From “one of the UK’s most interesting authors” (Kirkus Reviews), Patricia Highsmith meets White Lotus in this surprising and suspenseful modern gothic story following a couple running from both secretive pasts and very present dangers while honeymooning on a Greek island.

Still reeling from the chaos of their wedding, Evelyn and Richard arrive on a tiny Greek island for their honeymoon. It’s the end of the season and a storm is imminent. Determined to make the best of it, they check into the sun-soaked doors of the Villa Rosa. Already feeling insecure after seeing the “beautiful people,” the seemingly endless number of young models and musicians lounging along the Mediterranean, Evelyn is wary of the hotel’s owner, Isabella, who seems to only have eyes for Richard.

Isabella ostensibly disapproves of every request Evelyn makes, seemingly annoyed at the fact that they are there at all. Isabella is also preoccupied with her chance to enthrall the only other guests—an American producer named Marcus and his partner Debbie—with the story of “the sleepwalkers,” a couple who had stayed at the hotel recently and drowned.

Everyone seems to want to talk about the sleepwalkers, save for Hamza, a young Turkish man Evelyn had seen with some “beautiful people,” as well as the “dapper little man”—the strange yet fashionable owner of the island’s lone antiques and gift shop she sees everywhere. But what at first seemed eccentric, decorative, or simply ridiculous, becomes a living nightmare. Evelyn and Richard are separated the night of the storm and forced to face dark truths, but it’s their confessions around the origins of their relationship and the years leading up to their marriage that might save them.

Exhilarating, suspenseful, and also very funny, The Sleepwalkers asks urgent questions about relationships, sexuality, and the darkest elements of contemporary society—where our most terrible secrets are hidden in plain sight.

A gripping, page-turning novel set in Jim Crow Florida that follows Robert Stephens Jr. as he's sent to a segregated reform school that is a chamber of terrors where he sees the horrors of racism and injustice, for the living, and the dead.

Gracetown, Florida
June 1950

Twelve-year-old Robbie Stephens, Jr., is sentenced to six months at the Gracetown School for Boys, a reformatory, for kicking the son of the largest landowner in town in defense of his older sister, Gloria. So begins Robbie's journey further into the terrors of the Jim Crow South and the very real horror of the school they call The Reformatory.

Robbie has a talent for seeing ghosts, or haints. But what was once a comfort to him after the loss of his mother has become a window to the truth of what happens at the reformatory. Boys forced to work to remediate their so-called crimes have gone missing, but the haints Robbie sees hint at worse things. Through his friends Redbone and Blue, Robbie is learning not just the rules but how to survive. Meanwhile, Gloria is rallying every family member and connection in Florida to find a way to get Robbie out before it's too late.

The Reformatory is a haunting work of historical fiction written as only American Book Award–winning author Tananarive Due could, by piecing together the life of the relative her family never spoke of and bringing his tragedy and those of so many others at the infamous Dozier School for Boys to the light in this riveting novel.

From "a master of verbal burlesque [and] a connoisseur of psychological blackmail" (John Updike), Witold Gombrowicz's harrowing and hilarious pastiche of the Gothic novel, now in a new, authoritative English translation.

Witold Gombrowicz is considered by many to be Poland's greatest modernist, and in The Possessed, he demonstrates his playful brilliance and astonishing range by using the familiar tropes of the Gothic novel to produce a darkly funny and lively subversion of the form.

With dreams of escaping his small-town existence and the limitations of his class, a young tennis coach travels to the heart of the Polish countryside to train Maja Ocholowska, a beautiful and promising player whose bourgeois family has fallen upon difficult circumstances. Yet as Maja and the young man are alternately drawn to and repulsed by the other, they find themselves embroiled in the fantastic happenings taking place at the dilapidated castle nearby, where a mad prince haunts the halls, and bewitched towels, conniving secretaries, famous clairvoyants, and uncanny doubles conspire to determine the fate of the lovers.

