The third pulse-pounding novel in the Grant County series from New York Times bestselling author Karin Slaughter.

Sara Linton, medical examiner in the small town of Heartsdale, Georgia, is called out to an apparent suicide on the local college campus. The mutilated body provides little in the way of clues, and the college authorities are eager to avoid a scandal. But for Sara and police chief Jeffrey Tolliver, things don't add up.

Two more suspicious suicides follow, and a young woman is brutally attacked. For Sara, the violence strikes far too close to home. And as Jeffrey pursues the sadistic killer, he discovers that ex-police detective Lena Adams, now a security guard on campus, may be in possession of crucial information. But, bruised and angered by her expulsion from the force, Lena seems to be barely capable of protecting herself, let alone saving the next victim...

Cave’s only novel to date takes on the southern gothic in this bizarre baroque tale. Born mute to a drunken mother and a demented father, tortured Euchrid Eucrow finds more compassion in the family mule than in his fellow men. But he alone will grasp the cruel fate of Cosey Mo, the beautiful young prostitute in the pink caravan on Hooper’s Hill. And it is Euchrid, spiraling ever deeper into his mad angelic vision, who will ultimately redeem both the town and its people.

John Connolly takes readers into the dark and mysterious world of private detective Charlie Parker. When the daughter of a South Carolina millionaire is brutally raped and murdered, a young black man faces the death penalty for the crime. It's a case steeped in old evil, and old evil is Parker's specialty.

Parker is drawn into a living nightmare, a chilling dreamscape haunted by the specter of a hooded woman and a black car waiting for a passenger that never arrives. This is not just an investigation; it's a descent into an abyss where dark forces threaten all that Parker holds dear: his lover, his unborn child, and even his soul.

In a prison cell far to the north, an old adversary plots revenge, utilizing the very men Parker is hunting and a strange, hunched creature with its own secrets buried by a riverbank. This undiscovered killer, Cyrus Nairn, adds to the growing tension.

Soon, all these figures will face a final reckoning in the southern swamps and northern forests—distant locations linked by a single thread, a place where the paths of the living and the dead converge. This place is known only as The White Road.

Charlotte Bront tells the story of orphaned Jane Eyre, who grows up in the home of her heartless aunt, enduring loneliness and cruelty. This troubled childhood strengthens Jane's natural independence and spirit - which prove necessary when she finds employment as a governess to the young ward of Byronic, brooding Mr Rochester.

As her feelings for Rochester develop, Jane gradually uncovers Thornfield Hall's terrible secret, forcing her to make a choice. Should she stay with Rochester and live with the consequences, or follow her convictions - even if it means leaving the man she loves? A novel of intense power and intrigue, Jane Eyre dazzled readers with its passionate depiction of a woman's search for equality and freedom.

Welcome to Blackwood Farm: soaring white columns, spacious drawing rooms, bright, sun-drenched gardens, and a dark strip of the dense Sugar Devil Swamp. This is the world of Quinn Blackwood, a brilliant young man haunted since birth by a mysterious doppelgänger, “Goblin,” a spirit from a dream world that Quinn can’t escape and that prevents him from belonging anywhere. When Quinn is made a Vampire, losing all that is rightfully his and gaining an unwanted immortality, his doppelgänger becomes even more vampiric and terrifying than Quinn himself.

As the novel moves backwards and forwards in time, from Quinn’s boyhood on Blackwood Farm to present day New Orleans, from ancient Athens to 19th-century Naples, Quinn seeks out the legendary Vampire Lestat in the hope of freeing himself from the spectre that draws him inexorably back to Sugar Devil Swamp and the explosive secrets it holds. A story of youth and promise, of loss and the search for love, of secrets and destiny, Blackwood Farm is Anne Rice at her mesmerizing best.

A Parchment of Leaves is set in 1917 and tells the story of Vine, a beautiful Cherokee woman who marries a white man, forsaking her family and their homeland to settle in with his people and make a home in the heart of the mountains.

