Yr Dead is a queer, Jewish, diasporic bildungsroman told in lyric fragments through the eyes of the character Ezra. The world of the book unfolds as Ezra's life flashes across time and geography during their final act of protest. The novel leaps from memories of childhood, gender identity formation, and political revelation to the inherited memory and historical movements of Ezra's family. This book explores how historical memory shapes our political and emotional present as it exists at the intersections of protest, religion, and desire.

First Love: Essays on Friendship is a bracing, intimate essay collection that delves into the power and complexity of female friendship in the wake of violence. Authored by the critically acclaimed Lilly Dancyger, this book emerges from the tragic murder of her cousin Sabina, which profoundly altered her understanding of womanhood and rippled through her closest friendships.

The loss of Sabina, her first love, serves as a catalyst for a bold and refreshing exploration of the connections between women. Dancyger examines the intensity of adolescent best friendships, fluid sexuality, mothering, and chosen family. Each essay is deeply rooted in a significant female friendship from her life, reaching outwards to challenge cultural assumptions about feminine identity and desire, and the ways in which women support one another in a world that often seeks to diminish them.

With seamless integration of personal anecdotes, literature, and pop culture references—from fairytales and true crime to the works of Anaïs Nin and Sylvia Plath, and even the 'sad girls' of Tumblr—Dancyger's essays weave a multifaceted narrative of a life as told through the lens of friendships. This collection is a profound exploration of the essence of loving one another and elevates friendships to the status of love stories, offering them the deep consideration traditionally reserved for romantic relationships.

First Love argues that although friendship cannot shield us from the dangers of the world, the love found within it is always worth the risk. In times of tragedy, Dancyger reminds us, it is our friends who provide the support necessary for survival. Through First Love, the invaluable bonds of friendship are celebrated and given their rightful recognition.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work.

Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account. Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science. What isn’t counted doesn’t count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women.

Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D’Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account.

Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated.

Specifically, D’Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence. Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.

Traces Of Enayat is a brilliant work of creative nonfiction from one of the preeminent poets of the Arab-speaking world, exploring the mysterious life and erasure of Egyptian literature's tragic heroine. Cairo, 1963: four years before her lone novel is finally published, the writer Enayat al-Zayyat takes her own life at age 27. In the following decades, it's as if Enayat never existed.

Years later, celebrated Egyptian poet Iman Mersal discovers Enayat's long-forgotten Love and Silence in a Cairo book stall, leading her on a journey of reflection and rediscovery. Through interviews with family members and friends, Mersal retraces Enayat's life and afterlife, tracking down the places where Enayat spent her days. From the glamour of golden-age Egyptian cinema to the Cairo of Mersal's own past, a remarkable portrait emerges of two women striving to live on their own terms.

Traces Of Enayat embraces the reciprocal relationship between a text and its reader, between past and present, between author and subject, crafting a luminous biographical detective story.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

In Dead Weight, Emmeline Clein tells the story of her own disordered eating alongside, and through, other women from history, pop culture and the girls she's known and loved. Tracing the medical and cultural history of anorexia, bulimia, binge eating disorder, and orthorexia, Clein investigates the economic conditions underpinning our eating disorder epidemic, and illuminates the ways racism and today's feminism have been complicit in propping up the thin ideal.

While examining goop, Simone Weil, pro-anorexia blogs, and the flawed logic of our current methods of treatment, Clein also grapples with the myriad ways disordered eating has affected her own friendships and romantic relationships.

Dead Weight makes the case that we are faced with a culture of suppression and denial that is insidious, pervasive, and dangerous, one that internalizes and promotes the fetish of self-shrinking as a core tenet of the American cult of femininity. This is replicated in our algorithms, our television shows, our novels, and our relationships with one another. A sharp, perceptive, and revelatory polemic for readers fascinated by the external forces shaping our lives, Dead Weight is electrifying, unapologetically bold, and fiercely compassionate.

The #1 New York Times bestselling historical novelist delivers her magnum opus—a landmark work of feminist nonfiction that radically redefines our understanding of the extraordinary roles ordinary women played throughout British history.

