From BookTok sensation and NYT bestselling author Rachel Gillig, comes the next big romantasy phenomenon: a gothic, mist-cloaked tale of a prophetess who is forced beyond the safety of her cloister on an impossible quest to defeat the gods with the one knight whose future is beyond her sight.
Sybil Delling has spent nine years dreaming of having no dreams at all. Like the other foundling girls who traded a decade of service for a home in the great cathedral, Sybil is a Diviner. In her dreams, she receives visions from six unearthly figures known as Omens. From them, she can predict terrible things before they occur, and lords and common folk alike travel across the kingdom of Traum's windswept moors to learn their futures by her dreams.
Just as she and her sister Diviners near the end of their service, a mysterious knight arrives at the cathedral. Rude, heretical, and devilishly handsome, the knight Rodrick has no respect for Sybil's visions. But when Sybil's fellow Diviners begin to vanish one by one, she has no choice but to seek his help in finding them. For the world outside the cathedral's cloister is wrought with peril. Only the gods have the answers she is seeking, and as much as she'd rather avoid Rodrick's dark eyes and sharp tongue, only a heretic can defeat a god.
The Manor of Dreams is a haunting novel that delves deep into the secrets hidden within a crumbling mansion once owned by a former Hollywood starlet. This thrilling tale weaves the intertwined fates of two Chinese American families vying to inherit the estate, amidst whispers of long-buried truths.
"They say what you don’t know can’t hurt you. But silence can be deadly."
Vivian Yin, the first Chinese actress to win an Oscar, rose to fame in the eighties but chose to live out her later years in seclusion. After her death, her family gathers for the reading of her will, expecting to inherit her sprawling Southern California garden estate. However, due to an unexpected change in the will, the house is left to another family, returning after decades of estrangement.
In a bid to claim their inheritance, both families move into the mansion, where they are soon confronted by grief, paranoia, and a more sinister, vengeful presence than they could have imagined. Will they uncover the painful truth about the last summer they spent in the house, or will their secrets remain buried forever?
Told in dual timelines and spanning three generations, The Manor of Dreams is brimming with romance, betrayal, ambition, and sacrifice. This gothic family drama explores the true cost of the American dream and the decay that can set in when roots are neglected.
From “one of the UK’s most interesting authors” (Kirkus Reviews), Patricia Highsmith meets White Lotus in this surprising and suspenseful modern gothic story following a couple running from both secretive pasts and very present dangers while honeymooning on a Greek island.
Still reeling from the chaos of their wedding, Evelyn and Richard arrive on a tiny Greek island for their honeymoon. It’s the end of the season and a storm is imminent. Determined to make the best of it, they check into the sun-soaked doors of the Villa Rosa. Already feeling insecure after seeing the “beautiful people,” the seemingly endless number of young models and musicians lounging along the Mediterranean, Evelyn is wary of the hotel’s owner, Isabella, who seems to only have eyes for Richard.
Isabella ostensibly disapproves of every request Evelyn makes, seemingly annoyed at the fact that they are there at all. Isabella is also preoccupied with her chance to enthrall the only other guests—an American producer named Marcus and his partner Debbie—with the story of “the sleepwalkers,” a couple who had stayed at the hotel recently and drowned.
Everyone seems to want to talk about the sleepwalkers, save for Hamza, a young Turkish man Evelyn had seen with some “beautiful people,” as well as the “dapper little man”—the strange yet fashionable owner of the island’s lone antiques and gift shop she sees everywhere. But what at first seemed eccentric, decorative, or simply ridiculous, becomes a living nightmare. Evelyn and Richard are separated the night of the storm and forced to face dark truths, but it’s their confessions around the origins of their relationship and the years leading up to their marriage that might save them.
Exhilarating, suspenseful, and also very funny, The Sleepwalkers asks urgent questions about relationships, sexuality, and the darkest elements of contemporary society—where our most terrible secrets are hidden in plain sight.
From "a master of verbal burlesque [and] a connoisseur of psychological blackmail" (John Updike), Witold Gombrowicz's harrowing and hilarious pastiche of the Gothic novel, now in a new, authoritative English translation.
Witold Gombrowicz is considered by many to be Poland's greatest modernist, and in The Possessed, he demonstrates his playful brilliance and astonishing range by using the familiar tropes of the Gothic novel to produce a darkly funny and lively subversion of the form.
