Faith Devlin: A poor, outcast child in Prescott, Louisiana, she'd always adored the town's golden boy from afar. But he called her white trash that sultry Southern night when his rich, respected father disappeared, along with her pretty Mom. Now Faith wanted to hate Gray Rouillard...not to feel a powerful surge of desire. But she couldn't quench her passion, any more than she could hide the truth about the past she had waited so long to unravel.

Gray Rouillard: Even when he raised hell, he did it with style. Reckless, charming, and backed by Rouillard money, Gray controlled the town of Prescott—and Devlin was a name he never wanted to hear again. But when he gazed at Faith Devlin, all he saw was a swirl of tangled sheets and her silken flesh beneath him. To care for her was impossible, unthinkable...because Gray Rouillard planned to use all his power to ruin her.

Roanna Davenport was raised a wealthy orphan on her grandmother's magnificent Alabama estate, Davencourt. Here, she developed a passion for horses, a genius for trouble, and a deep love for her cousin, Webb. But everyone expected Webb to marry their ravishing cousin, Jessie. When he did, Roanna's desire became no more than the stuff of dreams—until the night Jessie was found bludgeoned to death.

After the shocking murder of his wife, Webb left for Arizona, abandoning the legacy that he had once believed was all he wanted. But then an all-grown-up Roanna walked into a dingy bar in Nogales to bring him home; the mischievous sprite he had known ten years earlier was no more. Gone, too, was her fire. In its place was ice that melted at his touch. Webb is drawn back to Davencourt, to Roanna, and to the killer that once destroyed his life and waits only for the chance to finish the job....

Dream Boy is a stunning and heartbreaking novel by Jim Grimsley that recounts the story of a painful first love between two adolescent boys who bravely sustain each other in a world of domestic disintegration.

In a small, rural Southern town, Nathan secretly yearns for a life free from his father's oppressive presence. His father is abusive, and his mother remains distant, leaving Nathan to fend for himself in a world filled with secrets and fears.

Enter Roy, the boy next door. Despite the challenges they face, Nathan and Roy form a bond that grows into a covert, yet powerful relationship. Together, they navigate their fears, desires, and the societal pressures that threaten to tear them apart.

As their relationship intensifies, Nathan's home becomes increasingly unsafe, forcing him to make a daring escape with Roy to the haunting ruins of a plantation. Through lyrical and evocative writing, Grimsley explores themes of violence, tenderness, trauma, religion, and queer love against the backdrop of the 1950s rural South.

Published when Truman Capote was only twenty-three years old, Other Voices, Other Rooms is a literary touchstone of the mid-twentieth century. In this semiautobiographical coming-of-age novel, thirteen-year-old Joel Knox, after losing his mother, is sent from New Orleans to live with the father who abandoned him at birth.

But when Joel arrives at Skully’s Landing, the decaying mansion in rural Alabama, his father is nowhere to be found. Instead, Joel meets his morose stepmother, Amy, eccentric cousin Randolph, and a defiant little girl named Idabel, who soon offers Joel the love and approval he seeks.

Fueled by a world-weariness that belied Capote’s tender age, this novel tempers its themes of waylaid hopes and lost innocence with an appreciation for small pleasures and the colorful language of its time and place.

The Talamasca, documenters of paranormal activity, is on the hunt for the newly born Lasher. Mayfair women are dying from hemorrhages, and a strange genetic anomaly has been found in Rowan and Michael. Lasher, born from Rowan, represents an incalculable threat to the Mayfairs.

Rowan and Lasher travel together to Houston, and she becomes pregnant with another creature like him, a Taltos. Lasher seeks to reproduce his race in other women, but they cannot withstand it. Rowan escapes and becomes comatose as her fully-grown Taltos daughter is born. The Mayfairs declare all-out war on Lasher and try to nurse Rowan back to health.

Michael remains entwined in the Mayfair family and learns how he comes by his strange powers. Michael's ghostly visiting from a long-dead Mayfair reveals the importance of destroying Lasher. In the investigation, Lasher's origins are revealed, the new Taltos Emaleth returns, and the climax of death and life engulfs the family.

In this taut, chilling novel, Lester Ballard--a violent, dispossessed man falsely accused of rape--haunts the hill country of East Tennessee when he is released from jail.  While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.

Outer Dark is a stark and evocative novel set in an unspecified place in Appalachia, sometime around the turn of the century. This compelling story follows a woman who bears her brother's child, a boy. The brother, in a cruel act, leaves the baby in the woods and tells her he died of natural causes.

Discovering her brother's deceit, she embarks on a journey alone to find her son. Both brother and sister wander separately through a countryside scourged by three terrifying and elusive strangers. Their paths lead headlong toward an eerie, apocalyptic resolution.

