More American women are childless than ever before—nearly half those of childbearing age don’t have children. While our society often assumes these women are “childfree by choice,” that’s not always true. In reality, many of them expected to marry and have children, but it simply hasn’t happened. Wrongly judged as picky or career-obsessed, they make up the “Otherhood,” a growing demographic that has gone without definition or visibility until now.

In Otherhood, author Melanie Notkin reveals her own story as well as the honest, poignant, humorous, and occasionally heartbreaking stories of women in her generation—women who expected love, marriage, and parenthood, but instead found themselves facing a different reality. She addresses the reasons for this shift, the social and emotional impact it has on our collective culture, and how the “new normal” will affect our society in the decades to come.

Notkin aims to reassure women that they are not alone and encourages them to find happiness and fulfillment no matter what the future holds. A groundbreaking exploration of an essential contemporary issue, Otherhood inspires thought-provoking conversation and gets at the heart of our cultural assumptions about single women and childlessness.

Frequent reports of honor killings, disfigurement, and sensational abuse have given rise to a consensus in the West, propagated by human rights groups, that Muslim women need to be rescued. Lila Abu-Lughod boldly challenges this conclusion.

An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face, and asking what motivates particular individuals and institutions to promote their rights.

In recent years, Abu-Lughod has struggled to reconcile the popular image of women victimized by Islam with the complex women she has known through her research in various communities in the Muslim world. Here, she renders that divide vivid by presenting detailed vignettes of the lives of ordinary Muslim women and showing that the problem of gender inequality cannot be laid at the feet of religion alone.

Poverty and authoritarianism—conditions not unique to the Islamic world, and produced out of global interconnections that implicate the West—are often more decisive. The standard Western vocabulary of oppression, choice, and freedom is too blunt to describe these women's lives.

Do Muslim Women Need Saving? is an indictment of a mindset that has justified all manner of foreign interference, including military invasion, in the name of rescuing women from Islam, as well as a moving portrait of women's actual experiences and the contingencies with which they live.

Released for the first time in paperback, this landmark social and political volume on feminism is credited with being responsible for raising awareness, liberating both sexes, and triggering major advances in the feminist movement. Reprint.

No Kidding, comedy writer Henriette Mantel, along with Jennifer Coolidge, tackles the topic of actually not having kids. This fascinating collection features a star-studded group of contributors—including Margaret Cho, Wendy Liebman, Laurie Graff, and other accomplished, funny women—writing about why they opted out of motherhood.

Whether their reasons have to do with courage, apathy, monetary considerations, health issues, or something else entirely, the essays featured in the pages of No Kidding honestly (and humorously) delve into the minds of women who have chosen what they would call a more sane path.

Hilarious, compelling, and inspiring, No Kidding reveals a perspective that has too long been hidden, shamed, and silenced—and celebrates an entire population of women who have decided that kids are just not right for them.

«Éste es un libro sobre la vida... apasionado y alegre, sentimental y burlón.» ROSA MONTERO.

Cuando Rosa Montero leyó el maravilloso diario que Marie Curie comenzó tras la muerte de su esposo, y que se incluye al final de este libro, sintió que la historia de esa mujer fascinante que se enfrentó a su época le llenaba la cabeza de ideas y emociones. La ridícula idea de no volver a verte nació de ese incendio de palabras, de ese vertiginoso torbellino. Al hilo de la extraordinaria trayectoria de Curie, Rosa Montero construye una narración a medio camino entre el recuerdo personal y la memoria de todos, entre el análisis de nuestra época y la evocación íntima. Son páginas que hablan de la superación del dolor, de las relaciones entre hombres y mujeres, del esplendor del sexo, de la buena muerte y de la bella vida, de la ciencia y de la ignorancia, de la fuerza salvadora de la literatura y de la sabiduría de quienes aprenden a disfrutar de la existencia con plenitud y con ligereza.

Vivo, libérrimo y original, este libro inclasificable incluye fotos, remembranzas, amistades y anécdotas que transmiten el primitivo placer de escuchar buenas historias. Un texto auténtico, emocionante y cómplice que te atrapará desde sus primeras páginas.

Gender Born, Gender Made is a groundbreaking guide to caring for children who live outside binary gender boxes. We are only beginning to understand gender. Is it inborn or learned? Can it be chosen—or even changed? Does it have to be one or the other?