Vine's mother has strange forebodings that all will not go well, and she's right. Vine is viewed as an outsider, treated with contempt by other townspeople. Her life becomes more complicated than she could have ever imagined due to her brother-in-law's fixation on her.

In the violent turn of events that ensues, she learns what it means to forgive others and, most importantly, how to forgive herself. As haunting as an old-time ballad, A Parchment of Leaves is filled with the imagery, dialect, music, and thrumming life of the Kentucky mountains.

For Silas House, whose great-grandmother was Cherokee, this novel is also a tribute to the family whose spirit formed him.

At the turn of the twentieth century, Ellen Rimbauer became the young bride of Seattle industrialist John Rimbauer, and began keeping a remarkable diary. This diary became the secret place where Ellen could confess her fears of the new marriage, her confusion over her emerging sexuality, and the nightmare that her life would become.

The diary not only follows the development of a girl into womanhood, it follows the construction of the Rimbauer mansion—called Rose Red—an enormous home that would be the site of so many horrific and inexplicable tragedies in the years ahead.

The Diary of Ellen Rimbauer: My Life at Rose Red is a rare document, one that gives us an unusual view of daily life among the aristocracy in the early 1900s, a window into one woman's hidden emotional torment, and a record of the mysterious events at Rose Red that scandalized Seattle society at the time—events that can only be fully understood now that the diary has come to light.

Edited by Joyce Reardon, Ph.D. as part of her research, the diary is being published as preparations are being made by Dr. Reardon to enter Rose Red and fully investigate its disturbing history.

Affinity is a captivating tale set in the grimmest jail of Victorian London, Millbank prison. The story follows Margaret Prior, an upper-class woman recovering from a suicide attempt. As part of her rehabilitative charity work, she begins visiting the women’s ward of Millbank.

Among the murderers and thieves, Margaret encounters an enigmatic spiritualist, Selina Dawes, who was imprisoned after a séance went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Initially skeptical of Selina's gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions.

The narrative is a spellbinding ghost story, a complex historical mystery, and a poignant romance with unexpected twists. Sarah Waters brilliantly evokes the sights and smells of a moody and beguiling nineteenth-century London, crafting a tale that explores themes of confinement, betrayal, and the supernatural. Margaret's fascination with Selina leads her to concoct a desperate plot to secure both Selina's freedom and her own.

The Lake of Dead Languages is an evocative and intricate thriller that captures the reader's imagination. In the haunting tradition of Donna Tartt’s The Secret History, this accomplished debut novel explores the shadowy corridors of youthful innocence tainted by dark sins.

Twenty years ago, Jane Hudson left the Heart Lake School for Girls in the Adirondacks after a terrible tragedy. Now, she returns to the serene yet isolated shores of the lakeside school as a Latin teacher, seeking a fresh start with her young daughter. However, ominous messages from the past begin to surface, dredging up forgotten memories that soon turn into a living nightmare.

Since freshman year, Jane and her two roommates, Lucy Toller and Deirdre Hall, were inseparable—studying the classics, performing school rituals by the lake, and sneaking out after curfew to meet Lucy’s charismatic brother, Matt. But during the last winter before graduation, their sheltered wonderland was shattered when three lives were claimed by senseless suicide.

Only Jane survived to carry the burden of a mystery that has remained hidden for more than two decades in the dark depths of Heart Lake. Now, pages from Jane’s missing journal, written during that tragic time, have reappeared, revealing shocking, long-buried secrets. As the truth slowly surfaces, young, troubled girls begin to die once again...

Compelling, sensuous, and intelligent, The Lake of Dead Languages is an eloquent thriller, balancing suspense and fine storytelling, and showcasing Carol Goodman's rare talent with a brilliant future.

What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller--one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen?

Alas, we cannot give you Austen, but Susan Hill's remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.

The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

The Bottoms is narrated by Harry Collins, an old man who is obsessively reflecting on certain key experiences of his childhood. In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his family on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms.

Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, eventually identified as a local prostitute, has been murdered, molested, and mutilated. As Harry will soon discover, she is the first in a series of similar victims of a new, unprecedented sort of monster: a traveling serial killer.

