Gender Born, Gender Made is a groundbreaking guide to caring for children who live outside binary gender boxes. We are only beginning to understand gender. Is it inborn or learned? Can it be chosen—or even changed? Does it have to be one or the other?
These questions may seem abstract—but for parents whose children live outside of gender “norms,” they are very real. No two children who bend the “rules” of gender do so in quite the same way. Felicia threw away her frilly dresses at age three. Sam hid his interest in dolls and “girl things” until high school—when he finally confided his desire to become Sammi. And seven-year-old Maggie, who sports a boys’ basketball uniform and a long blond braid, identifies as “a boy in the front, and a girl in the back.”
But all gender-nonconforming children have one thing in common—they need support to thrive in a society that still subscribes to a binary system of gender. Dr. Diane Ehrensaft has worked with children like Felicia, Sam, and Maggie for over 30 years. In Gender Born, Gender Made, she offers parents, clinicians, and educators guidance on both the philosophical dilemmas and the practical, daily concerns of working with children who don’t fit a “typical” gender mold. She debunks outmoded approaches to gender nonconformity that may actually do children harm. And she offers a new framework for helping each child become his or her own unique, most gender-authentic person.
It’s the twenty-first century, and although we tried to rear unisex children—boys who play with dolls and girls who like trucks—we failed. Even though the glass ceiling is cracked, most women stay comfortably beneath it. And everywhere we hear about vitally important “hardwired” differences between male and female brains. The neuroscience that we read about in magazines, newspaper articles, books, and sometimes even scientific journals increasingly tells a tale of two brains, and the result is more often than not a validation of the status quo.
Women, it seems, are just too intuitive for math, men too focused for housework. Drawing on the latest research in neuroscience and psychology, Cordelia Fine debunks the myth of hardwired differences between men’s and women’s brains, unraveling the evidence behind such claims as men’s brains aren’t wired for empathy and women’s brains aren’t made to fix cars. She then goes one step further, offering a very different explanation of the dissimilarities between men’s and women’s behavior. Instead of a “male brain” and a “female brain,” Fine gives us a glimpse of plastic, mutable minds that are continuously influenced by cultural assumptions about gender.
Passionately argued and unfailingly astute, Delusions of Gender provides us with a much-needed corrective to the belief that men’s and women’s brains are intrinsically different—a belief that, as Fine shows with insight and humor, all too often works to the detriment of ourselves and our society.
Newly translated and unabridged in English for the first time, Simone de Beauvoir’s masterwork is a powerful analysis of the Western notion of “woman,” and a groundbreaking exploration of inequality and otherness. This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as it was back then, and will continue to provoke and inspire generations of men and women to come.
Dana, a modern Black woman, is celebrating her 26th birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him.
Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana's life will end, long before it has a chance to begin.
Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov.
In this extraordinary memoir, their stories become intertwined with the ones they are reading. Reading Lolita in Tehran is a remarkable exploration of resilience in the face of tyranny and a celebration of the liberating power of literature.
From experienced family therapist Dr. Karyl McBride, Will I Ever Be Good Enough? is an essential guide to recovery for women with selfish, emotionally abusive, and toxic mothers—designed to help daughters reclaim their lives.
The first book for daughters who have suffered the abuse of narcissistic, self-involved mothers, Will I Ever Be Good Enough? provides the expert assistance you need in order to overcome this debilitating history and reclaim your life.
Drawing on more than two decades of experience as a therapist specializing in women’s health and hundreds of interviews with suffering daughters, Dr. Karyl McBride helps you recognize the widespread effects of this emotional abuse and create an individualized program for self-protection, resolution, and complete recovery.
Narcissistic mothers teach their daughters that love is not unconditional, that it is given only when they behave in accordance with maternal expectations and whims. As adults, these daughters have difficulty overcoming feelings of inadequacy, disappointment, emotional emptiness, and sadness. They may also have a fear of abandonment that leads them to form unhealthy romantic relationships, as well as a tendency to perfectionism and unrelenting self-criticism or to self-sabotage and frustration.
Dr. McBride’s step-by-step program will enable you to:
Warm and sympathetic, Dr. McBride brings a profound level of authority to Will I Ever Be Good Enough? that encourages and inspires you as it aids your recovery.
In Edinburgh in the 1930s, the Lennox family is having trouble with their youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done.
Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?
Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page.
Meet the Female Chauvinist Pig – the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women – and of themselves.
Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.
In this passionate report from the front lines, Ariel Levy examines the enormous cultural impact of the newest wave of post-feminism. She interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. Levy examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls.
Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity.
