A ferocious novel by one of the boldest voices in American fiction and the author of The New Me, Margaret Anne (“Moddie”) Yance had just returned to her native land in the Midwestern town of X, to mingle with the friends of her youth, to get back in touch with her roots, and to recover from a stressful decade of living in the city in a small apartment with a man she now believed to be a megalomaniac or perhaps a covert narcissist.

So begins Halle Butler's sadistically precise and hilarious Banal Nightmare, which follows Moddie as she abruptly ends her long-term relationship and moves back to her Midwestern hometown, throwing herself at the mercy of her old friends as they, all suddenly tipping toward middle age, go to parties, size each other up, obsess over past slights, and dream of wild triumphs and elaborate revenge fantasies. When her friend Pam invites a mysterious East Coast artist to take up a winter residency at the local university, Moddie has no choice but to confront the demons of her past and grapple with the reality of what her life has become. As the day of reckoning approaches, friends will become enemies, enemies will become mortal enemies, and old loyalties will be tested to their extreme.

Banal Nightmare is filled with complicated characters who will dazzle you in their rendering just as often as they will infuriate you with their decisions. Halle Butler singularly captures the volatile, angry, aggrieved, surreal and entirely disorienting atmosphere of the modern era.

Pink Slime is a harrowing, intimate novel about a woman and the people who depend on her as the world around them teeters on the edge—marking an award-winning Latin American author's US debut. In a city ravaged by a mysterious plague, a woman tries to understand why her world is falling apart. An algae bloom has poisoned the previously pristine air that blows in from the sea. Inland, a secretive corporation churns out the only food anyone can afford—a revolting pink paste, made of an unknown substance.

In the short, desperate breaks between deadly windstorms, our narrator stubbornly tends to her few remaining relationships: with her difficult but vulnerable mother; with the ex-husband for whom she still harbors feelings; with the boy she nannies, whose parents sent him away even as terrible threats loomed. Yet as conditions outside deteriorate further, her commitment to remaining in place only grows—even if staying means being left behind. An evocative elegy for a safe, clean world, Pink Slime is buoyed by humor and its narrator's resiliency. This unforgettable novel explores the place where love, responsibility, and self-preservation converge, and the beauty and fragility of our most intimate relationships.

One of Our Kind, the first adult novel by #1 New York Times best-selling author Nicola Yoon, presents a terrifying and thought-provoking look at the concept of true freedom in America. In a narrative reminiscent of Get Out meets The Stepford Wives, we follow the story of a woman who uncovers a dark secret within her seemingly utopian community.

Jasmyn and King Williams, seeking a like-minded community for their growing family, move to the planned Black utopia of Liberty, California. While King quickly adapts to the Liberty way of life, Jasmyn finds it difficult to fit in. Her expectations of a community striving for racial equality are dashed when she realizes that the residents are more preoccupied with luxury spa treatments than addressing societal issues.

As Jasmyn's disillusionment grows, she befriends others who share her concerns. However, their collective unease turns to horror as they watch their loved ones fall under the seductive influence of Liberty's ethos. When Jasmyn uncovers a horrifying secret about the founders of Liberty, she faces a reality that could shatter her world in unimaginable ways.

Combining edge-of-your-seat thrills with incisive social commentary, One of Our Kind delves into the complexities of freedom and the dangerous assumptions we make about ourselves and others.

Birds Aren't Real presents what is claimed to be the true story of a vast conspiracy involving mass avian murder and the implementation of a large-scale surveillance campaign in US history.

The book asks a provocative question: Have you ever seen a baby pigeon? It points out the curious absence of baby pigeons from our everyday sights, suggesting that pigeons, and indeed all birds, come out of a factory as fully grown adults. This, the authors argue, is one of the many pieces of evidence for the bird drone surveillance crisis they allege began in 1959, when the Deep State is said to have eradicated over 12 billion birds and replaced them with drone replicas designed to spy on citizens.

Authors Peter McIndoe and Connor Gaydos act as whistleblowers, tracing the roots of what they describe as a political conspiracy so expansive that it might be mistaken for an elaborate hoax. They present themselves as Bird Truthers, risking everything to bring to light information about the surveillance crisis, its proliferation, and the individuals today who are striving to spread awareness and restore America to the ideal of freedom. The book is replete with illustrations, activities, and purportedly leaked classified documents meant to persuade even the most skeptical readers of the authors' claims.

