Somewhere Beyond the Sea is the highly anticipated sequel to TJ Klune's The House in the Cerulean Sea, a beloved and best-selling fantasy novel.

Arthur Parnassus has created a good life from the remnants of a difficult past. As the caretaker of an extraordinary orphanage on a remote and unique island, he aspires to become the adoptive father to the six enchanted and powerful children in his care.

Arthur dedicates himself fully, ensuring that the children never endure the neglect and suffering he experienced as an orphan on the same island. He's not alone in his efforts; his life partner, Linus Baker, a former employee of the Department In Charge of Magical Youth, stands with him. Alongside them are the island's sprite, Zoe Chapelwhite, and her girlfriend, Mayor Helen Webb. Together, they will go to any lengths to safeguard the children.

When Arthur is compelled to confront his shadowy history publicly, he leads a battle for a future that his family and all magical beings are entitled to. The arrival of a new magical child, who embraces the term 'monster'—a label Arthur fought to shield his children from—indicates a pivotal moment for their family. They must either unite more robustly than before or risk disintegration.

Return to Marsyas Island for Arthur's tale—a narrative of perseverance and love, about the challenging journey to fight for the life you choose and the effort required to maintain it.

A dazzling novel about making art, desire, and the inextricable link between the personal and the political set against the decadence of post-war Los Angeles. George is a Hungarian immigrant working as a studio hack writing monster movies in 1950s Los Angeles. He must navigate the McCarthy era studio system filled with possible Communists and spies; the life of closeted men along Sunset Boulevard; the inability of the era to disassemble love from persecution and guilt.

But when a famous actress named Madeleine offers George a writing residency at her estate in Malibu to work on the political writing he cares most deeply about, his world changes dramatically. Soon it's drinks by the pool every night, pleasure in every direction, and Madeleine carrying him like an ornament into a class of postwar L.A. society ordinarily hidden from men like him.

What this lifestyle hides behind, aside from the monsters on the screen, are the monsters dwelling closer to home: this endless bacchanalia covers a gnawing hole shelled wide by the horror of the war they'd thought they left behind. Beneath his newfound relationships lie the pernicious forces of the American political project. And what George can never escape: his past as György, the queer Jew who fled Budapest before the war, landing in New York all alone a decade prior.

In New York as in California, the people he loves aren't what they seem—and neither is his adopted country, one pretending to have transcended bigotry, authoritarianism, and violence. The Future Was Color is an immaculately written exploration of making art and reinventing the self, post-war American decadence, and the psychosis that lingers in a world that's seen the bomb. Spanning from sun-drenched Los Angeles, to hidden corners of working-class New York, to a virtuosic climax in the Las Vegas desert, it upends our perceptions of just how personal the political can be.

Two young housemates embark on a road trip to discover themselves in a fractured America in this sparkling novel of love, friendship, and chosen family, by the award-winning author of The Third Rainbow Girl. What does it feel like, standing in the moments that will mark your life?

When Bernie replies to Leah's ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography.

After Bernie's former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs.

What ensues is a three-week journey into the heart of the nation, bringing the artists into conversation with people from all walks of life—as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to pursue their own ideas and dreams, and to embrace what they are capable of both romantically and artistically.

Housemates is a warm and insightful coming-of-age story of youth and freedom, a glorious celebration of queer life, and how art and love might save us all.

Cecilia is a surreal novella that delves deep into the intensity and eroticism of girlhood friendships, the ecstasy of desire and disgust, and matriarchal mythmaking. The story unfolds with Seven, who works as a cleaner at a chiropractor's office, reencountering Cecilia, a woman who has captivated her since their school days. As they coincidentally board the same bus, with each claiming not to be following the other, their chance meeting spurs a series of intensely vivid and corporeal memories.

In the midst of this defamiliarization, the narrator begins to see queerness itself as an alienation from normative time. Smart, subversive, and gripping, Cecilia takes readers on a winding, misty road trip through bodily transformation, inextricable histories of desire and violence, diaspora, and obsessive love.

A controversial LA author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student researching 1950s lesbian pulp who smells like metallic orchids, or her new neighbor, Penelope, who smells like patchouli.

Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid's life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events.

Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet and celebrity-obsessed world. With notes of Southern California citrus and sultry smokiness, Perfume and Pain is a satirical romp through Hollywood and lesbian melodrama.