Serialized first in Poland in the days preceding the Nazi invasion, and now translated directly into English for the first time by Antonia Lloyd-Jones, The Possessed is a comic jewel, a hair-raising thriller, and a provocative early masterpiece from the acclaimed author of classics like Pornografia and Cosmos.

A Black sheriff. A serial killer. A small town ready to combust.

Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, Charon has had only two murders. After years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.

Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. Those festering secrets are now out in the open and ready to tear the town apart.

As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon. With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history.

Powerful and unforgettable, All the Sinners Bleed confirms S. A. Cosby as “one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction”.

Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary's book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.

Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it's impossible to tell where the curse leaves off and Hollywood begins.

A chilling, lavishly illustrated Who's Who of the most despicable people ever to walk the earth, featuring both rare and best-loved stories from the hit podcast Lore, soon to be an online streaming series.

Here are the incredible true stories of some of the mortals who achieved notoriety in history and folklore through horrible means. Monsters of this sort—serial killers, desperate criminals, and socially mobile people with a much darker double-life—are, in fact, quite real, including:

• H. H. Holmes, the infamous Chicago serial killer;

• William Brodie, the Edinburgh criminal mastermind who inspired The Strange Case of Dr. Jekyll and Mr. Hyde;

• And Bela Kiss, a Hungarian tinsmith with a most disturbing hobby: collecting women in gasoline drums.

This riveting best-of-the-worst roundup will haunt your thoughts, chill your bones, and leave you wondering if there are mortal monsters lurking even closer than you think.

Robert Louis Stevenson's masterpiece of the duality of good and evil in man's nature sprang from the darkest recesses of his own unconscious—during a nightmare from which his wife awakened him, alerted by his screams. More than a hundred years later, this tale of the mild-mannered Dr. Jekyll and the drug that unleashes his evil, inner persona—the loathsome, twisted Mr. Hyde—has lost none of its ability to shock.

Its realistic police-style narrative chillingly relates Jekyll's desperation as Hyde gains control of his soul—and gives voice to our own fears of the violence and evil within us. Written before Freud's naming of the ego and the id, Stevenson's enduring classic demonstrates a remarkable understanding of the personality's inner conflicts—and remains the irresistibly terrifying stuff of our worst nightmares.

Mary Shelley's seminal novel of the scientist whose creation becomes a monster. This edition is the original 1818 text, which preserves the hard-hitting and politically charged aspects of Shelley's original writing, as well as her unflinching wit and strong female voice.

This edition also includes a new introduction and suggestions for further reading by author and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon, and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.

When it comes to law and order, East Texas plays by its own rules—a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the Lone Star State, he was the first in his family to get as far away from Texas as he could. Until duty called him home.

When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders—a black lawyer from Chicago and a local white woman—have stirred up a hornet's nest of resentment. Darren must solve the crimes—and save himself in the process—before Lark's long-simmering racial fault lines erupt.

If it had another name, I never knew, but the locals called it the Loney - that strange nowhere between the Wyre and the Lune where Hanny and I went every Easter time with Mummer, Farther, Mr. and Mrs. Belderboss, and Father Wilfred, the parish priest.

It was impossible to truly know the place. It changed with each influx and retreat, and the neap tides would reveal the skeletons of those who thought they could escape its insidious currents. No one ever went near the water. No one apart from us, that is.

I suppose I always knew that what happened there wouldn't stay hidden forever, no matter how much I wanted it to. No matter how hard I tried to forget...

Carmilla stands as a pioneering work in the vampire genre, predating even Bram Stoker’s Dracula and influencing generations of Gothic literature. Le Fanu’s narrative, with its haunting beauty and sensuous dread, explores themes of love, identity, and the macabre, leaving an indelible mark on the landscape of horror fiction. Prepare to be seduced and unnerved by this timeless tale of forbidden passion and the darkness that lurks within the shadows.