With dreams of escaping his small-town existence and the limitations of his class, a young tennis coach travels to the heart of the Polish countryside to train Maja Ocholowska, a beautiful and promising player whose bourgeois family has fallen upon difficult circumstances. Yet as Maja and the young man are alternately drawn to and repulsed by the other, they find themselves embroiled in the fantastic happenings taking place at the dilapidated castle nearby, where a mad prince haunts the halls, and bewitched towels, conniving secretaries, famous clairvoyants, and uncanny doubles conspire to determine the fate of the lovers.
Serialized first in Poland in the days preceding the Nazi invasion, and now translated directly into English for the first time by Antonia Lloyd-Jones, The Possessed is a comic jewel, a hair-raising thriller, and a provocative early masterpiece from the acclaimed author of classics like Pornografia and Cosmos.
A Black sheriff. A serial killer. A small town ready to combust.
Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, Charon has had only two murders. After years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface.
Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. Those festering secrets are now out in the open and ready to tear the town apart.
As Titus investigates the shootings, he unearths terrible crimes and a serial killer who has been hiding in plain sight, haunting the dirt lanes and woodland clearings of Charon. With the killer’s possible connections to a local church and the town’s harrowing history weighing on him, Titus projects confidence about closing the case while concealing a painful secret from his own past. At the same time, he also has to contend with a far-right group that wants to hold a parade in celebration of the town’s Confederate history.
Powerful and unforgettable, All the Sinners Bleed confirms S. A. Cosby as “one of the most muscular, distinctive, grab-you-by-both-ears voices in American crime fiction”.
The Masque of the Red Death is a chilling tale by Edgar Allan Poe that explores themes of death and the illusion of safety. The story follows Prince Prospero and his attempt to escape a deadly plague known as the Red Death by secluding himself in his luxurious abbey.
Within the abbey's fortified walls, Prospero hosts a grand masquerade ball in seven distinct rooms, each adorned in a unique color scheme. The revelry is abruptly interrupted by the arrival of a mysterious figure, disguised as a victim of the Red Death, who moves ominously through each room.
As Prospero confronts this spectral intruder, he is met with his own demise, illustrating the story's underlying message of the inevitability of death. The guests, too, fall victim to the Red Death, as the tale concludes with the triumph of "Darkness and Decay".
Poe's masterful use of gothic elements and allegory invites readers to ponder the futility of trying to escape one's fate, making this story a timeless piece of macabre fiction.
Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary's book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.
Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it's impossible to tell where the curse leaves off and Hollywood begins.
In a manor by the sea, twelve sisters are cursed.
Annaleigh lives a sheltered life at Highmoor, a manor by the sea, with her sisters, their father, and stepmother. Once they were twelve, but loneliness fills the grand halls now that four of the girls' lives have been cut short. Each death was more tragic than the last—the plague, a plummeting fall, a drowning, a slippery plunge—and there are whispers throughout the surrounding villages that the family is cursed by the gods.
Disturbed by a series of ghostly visions, Annaleigh becomes increasingly suspicious that the deaths were no accidents. Her sisters have been sneaking out every night to attend glittering balls, dancing until dawn in silk gowns and shimmering slippers, and Annaleigh isn't sure whether to try to stop them or to join their forbidden trysts. Because who—or what—are they really dancing with?
When Annaleigh's involvement with a mysterious stranger who has secrets of his own intensifies, it's a race to unravel the darkness that has fallen over her family—before it claims her next.
No visitors. No nights spent away from the apartment. No disturbing the other residents, all of whom are rich or famous or both. These are the only rules for Jules Larsen's new job as an apartment sitter at the Bartholomew, one of Manhattan's most high-profile and mysterious buildings.
Recently heartbroken and just plain broke, Jules is taken in by the splendor of her surroundings and accepts the terms, ready to leave her past life behind.
As she gets to know the residents and staff of the Bartholomew, Jules finds herself drawn to fellow apartment sitter Ingrid, who comfortingly, disturbingly reminds her of the sister she lost eight years ago. When Ingrid confides that the Bartholomew is not what it seems and the dark history hidden beneath its gleaming facade is starting to frighten her, Jules brushes it off as a harmless ghost story—until the next day, when Ingrid disappears.