Shae is a poignant coming-of-age story by Mesha Maren, one of the most exciting young queer writers on the literary landscape. This novel invites readers into the life of Shae, a teenager living in a rural small town in West Virginia. Shae's world is turned upside down when she falls in love with Cam, who is on the cusp of an important personal transformation.

When Shae, at the tender age of sixteen, meets Cam, the slightly older new kid in town, she believes she has discovered the ideal companion she's always desired. Their bond quickly escalates from friendship to something more. However, their relationship takes an unexpected turn when Shae becomes pregnant and Cam begins to transition, embracing female pronouns and experimenting with clothes that no longer fit Shae.

Amidst this personal upheaval, Shae faces another challenge - a struggle with opioid addiction following a traumatic C-section and the birth of their daughter, Eva. The story provides a stark look at the opioid crisis, particularly how it affects rural communities like theirs in West Virginia. As Shae grapples with her dependence, Cam continues her journey of self-discovery, confronting the harsh realities of being a trans woman in rural America.

Shae is a deeply emotional exploration of two young women's lives and the place they cherish, despite its flaws. This novel is a testament to Mesha Maren's storytelling prowess, following her acclaimed works Sugar Run and Perpetual West.

A triumphant family story and sharply observed exploration of privilege, identity, and love in all its forms, following four estranged siblings whose lives collide in the lead-up to a family wedding, when new clues surface about their long-missing father.

April, May, June, and July Barber don’t have much in common anymore. An upcoming family wedding will place the four siblings in the same room for the first time in years. But shortly before, when April spots their father, who went missing while serving overseas a decade ago, their reunion becomes entirely more complicated.

While the siblings’ search for the truth about their father forces them back into each other’s lives, it also intensifies their private dramas. April loves her husband, but seeks excitement outside their marriage. May had big dreams for the future, but she’s still stuck living at home. June is eager to marry her girlfriend, so why does she need a drink at every wedding-related event? And then there’s baby brother July, whose unrequited love for his straight roommate has him more confused than ever.

Confronting the past together, April, May, June, and July will find not only answers about their father, but new romance, hope, and understanding as they learn to embrace the beauty of their shared history.

The Z Word is the queer Zombieland you didn't know you needed. Chaotic bisexual Wendy is trying to find her place in the queer community of San Lazaro, Arizona, after a bad breakup—which is particularly difficult because her ex is hooking up with some of her friends. And when the people around them start turning into violent, terrifying mindless husks, well, that makes things harder.

Especially since the infection seems to be spreading. Now, Wendy and her friends and frenemies—drag queen Logan, silver fox Beau, sword lesbian Aurelia and her wife Sam, mysterious pizza delivery stoner Sunshine, and, oh yeah, Wendy's ex-girlfriend Leah—have to team up to stay alive, save Pride, and track the zombie outbreak to its shocking source. Hopefully without killing each other first. The Z Word is a propulsive, funny, emotional horror debut about a found family coming together to fight corporate greed, political corruption, gay drama, and zombies.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women.

Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account.

Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

Mean Boys: A Personal History delves into the complex world of male friendships and rivalries, exploring how they shape our identities and experiences. Geoffrey Mak shares his personal journey, examining the intricate dynamics of competition and camaraderie among men.

Through a series of vivid anecdotes and reflective insights, Mak reveals the often unspoken rules that govern male relationships. He sheds light on the challenges and triumphs that come with navigating these bonds, offering a candid look at the role of masculinity in modern society.

This memoir is not just a tale of personal growth but a broader commentary on the societal expectations placed on men. Mak's narrative is both thought-provoking and relatable, as he invites readers to reconsider what it means to be a 'mean boy' in today's world.

A Good Happy Girl is a poignant, surprising, and immersive novel that delves into the complexities of relationships and the human psyche. We meet Helen, a jittery attorney with a self-destructive streak, who is grappling with the aftermath of a crime of neglect committed by her parents. She has historically coped by compartmentalizing her life—engaging in casual hookups with lesbian couples, caring for her grandmother, and flirting with a young administrative assistant.

Everything changes when Helen encounters Catherine and Katrina, a married lesbian couple whose sexual and emotional intensity begins to unravel the tightly wound fabric of her life. As they prod into Helen's past, they unearth a childhood tragedy she has long been repressing. Facing her father's pleas for help with parole, Helen seizes an opportunity to confront her history and seek answers she has long avoided.