The manifesto is urgent, the cause is pressing, and the question lingers: Will you stand and fight before it's too late?

Mean Boys: A Personal History delves into the complex world of male friendships and rivalries, exploring how they shape our identities and experiences. Geoffrey Mak shares his personal journey, examining the intricate dynamics of competition and camaraderie among men.

Through a series of vivid anecdotes and reflective insights, Mak reveals the often unspoken rules that govern male relationships. He sheds light on the challenges and triumphs that come with navigating these bonds, offering a candid look at the role of masculinity in modern society.

This memoir is not just a tale of personal growth but a broader commentary on the societal expectations placed on men. Mak's narrative is both thought-provoking and relatable, as he invites readers to reconsider what it means to be a 'mean boy' in today's world.

James, by Percival Everett, is a brilliant and action-packed reimagining of The Adventures of Huckleberry Finn, told from the perspective of the enslaved character Jim. This novel is both harrowing and ferociously funny, showcasing Jim's agency, intelligence, and compassion in a radically new light.

When Jim overhears that he is about to be sold and separated from his wife and daughter, he decides to hide on Jackson Island to plan his next move. Meanwhile, Huck Finn, seeking to escape his violent father, fakes his own death. Together, they embark on a dangerous and transcendent journey down the Mississippi River, facing floods, storms, and scam artists, all while navigating the promise and peril of the Free States and beyond.

With electrifying humor and lacerating observations, James is set to be a major publishing event, redefining a cornerstone of twenty-first century American literature.

Victim is a fearless satire about Javier Perez, a hustler from the Bronx who manipulates his life story for gain. With the bite of Paul Beatty and the subversive wit of Danzy Senna, this debut novel explores the lengths to which one man will go to make his story resonate.

Javier, from a family of hustlers, learns early how to turn his background—murdered drug dealer dad, single cash-strapped mom, best friend in prison for gang activity—into opportunities. His tailored story secures a full scholarship to a prestigious university, bringing him closer to his dream of becoming a famous writer.

As a college student, Javier embellishes his life story beyond recognition. The only real tie to his past is his correspondence with his childhood best friend, Gio, who's unconcerned with Javier's newfound insights into white privilege and the school-to-prison pipeline. After graduation, a viral essay catapults Javier to journalist status at a legendary magazine, where his "unique perspective" is celebrated.

But Gio knows the truth behind Javier's facade. Once out of prison, will Gio join in on Javier's ruse, or will the deceit unravel? Victim humorously critiques virtue signaling and trauma narratives, questioning the authenticity of diversity and the extremes one might pursue for a compelling story.

New York Times bestselling author Xochitl Gonzalez delivers a mesmerizing novel about a first-generation Ivy League student who uncovers the genius work of a female artist decades after her suspicious death.

Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten—certainly by the time Raquel, a third-year art history student, is preparing her final thesis.

On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.

Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

Change is an autobiographical novel from Édouard Louis, hailed as one of the most important voices of his generation—about social class, transformation, and the perils of leaving the past behind.

One question took center stage in my life, it focused all of my thoughts and occupied every moment when I was alone with myself: how could I get this revenge, by what means? I tried everything. Édouard Louis longs for a life beyond the poverty, discrimination, and violence in his working-class hometown—so he sets out for school in Amiens, and, later, university in Paris.

He sheds the provincial “Eddy” for an elegant new name, determined to eradicate every aspect of his past. He reads incessantly; he dines with aristocrats; he spends nights with millionaires and drug-dealers alike. Everything he does is motivated by a single obsession: to become someone else.

At once harrowing and profound, Change is not just a personal odyssey, a story of dreams and of “the beautiful violence of being torn away,” but a profound portrait of a society divided by class, power, and inequality.

This American Ex-Wife: How I Ended My Marriage and Started My Life is a deeply validating manifesto on the gender politics of marriage and divorce in America today, presenting an argument that the former needs a reboot. Journalist and proud divorcée Lyz Lenz delivers an exuberant and unapologetic account, flipping the script on the media's portrayal of divorced women.