Searching for the truth about Ingrid's disappearance, Jules digs deeper into the Bartholomew's dark past and into the secrets kept within its walls. Her discovery that Ingrid is not the first apartment sitter to go missing at the Bartholomew pits Jules against the clock as she races to unmask a killer, expose the building's hidden past, and escape the Bartholomew before her temporary status becomes permanent.
From USA Today bestselling author Debbie Herbert comes a thrilling story of murder and madness set in the darkest corner of Alabama.
Everyone thinks fourteen-year-old Violet is a murderer. After a summer-night swim with her best friend, Ainsley, Violet is found confused, wandering in the forest—and Ainsley’s never seen again. But without a body, murder charges won’t stick, so Violet is sent away.
After more than a decade in a psychiatric ward, Violet returns to her broken-down hometown of Normal, Alabama, to claim her dead mother’s inheritance and help her overworked sister care for their unstable, alcoholic father. Violet, still haunted by that night eleven years ago, endures horrific flashbacks and twisted hallucinations while townsfolk spit accusations—and for all she knows, they’re right.
As the summer heats up, details of Ainsley’s fate appear like a beast’s wild eyes, watching in the darkness, and grim revelations about Violet’s family threaten to devour her. Already on the edge of madness, Violet must fight to keep her sanity long enough for the terrible truth to burst from the cold, dark waters.
Following the grief and horror of her discovery of Jack the Ripper's true identity, Audrey Rose Wadsworth has no choice but to flee London and its memories. Together with the arrogant yet charming Thomas Cresswell, she journeys to the dark heart of Romania, home to one of Europe's best schools of forensic medicine... and to another notorious killer, Vlad the Impaler, whose thirst for blood became legend.
But her life's dream is soon tainted by blood-soaked discoveries in the halls of the school's forbidding castle, and Audrey Rose is compelled to investigate the strangely familiar murders. What she finds brings all her terrifying fears to life once again.
This is the New York Times bestselling sequel to Kerri Maniscalco's haunting debut Stalking Jack the Ripper. Could it be a copycat killer... or has the depraved prince been brought back to life?
A chilling, lavishly illustrated Who's Who of the most despicable people ever to walk the earth, featuring both rare and best-loved stories from the hit podcast Lore, soon to be an online streaming series.
Here are the incredible true stories of some of the mortals who achieved notoriety in history and folklore through horrible means. Monsters of this sort—serial killers, desperate criminals, and socially mobile people with a much darker double-life—are, in fact, quite real, including:
H. H. Holmes, the infamous Chicago serial killer;
William Brodie, the Edinburgh criminal mastermind who inspired The Strange Case of Dr. Jekyll and Mr. Hyde;
And Bela Kiss, a Hungarian tinsmith with a most disturbing hobby: collecting women in gasoline drums.
This riveting best-of-the-worst roundup will haunt your thoughts, chill your bones, and leave you wondering if there are mortal monsters lurking even closer than you think.
Robert Louis Stevenson's masterpiece of the duality of good and evil in man's nature sprang from the darkest recesses of his own unconscious—during a nightmare from which his wife awakened him, alerted by his screams. More than a hundred years later, this tale of the mild-mannered Dr. Jekyll and the drug that unleashes his evil, inner persona—the loathsome, twisted Mr. Hyde—has lost none of its ability to shock.
Its realistic police-style narrative chillingly relates Jekyll's desperation as Hyde gains control of his soul—and gives voice to our own fears of the violence and evil within us. Written before Freud's naming of the ego and the id, Stevenson's enduring classic demonstrates a remarkable understanding of the personality's inner conflicts—and remains the irresistibly terrifying stuff of our worst nightmares.
Mary Shelley's seminal novel of the scientist whose creation becomes a monster. This edition is the original 1818 text, which preserves the hard-hitting and politically charged aspects of Shelley's original writing, as well as her unflinching wit and strong female voice.
This edition also includes a new introduction and suggestions for further reading by author and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon, and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.
When it comes to law and order, East Texas plays by its own rules—a fact that Darren Mathews, a black Texas Ranger, knows all too well. Deeply ambivalent about growing up black in the Lone Star State, he was the first in his family to get as far away from Texas as he could. Until duty called him home.