Author Marissa Higgins explores themes of queer domesticity, the effects of incarceration on families, and intergenerational poverty, extending empathy to characters often deprived of it, leading to unsettling and thought-provoking results.

Like Love: Essays and Conversations is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making.

Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson's own development, and a testament to the profound sustenance offered by art and artists.

From the New York Times bestselling author of Boy Erased, an electrifying, deeply moving novel about the love story between two men in Puritan New England.

Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister's words a love so captivating it transcends language.

As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next. And when the religious ecstasies of the Great Awakening begin to take hold, igniting a new era of zealotry, Nathaniel and Arthur search for a path out of an impossible situation, imagining a future for themselves which has no name. Their wives and children must do the same, looking beyond the known world for a new kind of wilderness, both physical and spiritual.

Set during the turbulent historical upheavals which shaped America's destiny and following in the tradition of Nathaniel Hawthorne's The Scarlet Letter, All the World Beside reveals the very human lives just beneath the surface of dogmatic belief.

From the author of The Watchmaker of Filigree Street, a stunning queer sci-fi novel about the relationship between an Earth refugee and a xenophobic Mars politician.

In the wake of an environmental catastrophe, January, once a principal in London's Royal Ballet, has become a refugee in Tharsis, the terraformed colony on Mars. There, January’s life is dictated by his status as an Earthstronger—a person whose body is not adjusted to lower gravity and so poses a danger to those born on, or naturalized to, Mars. January’s job choices, housing, and even transportation are dictated by this second-class status, and now a xenophobic politician named Aubrey Gale is running on a platform that would make it all worse: Gale wants all Earthstrongers to naturalize, a process that is always disabling and sometimes deadly.

When Gale chooses January for an on-the-spot press junket interview that goes horribly awry, January’s life is thrown into chaos, but Gale’s political fortunes are damaged, too. Gale proposes a solution to both their problems: a five-year made-for-the-press marriage that would secure January’s future without naturalization and ensure Gale’s political success. But when January accepts the offer, he discovers that Gale is not at all like they appear in the press. They're kind, compassionate, and much more difficult to hate than January would prefer.

As their romantic relationship develops, the political situation worsens, and January discovers Gale has an enemy, someone willing to destroy all of Tharsis to make them pay—and January may be the only person standing in the way. Un-put-downably immersive and utterly timely, Natasha Pulley’s new novel is a gripping story about privilege, strength, and life across class divisions, perfect for readers of Sarah Gailey and Tamsyn Muir.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

Ten Bridges I've Burnt: A Memoir in Verse brings forth a wrenching, sexy, and exhilaratingly energetic memoir from the beloved author of 100 Boyfriends, Brontez Purnell. With his unique literary style, Purnell turns his keen gaze inward, crafting a narrative that is as much a collection of genre-defying verse as it is a candid self-exploration.

In this series of thirty-eight autobiographical pieces, Purnell is at his unapologetic best. He vividly recounts events ranging from a ferocious altercation at a poetry conference to the challenges of navigating TV writers' rooms while dealing with personal trauma. Purnell grapples with the legacies inherited from his family, both curses and gifts, and lays bare a whirlwind of experiences that include misadventures and intimate encounters.

Throughout the memoir, Purnell's musings extend to a diverse array of subjects, from love and loneliness to the intricacies of capitalism and Blackness, as well as reflections on physical exercise and the ethics of artistic creation. His writing, marked by a balance of humor and insight that garnered acclaim for 100 Boyfriends, thrives on its unpredictability and fluidity. Ten Bridges I've Burnt stands as yet another testament to Purnell's boundary-pushing creativity, offering a book as original and thrilling as the author himself.

Corey Fah Does Social Mobility is a bold and buoyant novel that celebrates radical queer survival and gleefully takes a hammer to false notions of success.

The story unfolds around Corey Fah, a writer who has hit the literary jackpot: their novel has just won the prize for the Fictionalization of Social Evils. However, the actual trophy—and the funds that come with it—remain tantalizingly out of reach. Neon-beige with UFO-like qualities, the elusive trophy propels Corey, along with their partner Drew and eight-legged companion Bambi Pavok, on a spectacular quest. From their childhood in the Forest to an unexpected turn on reality TV, they navigate a world filled with wormholes and time loops. Through these adventures, Corey learns the hard way the difference between a prize and a gift.