From his privileged position as the son of constable Jacob Collins, Harry watches the amateur investigation unfold. As more bodies surface, not all of them "colored," the mood of the local residents darkens. Racial tensions, never far from the surface, gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling lynching that will occupy a permanent place in Harry Collins's memories.

With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large, continuing to threaten the safety and stability of the town.

Lansdale uses this murder investigation to open a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, convincing portrait of a world that has receded into history. At the same time, he offers a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world.

Tory Bodeen grew up in South Carolina, in a small run-down house, where her father ruled with an iron fist and a leather belt—and where her dreams and talents had no room to flourish. But she had Hope, who lived in the big house just a short skip away and whose friendship allowed Tory to be something she wasn't allowed to be at home: a child.

After young Hope's brutal murder, unsolved to this day, Tory's life began to fall apart. And now, as she returns to her hometown, with plans to settle in and open a stylish home-design shop, she is determined to find a measure of peace and free herself from the haunting visions of the past.

As she forges a new bond with Cade Lavelle—Hope's older brother and the heir to the family fortune—she isn't sure whether the tragic loss they share will unite them or drive them apart. But she is willing to open her heart, just a little, and try.

Living so close to those unhappy memories will be more difficult and frightening than Tory could ever have expected, however. Because Hope's murderer is nearby as well...

The year is 1952, and E.F. Bloodworth has returned to his home—a forgotten corner of Tennessee—after twenty years of roaming. The wife he walked out on has withered and faded. His three sons are grown and angry. Warren is a womanising alcoholic; Boyd is driven by jealousy to hunt down his wife's lover; and Brady puts hexes on his enemies from his mother's porch.

Only Fleming, the old man's grandson, treats him with respect and sees past all the hatred, realising the way it can poison a man's soul. It is ultimately the love of Raven Lee, a sloe-eyed beauty from another town, that gives Fleming the courage to reject his family's curse.

In a tale redolent with the crumbling loyalties and age-old strife of the post-war American South, Gay's characters inhabit a world driven by blood ties that strangle as they bind. This is a coming of age novel, a love story, and a portrait of a family torn apart. Provinces of Night introduces a distinctive voice in American fiction with a superb cast of characters.

By day, Risika sleeps in a shaded room in Concord, Massachusetts. By night, she hunts the streets of New York City. She is used to being alone. But someone is following Risika. He has left her a black rose, the same sort of rose that sealed her fate three hundred years ago.

Three hundred years ago Risika had a family—a brother and a father who loved her. Three hundred years ago she was human. Now she is a vampire, a powerful one. But her past has come back to torment her.

Penn Cage, a recently widowed prosecutor from Houston, returns to his hometown of Natchez, Mississippi, seeking solace and peace. But what he finds is a town steeped in old secrets and older money.

When Penn discovers that his father is being blackmailed, he reopens a notorious murder case that has haunted the town for decades. This quest for truth pits him against the FBI and a powerful group intent on protecting their tainted legacy.

As Penn delves deeper into the mystery, he is joined by Caitlin Masters, a young newspaper publisher, on a dangerous journey to uncover one of the darkest chapters in American history. Together, they face threats from all sides, but Penn's most perilous journey is into his own past and the unresolved emotions linked to a woman he lost twenty years ago.

This gripping thriller is a tale of suspense, exploring themes of justice, family loyalty, and the enduring power of love and redemption.

Capturing all the rueful irony and racial ambivalence of small-town Mississippi in the late 1950s, Melinda Haynes' celebrated novel is a wholly unforgettable exploration of family, identity, and redemption.

Mother of Pearl revolves around twenty-eight-year-old Even Grade, a black man who grew up an orphan, and Valuable Korner, the fifteen-year-old white daughter of the town whore and an unknown father. Both are passionately determined to discover the precious things neither experienced as children: human connection, enduring commitment, and, above all, unconditional love.

A startlingly accomplished mixture of beauty, mystery, and tragedy, Mother of Pearl marks the debut of an extraordinary literary talent.