Outer Dark is a profound parable that speaks to the human condition and society's darkest corners. McCarthy's masterful prose paints a vivid picture of a world both mythical and hauntingly real.

In a gripping feat of storytelling, Anne Rice continues the extraordinary Vampire Chronicles that began with the now-classic Interview with the Vampire. For centuries, Lestat—vampire-hero, enchanter, seducer of mortals—has been a courted prince in the dark and flourishing universe of the living dead. Now he is alone. And in his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the years of his haunted existence.

Returning to Lestat as the main character, the fourth in the Vampire Chronicles series finds Lestat impulsive and careless in the pursuit of what he wants: a serial killer in Southern Florida. Lestat is surrounded by mortals in this tale, and a new worthy counterpoint character to Lestat is introduced, Raglan James. James is a vampire hunter, and a formidable adversary for Lestat. James offers Lestat the opportunity to switch bodies temporarily with a young mortal. Against Louis' advice, Lestat accepts and discovers he hates everything about being human. He also finds that James has disappeared with Lestat's powerful vampire body. Louis refuses to help Lestat become a vampire again, and he turns to another mortal to help him trick James into switching souls, and giving up Lestat's body.

Centering on the themes of body and soul and soul migration, The Tale of the Body Thief is a novel of action.

This now classic book revealed Flannery O'Connor as one of the most original and provocative writers to emerge from the South. Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy.

Stories include:
A Good Man Is Hard to Find
The River
The Life You Save May Be Your Own
A Stroke of Good Fortune
A Temple of the Holy Ghost
The Artificial Nigger
A Circle in the Fire
A Late Encounter with the Enemy
Good Country People
The Displaced Person

One of Faulkner's comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi.

Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family's retainers, to steal his grandfather's car and make a trip to Memphis. The Priests' black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba's bordello in Memphis.

From there, a series of wild misadventures ensues—involving horse smuggling, trainmen, sheriffs' deputies, and jail.

The Hamlet, the first novel of Faulkner's Snopes trilogy, offers an ironic take on classical tragedy and a mordant commentary on the grand pretensions of the antebellum South and the depths of its decay in the aftermath of war and Reconstruction.

It tells of the advent and the rise of the Snopes family in Frenchman's Bend, a small town built on the ruins of a once-stately plantation. Flem Snopes—wily, energetic, a man of shady origins—quickly comes to dominate the town and its people with his cunning and guile.

Absalom, Absalom! is considered by many to be William Faulkner's masterpiece. Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels.

The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?

Light in August, a novel set in the American South during Prohibition, contrasts stark tragedy with hopeful perseverance in the face of mortality. This work features some of Faulkner’s most memorable characters:

• Guileless, dauntless Lena Grove, in search of the father of her unborn child;
• Reverend Gail Hightower, plagued by visions of Confederate horsemen;
• And Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.

“Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner

The Optimist's Daughter is a profound exploration of familial bonds and self-discovery. The novel follows Laurel McKelva Hand, a young woman who returns to the South from Chicago when her father is on his deathbed in New Orleans.

After his passing, Laurel embarks on a journey back to her roots in a small Mississippi town. Accompanied by her father's naive and much younger wife, Fay, Laurel confronts the memories of her past.

In the solitude of her childhood home, she gains a deeper understanding of her parents and herself, making peace with her past to embrace her future.

"When I was little I would think of ways to kill my daddy. I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

Mama Day is a fascinating novel that reworks elements of Shakespeare's The Tempest. On the island of Willow Springs, off the Georgia coast, the powers of healer Mama Day are tested by her great niece, Cocoa, a stubbornly emancipated woman endangered by the island's darker forces.

This powerful generational saga is at once tender and suspenseful, overflowing with magic and common sense. It's the story of Ophelia and George, two Black Americans, and how they fall in love while trying to reconcile their differences of upbringing and culture. It's about the dying culture of Gullah on the Georgia sea islands.

Told from multiple perspectives, Mama Day is equal parts star-crossed love story, generational saga, and exploration of the supernatural. It is the kind of book that stays with you long after the final page.

The Haunting of Hill House is a seminal work in the horror genre, considered one of the finest ghost stories of the 20th century. The novel follows the story of four main characters: Dr. John Montague, an investigator of the supernatural; Eleanor Vance, a shy young woman with a history of encounters with the paranormal; Theodora, a flamboyant and possibly telepathic artist; and Luke Sanderson, the young heir to the eerie Hill House.