Following the Goldsmiths Prize–winning Sterling Karat Gold, Isabel Waidner's new novel is a story about coming into one's own, the labor of love, the tendency of history to repeat itself, and the impact of a sudden influx of cultural capital into previously uncharted territory.

Interesting Facts About Space is a journey through the cosmos, guided by the witty and introspective Enid. An aficionado of all things astronomical, Enid can describe the terrifying wonders of black holes with ease, but her own fears are much closer to home—like her inexplicable phobia of bald men, a secret she guards closely.

Between her addiction to true crime podcasts and a carousel of dates with women from dating apps, Enid is trying to navigate the complexities of life, including reconnecting with her estranged half-sisters following their father's death. But life takes a peculiar turn when Enid finds herself in her first serious romantic relationship and starts to suspect that she's being stalked.

As Enid's paranoia escalates, she's forced to face the haunting realization that she can't escape the most persistent follower of all—herself. With a blend of quirky humor, charm, and a touch of heartache, Interesting Facts About Space explores the importance of confronting our hidden fears and the most intimately human aspects of our identity.

Broughtupsy is an enthralling debut novel that captures the cinematic yet intimate journey of a young Jamaican woman, Akúa, as she grapples with grief and the elusive concept of home.

Tired of feeling unmoored, twenty-year-old Akúa travels from Canada to Jamaica to seek a connection with her estranged sister Tamika following the death of their younger brother Bryson from sickle cell anemia—the same disease that claimed their mother ten years earlier. Akúa's mission is to spread Bryson's ashes and rekindle familial bonds.

During two pivotal weeks, the sisters revisit childhood haunts, revealing the chasm between them and the cultural distance Akúa has traversed. Struggling with her identity, she repeatedly questions, "Am I Jamaican?" Beneath these doubts simmer anger and abandonment issues, manifesting in the unasked question, "Why didn’t you stay with me?"

As Akúa disperses her brother's ashes around Kingston, she encounters Jayda, a bold stripper who introduces her to an alternate side of the city. Their growing closeness forces Akúa to face the harsh realities of being gay in a devoutly religious family and the broader implications of being a gay woman in Jamaica.

Broughtupsy weaves a narrative that is part family saga, part coming-of-age story, and part exploration of sexual identity. It is a profound narrative that delves into the complexities of family obligations and the lengths one will go to experience the essence of home.

Martyr! by Kaveh Akbar is an electrifying, funny, and wholly original novel that heralds the arrival of an essential new voice in contemporary fiction. The story follows Cyrus Shams, a newly sober, orphaned son of Iranian immigrants, who is guided by the voices of artists, poets, and kings on a remarkable search for a family secret. This journey leads him to a terminally ill painter living out her final days in the Brooklyn Museum.

Cyrus grapples with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident, and his father's life in America was circumscribed by his work at a factory farm. As a drunk, an addict, and a poet, Cyrus's obsession with martyrs drives him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death and toward his mother, through a painting that suggests she may not have been who or what she seemed.

Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, and others.

Iris Kelly Doesn't Date is a witty and heartfelt new romantic comedy by Ashley Herring Blake. Iris Kelly, a romance author, is surrounded by love in every corner of her life, yet she prefers to stick to her commitment-free lifestyle, despite the pressure to settle down. But as she faces a looming deadline for her second book, Iris finds herself completely out of inspiration.

One night, Iris's visit to a Portland bar leads her to Stefania, a sexy stranger with whom she shares a night of passion, only for it to turn into a disaster. The plot thickens when Iris auditions for a local play and encounters Stefania again, who is actually named Stevie. In a twist of fate, Stevie convinces Iris to pose as her girlfriend, sparking an arrangement that could provide the perfect fodder for Iris's book.

As they act out their fake relationship, Iris and Stevie find themselves in a blur of emotions, questioning the authenticity of their connection and who will dare to make the first real move.

From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time.

The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth.

A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

A well-known writer, activist, and disability rights advocate, Henrietta Bollinger's debut essay collection speaks to their experiences as a queer, disabled person, and as a twin. Articulations is a timely, personal, and poignant appraisal of life in Aotearoa New Zealand.

