Raja Gidh (Urdu: راجه گدھ) by Bano Qudsia is one of the most widely read and acclaimed Urdu novels. Gidh is the Urdu word for a vulture, and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated.

The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by society or religion. Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal.

Many readers interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. The plot supports her thesis, suggesting that the pursuance of Haraam—be it financial, moral, or emotional—results in the deterioration of a person's normality in some sense. This abnormality is transferred genetically to the next generation.

Apart from this implication, the novel explores many social, emotional, and psychological aspects. The nostalgic narration of the historical Government College Lahore and Lawrence Garden Lahore sheds light on the days of the seventies and eighties.

Bano Qudsia is among those Urdu writers who think ten times before writing a sentence. Yet she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white, as some critics suggest. Every sensitive reader who has attended college or university in a Pakistani setting is bound to find similarities between themselves and one of the characters.

Plot: Seemin Shah, from an upper-middle-class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl who attracts most of her male classmates, including the narrator (Abdul) Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he loves her, he cannot rise above his family values and succumbs to his parents' pressure to marry someone against his wishes and leaves for London to look after his family business. Thus, the long story of separation begins.

Laced with cynicism and truth, A Handful of Dust satirizes a certain stratum of English life where all the characters have wealth, but lack practically every other credential. Murderously urbane, it depicts the breakup of a marriage in the London gentry, where the errant wife suffers from terminal boredom, and becomes enamoured of a social parasite and professional luncheon-goer.

After seven years of marriage, the beautiful Lady Brenda Last is bored with life at Hetton Abbey, the Gothic mansion that is the pride and joy of her husband, Tony. She drifts into an affair with the shallow socialite John Beaver and forsakes Tony for the Belgravia set. Brilliantly combining tragedy, comedy and savage irony, A Handful of Dust captures the irresponsible mood of the 'crazy and sterile generation' between the wars. This breakdown of the Last marriage is a painful, comic re-working of Waugh's own divorce, and a symbol of the disintegration of society.

In 2008, Barack Obama lobotomized a generation. For an entire year, otherwise clear-thinking members of the most affluent, over-educated, information-drenched generation in American history fell prey to the most expensive, hi-tech, laser-focused marketing assault in presidential campaign history.

Twitter messages were machine-gunned to cell phones at mach speed. Facebook and MySpace groups spread across the Internet like digital fire. YouTube videos featuring celebrities ricocheted across the globe and into college students’ in-boxes with devastating regularity. All the while, the mega-money-raising engine whirred like a slot machine stuck on jackpot.

The result: an unthinking mass of young voters marched forward to elect the most radical and untested president in U.S. history.

Recognized as one of the country’s top young conservative activists by Human Events, Jason Mattera created an internet sensation with ambush video interviews that exposed clueless young liberals and cunning Democratic officials. Now he reveals the jaw-dropping lengths Barack Obama and his allies in Hollywood, Washington, and Academia went to in order to transform a legion of iPod-listening, MTV-watching followers into a winning coalition that threatens to become a long-lasting political realignment.

Obama Zombies uncovers the true, behind-the-scenes story of the methods and tactics the Obama campaign unleashed on youth culture. Through personal interviews and meticulous original research, Mattera explains why conservatism’s future rests upon jolting the young masses from their slumber, yanking out their earphones, and sparking a countercultural conservative battle against the rise of the ignorant Left.

The lesson from 2008 is crystal clear: When true conservatives run away, Obama zombies come out to play.

Bleak House opens in the twilight of foggy London, where fog grips the city most densely in the Court of Chancery. The obscure case of Jarndyce and Jarndyce, in which an inheritance is gradually devoured by legal costs, the romance of Esther Summerson and the secrets of her origin, the sleuthing of Detective Inspector Bucket and the fate of Jo the crossing-sweeper, these are some of the lives Dickens invokes to portray London society, rich and poor, as no other novelist has done.

Bleak House, in its atmosphere, symbolism and magnificent bleak comedy, is often regarded as the best of Dickens. A 'great Victorian novel', it is so inventive in its competing plots and styles that it eludes interpretation.

