cupboard of his chapel, an inventor of the first American subway, a female anti-slavery activist in Philadelphia... and thousands of others.
With deep transgenerational and broad appeal, this is a thrilling literary detective story that, for the first time, unravels the mystery of the endlessly fascinating contributors the world over who, for over seventy years, helped to codify the way we read, write, and speak. It was the greatest crowdsourcing endeavor in human history, the Wikipedia of its time.
The Dictionary People is a celebration of words, language, and people, whose eccentricities and obsessions, triumphs, and failures enriched the English language.