Dr. Montague, seeking to find scientific evidence of the supernatural, rents Hill House for a summer and invites guests with past experiences of paranormal events. Eleanor and Theodora are among those who accept his invitation. Once there, the group starts to experience a range of strange occurrences, including unseen noises, ghostly apparitions, and mysterious writings on the walls. Eleanor, in particular, seems more attuned to these phenomena, which may be causing her to lose her grip on reality.

Shirley Jackson masterfully creates a sense of terror, not through overt horror, but by weaving the mysterious events of the house with the complex psyches of her characters. A finalist for the National Book Award and adapted into films, a TV series, and a play, The Haunting of Hill House remains an essential read for fans of the genre.

Carson McCullers’ prodigious first novel was published to instant acclaim when she was just twenty-three. Set in a small town in the middle of the deep South, it is the story of John Singer, a lonely deaf-mute, and a disparate group of people who are drawn towards his kind, sympathetic nature. The owner of the café where Singer eats every day, a young girl desperate to grow up, an angry drunkard, a frustrated black doctor: each pours their heart out to Singer, their silent confidant, and he in turn changes their disenchanted lives in ways they could never imagine.

Edgar Allan Poe remains the unsurpassed master of works of mystery and madness in this outstanding collection. Included are sixteen of his finest tales, such as The Tell-Tale Heart, The Murders in the Rue Morgue, The Fall of the House of Usher, The Pit and the Pendulum, William Wilson, The Black Cat, The Cask of Amontillado, and Eleonora.

This collection also features a major selection of what Poe characterized as the passion of his life, his poems - including The Raven, Annabel Lee, Ulalume, Lenore, The Bells, and more, plus his glorious prose poem Silence - A Fable and his only full-length novel, The Narrative of Arthur Gordon Pym.

When struggling riverboat captain Abner Marsh receives an offer of partnership from a wealthy aristocrat, he suspects something’s amiss. But when he meets the hauntingly pale, steely-eyed Joshua York, he is certain. For York doesn’t care that the icy winter of 1857 has wiped out all but one of Marsh’s dilapidated fleet. Nor does he care that he won’t earn back his investment in a decade. York has his own reasons for wanting to traverse the powerful Mississippi. And they are to be none of Marsh’s concern—no matter how bizarre, arbitrary, or capricious his actions may prove.

Marsh meant to turn down York’s offer. It was too full of secrets that spelled danger. But the promise of both gold and a grand new boat that could make history crushed his resolve—coupled with the terrible force of York’s mesmerizing gaze.

Not until the maiden voyage of his new sidewheeler Fevre Dream would Marsh realize he had joined a mission both more sinister, and perhaps more noble, than his most fantastic nightmare...and mankind’s most impossible dream.

Here is the spellbinding tale of a vampire’s quest to unite his race with humanity, of a garrulous riverman’s dream of immortality, and of the undying legends of the steamboat era and a majestic, ancient river.

Such wonderful children. Such a beautiful mother. Such a lovely house. Such endless terror!

It wasn't that she didn't love her children. She did. But there was a fortune at stake—a fortune that would assure their later happiness if she could keep the children a secret from her dying father.

So she and her mother hid her darlings away in an unused attic. Just for a little while. But the brutal days swelled into agonizing years. Now Cathy, Chris, and the twins wait in their cramped and helpless world, stirred by adult dreams, adult desires, served a meager sustenance by an angry, superstitious grandmother who knows that the Devil works in dark and devious ways. Sometimes he sends children to do his work—children who—one by one—must be destroyed....

Way upstairs there are four secrets hidden. Blond, beautiful, innocent struggling to stay alive....

Angela Carter was a storytelling sorceress, the literary godmother of Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, Kelly Link, and other contemporary masters of supernatural fiction. In her masterpiece, The Bloody Chamber—which includes the story that is the basis of Neil Jordan’s 1984 movie The Company of Wolves—she spins subversively dark and sensual versions of familiar fairy tales and legends like “Little Red Riding Hood,” “Bluebeard,” “Puss in Boots,” and “Beauty and the Beast,” giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

Interview with the Vampire is the captivating story of Louis, narrating his own profound and complex journey through both mortal and immortal life. He shares his transformation into a vampire by the enigmatic Lestat, and his reluctant acceptance of the vampiric lifestyle. Louis's narrative takes us through the vibrant streets of New Orleans, marking pivotal moments such as his encounter with the tragically lost young Claudia, whom he turns into a vampire, thus damning her to eternal childhood with an adult's mind and desires.

Together, Louis and Claudia form a powerful bond and attempt to create a semblance of normalcy in the lavish French Quarter. However, their shared loathing for Lestat propels them on a quest for others like themselves across the globe. Their journey leads them to Paris and the Theatre des Vampires, where they meet Armand, who introduces them to a community of vampires. But this new society brings its own challenges and perils.

