En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia. Sólo hacía nueve años que se le había concedido el voto a la mujer y aún quedaba mucho camino por recorrer.

Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.

Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.

Anna Karenina is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin, a reflection of Tolstoy himself, often expresses the author's own views and convictions.

Set against a vast and richly textured canvas of nineteenth-century Russia, the novel explores the complex interplay between love, family happiness, and the societal constraints that exist within the dynamics of city and country life. As the story unfolds, Anna's ill-fated affair with Vronsky leads to a life-altering crisis, while Levin's journey takes on a deeper philosophical significance.

The novel's seven major characters create a dynamic imbalance, exploring the variations on love and the search for happiness. Tolstoy's powerful narrative invites readers not to judge but to watch, presenting a panorama of humanity in all its flawed beauty.

Louisa May Alcott's classic tale of four sisters.

Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy. The four March sisters couldn't be more different. But with their father away at war, and their mother working to support the family, they have to rely on one another. Whether they're putting on a play, forming a secret society, or celebrating Christmas, there's one thing they can't help wondering: Will Father return home safely?

It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.

Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.

Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.