Little Altars Everywhere is a national best-seller and a companion to Rebecca Wells' celebrated novel Divine Secrets of the Ya-Ya Sisterhood. Originally published in 1992, this novel introduces Sidda, Vivi, the rest of the spirited Walker clan, and the indomitable Ya-Yas.

Told in alternating voices of Vivi and her husband, Big Shep, along with Sidda, her siblings Little Shep, Lulu, Baylor, and Cheney, and Willetta — the black couple who impact the Walkers' lives in ways they never fully comprehend — Little Altars embraces nearly thirty years of life on the plantation in Thorton, Louisiana. The cloying air of the bayou and a web of family secrets at once shelter, trap, and define an utterly original community of souls.

Who can resist the cadences of Sidda Walker and her flamboyant, secretive mother, Vivi? Here, the young Sidda — a precocious reader and an eloquent observer of the fault lines that divide her family — leads us on mischievous adventures at Our Lady of Divine Compassion parochial school and beyond. A Catholic girl of pristine manners, devotion, and provocative ideas, Sidda embodies the very essence of childhood joy and sorrow.

In a series of luminous reminiscences, we also hear Little Shep's stories of his eccentric grandmother, Lulu's account of her shoplifting skills, and Baylor's memories of Vivi and her friends, the Ya-Yas. Beneath the humor and tight-knit bonds of family and friendship lie the undercurrents of alcoholism, abuse, and violence. The overlapping recollections of how the Walkers' charming life uncoils convey their heart-breaking confusion, which is at once unsettling and familiar.

Wells creates an unforgettable portrait of the eccentric cast of characters and exposes their poignant and funny attempts to keep reality at arm's length. Through our laughter, we feel their inevitable pain, with a glimmer of hope for forgiveness and healing.

An arresting combination of colloquialism, poetry, and grace, Little Altars Everywhere is an insightful, piercing, and unflinching evocation of childhood, a loving tribute to the transformative power of faith, and a thoroughly fresh chronicle of a family that is as haunted as it is blessed.

In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.

Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood. As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.

In this National Book Award–winning novel from a "brilliantly breathtaking writer," a young Southerner searches for meaning in the midst of Mardi Gras. On the cusp of his thirtieth birthday, Binx Bolling is a lost soul. A stockbroker and member of an established New Orleans family, Binx's one escape is the movie theater that transports him from the falseness of his life.

With Mardi Gras in full swing, Binx, along with his cousin Kate, sets out to find his true purpose amid the excesses of the carnival that surrounds him. Buoyant yet powerful, The Moviegoer is a poignant indictment of modern values, and an unforgettable story of a week that will change two lives forever.

Faith Devlin: A poor, outcast child in Prescott, Louisiana, she'd always adored the town's golden boy from afar. But he called her white trash that sultry Southern night when his rich, respected father disappeared, along with her pretty Mom. Now Faith wanted to hate Gray Rouillard...not to feel a powerful surge of desire. But she couldn't quench her passion, any more than she could hide the truth about the past she had waited so long to unravel.

Gray Rouillard: Even when he raised hell, he did it with style. Reckless, charming, and backed by Rouillard money, Gray controlled the town of Prescott—and Devlin was a name he never wanted to hear again. But when he gazed at Faith Devlin, all he saw was a swirl of tangled sheets and her silken flesh beneath him. To care for her was impossible, unthinkable...because Gray Rouillard planned to use all his power to ruin her.

Roanna Davenport was raised a wealthy orphan on her grandmother's magnificent Alabama estate, Davencourt. Here, she developed a passion for horses, a genius for trouble, and a deep love for her cousin, Webb. But everyone expected Webb to marry their ravishing cousin, Jessie. When he did, Roanna's desire became no more than the stuff of dreams—until the night Jessie was found bludgeoned to death.

After the shocking murder of his wife, Webb left for Arizona, abandoning the legacy that he had once believed was all he wanted. But then an all-grown-up Roanna walked into a dingy bar in Nogales to bring him home; the mischievous sprite he had known ten years earlier was no more. Gone, too, was her fire. In its place was ice that melted at his touch. Webb is drawn back to Davencourt, to Roanna, and to the killer that once destroyed his life and waits only for the chance to finish the job....