Studies indicate that nearly 70 percent of divorces are initiated by women—women who seek liberation from relationships premised on their fundamental inequality. Through a combination of reportage, sociological research, literature, and popular culture, this book weaves personal stories of union and separation to create a kaleidoscopic portrait of American marriage.

Lenz pushes for a collective reevaluation of the institution, challenging the notion that divorce is a personal failure when, in fact, it may be a practical and powerful solution for women to reclaim the power they deserve. This raucous manifesto for acceptance, solidarity, and collective female refusal offers readers a riveting ride, all the while pointing toward a future of greater freedom.

Spectral Evidence is a profound exploration by Gregory Pardlo, the Pulitzer Prize-winning author of Digest and Air Traffic. In this major collection of poetry, Pardlo's words flow seamlessly through a variety of themes, from the life of pro-wrestler Owen Hart to Tituba, the only Black woman accused during the Salem witch trials, and the MOVE organization's confrontations with Philadelphia Police.

The collection invites readers to ponder on topics such as Blackness, beauty, faith, and the impact of law. It is both cerebral and intimate, urging us to reflect on our notions of devotion and art, the criminalization and mortality of Black bodies, and the quest for justice. These themes are intricately woven into our current societal fabric, our history, and the Western literary tradition. Pardlo's poetry acts as a bridge connecting the past and present, challenging us to consider the role of art in interpreting and understanding the world around us.

The Survivors of the Clotilda joins the ranks of Rebecca Skloot’s The Immortal Life of Henrietta Lacks and Zora Neale Hurston’s rediscovered classic Barracoon, offering an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil. This compelling narrative is told through the stories of its survivors—the final documented survivors of any slave ship—whose lives diverged and intersected in profound ways.

The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860—more than half a century after a federal law banned the importation of captive Africans, and nine months before the start of the Civil War. The last of its survivors lived well into the twentieth century, serving as the last witnesses to the final act of a significant and tragic period in world history.

In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile—an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston—to the foundation of the quilting community of Gee’s Bend—a Black artistic circle whose cultural influence remains enormous.

An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.

From acclaimed and bestselling novelist Zadie Smith, The Fraud is a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and about who deserves to be believed.

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life, and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

Andrew Bogle meanwhile grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. He knows that the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.

The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task…

Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of “other people.”

It's 1990 in London, and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition, and a brisk disregard for the 'peasants' - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop: a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and 'bad apples': the Greens.

At their heart sits Carmel: beautiful, other-worldly, broken, and once destined for a future beyond her circumstances until life - and love - got in her way. Crushed by failure and surrounded by disappointment, there's nowhere for her to go and no chance of escape. Now, with the police closing in on a suspect and the tabloids hunting their monster, she must confront the secrets and silences that have trapped her family for so many generations.

Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own.

Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom.

In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences.

Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

Monsters: A Fan's Dilemma is a passionate, provocative, and blisteringly smart interrogation of how we experience art in the age of #MeToo. Author Claire Dederer poses the critical question: What do we do with the art of monstrous men? Can we still love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation?

Dederer explores the concept of monstrousness in men and women artists alike, prompting readers to examine their own responses and behavior. With a focus on the tumultuous relationship between art, the artist's biography, and the audience, this book delves deep into one of our most pressing cultural conversations. It is a work that is morally wise, deeply considered, and sharply written, urging both the fan and the reader to engage with these complex issues.

Small Mercies, a compelling novel by Dennis Lehane, unfolds against the backdrop of a sweltering Boston summer in 1974. Mary Pat Fennessy is caught in a relentless struggle to fend off the bill collectors, living a life steeped in the traditions of Southie, the Irish American neighborhood that prides itself on its heritage and independence.

As the city simmers under a heatwave, Mary Pat's world is upended when her teenage daughter Jules fails to return home one evening. Concurrently, the mysterious death of a young Black man on the subway tracks appears to be a separate tragedy. Yet, as Mary Pat delves deeper into her search for Jules, she unwittingly stirs the pot of a brewing storm—posing questions that draw the ire of Marty Butler, the local Irish mob boss, and his henchmen who are quick to silence any disturbance to their operations.

