James, by Percival Everett, is a brilliant and action-packed reimagining of The Adventures of Huckleberry Finn, told from the perspective of the enslaved character Jim. This novel is both harrowing and ferociously funny, showcasing Jim's agency, intelligence, and compassion in a radically new light.

When Jim overhears that he is about to be sold and separated from his wife and daughter, he decides to hide on Jackson Island to plan his next move. Meanwhile, Huck Finn, seeking to escape his violent father, fakes his own death. Together, they embark on a dangerous and transcendent journey down the Mississippi River, facing floods, storms, and scam artists, all while navigating the promise and peril of the Free States and beyond.

With electrifying humor and lacerating observations, James is set to be a major publishing event, redefining a cornerstone of twenty-first century American literature.

The Survivors of the Clotilda joins the ranks of Rebecca Skloot’s The Immortal Life of Henrietta Lacks and Zora Neale Hurston’s rediscovered classic Barracoon, offering an immersive and revelatory history of the Clotilda, the last slave ship to land on US soil. This compelling narrative is told through the stories of its survivors—the final documented survivors of any slave ship—whose lives diverged and intersected in profound ways.

The Clotilda, the last slave ship to land on American soil, docked in Mobile Bay, Alabama, in July 1860—more than half a century after a federal law banned the importation of captive Africans, and nine months before the start of the Civil War. The last of its survivors lived well into the twentieth century, serving as the last witnesses to the final act of a significant and tragic period in world history.

In this epic work, Dr. Hannah Durkin tells the stories of the Clotilda’s 110 captives, drawing on intensive archival, historical, and sociological research. The Survivors of the Clotilda follows their lives from their kidnappings in modern-day Nigeria through a terrifying 45-day journey across the Middle Passage; from the subsequent sale of the ship’s 103 surviving children and young people into slavery across Alabama to the dawn of the Civil Rights movement in Selma; from the foundation of an all-Black African Town (later Africatown) in Northern Mobile—an inspiration for writers of the Harlem Renaissance, including Zora Neale Hurston—to the foundation of the quilting community of Gee’s Bend—a Black artistic circle whose cultural influence remains enormous.

An astonishing, deeply compelling tapestry of history, biography, and social commentary, The Survivors of the Clotilda is a tour de force that deepens our knowledge and understanding of the Black experience and of America and its tragic past.

A single Black lawyer puts her career and personal moral code at risk when she moves in with her coffee entrepreneur boyfriend and his doomsday-prepping roommates in a novel that’s packed with tension, curiosity, humor, and wit from a writer with serious comedy credentials.

In the wake of her parents’ death, Aretha, a habitually single Black lawyer, has had only one obsession in life—success—until she falls for Aaron, a coffee entrepreneur. Moving into his Brooklyn brownstone to live along with his Hurricane Sandy-traumatized, illegal-gun-stockpiling, optimized-soy-protein-eating, bunker-building roommates, Aretha finds that her dreams of making partner are slipping away, replaced by an underground world, one of selling guns and training for a doomsday that’s maybe just around the corner.

For readers of Victor LaValle’s The Changeling, Paul Beatty’s The Sellout, and Zakiya Harris’s The Other Black Girl, The Survivalists is a darkly humorous novel from a smart and relevant new literary voice that’s packed with tension, curiosity and wit, and unafraid to ask the questions most relevant to a new generation of Americans: Does it make sense to climb the corporate ladder? What exactly are the politics of gun ownership? And in a world where it’s nearly impossible for young people to earn enough money to afford stable housing, what does it take in order to survive?

Demon Copperhead is set in the mountains of southern Appalachia, unraveling the life of a boy born to a teenage single mother in a single-wide trailer. He possesses no material wealth, save for his dead father's good looks, copper-colored hair, a sharp wit, and an innate ability to survive. Told through his candid perspective, Demon navigates the treacherous landscape of foster care, child labor, failing schools, athletic achievement, addiction, disastrous romances, and profound losses.

As he confronts the harsh reality of his own invisibility within a society that has relegated rural people to the shadows, even in popular culture where superheroes favor cities over the countryside, Demon's journey is a testament to resilience.

Inspired by Charles Dickens' David Copperfield, which itself was a product of Dickens' experiences with institutional poverty and its detrimental effects on children, Demon Copperhead carries forward Dickens' legacy of indignation and empathy. Barbara Kingsolver employs these sentiments to weave a narrative that is both a nod to a classic and a voice for the modern generation of 'lost boys' and all those rooted to places of cursed beauty they cannot fathom leaving.

Utopia, Texas: It’s either the best place on earth, or it’s no place at all. In the twenty-first century, it’s difficult to imagine any element of American life that remains untouched by popular culture, let alone an entire community existing outside the empire of pop.

Karen Valby discovered the tiny town of Utopia tucked away in the Texas Hill Country. There are no movie theaters for sixty miles in any direction, no book or music stores. But cable television and the Internet have recently thrown wide the doors of Utopia.

Valby follows the lives of four Utopians—Ralph, the retired owner of the general store; Kathy, the waitress who waits in terror for three of her boys to return from war; Colter, the son of a cowboy with the soul of a hipster; and Kelli, an aspiring rock star and one of the only black people in town—as they reckon, on an intensely human scale, with war and race, class and culture, and the way time’s passage can change the ground beneath our feet.

Utopia is the kind of place we still think of as the “real America,” a place of cowboys and farmers and high-school sweethearts who stay together till they die. But its dramatic stories show us what happens when the old tensions of small-town life confront a new reality: that no town, no matter how small and isolated, can escape the liberating and disruptive forces of the larger world.

Welcome to Utopia is a moving elegy for a proud American way of life and a celebration of our relentless impulse toward rebirth.