Most histories have been written by men, about men, relegating women—with the exception of a few queens—to the shadows of time. Now, bestselling author Philippa Gregory reveals the importance of ordinary women, providing a more balanced and truer chronicle that expands and adds rich detail to the story of Great Britain.

In Normal Women, Gregory draws on an enormous archive of primary and secondary sources to rewrite British history, focusing on the agency, persistence, and effectiveness of everyday women throughout periods of social and cultural transition. She sweeps from the making of the Bayeux tapestry in the eleventh century to the Black Death in 1348—after which women were briefly paid the same wages as men, the last time for seven centuries—to the 1992 ordination of women by the Church of England, when the church accepted, for the first time, that a woman could perform the miracle of the mass.

Through the stories of the female soldiers of the civil war, the guild widows who founded the prosperity of the City of London, highwaywomen and pirates, miners, ship owners, international traders, the women who ran London theaters and commissioned plays from Shakespeare, and the "female husbands" who married each other legally in church and lived as husband and wife, Gregory redefines "normal" female behavior to include heroism, rebellion, crime, treason, money-making, and sainthood. As she makes clear, normal women make history.

Normal Women will include black-and-white illustrations throughout and a full-color insert.

From the New York Times bestselling author of The Recovering and The Empathy Exams comes the riveting story of rebuilding a life after the end of a marriage—an exploration of motherhood, art, and new love.

Leslie Jamison has become one of our most beloved contemporary voices, a scribe of the real, the true, the complex. She has been compared to Joan Didion and Susan Sontag, acclaimed for her powerful thinking, deep feeling, and electric prose. But while Jamison has never shied away from challenging material—scouring her own psyche and digging into our most unanswerable questions across four books—Splinters enters a new realm.

In her first memoir, Jamison turns her unrivaled powers of perception on some of the most intimate relationships of her life: her consuming love for her young daughter, a ruptured marriage once swollen with hope, and the shaping legacy of her own parents' complicated bond. In examining what it means for a woman to be many things at once—a mother, an artist, a teacher, a lover—Jamison places the magical and the mundane side by side in surprising ways: pumping breastmilk in a shared university office, driving the open highway in the throes of new love, growing a tender second skin of consciousness as she watches her daughter come alive to the world.

The result is a work of nonfiction like no other, an almost impossibly deep reckoning with the muchness of life and art, and a book that grieves the departure of one love even as it celebrates the arrival of another.

How do we move forward into joy when we are haunted by loss? How do we claim hope alongside the harm we've caused? A memoir for which the very term tour de force seems to have been coined, Splinters plumbs these and other pressing questions with writing that is revelatory to the last page. Jamison has delivered a book with the linguistic daring and emotional acuity that made The Empathy Exams and The Recovering instant classics, even as she reaches new depths of understanding, piercing the reader to the core. A master of nonfiction, she evinces once again her ability to "stitch together the intellectual and the emotional with the finesse of a crackerjack surgeon" (NPR).

This American Ex-Wife: How I Ended My Marriage and Started My Life is a deeply validating manifesto on the gender politics of marriage and divorce in America today, presenting an argument that the former needs a reboot. Journalist and proud divorcée Lyz Lenz delivers an exuberant and unapologetic account, flipping the script on the media's portrayal of divorced women.

Studies indicate that nearly 70 percent of divorces are initiated by women—women who seek liberation from relationships premised on their fundamental inequality. Through a combination of reportage, sociological research, literature, and popular culture, this book weaves personal stories of union and separation to create a kaleidoscopic portrait of American marriage.

Lenz pushes for a collective reevaluation of the institution, challenging the notion that divorce is a personal failure when, in fact, it may be a practical and powerful solution for women to reclaim the power they deserve. This raucous manifesto for acceptance, solidarity, and collective female refusal offers readers a riveting ride, all the while pointing toward a future of greater freedom.

An iconic writer's lapidary memoir of a life spent pursuing a dream of artistic truth while evading the truth of her own gender identity, until, finally, she turned to face who she really was. For a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States without ever entirely settling here, she only really felt at home when she moved to New York City in the early 1970s. In that feral moment, she found her people among a band of fellow bohemians picking their way through the wreckage. Some of her friends would die young, to drugs and AIDS, and some would become jarringly famous.