Dream Boy is a stunning and heartbreaking novel by Jim Grimsley that recounts the story of a painful first love between two adolescent boys who bravely sustain each other in a world of domestic disintegration.

In a small, rural Southern town, Nathan secretly yearns for a life free from his father's oppressive presence. His father is abusive, and his mother remains distant, leaving Nathan to fend for himself in a world filled with secrets and fears.

Enter Roy, the boy next door. Despite the challenges they face, Nathan and Roy form a bond that grows into a covert, yet powerful relationship. Together, they navigate their fears, desires, and the societal pressures that threaten to tear them apart.

As their relationship intensifies, Nathan's home becomes increasingly unsafe, forcing him to make a daring escape with Roy to the haunting ruins of a plantation. Through lyrical and evocative writing, Grimsley explores themes of violence, tenderness, trauma, religion, and queer love against the backdrop of the 1950s rural South.

Florida Grange, Leonard's drop-dead gorgeous lawyer and Hap's former lover, has vanished in Klan-infested Grovetown while in pursuit of the real story behind the jailhouse death of a legendary bluesman's blackguard son.

Fearing the worst, Hap and Leonard set out to do the kind of investigating the good ole boy cops can't - or won't - do. In Grovetown, they encounter a redneck police chief, a sadistic Christmas tree grower, and townsfolk itching for a lynching.

Add to this a dark night exhumation in a voodoo graveyard, a thunderstorm of Biblical proportions, and flat-out sudden murder. Hap and Leonard vow to face the hate and find Florida, even if Leonard has to put a hole in anyone who gets in the way. Besides, they've packed a lunch.

"I'd gladly sell my soul to Satan for a year of freedom," cries impetuous Rosamond Vivian to her callous grandfather. Then, one stormy night, a brooding stranger appears in her remote island home, ready to take Rosamond at her word.

Spellbound by the mysterious Philip Tempest, Rosamond is seduced with promises of love and freedom, then spirited away on Tempest's sumptuous yacht. But she soon finds herself trapped in a web of intrigue, cruelty, and deceit.

Desperate to escape, she flees to Italy, France, and Germany, from Parisian garret to mental asylum, from convent to chateau, as Tempest stalks every step of the fiery beauty who has become his obsession.

A story of dark love and passionate obsession that was considered too sensational to be published in the author's lifetime, A Long Fatal Love Chase was written for magazine serialization in 1866, two years before the publication of Little Women. Buried among Louisa May Alcott's papers for more than a century, its publication is a literary landmark—a novel that is bold, timeless, and mesmerizing.

Published when Truman Capote was only twenty-three years old, Other Voices, Other Rooms is a literary touchstone of the mid-twentieth century. In this semiautobiographical coming-of-age novel, thirteen-year-old Joel Knox, after losing his mother, is sent from New Orleans to live with the father who abandoned him at birth.

But when Joel arrives at Skully’s Landing, the decaying mansion in rural Alabama, his father is nowhere to be found. Instead, Joel meets his morose stepmother, Amy, eccentric cousin Randolph, and a defiant little girl named Idabel, who soon offers Joel the love and approval he seeks.

Fueled by a world-weariness that belied Capote’s tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place.

The Talamasca, documenters of paranormal activity, is on the hunt for the newly born Lasher. Mayfair women are dying from hemorrhages, and a strange genetic anomaly has been found in Rowan and Michael. Lasher, born from Rowan, represents an incalculable threat to the Mayfairs.

Rowan and Lasher travel together to Houston, and she becomes pregnant with another creature like him, a Taltos. Lasher seeks to reproduce his race in other women, but they cannot withstand it. Rowan escapes and becomes comatose as her fully-grown Taltos daughter is born. The Mayfairs declare all-out war on Lasher and try to nurse Rowan back to health.