These questions may seem abstract—but for parents whose children live outside of gender “norms,” they are very real. No two children who bend the “rules” of gender do so in quite the same way. Felicia threw away her frilly dresses at age three. Sam hid his interest in dolls and “girl things” until high school—when he finally confided his desire to become Sammi. And seven-year-old Maggie, who sports a boys’ basketball uniform and a long blond braid, identifies as “a boy in the front, and a girl in the back.”

But all gender-nonconforming children have one thing in common—they need support to thrive in a society that still subscribes to a binary system of gender. Dr. Diane Ehrensaft has worked with children like Felicia, Sam, and Maggie for over 30 years. In Gender Born, Gender Made, she offers parents, clinicians, and educators guidance on both the philosophical dilemmas and the practical, daily concerns of working with children who don’t fit a “typical” gender mold. She debunks outmoded approaches to gender nonconformity that may actually do children harm. And she offers a new framework for helping each child become his or her own unique, most gender-authentic person.

It’s the twenty-first century, and although we tried to rear unisex children—boys who play with dolls and girls who like trucks—we failed. Even though the glass ceiling is cracked, most women stay comfortably beneath it. And everywhere we hear about vitally important “hardwired” differences between male and female brains. The neuroscience that we read about in magazines, newspaper articles, books, and sometimes even scientific journals increasingly tells a tale of two brains, and the result is more often than not a validation of the status quo.

Women, it seems, are just too intuitive for math, men too focused for housework. Drawing on the latest research in neuroscience and psychology, Cordelia Fine debunks the myth of hardwired differences between men’s and women’s brains, unraveling the evidence behind such claims as men’s brains aren’t wired for empathy and women’s brains aren’t made to fix cars. She then goes one step further, offering a very different explanation of the dissimilarities between men’s and women’s behavior. Instead of a “male brain” and a “female brain,” Fine gives us a glimpse of plastic, mutable minds that are continuously influenced by cultural assumptions about gender.

Passionately argued and unfailingly astute, Delusions of Gender provides us with a much-needed corrective to the belief that men’s and women’s brains are intrinsically different—a belief that, as Fine shows with insight and humor, all too often works to the detriment of ourselves and our society.

Newly translated and unabridged in English for the first time, Simone de Beauvoir’s masterwork is a powerful analysis of the Western notion of “woman,” and a groundbreaking exploration of inequality and otherness. This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as it was back then, and will continue to provoke and inspire generations of men and women to come.

Half the Sky: Turning Oppression Into Opportunity for Women Worldwide is a deeply felt and inspirational work by Pulitzer Prize winners Nicholas D. Kristof and Sheryl WuDunn. This book serves as a passionate call to arms against the pervasive human rights violation of the oppression of women and girls in the developing world.

Join Kristof and WuDunn on an odyssey through Africa and Asia where they introduce us to extraordinary women. Among them is a Cambodian teenager who escapes sex slavery, an Ethiopian woman who overcomes devastating childbirth injuries to become a surgeon, and a Zimbabwean mother of five who earns her doctorate and becomes an AIDS expert.

Through these compelling stories, the authors illustrate how unleashing women's potential is key to economic progress. They show how small acts of help can transform lives and emphasize that emancipating women globally is not only right but also a strategic approach to fighting poverty.

This book is essential reading for every global citizen, offering clarity, anger, sadness, and ultimately, hope.

The Midwife is an unforgettable true story and the basis for the hit PBS drama Call the Midwife. At the age of twenty-two, Jennifer Worth leaves her comfortable home to move into a convent and become a midwife in post-war London's East End slums.

The colorful characters she meets while delivering babies all over London—from the plucky, warm-hearted nuns with whom she lives to the woman with twenty-four children who can't speak English to the prostitutes and dockers of the city's seedier side—illuminate a fascinating time in history.

Beautifully written and utterly moving, The Midwife will touch the hearts of anyone who is, and everyone who has, a mother.

The Beauty Myth is the bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, writer and journalist Naomi Wolf is troubled by a different kind of social control, which she argues may be just as restrictive as the traditional image of homemaker and wife.

It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of "the flawless beauty." This gripping and frank exposé reveals the oppressive function of the beauty myth and the destructive obsession it engenders.

Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him.

Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.

Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov.

In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.

From experienced family therapist Dr. Karyl McBride, Will I Ever Be Good Enough? is an essential guide to recovery for women with selfish, emotionally abusive, and toxic mothers—designed to help daughters reclaim their lives.

The first book for daughters who have suffered the abuse of narcissistic, self-involved mothers, Will I Ever Be Good Enough? provides the expert assistance you need in order to overcome this debilitating history and reclaim your life.

Drawing on more than two decades of experience as a therapist specializing in women’s health and hundreds of interviews with suffering daughters, Dr. Karyl McBride helps you recognize the widespread effects of this emotional abuse and create an individualized program for self-protection, resolution, and complete recovery.

Narcissistic mothers teach their daughters that love is not unconditional, that it is given only when they behave in accordance with maternal expectations and whims. As adults, these daughters have difficulty overcoming feelings of inadequacy, disappointment, emotional emptiness, and sadness. They may also have a fear of abandonment that leads them to form unhealthy romantic relationships, as well as a tendency to perfectionism and unrelenting self-criticism or to self-sabotage and frustration.

Dr. McBride’s step-by-step program will enable you to:

1. Recognize your own experience with maternal narcissism and its effects on all aspects of your life.
2. Discover how you have internalized verbal and nonverbal messages from your mother and how these have translated into overachievement or self-sabotage.
3. Construct a personalized program to take control of your life and enhance your sense of self, establishing healthy boundaries with your mother and breaking the legacy of abuse.

Warm and sympathetic, Dr. McBride brings a profound level of authority to Will I Ever Be Good Enough? that encourages and inspires you as it aids your recovery.

Skillfully Probing the Attack on Women’s Rights

Opting-out, security moms, desperate housewives, the new baby fever—the trend stories of 2006 leave no doubt that American women are still being barraged by the same backlash messages that Susan Faludi brilliantly exposed in her 1991 bestselling book of revelations.

When it was first published, Backlash made headlines for puncturing such favorite media myths as the infertility epidemic and the man shortage, myths that defied statistical realities. These willfully fictitious media campaigns added up to an antifeminist backlash.

With passion and precision, Faludi shows how the creators of commercial culture distort feminist concepts to sell products while selling women downstream, how the feminist ethic of economic independence is twisted into the consumer ethic of buying power, and how the feminist quest for self-determination is warped into a self-centered quest for self-improvement.

Backlash is a classic of feminism, an alarm bell for women of every generation, reminding us of the dangers that we still face.

In Edinburgh in the 1930s, the Lennox family is having trouble with their youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done.

Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?

Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page.

So Much More is not another Christian-teenage-girl survival guide. Instead, it offers bold insights into how Christian girls can wage war with the world and win. The Botkin sisters focus on how young women can rise above their God-hating culture and change it for the better.

Today, countless young ladies face difficult problems and challenging questions. While many long for godly purpose in their lives, their bewilderment mounts when they observe broken homes, distant fathers, overwhelmed mothers, degrading college courses, and a lack of spiritual guidance — both at home and at church. As hope for security and stability fades, it is no wonder that many young ladies feel orphaned, unprotected, and without hope for their futures.

Within the pages of this book, discover practical, biblical solutions for the young woman who wants to do so much more than just survive in a savagely feministic, anti-Christian culture. Find the answers a girl is not likely to get from her church, her peers, or her culture.

Meet the Female Chauvinist Pig – the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women – and of themselves.

Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

In this passionate report from the front lines, Ariel Levy examines the enormous cultural impact of the newest wave of post-feminism. She interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. Levy examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls.

Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity.

Unveiled: The Hidden Lives of Nuns offers a candid and fascinating exploration into the lives of nuns, drawing on interviews with more than three hundred nuns from a variety of orders. This book reflects a diversity of beliefs and provides a revealing look at life behind the convent walls.

Cheryl L. Reed, an award-winning investigative journalist, lived and prayed with these nuns, witnessing their vows and ceremonies. She delves into their daily lives, worship services, friendships, and their attitudes toward the modern world and its consumerism.

Through this journey, readers will gain insight into love, sex, faith, joy, loss, and regret, as well as the nuns' views on motherhood, relationships, and feminism. This book is an eye-opening exploration of the interior lives of women dedicated to their spiritual paths.

Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

From the New York Times bestselling author of All About Love, a brave and astonishing work that challenges patriarchal culture and encourages men to reclaim the best part of themselves.

Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation.

But toxic masculinity punishes those fundamental emotions, and it's so deeply ingrained in our society that it's hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women.

When Deng Xiaoping’s efforts to “open up” China took root in the late 1980s, Xinran recognized an invaluable opportunity. As an employee for the state radio system, she had long wanted to help improve the lives of Chinese women. But when she was given clearance to host a radio call-in show, she barely anticipated the enthusiasm it would quickly generate. Operating within the constraints imposed by government censors, “Words on the Night Breeze” sparked a tremendous outpouring, and the hours of tape on her answering machines were soon filled every night.

Whether angry or muted, posing questions or simply relating experiences, these anonymous women bore witness to decades of civil strife, and of halting attempts at self-understanding in a painfully restrictive society. In this collection, by turns heartrending and inspiring, Xinran brings us the stories that affected her most, and offers a graphically detailed, altogether unprecedented work of oral history.

Middlesex tells the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family, who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City and the race riots of 1967 before moving out to the tree-lined streets of suburban Grosse Pointe, Michigan.

To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

No woman in the three-hundred-year history of the karyukai has ever come forward in public to tell her story. We have been constrained by unwritten rules not to do so, by the robes of tradition and by the sanctity of our exclusive calling...But I feel it is time to speak out.

Celebrated as the most successful geisha of her generation, Mineko Iwasaki was only five years old when she left her parents' home for the world of the geisha. For the next twenty-five years, she would live a life filled with extraordinary professional demands and rich rewards. She would learn the formal customs and language of the geisha, and study the ancient arts of Japanese dance and music. She would enchant kings and princes, captains of industry, and titans of the entertainment world, some of whom would become her dearest friends. Through great pride and determination, she would be hailed as one of the most prized geishas in Japan's history, and one of the last great practitioners of this now fading art form.

In Geisha, a Life, Mineko Iwasaki tells her story, from her warm early childhood, to her intense yet privileged upbringing in the Iwasaki okiya (household), to her years as a renowned geisha, and finally, to her decision at the age of twenty-nine to retire and marry, a move that would mirror the demise of geisha culture. Mineko brings to life the beauty and wonder of Gion Kobu, a place that "existed in a world apart, a special realm whose mission and identity depended on preserving the time-honored traditions of the past."

She illustrates how it coexisted within post-World War II Japan at a time when the country was undergoing its radical transformation from a post-feudal society to a modern one.

There is much mystery and misunderstanding about what it means to be a geisha. I hope this story will help explain what it is really like and also serve as a record of this unique component of Japan's cultural history, writes Mineko Iwasaki. Geisha, a Life is the first of its kind, as it delicately unfolds the fabric of a geisha's development. Told with great wisdom and sensitivity, it is a true story of beauty and heroism, and of a time and culture rarely revealed to the Western world.

First published in 1982, this pioneering work traces the transformation of women's work into wage labor in the United States, identifying the social, economic, and ideological forces that have shaped our expectations of what women do.

Basing her observations upon the personal experience of individual American women set against the backdrop of American society, Alice Kessler-Harris examines the effects of class, ethnic and racial patterns, changing perceptions of wage work for women, and the relationship between wage-earning and family roles.

In the 20th Anniversary Edition of this landmark book, the author has updated the original and written a new Afterword.

An ancient title of respect for women, the word cunt long ago veered off this noble path. Inga Muscio traces the road from honor to expletive, giving women the motivation and tools to claim cunt as a positive and powerful force in their lives.

In this fully revised edition, she explores, with candidness and humor, such traditional feminist issues as birth control, sexuality, jealousy between women, and prostitution with a fresh attitude for a new generation of women. Sending out a call for every woman to be the Cunt lovin' Ruler of Her Sexual Universe, Muscio stands convention on its head by embracing all things cunt-related.

This edition is fully revised with updated resources, a new foreword from sexual pioneer Betty Dodson, and a new afterword by the author.

Women without Children: Nurturing Lives is based on over 125 interviews with women who have no children. The author, Yvonne M. Vissing, explores the cultural myths surrounding childlessness and delves into the reasons why these women do not have children, as well as how it affects and shapes their day-to-day lives.