Sante flirted with both fates, on her way to building an estimable career as a writer. But in the deepest sense, she still felt like her life a performance. She was presenting a façade, even to herself. Sante's memoir braids together two threads of personal narrative: the arc of her life, and her recent step-by-step transition to a place of inner and outer alignment. It is a story with many twists and turns: however necessary and long overdue her embrace of womanhood was, it was nonetheless a fearful business, filled with pitfalls and pratfalls.

Sante brings a loving irony to her account of her unsteady first steps; there was much she found she still needed to learn about being a woman after some sixty years cloaked in a man's identity, in a man's world. She had found herself, widening the aperture of her heart in the bargain. A marvel of grace and empathy, I Heard Her Call My Name parses with great sensitivity many issues that touch our lives deeply, of gender identity and far beyond.

Renowned journalist and author Elizabeth Flock delves into a topic that many shy away from, challenging our notions about the role and necessity of female-led violence in opposing systems that are fundamentally against women. The Furies: Women, Vengeance, And Justice is a profound inquiry into the lives of three women who, facing failure from the very institutions designed to safeguard them—government, police, courts—resorted to violence to reclaim power, safety, and freedom.

The book presents immersive narratives of Brittany Smith, a young woman from Stevenson, Alabama, who, after claiming to have killed a man in self-defense against rape, was denied protection by the Stand-Your-Ground law; Angoori Dahariya, who leads a gang in Uttar Pradesh, India, avenging victims of domestic abuse; and Cicek Mustafa Zibo, a member of an all-female militia that confronted ISIS in Syria.

Through Flock's compelling prose and extensive on-the-ground research, this work explores the nuances of whether women's safety can ever be fully ensured without the use of force. It asks hard-hitting questions about the effectiveness of vengeance, the potential for creating lasting change within misogynistic and paternalistic systems, and the vision of societies where women wield real power.

The Furies ignites a conversation about gender equality, power dynamics, and the celebrated yet complex legacy of women who fight back.

Eve is an ambitious, eye-opening, myth-busting and groundbreaking history of the evolution of the female body, by a brilliant new researcher and writer, Cat Bohannon. This book delves into questions scientists should have been addressing for decades, such as:

• Why do women live longer than men?

• Why do women have menopause?

• Why are women more likely to get Alzheimer’s?

• Why do girls score better at every academic subject than boys until puberty, when suddenly their scores plummet?

• Does the female brain really exist?

With boundless curiosity and sharp wit, Bohannon covers the past 200 million years to explain the specific science behind the development of the female sex. Eve is not only a sweeping revision of human history, it’s an urgent and necessary corrective for a world that has focused primarily on the male body for far too long. Bohannon’s findings, including everything from the way C-sections in the industrialized world are rearranging women’s pelvic shape to the surprising similarities between pus and breast milk, will completely change what you think you know about evolution and why Homo sapiens have become such a successful and dominant species, from tool use to city building to the development of language.

A 21st-century update of Our Bodies, Ourselves, Eve offers a true paradigm shift in our thinking about what the female body is and why it matters.

In the late 1980s, two teenage girls found refuge from a world of cosy conformity, sexism and the nuclear arms race in protest and punk. Then, drawn in by a promise of meaning and purpose, they cast off their punk outfits and became born-again Christians. Unsure which fate would come first - nuclear annihilation or the Second Coming of Jesus - they sought answers from end-times evangelists, scrutinising friends and family for signs of demon possession and identifying EFTPOS and barcodes as signs of a looming apocalypse.

Fast forward to 2021, and Rebecca and Maz - now a science historian and an engineer - are on a road trip to the West Coast. Their journey, though full of laughter and conversation and hot pies, is haunted by the threats of climate change, conspiracy theories, and a massive overdue earthquake.

End Times interweaves the stories of these two periods in Rebecca's life, both of which have at heart a sleepless fear of the end of the world. Along the way she asks: Why do people hold on to some ideas but reject others? How do you engage with someone whose beliefs are wildly different from your own? And where can we find hope when it sometimes feels as if we all live on a fault line that could rupture at any moment?