Set against the explosive period of school desegregation in Boston, which ignites violence in the streets, Small Mercies is not just a thriller; it's a stark portrayal of criminality, the abuse of power, and a raw examination of America's persistent racial divide. Lehane delivers a narrative that is as enthralling as it is unsettling—a testament to his prowess as one of the finest novelists of our time.

A single Black lawyer puts her career and personal moral code at risk when she moves in with her coffee entrepreneur boyfriend and his doomsday-prepping roommates in a novel that’s packed with tension, curiosity, humor, and wit from a writer with serious comedy credentials.

In the wake of her parents’ death, Aretha, a habitually single Black lawyer, has had only one obsession in life—success—until she falls for Aaron, a coffee entrepreneur. Moving into his Brooklyn brownstone to live along with his Hurricane Sandy-traumatized, illegal-gun-stockpiling, optimized-soy-protein-eating, bunker-building roommates, Aretha finds that her dreams of making partner are slipping away, replaced by an underground world, one of selling guns and training for a doomsday that’s maybe just around the corner.

For readers of Victor LaValle’s The Changeling, Paul Beatty’s The Sellout, and Zakiya Harris’s The Other Black Girl, The Survivalists is a darkly humorous novel from a smart and relevant new literary voice that’s packed with tension, curiosity and wit, and unafraid to ask the questions most relevant to a new generation of Americans: Does it make sense to climb the corporate ladder? What exactly are the politics of gun ownership? And in a world where it’s nearly impossible for young people to earn enough money to afford stable housing, what does it take in order to survive?

Demon Copperhead is set in the mountains of southern Appalachia, unraveling the life of a boy born to a teenage single mother in a single-wide trailer. He possesses no material wealth, save for his dead father's good looks, copper-colored hair, a sharp wit, and an innate ability to survive. Told through his candid perspective, Demon navigates the treacherous landscape of foster care, child labor, failing schools, athletic achievement, addiction, disastrous romances, and profound losses.

As he confronts the harsh reality of his own invisibility within a society that has relegated rural people to the shadows, even in popular culture where superheroes favor cities over the countryside, Demon's journey is a testament to resilience.

Inspired by Charles Dickens' David Copperfield, which itself was a product of Dickens' experiences with institutional poverty and its detrimental effects on children, Demon Copperhead carries forward Dickens' legacy of indignation and empathy. Barbara Kingsolver employs these sentiments to weave a narrative that is both a nod to a classic and a voice for the modern generation of 'lost boys' and all those rooted to places of cursed beauty they cannot fathom leaving.

From the New York Times bestselling author of Exit West, comes a story of love, loss, and rediscovery in a time of unsettling change.

One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first, he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them.

Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different hue—an opportunity for a kind of rebirth, a chance to see ourselves anew.

In Mohsin Hamid’s lyrical and urgent prose, The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era.

This is a witch hunt. We're witches, and we're hunting you.

From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author Lindy West turns that refrain on its head. You think this is a witch hunt? Fine. You've got one.

In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics.

West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.”

We cannot understand how we got here—how the land of the free became Trump's America—without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

The Age of Innocence, written by Edith Wharton, is a poignant exploration of New York society in the 1870s. Following the end of the First World War, Wharton delves into the intricacies of the world she was born into and sought to escape from throughout her life.

The protagonist, Newland Archer, embodies the charm, tact, and enlightenment of his society. Fully integrated into its standards and rules, Archer's engagement to the impeccable May Welland signifies a future of safety and conventionality. However, the arrival of May's cousin, Ellen Olenska, disrupts his well-laid plans. Ellen, independent and free-thinking, separated from her husband, challenges Archer to reassess the values and assumptions of his insular world. As their love grows, Archer faces a critical decision about where his ultimate loyalty lies.

When a class war erupts inside a luxurious apartment block, modern elevators become violent battlegrounds and cocktail parties degenerate into marauding attacks on "enemy" floors. In this visionary tale, human society slips into violent reverse as once-peaceful residents, driven by primal urges, re-create a world ruled by the laws of the jungle.

The author of Fight Club takes America beyond our darkest dreams in this timely satire. People pass the word only to those they trust most: Adjustment Day is coming. They’ve been reading a mysterious book and memorizing its directives. They are ready for the reckoning.