Clown Girl lives in Baloneytown, a seedy neighborhood where drugs, balloon animals, and even rubber chickens contribute to the local currency. Against a backdrop of petty crime, she struggles to live her dreams, calling on cultural masters Charlie Chaplin, Kafka, and da Vinci for inspiration. In an effort to support herself and her layabout performance-artist boyfriend, Clown Girl finds herself unwittingly transformed into a "corporate clown," trapping herself in a cycle of meaningless, high-paid gigs that veer dangerously close to prostitution.

Monica Drake has created a novel that riffs on the high comedy of early film stars — most notably Chaplin and W. C. Fields — to raise questions of class, gender, economics, and prejudice. Resisting easy classification, this debut novel blends the bizarre, the humorous, and the gritty with stunning skill.

Utopia, Texas: It’s either the best place on earth, or it’s no place at all. In the twenty-first century, it’s difficult to imagine any element of American life that remains untouched by popular culture, let alone an entire community existing outside the empire of pop.

Karen Valby discovered the tiny town of Utopia tucked away in the Texas Hill Country. There are no movie theaters for sixty miles in any direction, no book or music stores. But cable television and the Internet have recently thrown wide the doors of Utopia.

Valby follows the lives of four Utopians—Ralph, the retired owner of the general store; Kathy, the waitress who waits in terror for three of her boys to return from war; Colter, the son of a cowboy with the soul of a hipster; and Kelli, an aspiring rock star and one of the only black people in town—as they reckon, on an intensely human scale, with war and race, class and culture, and the way time’s passage can change the ground beneath our feet.

Utopia is the kind of place we still think of as the “real America,” a place of cowboys and farmers and high-school sweethearts who stay together till they die. But its dramatic stories show us what happens when the old tensions of small-town life confront a new reality: that no town, no matter how small and isolated, can escape the liberating and disruptive forces of the larger world.

Welcome to Utopia is a moving elegy for a proud American way of life and a celebration of our relentless impulse toward rebirth.

In the tradition of The Official Preppy Handbook, The Uptight Seattleite is the Stephen Colbert of left-wing satire.

The author of the wildly popular Seattle Weekly advice column teaches Americans everywhere how to embrace their inner leftist. Artfully balancing the cosmic with the cosmopolitan, the Uptight Seattleite (aka Adrian) delights his loyal readers each week with snide insight on everything from fashion (Can I pull off a Rasta beret?) to ear-bud etiquette.

In A Sensitive Liberal's Guide to Life, he brings his savvy smugness to his widest audience yet, on topics such as the hierarchy of transportation righteousness (what to do with the clunky old Subaru after purchasing a Prius) and ethical behavior at the grocery store, including how to handle the horror of forgetting to bring your reusable burlap sack.

Other day-to-day advice covers what to read on the bus (Vonnegut versus The Kite Runner versus The Economist) and feasting at the buffet of diversity, with tips for shooting a condescending smile at those who don't know how to use chopsticks.

The Uptight Seattleite also helps readers navigate the big issues, such as responsible parenting (which calls for a mini-landfill kit, perfect for the backyard and ready to be stuffed with environmentally unfriendly diapers).

For every insecure liberal - and those who love to make fun of them - the Uptight Seattleite offers us laughs from the pinnacle of political correctness.

Shades of Grey tells of a battle against overwhelming odds. In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion.

Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

Ayn Rand's first published novel, We the Living, is a timeless story that explores the struggles of the individual against the state in Soviet Russia. First published in 1936, it portrays the impact of the Russian Revolution on three human beings who demand the right to live their own lives and pursue their own happiness. It tells of a young woman’s passionate love, held like a fortress against the corrupting evil of a totalitarian state.

We the Living is not a story of politics, but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what those slogans do to human beings. What happens to the defiant ones? What happens to those who succumb? Against a vivid panorama of political revolution and personal revolt, Ayn Rand shows what the theory of socialism means in practice.

Liberty and Tyranny is Mark R. Levin's clarion call to conservative America, a manifesto for the conservative movement in the 21st century. In the face of the modern liberal assault on Constitution-based values, an attack that has resulted in a federal government that is a massive, unaccountable conglomerate, the time for reinforcing the intellectual and practical case for conservatism is now.