An unforgettable memoir about a family secret revealed by a DNA test, the lessons learned in its aftermath, and the indelible power of love.

Three months after Kyo Maclear’s father dies in December 2018, she gets the results of a DNA test showing that she and the father who raised her are not biologically related. Suddenly Maclear becomes a detective in her own life, unravelling a family mystery piece by piece, and assembling the story of her biological father. Along the way, larger questions arise: what exactly is kinship? And what does it mean to be a family? Thoughtful in its reflections on race and lineage, unflinching in its insights on grief and loyalty, Unearthing is a captivating and propulsive story of inheritance that goes beyond heredity. What gets planted, and what gets buried? What role does storytelling play in unearthing the past and making sense of a life? Can the humble act of tending a garden provide common ground for an inquisitive daughter and her complicated mother? As it seeks to answer these questions, Unearthing bursts with the very love it seeks to understand.

Wifedom: Mrs. Orwell's Invisible Life by Anna Funder is a story that delves into the marriage behind some of the most renowned literary works of the 20th century and is a thought-provoking exploration of what it means to be a wife and a writer in today's world.

Anna Funder was at a crossroads in her life in the summer of 2017, overwhelmed by family obligations and household responsibilities that were distancing her from her writing. In search of help, she turned to the works of George Orwell, whose humor and keen insights into the dynamics of power deeply resonated with her. Upon re-reading his works and biographies, Funder discovered the overlooked figure of Orwell's wife, Eileen O'Shaughnessy, a writer whose intellectual prowess profoundly influenced Orwell's work and whose pragmatism was vital to his survival.

Funder's journey through the Orwells' marriage, from the Spanish Civil War to the Second World War in London, is not just a historical recount but also a personal quest to understand the sacrifices and contributions of a writer's spouse. Wifedom is an intimate portrayal of one of the most significant literary partnerships of the twentieth century and resonates with the present as much as it sheds light on the past. This genre-bending biography is a tribute to the unacknowledged efforts of women everywhere.

The Rachel Incident, brilliantly funny novel about friends, lovers, Ireland in chaos, and a young woman desperately trying to manage all three.

Rachel is a student working at a bookstore when she meets James, and it’s love at first sight. Effervescent and insistently heterosexual, James soon invites Rachel to be his roommate and the two begin a friendship that changes the course of both their lives forever. Together, they run riot through the streets of Cork city, trying to maintain a bohemian existence while the threat of the financial crash looms before them.

When Rachel falls in love with her married professor, Dr. Fred Byrne, James helps her devise a reading at their local bookstore, with the goal that she might seduce him afterwards. But Fred has other desires. So begins a series of secrets and compromises that intertwine the fates of James, Rachel, Fred, and Fred’s glamorous, well-connected, bourgeois wife. Aching with unrequited love, shot through with delicious, sparkling humor, The Rachel Incident is a triumph.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies. It is a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs.

Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid.

Ren aches to be in the water. She dreams of the scent of chlorine—the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

A haunting, unforgettable memoir about a beloved younger sister and the painful memory of her murder, from one of Mexico's greatest living writers.

Can you enjoy yourself while you are in pain? The question, which is not new, arises over and over again during that eternity that is mourning.

In the early hours of July 16, 1990, Liliana Rivera Garza was murdered by her abusive ex-boyfriend. A life full of promise and hope, cut tragically short, Liliana's story instead became subsumed into Mexico's dark and relentless history of domestic violence. With Liliana's case file abandoned by a corrupt criminal justice system, her family, including her older sister Cristina, was forced to process their grief and guilt in private, without any hope for justice.

In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: that of a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. It traces the story of her childhood, her early romance with a handsome--but possessive and short-tempered--man, through the exhilarating weeks leading up to that fateful July morning, a summer when Liliana loved, thought, and traveled more widely and freely than she ever had before.