Michael remains entwined in the Mayfair family and learns how he comes by his strange powers. Michael's ghostly visiting from a long-dead Mayfair reveals the importance of destroying Lasher. In the investigation, Lasher's origins are revealed, the new Taltos Emaleth returns, and the climax of death and life engulfs the family.

In this taut, chilling novel, Lester Ballard--a violent, dispossessed man falsely accused of rape--haunts the hill country of East Tennessee when he is released from jail.  While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.

Outer Dark is a stark and evocative novel set in an unspecified place in Appalachia, sometime around the turn of the century. This compelling story follows a woman who bears her brother's child, a boy. The brother, in a cruel act, leaves the baby in the woods and tells her he died of natural causes.

Discovering her brother's deceit, she embarks on a journey alone to find her son. Both brother and sister wander separately through a countryside scourged by three terrifying and elusive strangers. Their paths lead headlong toward an eerie, apocalyptic resolution.

Outer Dark is a profound parable that speaks to the human condition and society's darkest corners. McCarthy's masterful prose paints a vivid picture of a world both mythical and hauntingly real.

In a gripping feat of storytelling, Anne Rice continues the extraordinary Vampire Chronicles that began with the now-classic Interview with the Vampire. For centuries, Lestat—vampire-hero, enchanter, seducer of mortals—has been a courted prince in the dark and flourishing universe of the living dead. Now he is alone. And in his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the years of his haunted existence.

Returning to Lestat as the main character, the fourth in the Vampire Chronicles series finds Lestat impulsive and careless in the pursuit of what he wants: a serial killer in Southern Florida. Lestat is surrounded by mortals in this tale, and a new worthy counterpoint character to Lestat is introduced, Raglan James. James is a vampire hunter, and a formidable adversary for Lestat. James offers Lestat the opportunity to switch bodies temporarily with a young mortal. Against Louis' advice, Lestat accepts and discovers he hates everything about being human. He also finds that James has disappeared with Lestat's powerful vampire body. Louis refuses to help Lestat become a vampire again, and he turns to another mortal to help him trick James into switching souls, and giving up Lestat's body.

Centering on the themes of body and soul and soul migration, The Tale of the Body Thief is a novel of action.

In the heart of the bayou, Ruby Landry lives a simple, happy life. But innocence can't last forever...

The only family Ruby Landry has ever known are her loving guardian, Grandmère Catherine, a Cajun spiritual healer, and her drunken, outcast Grandpère Jack. Although thinking about her dead mother and mysterious father sometimes makes her feel as mournful as the wind sighing through the Spanish moss, Ruby is grateful for all she has. Her life is filled with hope and promise...especially when her attraction for handsome Paul Tate blossoms into a mysterious, wonderful love.

But Paul's wealthy parents forbid him to associate with a poor Landry, and Grandmère urges her to follow her dream of becoming a great painter, foreseeing a time when Ruby will be surrounded with riches in the dazzling city of New Orleans! Yet she cannot know how close that uncertain future looms...

In a faded photograph, Ruby glimpses for the first time the image of her father — and learns of a shameful deception and a shocking scheme of blackmail that now must come to light. Stunned by these revelations, she is devastated when Grandmère dies, leaving her to seek out her father in his vast New Orleans mansion. There, in a house of lies, madness, and cruel torment, Ruby clings to her memories of Paul to keep her heart alive. For only their love can save her now.

This now classic book revealed Flannery O'Connor as one of the most original and provocative writers to emerge from the South. Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy.

Stories include:
A Good Man Is Hard to Find
The River
The Life You Save May Be Your Own
A Stroke of Good Fortune
A Temple of the Holy Ghost
The Artificial Nigger
A Circle in the Fire
A Late Encounter with the Enemy
Good Country People
The Displaced Person

One of Faulkner's comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi.

Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family's retainers, to steal his grandfather's car and make a trip to Memphis. The Priests' black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba's bordello in Memphis.

From there, a series of wild misadventures ensues—involving horse smuggling, trainmen, sheriffs' deputies, and jail.

