Following a young woman over the course of one outrageous and insufferable downtown dinner party at the home of her estranged best friends—an artist and curator couple, whom she now realizes stand for everything she detests—Happiness and Love is a piercing debut novel about brazen materialism, self-obsession, and the empty careerism of so-called cultural elites.

Years after escaping New York and the center of its artistic world—a group of self-important, depraved, and unscrupulous artists, curators, and hangers-on—our narrator is back in town. With no plans to see anyone she once knew, she’s wandering around the Lower East Side, thinking about the recent death of her former best friend, Rebecca, when she runs into Eugene, one half of the artist-curator couple at the heart of her old social set. Despite her better judgement, she accepts his invitation to a dinner party. And though the party is held only hours after Rebecca’s funeral, it not a memorial of Rebecca but a dinner held in honor of a young, newly famous actress whose lateness delays the party by hours.

As the guests sip their natural wine and await the actress’s arrival, the narrator, from her perch on the corner seat of a white sofa, silently, systematically, and mercilessly eviscerates them—their manners, their relationships, their delusions and failures, and the complete moral poverty that brings them here, to Nicole and Eugene’s loft on the Bowery. When the guest of honor finally does arrive, she sets in motion a disastrous end to the evening, laying bare the depravity and decadence of the hosts’ empty little lives—a hollowness that the narrator herself knows all too well.

In this vulnerable exploration of personal identity, the New York Times bestselling author of I’m Still Here chronicles her efforts to live as her full self in a society that wants women—and Black women in particular—to do anything but that.

At the height of her success as an antiracism educator and writer, Austin Channing Brown reached a crossroads. “I love my work,” she writes, “and I am tired. Tired of protesting. Tired of ‘saving democracy.' Tired of expending all the energy it takes to bust out of America’s tiny boxes.” She began to ask, “What do I deserve, not just as a citizen but as a human?”

Full of Myself is her answer to that question. Weaving personal narrative with perceptive social commentary, she offers a look at the mechanisms that limit who Black women are allowed to be—at work, at home, in community—and the defining moments when she decided that all the women within her should be free. From skinny dipping in the ocean to becoming a mom, she delves into the drama of life and invites women to begin defining themselves not by the tiny boxes handed to us, but as a people born free—free in spirit, free in hope, free in joy.

For women seeking to understand the true roots of their burnout, or anyone wondering what it means to live joyfully in a hostile world, Full of Myself is a breath of fresh air and an invitation to full humanity.

People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

People Like Us is wickedly funny and achingly sad all at once. It is an utter triumph bursting with larger-than-life characters who deliver a very real take on our world. This book contains characters experiencing deep loss and longing; it also is buoyed by riotous humor and characters who share the deepest love.

It is the newest creation of a writer whose work amazes, delivering something utterly new yet instantly recognizable as a Jason Mott novel. Finishing the novel will leave you absolutely breathless and, at the same time, utterly filled with joy for life, changed forever by characters who are people like us.

The new electrifying thriller from the New York Times bestseller and master of the shock ending.

Chicky Diaz is everyone's favourite doorman at the Bohemia, New York City's world-famous home of celebrities, financiers, and the cultural elite. In the basement staff room, the life-and-death stakes of daily life are hardly news to the primarily Black and Latino hospitality. So, when the NYPD fatally shoots an unarmed Black man and the streets swell with both protestors and counter protestors, the staff's concerns are less about the building or its residents and more about their survival – and what justice will look like.

As tensions escalate, Chicky mans the line between the turbulence outside and the oblivious residents living within. But Chicky has his own problems, the kind that have led him to carry a gun on tonight's shift for the first time in thirty years. Because tonight, someone is going to die.

A piercing portrait of the way we live now that is also a finely-honed thriller of ticking-clock suspense, The Doorman is about class and privilege in a city poised to boil over, and the ever-starker divisions testing everything New York City likes to believe about itself.