JOSEPH SHERIDAN LE FANU [1814-1873] was an Irish mystery and horror author. He had an enormous influence on the horror genre in the 19th and 20th century, especially through his championing of tone and effect rather than shock factor. Among his most noted work is the lesbian vampire novella Carmilla [1872] and mystery Uncle Silas [1864].

In 1920's England, a young woman searches for the truth behind her uncle’s mysterious death in a town haunted by a restless ghost… Oxford student Jillian Leigh works day and night to keep up with her studies—so to leave at the beginning of the term is next to impossible. But after her uncle Toby, a renowned ghost hunter, is killed in a fall off a cliff, she must drive to the seaside village of Rothewell to pack up his belongings.

Almost immediately, unsettling incidents—a book left in a cold stove, a gate swinging open on its own—escalate into terrifying events that convince Jillian an angry spirit is trying to enter the house. Is it Walking John, the two-hundred-year-old ghost who haunts Blood Moon Bay? And who beside the ghost is roaming the local woods at night? If Toby uncovered something sinister, was his death no accident?

The arrival of handsome Scotland Yard inspector Drew Merriken, a former RAF pilot with mysteries of his own, leaves Jillian with more questions than answers—and with the added complication of a powerful, mutual attraction. Even as she suspects someone will do anything to hide the truth, she begins to discover spine-chilling secrets that lie deep within Rothewell…and at the very heart of who she is.

A thirst for blood, nocturnal debauchery, hypnotic trances ... this is Dracula. Jonathan Harker is travelling to Castle Dracula to see the Transylvanian noble, Count Dracula. He is begged by locals not to go there, because on the eve of St. George's Day, when the clock strikes midnight, all the evil things in the world will come full sway. But business must be done, so Jonathan makes his way to the Castle - and then his nightmare begins. His beloved wife Meena and other lost souls have fallen under the Count's horrifying spell. Dracula must be destroyed.

At the Cavendish Home for Boys and Girls, you will definitely learn your lesson. An atmospheric, heartfelt, and delightfully spooky novel for fans of Coraline, Splendors and Glooms, and The Mysterious Benedict Society.

Victoria hates nonsense. There is no need for it when your life is perfect. The only smudge on her pristine life is her best friend Lawrence. He is a disaster, lazy and dreamy, shirt always untucked, obsessed with his silly piano. Victoria often wonders why she ever bothered being his friend. (Lawrence does, too.)

But then Lawrence goes missing. And he is not the only one. Victoria soon discovers that The Cavendish Home for Boys and Girls is not what it appears to be. Kids go in but come out different. Or they don't come out at all.

If anyone can sort this out, it's Victoria, even if it means getting a little messy.

Bestselling author Donna Tartt returns with a grandly ambitious and utterly riveting novel of childhood, innocence and evil. The setting is Alexandria, Mississippi, where one Mother's Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents' yard. Twelve years later Robin's murder is still unsolved and his family remains devastated.

So it is that Robin's sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town's rigid lines of race and caste and burrows deep into her family's history of loss.

The Bayou Trilogy is a hard-hitting collection of crime novels set in the gritty, atmospheric parish of St. Bruno. Sex is easy, corruption festers, and double-dealing is a way of life.

Follow Rene Shade, an uncompromising detective, as he navigates a world filled with hit men, porn kings, and a gang of ex-cons. Shade must also confront the ghosts of his own checkered past. These novels pit long-entrenched criminals against the hard line of the law, brother against brother, and two vastly different sons against a long-absent father.

Daniel Woodrell delivers a compelling exploration of the shadows of rural American life. This trilogy showcases the origins of an author who has left a lasting mark on crime fiction.

In this novel, Susan Kay reimagines Gaston Leroux's famous novel The Phantom of the Opera in greater depth and detail. Phantom begins with a young widow giving birth to her only child. The child's face is severely deformed, and despite the signs of genius he shows from his early days, she cannot bring herself to love him. The child, Erik's, childhood is spent longing for the love of a mother whose only gift to him was a mask.