The Cornish Trilogy is woven around the pursuits of the energetic spirits and erudite scholars of the University of St. John and the Holy Ghost. This dazzling trilogy of novels lures the reader into a world of mysticism, historical allusion, and gothic fantasy that could only be the invention of Canada's grand man of letters.

This trilogy includes The Rebel Angels, What's Bred in the Bone, and The Lyre of Orpheus. It explores the life and influence of eccentric art patron Francis Cornish.

It is densely plotted, highly entertaining, and fuses themes of religion, love, art, and music in a glorious celebration of humanism.

The Hamlet, the first novel of Faulkner's Snopes trilogy, offers an ironic take on classical tragedy and a mordant commentary on the grand pretensions of the antebellum South and the depths of its decay in the aftermath of war and Reconstruction.

It tells of the advent and the rise of the Snopes family in Frenchman's Bend, a small town built on the ruins of a once-stately plantation. Flem Snopes—wily, energetic, a man of shady origins—quickly comes to dominate the town and its people with his cunning and guile.

Absalom, Absalom! is considered by many to be William Faulkner's masterpiece. Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels.

The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?

Light in August, a novel set in the American South during Prohibition, contrasts stark tragedy with hopeful perseverance in the face of mortality. This work features some of Faulkner’s most memorable characters:

• Guileless, dauntless Lena Grove, in search of the father of her unborn child;
• Reverend Gail Hightower, plagued by visions of Confederate horsemen;
• And Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.

“Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner

The Optimist's Daughter is a profound exploration of familial bonds and self-discovery. The novel follows Laurel McKelva Hand, a young woman who returns to the South from Chicago when her father is on his deathbed in New Orleans.

After his passing, Laurel embarks on a journey back to her roots in a small Mississippi town. Accompanied by her father's naive and much younger wife, Fay, Laurel confronts the memories of her past.

In the solitude of her childhood home, she gains a deeper understanding of her parents and herself, making peace with her past to embrace her future.

"When I was little I would think of ways to kill my daddy. I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

Mama Day is a fascinating novel that reworks elements of Shakespeare's The Tempest. On the island of Willow Springs, off the Georgia coast, the powers of healer Mama Day are tested by her great niece, Cocoa, a stubbornly emancipated woman endangered by the island's darker forces.

This powerful generational saga is at once tender and suspenseful, overflowing with magic and common sense. It's the story of Ophelia and George, two Black Americans, and how they fall in love while trying to reconcile their differences of upbringing and culture. It's about the dying culture of Gullah on the Georgia sea islands.

Told from multiple perspectives, Mama Day is equal parts star-crossed love story, generational saga, and exploration of the supernatural. It is the kind of book that stays with you long after the final page.

The Haunting of Hill House is a seminal work in the horror genre, considered one of the finest ghost stories of the 20th century. The novel follows the story of four main characters: Dr. John Montague, an investigator of the supernatural; Eleanor Vance, a shy young woman with a history of encounters with the paranormal; Theodora, a flamboyant and possibly telepathic artist; and Luke Sanderson, the young heir to the eerie Hill House.

Dr. Montague, seeking to find scientific evidence of the supernatural, rents Hill House for a summer and invites guests with past experiences of paranormal events. Eleanor and Theodora are among those who accept his invitation. Once there, the group starts to experience a range of strange occurrences, including unseen noises, ghostly apparitions, and mysterious writings on the walls. Eleanor, in particular, seems more attuned to these phenomena, which may be causing her to lose her grip on reality.

Shirley Jackson masterfully creates a sense of terror, not through overt horror, but by weaving the mysterious events of the house with the complex psyches of her characters. A finalist for the National Book Award and adapted into films, a TV series, and a play, The Haunting of Hill House remains an essential read for fans of the genre.

Carson McCullers’ prodigious first novel was published to instant acclaim when she was just twenty-three. Set in a small town in the middle of the deep South, it is the story of John Singer, a lonely deaf-mute, and a disparate group of people who are drawn towards his kind, sympathetic nature. The owner of the café where Singer eats every day, a young girl desperate to grow up, an angry drunkard, a frustrated black doctor: each pours their heart out to Singer, their silent confidant, and he in turn changes their disenchanted lives in ways they could never imagine.