When his allegiance to his roots puts his job in jeopardy, he travels up Highway 59 to the small town of Lark, where two murders—a black lawyer from Chicago and a local white woman—have stirred up a hornet's nest of resentment. Darren must solve the crimes—and save himself in the process—before Lark's long-simmering racial fault lines erupt.
Two young women, living centuries apart, both accused of madness, communicate across time to fight a common enemy... their doctors.
"It was the dog who found me." Such is the stark confession launching the harrowing scene that begins The Asylum for Wayward Victorian Girls as Emilie Autumn, a young musician on the verge of a bright career, attempts suicide by overdosing on the antipsychotics prescribed to treat her bipolar disorder. Upon being discovered, Emilie is revived and immediately incarcerated in a maximum-security psych ward, despite her protestations that she is not crazy, and can provide valid reasons for her actions if someone would only listen.
Treated as a criminal, heavily medicated, and stripped of all freedoms, Emilie is denied communication with the outside world, and falls prey to the unwelcome attentions of Dr. Sharp, head of the hospital's psychiatry department. As Dr. Sharp grows more predatory by the day, Emilie begins a secret diary to document her terrifying experience, and to maintain her sanity in this environment that could surely drive anyone mad. But when Emilie opens her notebook to find a desperate letter from a young woman imprisoned within an insane asylum in Victorian England, and bearing her own name and description, a portal to another world is blasted wide open.
As these letters from the past continue to appear, Emilie escapes further into this mysterious alternate reality where sisterhoods are formed, romance between female inmates blossoms, striped wallpaper writhes with ghosts, and highly intellectual rats speak the Queen's English.
But is it real? Or is Emilie truly as mad as she is constantly told she is? The Asylum for Wayward Victorian Girls blurs harsh reality and magical historical fantasy whilst issuing a scathing critique of society's treatment of women and the mental health care industry's treatment of its patients, showing in the process that little has changed throughout the ages.
Welcome to the Asylum. Are you committed?
If it had another name, I never knew, but the locals called it the Loney - that strange nowhere between the Wyre and the Lune where Hanny and I went every Easter time with Mummer, Farther, Mr. and Mrs. Belderboss, and Father Wilfred, the parish priest.
It was impossible to truly know the place. It changed with each influx and retreat, and the neap tides would reveal the skeletons of those who thought they could escape its insidious currents. No one ever went near the water. No one apart from us, that is.
I suppose I always knew that what happened there wouldn't stay hidden forever, no matter how much I wanted it to. No matter how hard I tried to forget...
The Black Cat is one of Edgar Allan Poe's most memorable stories. This haunting tale centers around a black cat and the subsequent deterioration of a man. The story is often linked with The Tell-Tale Heart because of the profound psychological elements these two works share.
The narrative delves into the dark recesses of human psychology and explores themes of guilt, madness, and the supernatural. An unnamed narrator begins with a strong affection for pets but perversely turns to abusing them, particularly focusing on his favorite, the eponymous Black Cat. What will the cat do?
This classic horror short story combines elements of mystery and suspense, leaving readers with an eerie sense of dread and questioning the boundaries between reality and the supernatural.
Carmilla stands as a pioneering work in the vampire genre, predating even Bram Stoker’s Dracula and influencing generations of Gothic literature. Le Fanu’s narrative, with its haunting beauty and sensuous dread, explores themes of love, identity, and the macabre, leaving an indelible mark on the landscape of horror fiction. Prepare to be seduced and unnerved by this timeless tale of forbidden passion and the darkness that lurks within the shadows.
JOSEPH SHERIDAN LE FANU [1814-1873] was an Irish mystery and horror author. He had an enormous influence on the horror genre in the 19th and 20th century, especially through his championing of tone and effect rather than shock factor. Among his most noted work is the lesbian vampire novella Carmilla [1872] and mystery Uncle Silas [1864].
A deliciously dark bubblegum-gothic fairytale from a stunning new Australian talent.
'He's gone the same way as those little birds that bothered me with their awful songs! And you will too, you and your horrible heart-music, because you won't stay out of my woods!'
There's a dead girl in a birdcage in the woods. That's not unusual. Isola Wilde sees a lot of things other people don't. But when the girl appears at Isola's window, her every word a threat, Isola needs help.