This book is organized into three main sections: the social context of "childlessness", its causes, and its meanings. Each section places the women's experiences within a demographic and sociological context, offering readers an understanding of the issues these individuals face and their efforts to create a place for themselves in a child-centered society.

Women without Children is a celebration of the strength, beauty, and love demonstrated by women who—by accident or choice—have not borne or raised children. It provides understanding, insights, comfort, and empowerment to those who have traditionally been made to feel less than whole because they do not have children.

Incidents in the Life of a Slave Girl is the remarkable true story of Harriet Jacobs, an individual's struggle for self-identity, self-preservation, and freedom. This autobiographical account chronicles Harriet's journey from a life of servitude and degradation in North Carolina to liberty and reunion with her children in the North.

Written and published in 1861 after Jacobs' harrowing escape from a vile and predatory master, the memoir delivers a powerful and unflinching portrayal of the abuses and hypocrisy of the master-slave relationship. Jacobs writes frankly of the horrors she suffered as a slave, her eventual escape after several unsuccessful attempts, and her seven years in self-imposed exile, hiding in a coffin-like "garret" attached to her grandmother's porch.

A rare firsthand account of a courageous woman's determination and endurance, this inspirational story also represents a valuable historical record of the continuing battle for freedom and the preservation of family.

On a hilltop north of Seattle, overlooking the glorious vista of Puget Sound and the white-capped Olympics, stands Rosary Heights, the motherhouse of the Sisters of Saint Dominic of the Holy Cross. The story begins here, with a catastrophic storm that shifts the ground beneath the motherhouse and threatens to send it crashing into the waters below. In a single act of nature, a moment of truth, the order is forced to rethink its place in the world and its purpose.

With Rosary Heights as the backdrop, Catherine Whitney takes a personal journey inside the order that ran the school she attended as a child, the order that, for a short time, she contemplated entering herself. Her quest is to come to terms with what it means to be called to the religious life. What is the secret these women hold that makes them--no matter how diverse--perform common rituals, celebrate the same Mass, and serve the same God?

In The Calling, we meet several valiant women who struggle with the practicalities of the world around them as well as the complicating issues of the life of a nun. Each woman's story is compelling. Together, they form a dramatic human chronicle that is fascinating and revealing--a chronicle of a community that has existed for centuries but is still evolving and whose anxieties and joys are utterly relevant to all of us, regardless of our beliefs.

After years of soul-searching, Jeanne Safer made the conscious decision not to have children. In this book, Safer and women across the country share insights that dispel the myth of childless women as emotionally barren or incomplete, and encourage all women to honestly confront their needs—whether they choose motherhood or not.

In August 1984, Michigan housewife Betty Mahmoody accompanied her husband to his native Iran for a two-week vacation. To her horror, she found herself and her four-year-old daughter, Mahtob, virtual prisoners of a man rededicated to his Shiite Moslem faith, in a land where women are near-slaves and Americans are despised. Their only hope for escape lay in a dangerous underground that would not take her child.

Now the true story of this courageous woman and her breathtaking odyssey bursts upon the screen in the Pathe Entertainment production starring Academy Award-winner Sally Field Not Without My Daughter is a Literary Guild Alternate Selection.

Labor of Love, Labor of Sorrow offers a profound exploration of the evolving role of American black women in both the labor force and the family structure from the era of slavery to the modern day.

This book delves deeply into the challenges and triumphs faced by these women as they navigated through systemic obstacles and societal expectations. It provides a compelling narrative that sheds light on their enduring strength and resilience.

Jacqueline A. Jones eloquently captures the intricate tapestry of work, family, and identity that defines the black female experience in America.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .

Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

The Women's Room is the bestselling feminist novel that awakened both women and men. It follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, this book is a modern classic offering piercing insight into the social norms accepted so blindly and revered so completely.

Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.

Against Our Will is a groundbreaking feminist classic that revolutionizes the way we think about rape. As powerful and timely now as when it was first published, this book stands as a unique document of the history, politics, and sociology of rape and the inherent and ingrained inequality of men and women under the law.

In lucid, persuasive prose, Susan Brownmiller uses her experience as a journalist to create a definitive, devastating work of lasting social importance. Fact by fact, she pulls back the centuries of damaging lies and misrepresentations to reveal how rape has been accepted in all societies and how it continues to profoundly affect women’s lives today.