Unveiled: The Hidden Lives of Nuns offers a candid and fascinating exploration into the lives of nuns, drawing on interviews with more than three hundred nuns from a variety of orders. This book reflects a diversity of beliefs and provides a revealing look at life behind the convent walls.
Cheryl L. Reed, an award-winning investigative journalist, lived and prayed with these nuns, witnessing their vows and ceremonies. She delves into their daily lives, worship services, friendships, and their attitudes toward the modern world and its consumerism.
Through this journey, readers will gain insight into love, sex, faith, joy, loss, and regret, as well as the nuns' views on motherhood, relationships, and feminism. This book is an eye-opening exploration of the interior lives of women dedicated to their spiritual paths.
Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.
From the New York Times bestselling author of All About Love, a brave and astonishing work that challenges patriarchal culture and encourages men to reclaim the best part of themselves.
Everyone needs to love and be loved—even men. But to know love, men must be able to look at the ways that patriarchal culture keeps them from knowing themselves, from being in touch with their feelings, from loving. In The Will to Change, bell hooks gets to the heart of the matter and shows men how to express the emotions that are a fundamental part of who they are—whatever their age, marital status, ethnicity, or sexual orientation.
But toxic masculinity punishes those fundamental emotions, and it's so deeply ingrained in our society that it's hard for men to not comply—but hooks wants to help change that. With trademark candor and fierce intelligence, hooks addresses the most common concerns of men, such as fear of intimacy and loss of their patriarchal place in society, in new and challenging ways. She believes men can find the way to spiritual unity by getting back in touch with the emotionally open part of themselves—and lay claim to the rich and rewarding inner lives that have historically been the exclusive province of women.
Middlesex tells the breathtaking story of Calliope Stephanides, and three generations of the Greek-American Stephanides family, who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition-era Detroit, witnessing its glory days as the Motor City and the race riots of 1967 before moving out to the tree-lined streets of suburban Grosse Pointe, Michigan.
To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.
First published in 1982, this pioneering work traces the transformation of women's work into wage labor in the United States, identifying the social, economic, and ideological forces that have shaped our expectations of what women do.
Basing her observations upon the personal experience of individual American women set against the backdrop of American society, Alice Kessler-Harris examines the effects of class, ethnic and racial patterns, changing perceptions of wage work for women, and the relationship between wage-earning and family roles.
In the 20th Anniversary Edition of this landmark book, the author has updated the original and written a new Afterword.
Women without Children: Nurturing Lives is based on over 125 interviews with women who have no children. The author, Yvonne M. Vissing, explores the cultural myths surrounding childlessness and delves into the reasons why these women do not have children, as well as how it affects and shapes their day-to-day lives.
This book is organized into three main sections: the social context of "childlessness", its causes, and its meanings. Each section places the women's experiences within a demographic and sociological context, offering readers an understanding of the issues these individuals face and their efforts to create a place for themselves in a child-centered society.
Women without Children is a celebration of the strength, beauty, and love demonstrated by women who—by accident or choice—have not borne or raised children. It provides understanding, insights, comfort, and empowerment to those who have traditionally been made to feel less than whole because they do not have children.
On a hilltop north of Seattle, overlooking the glorious vista of Puget Sound and the white-capped Olympics, stands Rosary Heights, the motherhouse of the Sisters of Saint Dominic of the Holy Cross. The story begins here, with a catastrophic storm that shifts the ground beneath the motherhouse and threatens to send it crashing into the waters below. In a single act of nature, a moment of truth, the order is forced to rethink its place in the world and its purpose.
With Rosary Heights as the backdrop, Catherine Whitney takes a personal journey inside the order that ran the school she attended as a child, the order that, for a short time, she contemplated entering herself. Her quest is to come to terms with what it means to be called to the religious life. What is the secret these women hold that makes them--no matter how diverse--perform common rituals, celebrate the same Mass, and serve the same God?
In The Calling, we meet several valiant women who struggle with the practicalities of the world around them as well as the complicating issues of the life of a nun. Each woman's story is compelling. Together, they form a dramatic human chronicle that is fascinating and revealing--a chronicle of a community that has existed for centuries but is still evolving and whose anxieties and joys are utterly relevant to all of us, regardless of our beliefs.
After years of soul-searching, Jeanne Safer made the conscious decision not to have children. In this book, Safer and women across the country share insights that dispel the myth of childless women as emotionally barren or incomplete, and encourage all women to honestly confront their needs—whether they choose motherhood or not.