Using her remarkable talents as a scholar, novelist, and poet, Cristina Rivera Garza returns to Mexico after decades of living in the United States to collect and curate evidence--handwritten letters, police reports, school notebooks, architectural blueprints--in order to render and understand a life beyond the crime itself. Tracing the full arc of their childhood and adolescence in central Mexico, through the painful and confusing years after Liliana's death, Rivera Garza confronts the trauma of losing her sister, and examines from multiple angles how this tragedy continues to shape who she is--and what she fights for--today.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it's the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America's most beloved cooking show Supper at Six. Elizabeth's unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn't just teaching women to cook. She's daring them to change the status quo.

The Authority Gap provides an incisive, intersectional look at a significant gender bias: the resistance to women's authority and power. Despite advancements toward equality, there is still a pervasive failure to take women as seriously as men. Journalist Mary Ann Sieghart offers a compelling perspective on this issue as it manifests in various aspects of life, including pop culture, media, education, and politics.

Through a wealth of data from psychology, sociology, political science, and business, and interviews with influential women such as Booker Prize winner Bernardine Evaristo, classicist Mary Beard, U.S. Secretary of the Treasury Janet Yellen, and Hillary Clinton, Sieghart explores the intersection of gender bias with racial and class biases. The book examines the unconscious biases that affect our behavior towards women and outlines measures for individual and societal change. The Authority Gap is an eye-opening and motivating work that addresses how we can work together to narrow the gender gap and counteract systemic sexism for the benefit of everyone.

From the #1 New York Times bestselling author of The Flight Attendant, the enthralling story of a young Puritan woman who marries the wrong man and soon finds herself caught up in the violence and hysteria of the Salem Witch Trials.

Boston, 1662. Mary Deerfield is twenty-four years old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But here in the New World, amid this community of saints, Mary is the second wife of Thomas Deerfield, a man as cruel as he is powerful. When Thomas, prone to drunken rage, drives a three-tined fork into the back of Mary's hand, she resolves that she must divorce him to save her life. But in a world where every neighbor is watching for signs of the devil, a woman like Mary--a woman who harbors secret desires and finds it difficult to tolerate the brazen hypocrisy of so many men in the colony--soon finds herself the object of suspicion and rumor.

When tainted objects are discovered buried in Mary's garden, when a boy she has treated with herbs and simples dies, and when their servant girl runs screaming in fright from her home, Mary must fight to not only escape her marriage, but also the gallows. A twisting, tightly plotted thriller from one of our greatest storytellers, Hour of the Witch is a timely and terrifying novel of socially sanctioned brutality and the original American witch hunt.

The Growing Season tells the inspiring story of how a scrappy rural childhood gave Frey the grit and resiliency to take risks that paid off in unexpected ways. Rather than leaving her community, she found adventure and opportunity in one of the most forgotten parts of our country. With fearlessness and creativity, she literally dug her destiny out of the dirt.

One tenacious woman's journey to escape rural poverty and create a billion-dollar farming business--without ever leaving the land she loves.

We Keep the Dead Close is a true crime narrative that delves into the unsolved murder of Jane Britton, a Harvard graduate student, in 1969. This book is not only a meticulous work of investigative journalism but also a reflection on the pervasive violence and misogyny within prestigious institutions. Becky Cooper, once a curious undergrad, unravels a complex tale of gender inequality, institutional power dynamics, and the haunting legacy of a story that refused to be forgotten.

Harvard's history is interwoven with the narrative, as the institution's legacy looms over the events that transpired. The initial rumors of a scandalous affair with a professor and a subsequent murder are debunked, but the truth that emerges is no less compelling. Cooper's decade-long investigation sheds light on the cowboy culture among male elites and the silencing effect of institutions, leading to a broader conversation about our collective narrative of female victims.

We Keep the Dead Close is a memoir that acts as a mirror to society's misogyny and murder, a ghost story that connects past and present, and a love story dedicated to a girl whose life was tragically cut short and lost to history.

Nuria Varela nos ofrece la continuación a su best seller Feminismo para principiantes. En este libro, Varela realiza un análisis riguroso y esclarecedor de las últimas teorías, movilizaciones y propuestas del movimiento político y social que, con sus aciertos y contradicciones, está poniendo en jaque la desigualdad estructural de la sociedad.