Her real-life friends – Grape, James and new boy Edgar – make her forget for a while. And her brother-princes – the mermaids, faeries and magical creatures seemingly lifted from the pages of the French fairytales Isola idolises – will protect her with all the fierce love they possess.
It may not be enough. Isola needs to uncover the truth behind the dead girl's demise and appease her enraged spirit, before the ghost steals Isola's last breath.
In 1920's England, a young woman searches for the truth behind her uncle’s mysterious death in a town haunted by a restless ghost… Oxford student Jillian Leigh works day and night to keep up with her studies—so to leave at the beginning of the term is next to impossible. But after her uncle Toby, a renowned ghost hunter, is killed in a fall off a cliff, she must drive to the seaside village of Rothewell to pack up his belongings.
Almost immediately, unsettling incidents—a book left in a cold stove, a gate swinging open on its own—escalate into terrifying events that convince Jillian an angry spirit is trying to enter the house. Is it Walking John, the two-hundred-year-old ghost who haunts Blood Moon Bay? And who beside the ghost is roaming the local woods at night? If Toby uncovered something sinister, was his death no accident?
The arrival of handsome Scotland Yard inspector Drew Merriken, a former RAF pilot with mysteries of his own, leaves Jillian with more questions than answers—and with the added complication of a powerful, mutual attraction. Even as she suspects someone will do anything to hide the truth, she begins to discover spine-chilling secrets that lie deep within Rothewell…and at the very heart of who she is.
A thirst for blood, nocturnal debauchery, hypnotic trances ... this is Dracula. Jonathan Harker is travelling to Castle Dracula to see the Transylvanian noble, Count Dracula. He is begged by locals not to go there, because on the eve of St. George's Day, when the clock strikes midnight, all the evil things in the world will come full sway. But business must be done, so Jonathan makes his way to the Castle - and then his nightmare begins. His beloved wife Meena and other lost souls have fallen under the Count's horrifying spell. Dracula must be destroyed.
At the Cavendish Home for Boys and Girls, you will definitely learn your lesson. An atmospheric, heartfelt, and delightfully spooky novel for fans of Coraline, Splendors and Glooms, and The Mysterious Benedict Society.
Victoria hates nonsense. There is no need for it when your life is perfect. The only smudge on her pristine life is her best friend Lawrence. He is a disaster, lazy and dreamy, shirt always untucked, obsessed with his silly piano. Victoria often wonders why she ever bothered being his friend. (Lawrence does, too.)
But then Lawrence goes missing. And he is not the only one. Victoria soon discovers that The Cavendish Home for Boys and Girls is not what it appears to be. Kids go in but come out different. Or they don't come out at all.
If anyone can sort this out, it's Victoria, even if it means getting a little messy.
Our first story is called White Shine of Appalachia. Take a journey, with our nameless narrator, through the towns of Baconton, Georgia to Rabun Gap, Georgia. Our narrator struggles with domestic violence, moonshining, and a somewhat voluptuous school teacher accused of sleeping with her husband. The ATF and DEA are hot on her husband's trail for attempted murder. She now must make a decision in order to survive her husband's rampage, which ends in the mountains of Appalachia.
Our second story is called Small Town Girl. A young divorcee, Gwen, is trying to make a new life for herself. Gwen leaves the only life she has ever known to take a job in another state. Unforeseen events bring about some twists and turns, and Gwen has to face her past once again.
Bestselling author Donna Tartt returns with a grandly ambitious and utterly riveting novel of childhood, innocence and evil. The setting is Alexandria, Mississippi, where one Mother's Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents' yard. Twelve years later Robin's murder is still unsolved and his family remains devastated.
So it is that Robin's sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town's rigid lines of race and caste and burrows deep into her family's history of loss.
Have you ever had the feeling that you've lived another life? Been somewhere that has felt totally familiar, even though you've never been there before, or felt that you know someone well, even though you are meeting them for the first time? It happens.
In 2073, on the remote and secretive island of Blessed, where rumors say no one ages and no children are born, a visiting journalist, Eric Seven, and a young local woman named Merle are ritually slain. Their deaths echo a moment ten centuries before, when, in the dark of the moon, a king was slain, tragically torn from his queen. Their souls search to be reunited, and as mother and son, artist and child, forbidden lovers, and victims of a vampire, they come close to finding what they've lost.