Eventually Erik runs away and joins a circus freak show. The cruel owners capitalize off his hideous face and his hauntingly beautiful singing. After leaving the circus, Erik becomes an apprentice to a stone mason, and experiences an adolescent crush on the mason's daughter, but after his appearance inadvertently causes a terrible tragedy, he escapes once again, this time to Persia, and the queen's court. Finally, tired of the world's rejection, Erik helps to design the Paris Opera House, complete with a cavernous and labyrinthine basement, where he intends to live out the rest of his days. It is here that he encounters, Christine, a young soprano with whom he falls in love.

For Carrie, Chris and Cathy, the attic was a dark horror that would not leave their minds, even while they built bright, promising new lives. Of course, mother had to pretend they didn't exist. And Grandmother was convinced they had the devil in them. But that wasn't their fault. Was it? Cathy knew what to do. She knew it was time to put what she knew to the test. To show her mother and grandmother that the pain and terror of the attic could not be forgotten... Show them. Show them—once and for all.

Ethan Wate used to think of Gatlin, the small Southern town he had always called home, as a place where nothing ever changed. Then he met mysterious newcomer Lena Duchannes, who revealed a secret world that had been hidden in plain sight all along. A Gatlin that harbored ancient secrets beneath its moss-covered oaks and cracked sidewalks. A Gatlin where a curse has marked Lena's family of powerful Supernaturals for generations. A Gatlin where impossible, magical, life-altering events happen. Sometimes life-ending. Together they can face anything Gatlin throws at them, but after suffering a tragic loss, Lena starts to pull away, keeping secrets that test their relationship. And now that Ethan's eyes have been opened to the darker side of Gatlin, there's no going back. Haunted by strange visions only he can see, Ethan is pulled deeper into his town's tangled history and finds himself caught up in the dangerous network of underground passageways endlessly crisscrossing the South, where nothing is as it seems.

Her Fearful Symmetry, penned by Audrey Niffenegger, unfolds a captivating tale set in the shadow of London's Highgate Cemetery. Following the death of Elspeth Noblin from cancer, her London apartment is bequeathed to her twin nieces, Julia and Valentina. These young American women, who had never met their English aunt, are drawn into a world beyond their suburban Chicago existence, discovering a complex web of relationships and secrets.

The twins' inheritance places them at the heart of Highgate's close-knit community, among its intriguing residents. There's Martin, a brilliant crossword puzzle setter grappling with severe Obsessive Compulsive Disorder, and his wife Marjike, who remains steadfastly by his side. Robert, Elspeth's mysterious lover and a scholar of the cemetery, becomes a central figure in the twins' new lives. As Julia and Valentina delve deeper, they encounter a reality where the boundary between life and death blurs, suggesting that Elspeth's presence still lingers.

Niffenegger masterfully weaves themes of love, identity, and the enduring bonds of sisterhood, exploring the persistence of life and the nuances of relationships beyond the veil of death.

Named for a flower whose blood-red sap possesses the power both to heal and poison, Bloodroot is a stunning fiction debut about the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations, from the Great Depression to today.

The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother’s deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster.

Against the backdrop of a beautiful but often unforgiving country, these lives come together—only to be torn apart—as a dark, riveting mystery unfolds. With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia—and the faith and fury of its people—to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.

Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.

Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.

In a town with no surprises, one secret could change everything.

First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, which eventually teaches her how to sing beautifully.

All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears.

The phantom is in love, but it can only spell disaster. Gaston Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

From master storyteller Carlos Ruiz Zafon, author of the international phenomenon The Shadow of the Wind, comes The Angel’s Game — a dazzling new page-turner about the perilous nature of obsession, in literature and in love.