Edgar Allan Poe remains the unsurpassed master of works of mystery and madness in this outstanding collection. Included are sixteen of his finest tales, such as The Tell-Tale Heart, The Murders in the Rue Morgue, The Fall of the House of Usher, The Pit and the Pendulum, William Wilson, The Black Cat, The Cask of Amontillado, and Eleonora.

This collection also features a major selection of what Poe characterized as the passion of his life, his poems - including The Raven, Annabel Lee, Ulalume, Lenore, The Bells, and more, plus his glorious prose poem Silence - A Fable and his only full-length novel, The Narrative of Arthur Gordon Pym.

When struggling riverboat captain Abner Marsh receives an offer of partnership from a wealthy aristocrat, he suspects something’s amiss. But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet. Nor does he care that he won’t earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious his actions may prove.

Marsh meant to turn down York’s offer. It was too full of secrets that spelled danger. But the promise of both gold and a grand new boat that could make history crushed his resolve—coupled with the terrible force of York’s mesmerizing gaze.

Not until the maiden voyage of his new sidewheeler Fevre Dream would Marsh realize he had joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare...and mankind’s most impossible dream.

Here is the spellbinding tale of a vampire’s quest to unite his race with humanity, of a garrulous riverman’s dream of immortality, and of the undying legends of the steamboat era and a majestic, ancient river.

Such wonderful children. Such a beautiful mother. Such a lovely house. Such endless terror!

It wasn't that she didn't love her children. She did. But there was a fortune at stake—a fortune that would assure their later happiness if she could keep the children a secret from her dying father.

So she and her mother hid her darlings away in an unused attic. Just for a little while. But the brutal days swelled into agonizing years. Now Cathy, Chris, and the twins wait in their cramped and helpless world, stirred by adult dreams, adult desires, served a meager sustenance by an angry, superstitious grandmother who knows that the Devil works in dark and devious ways. Sometimes he sends children to do his work—children who—one by one—must be destroyed....

Way upstairs there are four secrets hidden. Blond, beautiful, innocent struggling to stay alive....

Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

Interview with the Vampire is the captivating story of Louis, narrating his own profound and complex journey through both mortal and immortal life. He shares his transformation into a vampire by the enigmatic Lestat, and his reluctant acceptance of the vampiric lifestyle. Louis's narrative takes us through the vibrant streets of New Orleans, marking pivotal moments such as his encounter with the tragically lost young Claudia, whom he turns into a vampire, thus damning her to eternal childhood with an adult's mind and desires.

Together, Louis and Claudia form a powerful bond and attempt to create a semblance of normalcy in the lavish French Quarter. However, their shared loathing for Lestat propels them on a quest for others like themselves across the globe. Their journey leads them to Paris and the Theatre des Vampires, where they meet Armand, who introduces them to a community of vampires. But this new society brings its own challenges and perils.

The novel, which originated as a short story, blossomed into a richly detailed chronicle of a tormented soul's experiences, as well as the political and social upheavals spanning two continents. It introduces the iconic character of Lestat, a complex figure who elicits both fascination and aversion. At its core, Interview with the Vampire delves into timeless themes of immortality, transformation, loss, desire, and power.

Titus Groan is seven years old. Lord and heir to the crumbling castle Gormenghast. A gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, and death. Steerpike, who began his climb across the roofs when Titus was born, is now ascending the spiral staircase to the heart of the castle, and in his wake lie imprisonment, manipulation, and murder.

Gormenghast is the second volume in Mervyn Peake’s widely acclaimed trilogy, but it is much more than a sequel to Titus Groan—it is an enrichment and deepening of that book.

The Gormenghast Trilogy ranks as one of the twentieth century’s most remarkable feats of imaginative writing.

First published in 1939, these three short novels secured the author’s reputation as a master of short fiction. From the gothic Old South to revolutionary Mexico, few writers have evoked such a multitude of worlds, both exterior and interior, as powerfully as Katherine Anne Porter.

This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas.

In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.