This novel, comprising seven parts, each influenced by a moon - the flower moon, the harvest moon, the hunter's moon, the blood moon - tells the story of Eric and Merle, whose souls have been searching for each other since their untimely parting. Beautifully imagined, intricately and cleverly structured, this is a heart-wrenching and breathtaking love story with the hallmark Sedgwick gothic touches of atmosphere, blood-spilling, and sacrifice.
The Bayou Trilogy is a hard-hitting collection of crime novels set in the gritty, atmospheric parish of St. Bruno. Sex is easy, corruption festers, and double-dealing is a way of life.
Follow Rene Shade, an uncompromising detective, as he navigates a world filled with hit men, porn kings, and a gang of ex-cons. Shade must also confront the ghosts of his own checkered past. These novels pit long-entrenched criminals against the hard line of the law, brother against brother, and two vastly different sons against a long-absent father.
Daniel Woodrell delivers a compelling exploration of the shadows of rural American life. This trilogy showcases the origins of an author who has left a lasting mark on crime fiction.
In this novel, Susan Kay reimagines Gaston Leroux's famous novel The Phantom of the Opera in greater depth and detail. Phantom begins with a young widow giving birth to her only child. The child's face is severely deformed, and despite the signs of genius he shows from his early days, she cannot bring herself to love him. The child, Erik's, childhood is spent longing for the love of a mother whose only gift to him was a mask.
Eventually Erik runs away and joins a circus freak show. The cruel owners capitalize off his hideous face and his hauntingly beautiful singing. After leaving the circus, Erik becomes an apprentice to a stone mason, and experiences an adolescent crush on the mason's daughter, but after his appearance inadvertently causes a terrible tragedy, he escapes once again, this time to Persia, and the queen's court. Finally, tired of the world's rejection, Erik helps to design the Paris Opera House, complete with a cavernous and labyrinthine basement, where he intends to live out the rest of his days. It is here that he encounters, Christine, a young soprano with whom he falls in love.
For Carrie, Chris and Cathy, the attic was a dark horror that would not leave their minds, even while they built bright, promising new lives. Of course, mother had to pretend they didn't exist. And Grandmother was convinced they had the devil in them. But that wasn't their fault. Was it? Cathy knew what to do. She knew it was time to put what she knew to the test. To show her mother and grandmother that the pain and terror of the attic could not be forgotten... Show them. Show them—once and for all.
Her Fearful Symmetry, penned by Audrey Niffenegger, unfolds a captivating tale set in the shadow of London's Highgate Cemetery. Following the death of Elspeth Noblin from cancer, her London apartment is bequeathed to her twin nieces, Julia and Valentina. These young American women, who had never met their English aunt, are drawn into a world beyond their suburban Chicago existence, discovering a complex web of relationships and secrets.
The twins' inheritance places them at the heart of Highgate's close-knit community, among its intriguing residents. There's Martin, a brilliant crossword puzzle setter grappling with severe Obsessive Compulsive Disorder, and his wife Marjike, who remains steadfastly by his side. Robert, Elspeth's mysterious lover and a scholar of the cemetery, becomes a central figure in the twins' new lives. As Julia and Valentina delve deeper, they encounter a reality where the boundary between life and death blurs, suggesting that Elspeth's presence still lingers.
Niffenegger masterfully weaves themes of love, identity, and the enduring bonds of sisterhood, exploring the persistence of life and the nuances of relationships beyond the veil of death.
First published in 1960, The Violent Bear It Away is now a landmark in American literature. It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Connor's work.
In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle—that Tarwater will become a prophet and will baptize Rayber's young son, Bishop.
A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul.
O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos, resulting in a novel where range and depth reveal a brilliant and innovative writer acutely alert to where the sacred lives and to where it does not.
Named for a flower whose blood-red sap possesses the power both to heal and poison, Bloodroot is a stunning fiction debut about the legacies—of magic and madness, faith and secrets, passion and loss—that haunt one family across the generations, from the Great Depression to today.