Soundtracked by the Topp Twins, Anika Moa, Woody Guthrie and more, Bollinger's essays take us on a journey from first crushes and first periods to parliamentary reform and Disability Pride. They challenge the norms of our ableist society, asking us to consider better ways of being with each other and ourselves.

The Splinter in the Sky is a diverse, exciting debut space opera about a young tea expert named Enitan, who finds herself taken as a political prisoner and recruited to spy on government officials. This precarious role may empower her to win back her nation's independence, making it a compelling read for fans of N.K. Jemisin and Nnedi Okorafor.

After the dust settles from the failed war of conquest between the Holy Vaalbaran Empire and the Ominirish Republic, Enitan's simple life as a scribe and tea enthusiast is upended. Despite the last Emperor's surrender, the aftermath is deeply personal when her lover is assassinated, and her sibling is abducted by Imperial soldiers. Determined to seek vengeance and rescue her sibling, Enitan abandons her dreams of a peaceful life to navigate the treacherous political landscape of the Vaalbaran capital. Through her journey, she discovers the lengths she is willing to go to not only exact vengeance but also to secure the freedom of her homeland.

The Rachel Incident, brilliantly funny novel about friends, lovers, Ireland in chaos, and a young woman desperately trying to manage all three.

Rachel is a student working at a bookstore when she meets James, and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them.

When Rachel falls in love with her married professor, Dr. Fred Byrne, James helps her devise a reading at their local bookstore, with the goal that she might seduce him afterwards. But Fred has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred’s glamorous, well-connected, bourgeois wife. Aching with unrequited love, shot through with delicious, sparkling humor, The Rachel Incident is a triumph.

Pageboy: A Memoir is a candid and transformative journey of Academy Award-nominated actor Elliot Page. From the brink of self-discovery in a queer bar before the world premiere of Juno, through the whirlwind of Hollywood's expectations, to the pressures of performing that nearly suffocated him, Elliot Page's memoir is a tale of defiance, strength, and joy.

Elliot's story delves into the intimate aspects of sex, love, trauma, and the challenges of navigating a life in the spotlight. As he grapples with his identity and the societal pressures to conform to a binary, Elliot's narrative is both an ode to self-realization and a powerful exploration of what it means to break free from the expectations of others. Pageboy reveals the behind-the-scenes details of a life lived in the public eye and the personal interrogations that lead to a celebration of true self.

Translation State is a powerful new novel by one of the masters of modern science fiction, Ann Leckie. It's a sweeping space adventure and a brilliant exploration of belonging and identity.

When Enae's grandmaman passes away, Enae inherits an unexpected diplomatic assignment to track down a fugitive missing for over 200 years. Although it seems to be an empty assignment meant to keep his occupied, Enae, who has never had a true purpose, is determined to succeed.

Reet, an adopted mechanic with a secret yearning to understand his identity, is approached by a political group claiming he has ties to a genetically mysterious, long-deceased family. Eager for answers, Reet is drawn into a deeper mystery.

Qven, a Presgr translator, has always known their path—learn human ways and serve as an intermediary between the dangerous alien Presgr and the human worlds. However, when Qven desires something different, a rebellion against their predetermined life begins.

As a Conclave of various species approaches and with a critical treaty at stake, the paths of Enae, Reet, and Qven collide, triggering a chain of events with far-reaching consequences across galaxies.

Promises Stronger Than Darkness marks the final installment of the international bestselling author Charlie Jane Anders's absolutely heart-stopping YA series, Unstoppable. They're the galaxy's most wanted—and our only hope.

When Elza became a space princess, she thought she'd be spending her time at the palace, wearing gorgeous couture and soaking up everything there is to know—but instead, she's on the run, with everyone hunting for her and her friends.

Rachael followed her best friend Tina on the adventure of a lifetime—but now Tina's gone, and Rachael's the only one keeping her friends together, as they go on a desperate quest to save everyone from an ancient curse.

Rachael, Elza, and their friends have found one clue, one shining mysterious chance to stop the end of the world. And that takes them back to the second-to-last place they'd want to be: enlisting the aid of Captain Thaoh Argentian, the woman who stole Tina's body (and who now seems to be relishing a second chance at teenage chaos and drama, instead of living up to her legacy as an intrepid heroic commander).