The whole of Barcelona stretched out at my feet and I wanted to believe that when I opened those windows — my new windows — each evening its streets would whisper stories to me, secrets in my ear, that I could catch on paper and narrate to whomever cared to listen…

In an abandoned mansion at the heart of Barcelona, a young man, David Martin, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books and spends his nights spinning baroque tales about the city’s underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner. Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Close to despair, David receives a letter from a reclusive French editor, Andreas Corelli, who makes him the offer of a lifetime. He is to write a book unlike anything that has ever existed — a book with the power to change hearts and minds. In return, he will receive a fortune, and perhaps more. But as David begins the work, he realizes that there is a connection between his haunting book and the shadows that surround his home.

Once again, Zafon takes us into a dark, gothic universe first seen in The Shadow of the Wind and creates a breathtaking adventure of intrigue, romance, and tragedy. Through a dizzyingly constructed labyrinth of secrets, the magic of books, passion, and friendship blend into a masterful story.

A new guy in town. Rumors of vampires. Dangerous first love. This is where it all begins...

The mansion on top of Benson Hill has stood empty for years. But one day it seems to be occupied, and its mysterious, handsome inhabitant Alexander Sterling becomes the source of much talk around town. Raven, a vampire-obsessed Goth-girl who has always considered herself an outsider in Dullsville, is determined to uncover the truth surrounding the secretive Alexander. As she gets to know him, and their spark intensifies, Raven finds herself in some unanticipated situations. Can Alexander make her lifelong dream come true? But love always has its complications—especially when it can only be awakened at nightfall.

The first three books in Ellen Schreiber's bestselling Vampire Kisses series capture the thrill of a most unusual romance.

Bianca wants to escape. She's been uprooted from her small hometown and enrolled at Evernight Academy, an eerie Gothic boarding school where the students are somehow too perfect: smart, sleek, and almost predatory. Bianca knows she doesn't fit in.

Then she meets Lucas. He's not the "Evernight type" either, and he likes it that way. Lucas ignores the rules, stands up to the snobs, and warns Bianca to be careful—even when it comes to caring about him.

"I couldn't stand it if they took it out on you," he tells Bianca, "and eventually they would."

But the connection between Bianca and Lucas can't be denied. Bianca will risk anything to be with Lucas, but dark secrets are fated to tear them apart . . . and to make Bianca question everything she's ever believed.

Titus Groan starts with the birth and ends with the first birthday celebrations of the heir to the grand, tradition-bound castle of Gormenghast. A grand miasma of doom and foreboding weaves over the sterile rituals of the castle. Villainous Steerpike seeks to exploit the gaps between the formal rituals and the emotional needs of the ruling family for his own profit.

Wise Blood, Flannery O'Connor's astonishing and haunting first novel, is a classic of twentieth-century literature. Focused on the story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his innate, desperate fate, this tale of redemption, retribution, false prophets, blindness, blindings, and wisdoms gives us one of the most riveting characters in twentieth-century American fiction.

'The Monk' became a succès de scandale when it was published in 1796 – not least because its author was a member of parliament and only twenty years old. It recounts the diabolical decline of Ambrosio, a Capuchin superior, who succumbs first to temptations offered by a young girl who has entered his monastery disguised as a boy, and continues his descent with increasingly depraved acts of sorcery, murder, incest and torture.

Combining sensationalism with acute psychological insight, this masterpiece of Gothic fiction is a powerful exploration of how violent and erotic impulses can break through the barriers of social and moral restraint. This edition is based on the first edition of 1796, which appeared before Lewis's revisions to avoid charges of blasphemy.

My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead...

Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

All children mythologize their birth... So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist. The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret.

Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission.

As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.

The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

The House of the Seven Gables is a Gothic novel which follows the story of a New England family and their ancestral home. In this book, Hawthorne explores themes of guilt, retribution, and atonement and colors the tale with suggestions of the supernatural and witchcraft. The setting for the book was inspired by a gabled house in Salem belonging to Hawthorne's cousin Susanna Ingersoll and by ancestors of Hawthorne who had played a part in the Salem Witch Trials of 1692.