The novel is told in a kaleidoscope of seamlessly woven voices and centers around an incendiary romance that consumes everyone in its path: Myra Lamb, a wild young girl with mysterious, haint blue eyes who grows up on remote Bloodroot Mountain; her grandmother Byrdie Lamb, who protects Myra fiercely and passes down “the touch” that bewitches people and animals alike; the neighbor boy who longs for Myra yet is destined never to have her; the twin children Myra is forced to abandon but who never forget their mother’s deep love; and John Odom, the man who tries to tame Myra and meets with shocking, violent disaster.
Against the backdrop of a beautiful but often unforgiving country, these lives come together—only to be torn apart—as a dark, riveting mystery unfolds. With grace and unflinching verisimilitude, Amy Greene brings her native Appalachia—and the faith and fury of its people—to rich and vivid life. Here is a spellbinding tour de force that announces a dazzlingly fresh, natural-born storyteller in our midst.
Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.
Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.
In a town with no surprises, one secret could change everything.
First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, which eventually teaches her how to sing beautifully.
All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears.
The phantom is in love, but it can only spell disaster. Gaston Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.
These are the secrets I have kept. This is the trust I never betrayed. But he is dead now and has been for more than forty years, the one who gave me his trust, the one for whom I kept these secrets. The one who saved me... and the one who cursed me.
So starts the diary of Will Henry, orphaned assistant to Dr. Pellinore Warthorpe, a man with a most unusual specialty: monstrumology, the study of monsters. In his time with the doctor, Will has met many a mysterious late-night visitor and seen things he never imagined were real.
But when a grave robber comes calling in the middle of the night with a gruesome find, he brings with him their most deadly case yet. A gothic tour de force that explores the darkest heart of man and monster and asks the question: When does man become the very thing he hunts?
When a tortured young woman enters the trauma center of an Atlanta hospital, Dr. Sara Linton is thrust into a desperate police investigation with Special Agent Will Trent and his partner, Faith Mitchell.
Though guarding their own wounds and their own secrets, Sara, Will, and Faith find that they are all that stand between a madman and his next victim. In the backwoods of suburban Atlanta, local police have set up their investigation. But Georgia Bureau of Investigation detective Will Trent doesn't wait for the go-ahead from his boss—he plunges through police lines, single-handedly exposing a hidden house of horror buried beneath the earth.
Another woman—a smart, upscale, independent young mother—has been snatched. For the two cops out on the hunt, for the doctor trying to bring her patient back to life, the truth hits like a hammer: The killer’s torture chamber has been found, but the killer is still at work.
From master storyteller Carlos Ruiz Zafon, author of the international phenomenon The Shadow of the Wind, comes The Angel’s Game — a dazzling new page-turner about the perilous nature of obsession, in literature and in love.
The whole of Barcelona stretched out at my feet and I wanted to believe that when I opened those windows — my new windows — each evening its streets would whisper stories to me, secrets in my ear, that I could catch on paper and narrate to whomever cared to listen…
In an abandoned mansion at the heart of Barcelona, a young man, David Martin, makes his living by writing sensationalist novels under a pseudonym. The survivor of a troubled childhood, he has taken refuge in the world of books and spends his nights spinning baroque tales about the city’s underworld. But perhaps his dark imaginings are not as strange as they seem, for in a locked room deep within the house lie photographs and letters hinting at the mysterious death of the previous owner. Like a slow poison, the history of the place seeps into his bones as he struggles with an impossible love. Close to despair, David receives a letter from a reclusive French editor, Andreas Corelli, who makes him the offer of a lifetime. He is to write a book unlike anything that has ever existed — a book with the power to change hearts and minds. In return, he will receive a fortune, and perhaps more. But as David begins the work, he realizes that there is a connection between his haunting book and the shadows that surround his home.
Once again, Zafon takes us into a dark, gothic universe first seen in The Shadow of the Wind and creates a breathtaking adventure of intrigue, romance, and tragedy. Through a dizzyingly constructed labyrinth of secrets, the magic of books, passion, and friendship blend into a masterful story.
One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at the lonely Hundreds Hall.
Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own.
But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.
A new guy in town. Rumors of vampires. Dangerous first love. This is where it all begins...