Políticas de la identidad, posfeminismo, feminismos poscoloniales, teoría queer, transfeminismo, interseccionalidad, biopolítica y ciberfeminismo son solo algunos de los conceptos que se tratan en este nuevo libro, indispensable para entender el momento crucial en que nos encontramos.

Sorted is an unflinching and endearing memoir from LGBTQ+ advocate Jackson Bird, detailing his journey to sorting things out and coming out as a transgender man. Assigned female at birth and raised as a girl, Jackson often wondered if he should have been born a boy. Growing up in Texas without transgender role models, he kept his thoughts to himself.

Through journal entries and candid recollections, Jackson chronicles the challenges of growing up gender-confused and the loneliness of coming to terms with his gender and bisexual identity. He shares the obstacles and quirks of his transition, from figuring out chest binders to emotional breakdowns at fan conventions, and from his first shot of testosterone to his top surgery.

With warmth, wit, and educational insights, Jackson's narrative not only sheds light on the many facets of a transgender life but also highlights the power and beauty of being true to oneself. Sorted is a testament to the importance of self-discovery and embracing one's identity.

Invisible Women: Exposing Data Bias in a World Designed for Men by Caroline Criado Perez is a groundbreaking book that brings to light the gender bias that permeates our society. The book reveals how the world is largely built for and by men, leading to a systemic disregard for women's experiences. This bias manifests itself in various aspects of life, from medical research to technology, workplaces, and even urban planning.

The author compiles an array of case studies, stories, and new research from around the globe, illustrating the 'invisible' ways in which women are consistently overlooked, and the significant consequences this has on their lives. Invisible Women uncovers the 'gender data gap,' which has led to widespread and systemic discrimination against women, affecting their health, safety, and economic well-being.

Through this compelling narrative, Perez advocates for change, urging us to view the world through a more equitable lens. This book is not just an eye-opener but a call to action for a more just society where both men and women are equally considered.

After the traumatic events of the War for Phang, Hazel, her parents, and their surviving companions embark on a life-changing adventure at the westernmost edge of the universe. Collects: Saga #43-48.

Plus, two standalone tales reveal the fates of fan-favorite characters The Will and Ghüs.

In this father-son collaboration, Stephen King and Owen King tell the story of what might happen if women disappeared from the world of men. Set in a small Appalachian town whose primary employer is a women's prison, in a future so real and near it might be now, something happens when women go to sleep. They become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. While they sleep they go to another place.

The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease. Is Evie a medical anomaly to be studied, or is she a demon who must be slain?

Why They Stay explores the possible reasoning and motivation behind why political wives stay with their husbands after the husbands cheat. Hillary Clinton couldn't have known in 1998 how her husband's high-profile philandering would play out. Would he be rehabilitated in the public eye? She couldn't be sure, but she took the gamble. Had she left the marriage, today she might be the spurned wife of a retired politician instead of the first American woman to run for president on a major party ticket.

Looking back on the path chosen by the nine political wives profiled in this book, we have the evidence to see a pattern—as old as the dynastic maneuverings of England's medieval queens. The women married to the "royalty" of our times—politicians—make similar cold calculations in order to hold onto their "thrones" and their family's history-making potential.

After covering politicians for decades, acclaimed columnist Anne Michaud switched her gaze to the women behind the cheating men. Drawing from multiple sources that span the Roosevelts' marriage to the more recent scandal involving Hillary Clinton's closest aide Huma Abedin (wife of "sexter," Anthony Weiner), Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Nine Political Wives argues that when it comes to the "power behind the throne," women in the limelight weigh the risks and rewards. They remain loyal to their men, because of complex, often unconscious forces.

From mapping a path to power to laudable notions of holding the family together, Michaud examines the uniquely challenging Faustian bargains that political wives grapple with, even as the public spotlight illuminates their every move.

A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking her how to raise her baby girl as a feminist. Dear Ijeawele is Adichie's letter of response.