American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing centers on New England, many works featuring moral allegories with a Puritan inspiration. His fiction works are considered to be part of the Dark romanticism. His themes often centre on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity.

The nine stories in Kelly Link's second collection are the spitting image of those in her acclaimed debut, Stranger Things Happen: effervescent blends of quirky humor and pathos that transform stock themes of genre fiction into the stuff of delicate lyrical fantasy.

In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family that's just moved into the house.

The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent school friends whose experiences subtly parallel events in a surreal TV fantasy series.

Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak."

Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.

Su nombre despierta terror en el corazón de los hombres. A lo largo de siglos, se le ha considerado un mito. Ahora, alguien se atreve a buscarlo a través de los rincones más oscuros de Europa y Asia y buceando en lo más remotos pasajes de la historia.

Durante años, Paul fue incapaz de contarle a su hija la verdad sobre la obsesión que ha guiado su vida. Ahora, entre sus papeles, ella descubre una historia que comenzó con la extraña desaparición del mentor de Paul, el profesor Rossi. Tras las huellas de su querido maestro, Paul recorrió antiguas bibliotecas de Estambul, monasterios en ruinas en Rumania, remotas aldeas en Bulgaria... Cuanto más se acercaba a Rossi, más se aproximaba también a un misterio que había aterrorizado incluso a los poderosos sultanes otomanos, y que aún hace temblar a los campesinos de Europa del Este. Un misterio que ha dejado un rastro sangriento en manuscritos, viejos libros y canciones susurradas al oído. Para Paul y su hija llegar al final dela búsqueda puede significar un destino mucho peor que la muerte. Porque a cada paso que dan, se convencen más de que él les está esperando. Y en sus corazones, retumba una pregunta angustiosa... ¿Es posible que la tumba de Vlad el Emperador esconda algo más que el cuerpo de un asesino legendario?

A twentieth-century successor to Edgar Allan Poe as the master of "weird fiction," Howard Philips Lovecraft once wrote, "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." In the novellas and stories he published in such pulp magazines as Weird Tales and Astounding Stories—and in the work that remained unpublished until after his death, including some of his best writing—H. P. Lovecraft adapted the conventions of horror stories and science fiction to express an intensely personal vision, cosmic in its ramifications and fearsome in its shuddering view of human destiny.

In this Library of America volume, the best-selling novelist Peter Straub brings together the very best of Lovecraft's fiction in a treasury guaranteed to bring fright and delight both to longtime fans and to readers new to his work. Early stories such as The Outsider, The Music of Erich Zann, Herbert West–Reanimator, and The Lurking Fear demonstrate Lovecraft's uncanny ability to blur the distinction between reality and nightmare, sanity and madness, the human and non-human. The Horror at Red Hook and He reveal the fascination and revulsion Lovecraft felt for New York City; Pickman's Model uncovers the frightening secret behind an artist's work; The Rats in the Walls is a terrifying descent into atavistic horror; and The Colour Out of Space explores the eerie impact of a meteorite on a remote Massachusetts valley.

In such later works as The Call of Cthulhu, The Whisperer in Darkness, At the Mountains of Madness, The Shadow Over Innsmouth, and The Shadow Out of Time, Lovecraft developed his own nightmarish mythology in which encounters with ancient, pitiless extraterrestrial intelligences wreak havoc on hapless humans who only gradually begin to glimpse "terrifying vistas of reality, and our frightful position therein." Moving from old New England towns haunted by occult pasts to Antarctic wastes that disclose appalling secrets, Lovecraft's tales continue to exert a dread fascination.

The Hunchback of Notre-Dame is a timeless work by Victor Hugo that transports readers to Medieval Paris, under the imposing twin towers of its most revered structure, the cathedral of Notre-Dame. At the heart of this historical novel is the poignant story of Quasimodo, the deformed bell ringer, and his unrequited love for the beautiful Esmeralda, a gypsy dancer. Their lives intertwine with that of Claude Frollo, a priest battling his own inner demons.