The novel, which originated as a short story, blossomed into a richly detailed chronicle of a tormented soul's experiences, as well as the political and social upheavals spanning two continents. It introduces the iconic character of Lestat, a complex figure who elicits both fascination and aversion. At its core, Interview with the Vampire delves into timeless themes of immortality, transformation, loss, desire, and power.

Titus Groan is seven years old. Lord and heir to the crumbling castle Gormenghast. A gothic labyrinth of roofs and turrets, cloisters and corridors, stairwells and dungeons, it is also the cobwebbed kingdom of Byzantine government and age-old rituals, a world primed to implode beneath the weight of centuries of intrigue, treachery, and death. Steerpike, who began his climb across the roofs when Titus was born, is now ascending the spiral staircase to the heart of the castle, and in his wake lie imprisonment, manipulation, and murder.

Gormenghast is the second volume in Mervyn Peake’s widely acclaimed trilogy, but it is much more than a sequel to Titus Groan—it is an enrichment and deepening of that book.

The Gormenghast Trilogy ranks as one of the twentieth century’s most remarkable feats of imaginative writing.

The Complete Stories and Poems by Edgar Allan Poe is a monumental collection that compiles the entirety of Poe's literary works. This volume shines a light on the myriad facets of Poe's brilliance, showcasing him as one of the most significant and pioneering figures in the annals of American literature.

Readers are invited to delve into the depths of human emotion and experience the genius that has captivated and influenced countless individuals through Poe's mesmerizing tales and verses.

As I Lay Dying is Faulkner's harrowing account of the Bundren family's odyssey across the Mississippi countryside to bury Addie, their wife and mother. Narrated in turn by each of the family members -- including Addie herself -- as well as others; the novel ranges in mood, from dark comedy to the deepest pathos.

Considered one of the most influential novels in American fiction in structure, style, and drama, As I Lay Dying is a true 20th-century classic.

This edition reproduces the corrected text of As I Lay Dying as established in 1985 by Noel Polk.

Last night I dreamt I went to Manderley again...

The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.

The Turn of the Screw is an 1898 horror novella by Henry James, first serialized in Collier's Weekly magazine from January 27 to April 16, 1898, and later published in book form as part of The Two Magics by Macmillan in New York City and Heinemann in London. The novella tells the story of a very young woman's first job as a governess for two enigmatic children, Miles and Flora, at a desolate estate. The governess soon encounters half-seen figures who glare from dark towers and dusty windows - silent, foul phantoms that increasingly come closer, threatening the innocence of her charges.

The governess realizes with horror that these fiendish creatures want the children, aiming to corrupt their bodies, possess their minds, and own their souls. But the terror deepens when it becomes evident that Miles and Flora have no fear of the evil that stalks them, for they desire the presence of the walking dead just as fervently as the dead yearn for them.

Oscar Wilde's only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work, Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England.

Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world.

For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

Wuthering Heights, Emily Bront's only novel, is a tale of passion and revenge on the Yorkshire moors. At its heart lies the tumultuous relationship between Catherine Earnshaw and Heathcliff, and how their unresolved passion eventually leads to their destruction, affecting those around them. First published in 1847, Bront's work was initially met with mixed reviews but has since become an undisputed classic of English literature.

This novel is known for its complex structure, reminiscent of Russian nesting dolls, and its innovative narrative that was controversial at the time of publication. The dark and tragic story, set in a stark and austere setting, explores themes of social class, love, and the impact of vengeance. The intense emotional depth of the story transforms a simple tale into one with the resonance of ancient tragedy.

Bront wrote under the pseudonym Ellis Bell and her work was posthumously edited by her sister Charlotte. The novel's title comes from the remote Yorkshire manor, Wuthering Heights, which forms the central focus of the story's tumultuous events.

Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other's trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, cold as death, mean as a snake, becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

Growing up with telepathic abilities, Sookie Stackhouse realized early on that there are things she'd rather not know. And now that she's an adult, she also realizes that some things she knows about, she'd rather not see—like Eric Northman feeding off another woman. A younger one.

There's a thing or two she'd like to say about that, but she has to keep quiet—Felipe de Castro, the vampire king of Louisiana (and Arkansas and Nevada), is in town. It's the worst possible time for a human body to show up in Eric's front yard—especially the body of the woman whose blood he just drank.

Now it's up to Sookie and Bill, the official Area Five investigator, to solve the murder. Sookie thinks that, at least this time, the dead girl's fate has nothing to do with her. But she is wrong. She has an enemy, one far more devious than she would ever suspect, who's set out to make Sookie's world come crashing down.