With only a ragtag band of misfits, crewmates, earthlings, friends, lovers (and one annoying frenemy), the Unstoppable Crew are up against the universe—and they soon find that in order to survive, they may have to cross a line they vowed never to cross.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies. It is a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs.

Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid.

Ren aches to be in the water. She dreams of the scent of chlorine—the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

In this bold debut novel, two men, both in complicated marriages, risk their livelihoods and their lives to write a revolutionary book in defense of gay love. London, 1894. John and Henry have a vision for a new way of life. But as the Oscar Wilde trial ignites public outcry, everything they long for could be under threat.

After a lifetime spent navigating his desires, John has finally found a man who returns his feelings. Meanwhile, Henry is convinced that his new unconventional marriage will bring freedom. United by a shared vision, they begin work on a revolutionary book arguing for the legalisation of homosexuality. Before it can be published, however, Oscar Wilde is arrested and their daring book threatens to throw them, and all around them, into danger. How high a price are they willing to pay for a new way of living?

'A very fine new writer' - Kate Atkinson
'I loved this book' - Zadie Smith
'Some of the best writing on desire I've read' - Douglas Stuart
'Extraordinary' - Jonathan Bailey
'Filled with nuance and tenderness . . . charting the lives of men and women who inspired not only political progress but an entire new way of living and loving' - Colm Tóibín

When tech scavenger Xích Si is captured and imprisoned by the infamous pirates of the Red Banner, she expects to be tortured or killed. Instead, their leader, Rice Fish, makes Xích Si an utterly incredible proposition: an offer of marriage. Both have their reasons for this arrangement: Xích Si needs protection; Rice Fish, a sentient spaceship, needs a technical expert to investigate the death of her first wife, the Red Scholar. That’s all there is to it.

But as the interstellar war against piracy rages on and their own investigation reaches a dire conclusion, the two of them discover that their arrangement has evolved into something much less business-focused and more personal...and tender. And maybe the best thing that’s ever happened to either of them—but only if they can find a way to survive together.

A rich space opera and an intensely soft romance, from an exceptional SF author.

Astrid Parker Doesn't Fail is a romantic comedy that follows the story of an interior designer who is learning to navigate her love life without a perfect plan. For Astrid Parker, failure is not an option. After ending her engagement a year prior, she has thrown herself into her career, a move her friends consider obsessive, but she views as driven.

When Astrid is selected to be the designer for the renovation of the Everwood Inn, set to be featured on the popular HGTV show, Innside America, she sees it as an opportunity to focus on something other than her personal life and perhaps even earn her mother's elusive approval. However, she didn't account for Jordan Everwood, the lead carpenter and granddaughter of the inn's owner, who is fiercely protective of her family's history and not a fan of Astrid's modern design ideas.

Their professional tension takes a turn when it's suggested they exaggerate their disagreements for the show, leading to an unexpected evolution of their relationship. Faced with new feelings and challenges, Astrid must decide what success really means to her and whether she will follow the expected path or the one she truly desires.

In the city of Corcannon, everyone has a secret. Madeleine is planning her wedding to Tivol, but she's really in love with Reese. Jayla has become the guardian of a child named Aussen, but she knows that Aussen possesses a mysterious and dangerous power. Brandon is a temple soldier keeping the enigmatic Villette a prisoner in her own home, but finds himself risking everything to keep her safe. Pietro is pretending he's surprised every time the city is wracked by tremors, but he'll do anything to stop the devastation. Even Corcannon itself has a secret. It's built on a lie, and that lie is about to come tumbling down.

Saving the world is a test no school of magic can prepare you for in the triumphant conclusion to the New York Times bestselling trilogy that began with A Deadly Education and The Last Graduate. The one thing you never talk about while you're in the Scholomance is what you'll do when you get out. Not even the richest enclaver would tempt fate that way. But it's all we dream about: the hideously slim chance we'll survive to make it out the gates and improbably find ourselves with a life ahead of us, a life outside the Scholomance halls.

And now the impossible dream has come true. I'm out, we're all out—and I didn't even have to turn into a monstrous dark witch to make it happen. So much for my great-grandmother's prophecy of doom and destruction. I didn't kill enclavers, I saved them. Me, and Orion, and our allies. Our graduation plan worked to perfection: we saved everyone and made the world safe for all wizards and brought peace and harmony to all the enclaves everywhere. Ha, only joking! Actually, it's gone all wrong. Someone else has picked up the project of destroying enclaves in my stead, and probably everyone we saved is about to get killed in the brewing enclave war.