Hugo's masterful storytelling weaves a tale of love, devotion, jealousy, and deception, set against the backdrop of a city teeming with life and the specter of social injustice. The author's remarkable powers of description bring the setting and characters vividly to life, making the novel not only an exploration of the human condition but also a critique of society and its treatment of those who are different.

Lestat. The vampire hero of Anne Rice's enthralling new novel is a creature of the darkest and richest imagination. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980s, he rushes through the centuries in search of others like him, seeking answers to the mystery of his eternal, terrifying existence.

His is a mesmerizing story — passionate, complex, and thrilling.

In 1970, one of Mississippi's more colorful weekly newspapers, The Ford County Times, went bankrupt. To the surprise and dismay of many, ownership was assumed by a 23-year-old college dropout, named Willie Traynor. The future of the paper looked grim until a young mother was brutally raped and murdered by a member of the notorious Padgitt family. Willie Traynor reported all the gruesome details, and his newspaper began to prosper.

The murderer, Danny Padgitt, was tried before a packed courthouse in Clanton, Mississippi. The trial came to a startling and dramatic end when the defendant threatened revenge against the jurors if they convicted him. Nevertheless, they found him guilty, and he was sentenced to life in prison.

But in Mississippi in 1970, life didn't necessarily mean life, and nine years later Danny Padgitt managed to get himself paroled. He returned to Ford County, and the retribution began.

Will Alexander, the sheriff of a small town in southern Appalachia, is embroiled in a baffling murder case that offers neither a body nor a suspect. Determined to uncover the truth, he embarks on a quest to discover what truly happened to the local thug, Holland Winchester.

This brilliant southern gothic novel, by the award-winning and bestselling author Ron Rash, observes the consequences of love and murder across generations. Told from the perspectives of the sheriff, a local farmer, his wife, their son, and the sheriff's deputy, the story unfolds through their unique voices, exploring crime, shifting suspicion, blame, and guilt with each new revelation.

Set in the 1950s Appalachian South Carolina, the narrative is woven with themes of infidelity, jealousy, betrayal, and the inexorable march of progress as a valley fills with water behind a new dam. One Foot in Eden signals the arrival of one of the most mature and distinctive voices in southern literature.

Cave’s only novel to date takes on the southern gothic in this bizarre baroque tale. Born mute to a drunken mother and a demented father, tortured Euchrid Eucrow finds more compassion in the family mule than in his fellow men. But he alone will grasp the cruel fate of Cosey Mo, the beautiful young prostitute in the pink caravan on Hooper’s Hill. And it is Euchrid, spiraling ever deeper into his mad angelic vision, who will ultimately redeem both the town and its people.

Charlotte Bront tells the story of orphaned Jane Eyre, who grows up in the home of her heartless aunt, enduring loneliness and cruelty. This troubled childhood strengthens Jane's natural independence and spirit - which prove necessary when she finds employment as a governess to the young ward of Byronic, brooding Mr Rochester.

As her feelings for Rochester develop, Jane gradually uncovers Thornfield Hall's terrible secret, forcing her to make a choice. Should she stay with Rochester and live with the consequences, or follow her convictions - even if it means leaving the man she loves? A novel of intense power and intrigue, Jane Eyre dazzled readers with its passionate depiction of a woman's search for equality and freedom.

Welcome to Blackwood Farm: soaring white columns, spacious drawing rooms, bright, sun-drenched gardens, and a dark strip of the dense Sugar Devil Swamp. This is the world of Quinn Blackwood, a brilliant young man haunted since birth by a mysterious doppelgänger, “Goblin,” a spirit from a dream world that Quinn can’t escape and that prevents him from belonging anywhere. When Quinn is made a Vampire, losing all that is rightfully his and gaining an unwanted immortality, his doppelgänger becomes even more vampiric and terrifying than Quinn himself.