In August 1984, Michigan housewife Betty Mahmoody accompanied her husband to his native Iran for a two-week vacation. To her horror, she found herself and her four-year-old daughter, Mahtob, virtual prisoners of a man rededicated to his Shiite Moslem faith, in a land where women are near-slaves and Americans are despised. Their only hope for escape lay in a dangerous underground that would not take her child.
Now the true story of this courageous woman and her breathtaking odyssey bursts upon the screen in the Pathe Entertainment production starring Academy Award-winner Sally Field Not Without My Daughter is a Literary Guild Alternate Selection.
Labor of Love, Labor of Sorrow offers a profound exploration of the evolving role of American black women in both the labor force and the family structure from the era of slavery to the modern day.
This book delves deeply into the challenges and triumphs faced by these women as they navigated through systemic obstacles and societal expectations. It provides a compelling narrative that sheds light on their enduring strength and resilience.
Jacqueline A. Jones eloquently captures the intricate tapestry of work, family, and identity that defines the black female experience in America.
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .
Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.
The Beautifull Cassandra is one of Jane Austen's most charming youthful works, written when she was just twelve or thirteen years old. This deluxe illustrated edition is a celebration of Austen's early writing, showcasing her wit and her already mature stylistic mastery.
The story follows the slightly criminal adventures of the sixteen-year-old title character, Cassandra, who, after stealing a hat, embarks on a journey around London. She indulges in eating ice cream and taking coach rides without paying for them, and encounters handsome young ladies and gentlemen without speaking to them. Cassandra's day out is one of joy and mischief, culminating in her return home with a sense of satisfaction: "This is a day well spent."
This edition features elegant and edgy watercolor drawings by Leon Steinmetz and is edited by leading Austen scholar Claudia L. Johnson. In her afterword, Johnson regards The Beautifull Cassandra as "among the most brilliant and polished" of Austen's juvenile writings, hinting at the great novelist she would become. The book is a literary treasure and a delightful read for Austen fans of all ages.
The Left Hand of Darkness by Ursula K. Le Guin is a groundbreaking work of science fiction that explores the story of a lone human emissary to Winter, an alien world whose inhabitants spend most of their time without a gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. However, to achieve this, he must bridge the gulf between his own views and those of the completely dissimilar culture he encounters.
Embracing aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness is celebrated as a landmark achievement in the annals of intellectual science fiction. The novel delves into complex themes involving gender and sexuality, challenging readers' perceptions of human nature and societal constructs. It is not only an adventure story but also a profound thought experiment that invites contemplation about the fluidity of gender and the potential for understanding amidst cultural differences.
La casa de Bernarda Alba es la obra teatral más conocida de Federico GarcĂaa Lorca. Escrita en 1936, no pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu. La obra expone la historia de Bernarda Alba, quien tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto.
Con Bernarda viven sus cinco hijas (Angustias, Magdalena, Amelia, Martirio y Adela), su madre y sus dos criadas. La obra, de gran belleza lĂrica y fuerza dramática, describe la España profunda de principios del siglo XX, caracterizada por una sociedad tradicional en la que el papel que la mujer jugaba era muy secundario. Lorca destaca por su capacidad de aunar la tradiciĂłn y la vanguardia, presentando temas, personajes y gĂ©neros de la tradiciĂłn teatral desde inusitadas perspectivas y filtrándolos por el tamiz de unas modernas tĂ©cnicas expresivas.
En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunciĂłn, planteĂł la cuestiĂłn desde un punto de vista realista, valiente y muy particular. Una pregunta: ÂżquĂ© necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia econĂłmica y personal, es decir, Una habitaciĂłn propia. SĂłlo hacĂa nueve años que se le habĂa concedido el voto a la mujer y aĂşn quedaba mucho camino por recorrer.
Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.
Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.
Anna Karenina is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin, a reflection of Tolstoy himself, often expresses the author's own views and convictions.
Set against a vast and richly textured canvas of nineteenth-century Russia, the novel explores the complex interplay between love, family happiness, and the societal constraints that exist within the dynamics of city and country life. As the story unfolds, Anna's ill-fated affair with Vronsky leads to a life-altering crisis, while Levin's journey takes on a deeper philosophical significance.
The novel's seven major characters create a dynamic imbalance, exploring the variations on love and the search for happiness. Tolstoy's powerful narrative invites readers not to judge but to watch, presenting a panorama of humanity in all its flawed beauty.
Louisa May Alcott's classic tale of four sisters.
Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy. The four March sisters couldn't be more different. But with their father away at war, and their mother working to support the family, they have to rely on one another. Whether they're putting on a play, forming a secret society, or celebrating Christmas, there's one thing they can't help wondering: Will Father return home safely?
It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.
'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.
Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.
Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.