And the first thing I've got to do now, having miraculously gotten out of the Scholomance, is turn straight around and find a way back in.

Her city is under siege. The zombies are coming back. And all Nona wants is a birthday party.

In many ways, Nona is like other people. She lives with her family, has a job at her local school, and loves walks on the beach and meeting new dogs. But Nona is not like other people. Six months ago she woke up in a stranger's body, and she's afraid she might have to give it back.

The whole city is falling to pieces. A monstrous blue sphere hangs on the horizon, ready to tear the planet apart. Blood of Eden forces have surrounded the last Cohort facility and wait for the Emperor Undying to come calling. Their leaders want Nona to be the weapon that will save them from the Nine Houses. Nona would prefer to live an ordinary life with the people she loves, with Pyrrha and Camilla and Palamedes, but she also knows that nothing lasts forever.

And each night, Nona dreams of a woman with a skull-painted face...

Cat Sebastian returns to Georgian London with a stunning tale of a reluctant criminal and the thief who cannot help but love her. Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before...

A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody's bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband's blood and in desperate need of his help?

As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob's past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.

From internationally bestselling author Charlie Jane Anders comes Dreams Bigger Than Heartbreak, the sequel to Victories Greater Than Death in the thrilling adventure Unstoppable series, set against an intergalactic war.

They'll do anything to be the people they were meant to be — even journey into the heart of evil.

Rachael Townsend is the first artist ever to leave Earth and journey out into the galaxy — but after an encounter with an alien artifact, she can't make art at all. Elza Monteiro is determined to be the first human to venture inside the Palace of Scented Tears and compete for the chance to become a princess — except that inside the palace, she finds the last person she ever wanted to see again. Tina Mains is studying at the Royal Space Academy with her friends, but she's not the badass space hero everyone was expecting. Soon Rachael is journeying into a dark void, Elza is on a deadly spy mission, and Tina is facing an impossible choice that could change all her friends' lives forever.

We've Got This: Stories of Disabled Parenting offers a profound insight into the lives of parents with disabilities. Writer and musician Eliza Hull presents an anthology where twenty-five parents share their personal narratives of raising children while navigating the complexities that come with being Deaf, disabled, or chronically ill.

The book explores the triumphs and challenges they face, and most importantly, it confronts the societal attitudes that often pose the greatest barriers. These stories are not commonly found in parenting literature, making this collection an essential read for understanding the diverse experiences of disabled parenting.

With contributions from a variety of voices such as Jacinta Parsons, Kristy Forbes, Graeme Innes, and many others, this anthology is a testament to the resilience and joy that can be found in the face of adversity. It challenges misconceptions and celebrates the existence and capabilities of disabled parents everywhere.

Delilah Green Doesn't Care is a clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it's a different woman every night, but that's just fine with her.

When Delilah's estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid's stuck-up besties, and decides that maybe there's some fun (and a little retribution) to be had in Bright Falls, after all.

Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they've known each other for years, they don't really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they're forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn't sure she has the strength to resist Delilah's charms. Even worse, she's starting to think she doesn't want to.

High Fantasy with a double-shot of self-reinvention.

Worn out after decades of packing steel and raising hell, Viv the orc barbarian cashes out of the warrior's life with one final score. A forgotten legend, a fabled artifact, and an unreasonable amount of hope lead her to the streets of Thune, where she plans to open the first coffee shop the city has ever seen.

However, her dreams of a fresh start pulling shots instead of swinging swords are hardly a sure bet. Old frenemies and Thune's shady underbelly may just upset her plans. To finally build something that will last, Viv will need some new partners and a different kind of resolve.

A hot cup of fantasy slice-of-life with a dollop of romantic froth.

Prepare for the thrilling finale in the epic Aurora Cycle series about a band of unlikely heroes who just might be the galaxy's last hope for survival.

Is this the end? What happens when you ask a bunch of losers, discipline cases, and misfits to save the galaxy from an ancient evil? The ancient evil wins, of course. Wait... Not. So. Fast.