Here are fifteen invaluable suggestions -compelling, direct, wryly funny, and perceptive- for how to empower a daughter to become a strong, independent woman. From encouraging her to choose a helicopter, and not only a doll, as a toy if she so desires; having open conversations with her about clothes, makeup, and sexuality; debunking the myth that women are somehow biologically arranged to be in the kitchen making dinner, and that men can "allow" women to have full careers, Dear Ijeawele goes right to the heart of sexual politics in the twenty-first century. It will start a new and urgently needed conversation about what it really means to be a woman today.

There could only be a few winners, and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones.

In the early 1900s, teenaged Sunja, the adored daughter of a crippled fisherman, falls for a wealthy stranger at the seashore near her home in Korea. He promises her the world, but when she discovers she is pregnant — and that her lover is married — she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son's powerful father, sets off a dramatic saga that will echo down through the generations.

Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan's finest universities to the pachinko parlors of the criminal underworld, Lee's complex and passionate characters — strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis — survive and thrive against the indifferent arc of history.

The Argonauts by Maggie Nelson is a genre-bending memoir that intertwines the author's personal narrative with a deep engagement in literary and theoretical texts. At the heart of this work is a story of romance between Nelson and her partner, artist Harry Dodge, whose experiences of gender transition and reassignment intersect with Nelson's journey through pregnancy.

This reflective, poignant exploration of motherhood, desire, and identity is grounded in an intimate portrayal of the author's queer family life. Nelson challenges the societal norms surrounding sexuality, gender, marriage, and childrearing, advocating for radical individual freedom and the value of caregiving.

Through her narrative, Nelson conducts a rigorous examination of philosophical and theoretical discourses, tracing the contours of what iconic theorists have to say about the complexities of contemporary social structures. The Argonauts is thus not only a memoir but also an impassioned argument for the embracement of unorthodox forms of love and kinship in the modern age.

Released for the first time in paperback, this landmark social and political volume on feminism is credited with being responsible for raising awareness, liberating both sexes, and triggering major advances in the feminist movement. Reprint.

«Éste es un libro sobre la vida... apasionado y alegre, sentimental y burlón.» ROSA MONTERO.

Cuando Rosa Montero leyó el maravilloso diario que Marie Curie comenzó tras la muerte de su esposo, y que se incluye al final de este libro, sintió que la historia de esa mujer fascinante que se enfrentó a su época le llenaba la cabeza de ideas y emociones. La ridícula idea de no volver a verte nació de ese incendio de palabras, de ese vertiginoso torbellino. Al hilo de la extraordinaria trayectoria de Curie, Rosa Montero construye una narración a medio camino entre el recuerdo personal y la memoria de todos, entre el análisis de nuestra época y la evocación íntima. Son páginas que hablan de la superación del dolor, de las relaciones entre hombres y mujeres, del esplendor del sexo, de la buena muerte y de la bella vida, de la ciencia y de la ignorancia, de la fuerza salvadora de la literatura y de la sabiduría de quienes aprenden a disfrutar de la existencia con plenitud y con ligereza.

Vivo, libérrimo y original, este libro inclasificable incluye fotos, remembranzas, amistades y anécdotas que transmiten el primitivo placer de escuchar buenas historias. Un texto auténtico, emocionante y cómplice que te atrapará desde sus primeras páginas.

It’s the twenty-first century, and although we tried to rear unisex children—boys who play with dolls and girls who like trucks—we failed. Even though the glass ceiling is cracked, most women stay comfortably beneath it. And everywhere we hear about vitally important “hardwired” differences between male and female brains. The neuroscience that we read about in magazines, newspaper articles, books, and sometimes even scientific journals increasingly tells a tale of two brains, and the result is more often than not a validation of the status quo.

Women, it seems, are just too intuitive for math, men too focused for housework. Drawing on the latest research in neuroscience and psychology, Cordelia Fine debunks the myth of hardwired differences between men’s and women’s brains, unraveling the evidence behind such claims as men’s brains aren’t wired for empathy and women’s brains aren’t made to fix cars. She then goes one step further, offering a very different explanation of the dissimilarities between men’s and women’s behavior. Instead of a “male brain” and a “female brain,” Fine gives us a glimpse of plastic, mutable minds that are continuously influenced by cultural assumptions about gender.