The mansion on top of Benson Hill has stood empty for years. But one day it seems to be occupied, and its mysterious, handsome inhabitant Alexander Sterling becomes the source of much talk around town. Raven, a vampire-obsessed Goth-girl who has always considered herself an outsider in Dullsville, is determined to uncover the truth surrounding the secretive Alexander. As she gets to know him, and their spark intensifies, Raven finds herself in some unanticipated situations. Can Alexander make her lifelong dream come true? But love always has its complications—especially when it can only be awakened at nightfall.
The first three books in Ellen Schreiber's bestselling Vampire Kisses series capture the thrill of a most unusual romance.
A Death in the Family is a classic American novel, re-published for the 100th anniversary of James Agee's birth. Published in 1957, two years after its author's death at the age of forty-five, this novel remains a near-perfect work of art. It is an autobiographical novel that contains one of the most evocative depictions of loss and grief ever written.
As Jay Follet hurries back to his home in Knoxville, Tennessee, he is killed in a car accident—a tragedy that destroys not only a life but also the domestic happiness and contentment of a young family. This is a novel of great courage, lyric force, and powerful emotion, truly a masterpiece of American literature.
The Tin Roof Blowdown is James Lee Burke's latest mystery featuring Dave Robicheaux. It is much more than just a mystery. The story begins with the shooting of two would-be looters in New Orleans during Hurricane Katrina, and follows a diverse group of characters. From street thugs to a big-time mob boss, from a junkie priest to a sadistic psychopath, their stories converge on a cache of stolen diamonds.
As the storm turns the Big Easy into a lawless wasteland of apocalyptic proportions, the nightmarish landscape created by Katrina becomes the perfect setting for Burke's almost Biblical visions of good and evil. The narrative pulses with undercurrents of rage and pain, making this not only a personal and deeply felt book, but potentially his best novel to date.
This is not just a superb crime novel; it is potentially THE fictional chronicle of a disaster whose human dimensions America is still struggling to process.
When Raven returns to Hipsterville's cryptic goth haunt, the Coffin Club, she discovers a secret door to another disco—The Dungeon—that is inhabited by vampires only.
Raven learns that the nefarious Jagger Maxwell has welcomed the vampire clan into the club and has gained the popularity he missed in Romania. He is poised to take over Hipsterville, until a new vampire named Phoenix challenges him for control of the Coffin Club.
Unbeknownst to Alexander, Raven becomes caught up in the clash, entranced by the hypnotic vampire culture of the Underworld.
Bianca wants to escape. She's been uprooted from her small hometown and enrolled at Evernight Academy, an eerie Gothic boarding school where the students are somehow too perfect: smart, sleek, and almost predatory. Bianca knows she doesn't fit in.
Then she meets Lucas. He's not the "Evernight type" either, and he likes it that way. Lucas ignores the rules, stands up to the snobs, and warns Bianca to be careful—even when it comes to caring about him.
"I couldn't stand it if they took it out on you," he tells Bianca, "and eventually they would."
But the connection between Bianca and Lucas can't be denied. Bianca will risk anything to be with Lucas, but dark secrets are fated to tear them apart . . . and to make Bianca question everything she's ever believed.
There's a new vampire in town. His name is Valentine Maxwell. Goth-girl Raven knows this latest intruder can only mean trouble--he's the younger sibling of two vampires she fought to drive out of Dullsville.
But when her brother, Billy, befriends this dangerous tween night prowler, the stakes are suddenly higher. Though torn by the excitement of every teen girl's fantasy--attending the prom with her boyfriend--Raven must do everything she can to protect Billy.
Valentine's appearance may pose even further threats. Could he somehow know Raven's innermost feelings about becoming immortal for her true love, Alexander? The far-from-ordinary romance of these two teen outsiders takes another surprise-filled spin in the fourth book of Ellen Schreiber's applauded Vampire Kisses series.
Titus Groan starts with the birth and ends with the first birthday celebrations of the heir to the grand, tradition-bound castle of Gormenghast. A grand miasma of doom and foreboding weaves over the sterile rituals of the castle. Villainous Steerpike seeks to exploit the gaps between the formal rituals and the emotional needs of the ruling family for his own profit.
Wise Blood, Flannery O'Connor's astonishing and haunting first novel, is a classic of twentieth-century literature. Focused on the story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his innate, desperate fate, this tale of redemption, retribution, false prophets, blindness, blindings, and wisdoms gives us one of the most riveting characters in twentieth-century American fiction.