As the novel moves backwards and forwards in time, from Quinn’s boyhood on Blackwood Farm to present day New Orleans, from ancient Athens to 19th-century Naples, Quinn seeks out the legendary Vampire Lestat in the hope of freeing himself from the spectre that draws him inexorably back to Sugar Devil Swamp and the explosive secrets it holds. A story of youth and promise, of loss and the search for love, of secrets and destiny, Blackwood Farm is Anne Rice at her mesmerizing best.

What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller--one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen?

Alas, we cannot give you Austen, but Susan Hill's remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.

The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.

In the latest installment of The Vampire Chronicles, Anne Rice summons up dazzling worlds to bring us the story of Armand - eternally young, with the face of a Botticelli angel. Armand, who first appeared in all his dark glory more than twenty years ago in the now-classic Interview with the Vampire, the first of The Vampire Chronicles, the novel that established its author worldwide as a magnificent storyteller and creator of magical realms.

Now, we go with Armand across the centuries to the Kiev Rus of his boyhood - a ruined city under Mongol dominion - and to ancient Constantinople, where Tartar raiders sell him into slavery. And in a magnificent palazzo in the Venice of the Renaissance we see him emotionally and intellectually in thrall to the great vampire Marius, who masquerades among humankind as a mysterious, reclusive painter and who will bestow upon Armand the gift of vampiric blood. As the novel races to its climax, moving through scenes of luxury and elegance, of ambush, fire, and devil worship to nineteenth-century Paris and today's New Orleans, we see its eternally vulnerable and romantic hero forced to choose between his twilight immortality and the salvation of his immortal soul.

In this National Book Award–winning novel from a "brilliantly breathtaking writer," a young Southerner searches for meaning in the midst of Mardi Gras. On the cusp of his thirtieth birthday, Binx Bolling is a lost soul. A stockbroker and member of an established New Orleans family, Binx's one escape is the movie theater that transports him from the falseness of his life.

With Mardi Gras in full swing, Binx, along with his cousin Kate, sets out to find his true purpose amid the excesses of the carnival that surrounds him. Buoyant yet powerful, The Moviegoer is a poignant indictment of modern values, and an unforgettable story of a week that will change two lives forever.

In this taut, chilling novel, Lester Ballard--a violent, dispossessed man falsely accused of rape--haunts the hill country of East Tennessee when he is released from jail.  While telling his story, Cormac McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.

In a gripping feat of storytelling, Anne Rice continues the extraordinary Vampire Chronicles that began with the now-classic Interview with the Vampire. For centuries, Lestat—vampire-hero, enchanter, seducer of mortals—has been a courted prince in the dark and flourishing universe of the living dead. Now he is alone. And in his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the years of his haunted existence.

Returning to Lestat as the main character, the fourth in the Vampire Chronicles series finds Lestat impulsive and careless in the pursuit of what he wants: a serial killer in Southern Florida. Lestat is surrounded by mortals in this tale, and a new worthy counterpoint character to Lestat is introduced, Raglan James. James is a vampire hunter, and a formidable adversary for Lestat. James offers Lestat the opportunity to switch bodies temporarily with a young mortal. Against Louis' advice, Lestat accepts and discovers he hates everything about being human. He also finds that James has disappeared with Lestat's powerful vampire body. Louis refuses to help Lestat become a vampire again, and he turns to another mortal to help him trick James into switching souls, and giving up Lestat's body.

Centering on the themes of body and soul and soul migration, The Tale of the Body Thief is a novel of action.

This now classic book revealed Flannery O'Connor as one of the most original and provocative writers to emerge from the South. Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy.

Stories include:
A Good Man Is Hard to Find
The River
The Life You Save May Be Your Own
A Stroke of Good Fortune
A Temple of the Holy Ghost
The Artificial Nigger
A Circle in the Fire
A Late Encounter with the Enemy
Good Country People
The Displaced Person