A keen and prescient analyst, Brownmiller discusses the consequences of rape in biblical times, as an accepted spoil of war, as well as child molestation, marital rape, and date rape (a term that she coined). This book is essential reading in the era of #MeToo.

The Beautifull Cassandra is one of Jane Austen's most charming youthful works, written when she was just twelve or thirteen years old. This deluxe illustrated edition is a celebration of Austen's early writing, showcasing her wit and her already mature stylistic mastery.

The story follows the slightly criminal adventures of the sixteen-year-old title character, Cassandra, who, after stealing a hat, embarks on a journey around London. She indulges in eating ice cream and taking coach rides without paying for them, and encounters handsome young ladies and gentlemen without speaking to them. Cassandra's day out is one of joy and mischief, culminating in her return home with a sense of satisfaction: "This is a day well spent."

This edition features elegant and edgy watercolor drawings by Leon Steinmetz and is edited by leading Austen scholar Claudia L. Johnson. In her afterword, Johnson regards The Beautifull Cassandra as "among the most brilliant and polished" of Austen's juvenile writings, hinting at the great novelist she would become. The book is a literary treasure and a delightful read for Austen fans of all ages.

The Left Hand of Darkness by Ursula K. Le Guin is a groundbreaking work of science fiction that explores the story of a lone human emissary to Winter, an alien world whose inhabitants spend most of their time without a gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. However, to achieve this, he must bridge the gulf between his own views and those of the completely dissimilar culture he encounters.

Embracing aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness is celebrated as a landmark achievement in the annals of intellectual science fiction. The novel delves into complex themes involving gender and sexuality, challenging readers' perceptions of human nature and societal constructs. It is not only an adventure story but also a profound thought experiment that invites contemplation about the fluidity of gender and the potential for understanding amidst cultural differences.

For eight weeks in 1945, when Berlin fell into the hands of the Russian army, a young woman recorded her diary in the building of her apartment and its surroundings. The "unknown" writer portrayed Berliners in all their human natures, in their cowardice and corruption, firstly due to hunger and secondly due to the Russian soldiers.

"A Woman in Berlin" speaks about the complex relationships between the civilians and the occupying army, and the humiliating treatment of women in an occupied city, which is always a subject of mass rape that all women suffered from, regardless of age and infirmity.

"A Woman in Berlin" is one of the essential books for understanding war and life.

La casa de Bernarda Alba es la obra teatral más conocida de Federico Garcíaa Lorca. Escrita en 1936, no pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu. La obra expone la historia de Bernarda Alba, quien tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto.

Con Bernarda viven sus cinco hijas (Angustias, Magdalena, Amelia, Martirio y Adela), su madre y sus dos criadas. La obra, de gran belleza lírica y fuerza dramática, describe la España profunda de principios del siglo XX, caracterizada por una sociedad tradicional en la que el papel que la mujer jugaba era muy secundario. Lorca destaca por su capacidad de aunar la tradición y la vanguardia, presentando temas, personajes y géneros de la tradición teatral desde inusitadas perspectivas y filtrándolos por el tamiz de unas modernas técnicas expresivas.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia. Sólo hacía nueve años que se le había concedido el voto a la mujer y aún quedaba mucho camino por recorrer.

Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.

Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.

Anna Karenina is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin, a reflection of Tolstoy himself, often expresses the author's own views and convictions.

Set against a vast and richly textured canvas of nineteenth-century Russia, the novel explores the complex interplay between love, family happiness, and the societal constraints that exist within the dynamics of city and country life. As the story unfolds, Anna's ill-fated affair with Vronsky leads to a life-altering crisis, while Levin's journey takes on a deeper philosophical significance.

The novel's seven major characters create a dynamic imbalance, exploring the variations on love and the search for happiness. Tolstoy's powerful narrative invites readers not to judge but to watch, presenting a panorama of humanity in all its flawed beauty.

Louisa May Alcott's classic tale of four sisters.

Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy. The four March sisters couldn't be more different. But with their father away at war, and their mother working to support the family, they have to rely on one another. Whether they're putting on a play, forming a secret society, or celebrating Christmas, there's one thing they can't help wondering: Will Father return home safely?

It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.

Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.

Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.