Passionately argued and unfailingly astute, Delusions of Gender provides us with a much-needed corrective to the belief that men’s and women’s brains are intrinsically different—a belief that, as Fine shows with insight and humor, all too often works to the detriment of ourselves and our society.

Newly translated and unabridged in English for the first time, Simone de Beauvoir’s masterwork is a powerful analysis of the Western notion of “woman,” and a groundbreaking exploration of inequality and otherness. This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as it was back then, and will continue to provoke and inspire generations of men and women to come.

Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him.

Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.

Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov.

In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.

In Edinburgh in the 1930s, the Lennox family is having trouble with their youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done.

Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?

Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page.

Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

From the New York Times bestselling author of All About Love, a brave and astonishing work that challenges patriarchal culture and encourages men to reclaim the best part of themselves.

Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation.

But toxic masculinity punishes those fundamental emotions, and it's so deeply ingrained in our society that it's hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women.

Middlesex tells the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family, who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City and the race riots of 1967 before moving out to the tree-lined streets of suburban Grosse Pointe, Michigan.

To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

In August 1984, Michigan housewife Betty Mahmoody accompanied her husband to his native Iran for a two-week vacation. To her horror, she found herself and her four-year-old daughter, Mahtob, virtual prisoners of a man rededicated to his Shiite Moslem faith, in a land where women are near-slaves and Americans are despised. Their only hope for escape lay in a dangerous underground that would not take her child.

Now the true story of this courageous woman and her breathtaking odyssey bursts upon the screen in the Pathe Entertainment production starring Academy Award-winner Sally Field Not Without My Daughter is a Literary Guild Alternate Selection.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .

Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

The Beautifull Cassandra is one of Jane Austen's most charming youthful works, written when she was just twelve or thirteen years old. This deluxe illustrated edition is a celebration of Austen's early writing, showcasing her wit and her already mature stylistic mastery.

The story follows the slightly criminal adventures of the sixteen-year-old title character, Cassandra, who, after stealing a hat, embarks on a journey around London. She indulges in eating ice cream and taking coach rides without paying for them, and encounters handsome young ladies and gentlemen without speaking to them. Cassandra's day out is one of joy and mischief, culminating in her return home with a sense of satisfaction: "This is a day well spent."

This edition features elegant and edgy watercolor drawings by Leon Steinmetz and is edited by leading Austen scholar Claudia L. Johnson. In her afterword, Johnson regards The Beautifull Cassandra as "among the most brilliant and polished" of Austen's juvenile writings, hinting at the great novelist she would become. The book is a literary treasure and a delightful read for Austen fans of all ages.

The Left Hand of Darkness by Ursula K. Le Guin is a groundbreaking work of science fiction that explores the story of a lone human emissary to Winter, an alien world whose inhabitants spend most of their time without a gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. However, to achieve this, he must bridge the gulf between his own views and those of the completely dissimilar culture he encounters.

Embracing aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness is celebrated as a landmark achievement in the annals of intellectual science fiction. The novel delves into complex themes involving gender and sexuality, challenging readers' perceptions of human nature and societal constructs. It is not only an adventure story but also a profound thought experiment that invites contemplation about the fluidity of gender and the potential for understanding amidst cultural differences.

La casa de Bernarda Alba es la obra teatral más conocida de Federico Garcíaa Lorca. Escrita en 1936, no pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu. La obra expone la historia de Bernarda Alba, quien tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto.

Con Bernarda viven sus cinco hijas (Angustias, Magdalena, Amelia, Martirio y Adela), su madre y sus dos criadas. La obra, de gran belleza lírica y fuerza dramática, describe la España profunda de principios del siglo XX, caracterizada por una sociedad tradicional en la que el papel que la mujer jugaba era muy secundario. Lorca destaca por su capacidad de aunar la tradición y la vanguardia, presentando temas, personajes y géneros de la tradición teatral desde inusitadas perspectivas y filtrándolos por el tamiz de unas modernas técnicas expresivas.