Adjustment Day, the author’s first novel in four years, is an ingeniously comic work in which Chuck Palahniuk does what he does best: skewer the absurdities in our society. Smug, geriatric politicians bring the nation to the brink of a third world war in an effort to control the burgeoning population of young males; working-class men dream of burying the elites; and professors propound theories that offer students only the bleakest future.

When Adjustment Day arrives, it fearlessly makes real the logical conclusion of every separatist fantasy, alternative fact, and conspiracy theory lurking in the American psyche.

Howards End is a novel by E. M. Forster about social conventions, codes of conduct, and relationships in turn-of-the-century England. A strong-willed and intelligent woman refuses to allow the pretensions of her husband's smug English family to ruin her life. Howards End is considered by some to be Forster's masterpiece.

I'm Judging You: The Do-Better Manual is a hilarious and insightful collection of essays by Luvvie Ajayi, a comedian, activist, and popular culture blogger at AwesomelyLuvvie.com. This book dissects our cultural obsessions and calls out bad behavior in our increasingly digital, connected lives.

With over 500,000 readers a month at her enormously popular blog, Ajayi is a go-to source for smart takes on pop culture. In her debut book, she serves up necessary advice for the masses, passing on lessons and side-eyes on life, social media, culture, and fame. From addressing those terrible friends we all have to serious discussions of race and media representation, this book is a manual for anyone looking to bring some "act right" into their lives.

With a lighthearted, razor-sharp wit and a unique perspective, I'm Judging You offers a road map for navigating the complexities of modern life, social media, and popular culture.

Bleak House opens in the twilight of foggy London, where fog grips the city most densely in the Court of Chancery. The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done.

Bleak House, in its atmosphere, symbolism and magnificent bleak comedy, is often regarded as the best of Dickens. A 'great Victorian novel', it is so inventive in its competing plots and styles that it eludes interpretation.

Clown Girl lives in Baloneytown, a seedy neighborhood where drugs, balloon animals, and even rubber chickens contribute to the local currency. Against a backdrop of petty crime, she struggles to live her dreams, calling on cultural masters Charlie Chaplin, Kafka, and da Vinci for inspiration. In an effort to support herself and her layabout performance-artist boyfriend, Clown Girl finds herself unwittingly transformed into a "corporate clown," trapping herself in a cycle of meaningless, high-paid gigs that veer dangerously close to prostitution.

Monica Drake has created a novel that riffs on the high comedy of early film stars — most notably Chaplin and W. C. Fields — to raise questions of class, gender, economics, and prejudice. Resisting easy classification, this debut novel blends the bizarre, the humorous, and the gritty with stunning skill.

Utopia, Texas: It’s either the best place on earth, or it’s no place at all. In the twenty-first century, it’s difficult to imagine any element of American life that remains untouched by popular culture, let alone an entire community existing outside the empire of pop.

Karen Valby discovered the tiny town of Utopia tucked away in the Texas Hill Country. There are no movie theaters for sixty miles in any direction, no book or music stores. But cable television and the Internet have recently thrown wide the doors of Utopia.

Valby follows the lives of four Utopians—Ralph, the retired owner of the general store; Kathy, the waitress who waits in terror for three of her boys to return from war; Colter, the son of a cowboy with the soul of a hipster; and Kelli, an aspiring rock star and one of the only black people in town—as they reckon, on an intensely human scale, with war and race, class and culture, and the way time’s passage can change the ground beneath our feet.

Utopia is the kind of place we still think of as the “real America,” a place of cowboys and farmers and high-school sweethearts who stay together till they die. But its dramatic stories show us what happens when the old tensions of small-town life confront a new reality: that no town, no matter how small and isolated, can escape the liberating and disruptive forces of the larger world.

Welcome to Utopia is a moving elegy for a proud American way of life and a celebration of our relentless impulse toward rebirth.

In the tradition of The Official Preppy Handbook, The Uptight Seattleite is the Stephen Colbert of left-wing satire.

The author of the wildly popular Seattle Weekly advice column teaches Americans everywhere how to embrace their inner leftist. Artfully balancing the cosmic with the cosmopolitan, the Uptight Seattleite (aka Adrian) delights his loyal readers each week with snide insight on everything from fashion (Can I pull off a Rasta beret?) to ear-bud etiquette.