When we last saw Squad 312, they were working together seamlessly (aka, freaking out) as an intergalactic battle raged and an ancient superweapon threatened to obliterate Earth. Everything went horribly wrong, naturally. But as it turns out, not all endings are endings, and the team has one last chance to rewrite theirs. Maybe two. It's complicated.

Cue Zila, Fin, and Scarlett (and MAGELLAN!): making friends, making enemies, and making history? Sure, no problem. Cue Tyler, Kal, and Auri: uniting with two of the galaxy's most hated villains? Um, okay. That, too. Actually saving the galaxy, though? Now that will take a miracle.

Light From Uncommon Stars is a defiantly joyful adventure set in California's San Gabriel Valley. This tale weaves together cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts.

Shizuka Satomi has made a deal with the devil: to escape damnation, she must entice seven violin prodigies to trade their souls for success. Six have already been delivered. When Shizuka encounters Katrina Nguyen, a young transgender runaway with wild talent, the curse seems to be lifting as she's found her final candidate.

However, Shizuka's plans are complicated when she meets Lan Tran, a retired starship captain and interstellar refugee, in a donut shop. Lan's kindness and celestial gaze challenge Shizuka's understanding of a soul's worth. As their lives intertwine with magic, identity, and hope, they begin to form a family worth crossing the universe for.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.

When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.

To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

The Jasmine Throne by Tasha Suri is the beginning of a new trilogy set in a world inspired by the history and epics of India, where a captive princess and a maidservant in possession of forbidden magic become unlikely allies on a dark journey to save their empire from the princess's traitor brother.

Imprisoned by her dictator brother, Malini spends her days in isolation in the Hirana: an ancient temple that was once the source of the powerful, magical deathless waters — but is now little more than a decaying ruin.

Priya is a maidservant, one among several who make the treacherous journey to the top of the Hirana every night to clean Malini's chambers. She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides.

But when Malini accidentally bears witness to Priya's true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to depose her brother from his throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire.

From the author of The Witch Boy trilogy comes a graphic novel about family, romance, and first love. Fifteen-year-old Morgan has a secret: She can't wait to escape the perfect little island where she lives. She's desperate to finish high school and escape her sad divorced mom, her volatile little brother, and worst of all, her great group of friends—who don't understand Morgan at all. Because really, Morgan's biggest secret is that she has a lot of secrets, including the one about wanting to kiss another girl.

Then one night, Morgan is saved from drowning by a mysterious girl named Keltie. The two become friends and suddenly life on the island doesn't seem so stifling anymore. But Keltie has some secrets of her own. And as the girls start to fall in love, everything they're each trying to hide will find its way to the surface...whether Morgan is ready or not.

For fans of Schitt's Creek and Sally Rooney's Normal People, Greta & Valdin is an irresistible and bighearted international bestseller that follows a brother and sister as they navigate queerness, multiracial identity, and the dramas big and small of their entangled, unconventional family, all while flailing their way to love.

It's been a year since his ex-boyfriend dumped him and moved from Auckland to Buenos Aires, and Valdin is doing fine. He has a good flat with his sister Greta, a good career where his colleagues only occasionally remind him that he is the sole Maaori person in the office, and a good friend who he only sleeps with when he's sad. But when work sends him to Argentina and he's thrown back in his former lover's orbit, Valdin is forced to confront the feelings he's been trying to ignore—and the future he wants.

Greta is not letting her painfully unrequited crush (or her possibly pointless master's thesis, or her pathetic academic salary...) get her down. She would love to focus on the charming fellow grad student she meets at a party and her friendships with a circle of similarly floundering twenty-somethings, but her chaotic family life won't stop intruding: her mother is keeping secrets, her nephew is having a gay crisis, and her brother has suddenly flown to South America without a word.

An acclaimed bestseller in New Zealand, Greta & Valdin is fresh, joyful, and alive with the possibility of love in its many mystifying forms.

A reluctant medium discovers the ties that bind can unleash a dangerous power in this compelling Malaysian-set contemporary fantasy.

Jessamyn Teoh is closeted, broke, and moving back to Malaysia, a country she left when she was a toddler. So when Jess starts hearing voices, she chalks it up to stress. But there's only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life, Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she's determined to settle a score against a gang boss who has offended the god—and she's decided Jess is going to help her do it.

Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business. As Jess fights for retribution for Ah Ma, she'll also need to regain control of her body and destiny. If she fails, the Black Water Sister may finish her off for good.