In A Sensitive Liberal's Guide to Life, he brings his savvy smugness to his widest audience yet, on topics such as the hierarchy of transportation righteousness (what to do with the clunky old Subaru after purchasing a Prius) and ethical behavior at the grocery store, including how to handle the horror of forgetting to bring your reusable burlap sack.

Other day-to-day advice covers what to read on the bus (Vonnegut versus The Kite Runner versus The Economist) and feasting at the buffet of diversity, with tips for shooting a condescending smile at those who don't know how to use chopsticks.

The Uptight Seattleite also helps readers navigate the big issues, such as responsible parenting (which calls for a mini-landfill kit, perfect for the backyard and ready to be stuffed with environmentally unfriendly diapers).

For every insecure liberal - and those who love to make fun of them - the Uptight Seattleite offers us laughs from the pinnacle of political correctness.

Shades of Grey tells of a battle against overwhelming odds. In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion.

Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

Ayn Rand's first published novel, We the Living, is a timeless story that explores the struggles of the individual against the state in Soviet Russia. First published in 1936, it portrays the impact of the Russian Revolution on three human beings who demand the right to live their own lives and pursue their own happiness. It tells of a young woman’s passionate love, held like a fortress against the corrupting evil of a totalitarian state.

We the Living is not a story of politics, but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what those slogans do to human beings. What happens to the defiant ones? What happens to those who succumb? Against a vivid panorama of political revolution and personal revolt, Ayn Rand shows what the theory of socialism means in practice.

In the last thirty years, the big pharmaceutical companies have transformed themselves into marketing machines selling dangerous medicines as if they were Coca-Cola or Cadillacs. They pitch drugs with video games and soft cuddly toys for children; promote them in churches and subways, at NASCAR races and state fairs. They've become experts at promoting fear of disease, just so they can sell us hope.

No question: drugs can save lives. But the relentless marketing that has enriched corporate executives and sent stock prices soaring has come with a dark side. Prescription pills taken as directed by physicians are estimated to kill one American every five minutes. And that figure doesn't reflect the damage done as the overmedicated take to the roads.

Our Daily Meds connects the dots for the first time to show how corporate salesmanship has triumphed over science inside the biggest pharmaceutical companies and, in turn, how this promotion-driven industry has taken over the practice of medicine and is changing American life. It is an ageless story of the battle between good and evil, with potentially life-changing consequences for everyone, not just the 65 percent of Americans who unscrew a prescription cap every day.

An industry with the promise to help so many is now leaving a legacy of needless harm.

The Bonfire of the Vanities is a 1987 satirical novel by Tom Wolfe. The story is a drama about ambition, racism, social class, politics, and greed in 1980s New York City, and centers on three main characters: WASP bond trader Sherman McCoy, Jewish assistant district attorney Larry Kramer, and British expatriate journalist Peter Fallow.

One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system.

In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.

The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

Meet the Female Chauvinist Pig – the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women – and of themselves.

Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

In this passionate report from the front lines, Ariel Levy examines the enormous cultural impact of the newest wave of post-feminism. She interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. Levy examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls.

Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity.

First published in 1905, THE HOUSE OF MIRTH shocked the New York society it so deftly chronicles, portraying the moral, social and economic restraints on a woman who dared to claim the privileges of marriage without assuming the responsibilities. Lily Bart, beautiful, witty and sophisticated, is accepted by 'old money' and courted by the growing tribe of nouveaux riches. But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing and to maintain her in the luxury she has come to expect. Whilst many have sought her, something - fastidiousness or integrity- prevents her from making a 'suitable' match.

"My satire is against those who see figures and averages, and nothing else," proclaimed Charles Dickens in explaining the theme of this classic novel. Published in 1854, the story concerns one Thomas Gradgrind, a "fanatic of the demonstrable fact," who raises his children, Tom and Louisa, in a stifling and arid atmosphere of grim practicality.

Without a moral compass to guide them, the children sink into lives of desperation and despair, played out against the grim background of Coketown, a wretched community shadowed by an industrial behemoth. Louisa falls into a loveless marriage with Josiah Bouderby, a vulgar banker, while the unscrupulous Tom, totally lacking in principle, becomes a thief who frames an innocent man for his crime. Witnessing the degradation and downfall of his children, Gradgrind realizes that his own misguided principles have ruined their lives.

Considered Dickens' harshest indictment of mid-19th-century industrial practices and their dehumanizing effects, this novel offers a fascinating tapestry of Victorian life, filled with the richness of detail, brilliant characterization, and passionate social concern that typify the novelist's finest creations.

Of Dickens' work, the eminent Victorian critic John Ruskin had this to say: "He is entirely right in his main drift and purpose in every book he has written; and all of them, but especially Hard Times, should be studied with close and earnest care by persons interested in social questions."

Sugar, 19, a prostitute in Victorian London, yearns for a better life. From the brutal brothel-keeper Mrs. Castaway, she ascends in society. The affections of self-involved perfume magnate William Rackham soon smell like love. Her social rise attracts preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all kinds.

Père Goriot is the tragic story of a father whose obsessive love for his two daughters leads to his financial and personal ruin. Interwoven with this theme is that of the impoverished young aristocrat, Rastignac, who came to Paris from the provinces to hopefully make his fortune. He befriends Goriot and becomes involved with the daughters. The story is set against the background of a whole society driven by social ambition and lust for wealth.

Middlemarch, a masterpiece of English literature by George Eliot, is set in the fictitious Midlands town during the years 1830-32. The novel intertwines multiple storylines to create a coherent narrative that delves into various themes such as the status of women, social expectations, hypocrisy, religion, political reform, and education. Often hailed as one of the greatest novels in the English language, Middlemarch offers a profound exploration of human relationships and societal dynamics.

The narrative follows a rich array of characters, each with their own complex stories and struggles. At the heart of the novel are Dorothea Brooke, the idealistic yet naive heroine, and Tertius Lydgate, a brilliant but morally flawed physician. Their journeys alongside other memorable characters like Rosamond Vincy, Edward Casaubon, Will Ladislaw, Fred Vincey, and Mary Garth provide both a critical social commentary and an engaging reading experience with elements of humor and irony.

Hailed as a classic of speculative fiction, Marge Piercy’s landmark novel is a transformative vision of two futures—and what it takes to will one or the other into reality.

Harrowing and prescient, Woman on the Edge of Time speaks to a new generation on whom these choices weigh more heavily than ever before. Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity—and now they want to take her sanity.

After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation in which the barrier between person and commodity has finally been eroded. One will become our world. And Connie herself may strike the decisive blow.

Our Mutual Friend is a satiric masterpiece about the allure and peril of money, revolving around the inheritance of a dust-heap where the rich discard their trash. When the body of John Harmon, the dust-heap’s expected heir, is found in the Thames, fortunes change hands in unexpected ways, elevating "Noddy" Boffin from a low-born but kindly clerk to "the Golden Dustman."

As Charles Dickens’s last complete novel, Our Mutual Friend delves into the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With a flavorful cast of characters and numerous subplots, it stands as one of Dickens’s most complex—and satisfying—novels.

Vanity Fair is William Makepeace Thackeray's classic tale of class, society, and corruption. No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George.

As the two heroines make their way through the tawdry glamour of Regency society, battles—military and domestic—are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin with his devotion to Amelia, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

George F. Babbitt is a middle-aged realtor, family man, and resident of Zenith, a fictitious Midwestern city. His main preoccupation is to climb the social ladder by conforming to the norms of his environment. The novel depicts his daily routines and occasional misadventures in an unorthodox writing style, where the protagonist appears altogether foolish, funny, and pathetic. This work was both celebrated as an incisive satire of American culture and criticized as an exaggeration, but was ultimately influential in Sinclair Lewis being awarded the 1930 Nobel Prize in Literature.

An American Tragedy is the story of Clyde Griffiths, who spends his life in the desperate pursuit of success. On a deeper, more profound level, it is the masterful portrayal of the society whose values both shape Clyde's ambitions and seal his fate; it is an unsurpassed depiction of the harsh realities of American life and of the dark side of the American dream. Extraordinary in scope and power, vivid in its sense of wholesale human waste, unceasing in its rich compassion, Theodore Dreiser's supreme achievement.

Based on an actual criminal case, An American Tragedy was the inspiration for the film A Place in the Sun, which won six Academy Awards and starred Elizabeth Taylor and Montgomery Cliff.