Conservative beliefs in individual freedoms stand for liberty for all Americans, while liberal dictates lead to the breakdown of civilized society — in short, tyranny. Levin writes, "Conservatism is the antidote to tyranny precisely because its principles are our founding principles."

In a series of powerful essays, Levin lays out how conservatives can counter the liberal corrosion affecting timely issues like the economy, health care, global warming, immigration, and more. He illustrates how change, seen through the conservative lens, is always prudent and enhances individual freedom.

As provocative, well-reasoned, robust, and informed as his on-air commentary, Levin's narrative provides a philosophical, historical, and practical framework for revitalizing the conservative vision and ensuring the preservation of American society.

The Beauty Myth is the bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, writer and journalist Naomi Wolf is troubled by a different kind of social control, which she argues may be just as restrictive as the traditional image of homemaker and wife.

It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of "the flawless beauty." This gripping and frank exposé reveals the oppressive function of the beauty myth and the destructive obsession it engenders.

The clarion call to change that galvanized a generation. When Germaine Greer's The Female Eunuch was first published, it created a shock wave of recognition in women, one that could be felt around the world. It went on to become an international bestseller, translated into more than twelve languages, and a landmark in the history of the women's movement.

Positing that sexual liberation is the key to women's liberation, Greer examines the inherent and unalterable biological differences between men and women, as well as the profound psychological differences that result from social conditioning. Drawing on history, literature, biology, and popular culture, Greer's searing examination of women's oppression is a vital, passionately argued social commentary.

This book serves as both an important historical record of where we've been and a shockingly relevant treatise on what still remains to be achieved.

Wolf Totem is an epic Chinese tale that vividly depicts the dying culture of the Mongols—the ancestors of the Mongol hordes who once terrorized the world—and the parallel extinction of the animal they hold sacred: the fierce and otherworldly Mongolian wolf.

Set in 1960s China, during the time of the Great Leap Forward and on the eve of the Cultural Revolution, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia. There, he lives among the nomadic Mongols—a proud, brave, and ancient race who coexist in perfect harmony with their beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature forms the cornerstone of their religion, a kind of cult of the wolf.

The fierce wolves of the steppes, in their endless search for food, are locked in a spiritual battle for survival with the nomads—a life-and-death dance that has persisted for thousands of years. The Mongols view the wolf as a worthy foe, one they are divinely instructed to contend with, worship, and learn from. Chen's encounters with these otherworldly wolves awaken a latent primitive instinct in him, leading to fascination, obsession, and ultimately, reverence.

This fragile balance is shattered with the arrival of Chen's kinfolk, the Han Chinese, who are sent from the cities to bring modernity to the grasslands. Their campaign to exterminate the wolves disrupts the meticulously maintained balance, leading to a spiral of extinction—first the wolves, then the Mongol culture, and finally the land itself. As a result, rats become a plague, and wild sheep overgraze until the meadows turn to dust, causing Mongolian dust storms to glide over Beijing, sometimes even blotting out the moon.

Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth and offers a fascinating immersion into the heart of Chinese culture.

In the last thirty years, the big pharmaceutical companies have transformed themselves into marketing machines selling dangerous medicines as if they were Coca-Cola or Cadillacs. They pitch drugs with video games and soft cuddly toys for children; promote them in churches and subways, at NASCAR races and state fairs. They've become experts at promoting fear of disease, just so they can sell us hope.

No question: drugs can save lives. But the relentless marketing that has enriched corporate executives and sent stock prices soaring has come with a dark side. Prescription pills taken as directed by physicians are estimated to kill one American every five minutes. And that figure doesn't reflect the damage done as the overmedicated take to the roads.

Our Daily Meds connects the dots for the first time to show how corporate salesmanship has triumphed over science inside the biggest pharmaceutical companies and, in turn, how this promotion-driven industry has taken over the practice of medicine and is changing American life. It is an ageless story of the battle between good and evil, with potentially life-changing consequences for everyone, not just the 65 percent of Americans who unscrew a prescription cap every day.

An industry with the promise to help so many is now leaving a legacy of needless harm.

The Bonfire of the Vanities is a 1987 satirical novel by Tom Wolfe. The story is a drama about ambition, racism, social class, politics, and greed in 1980s New York City, and centers on three main characters: WASP bond trader Sherman McCoy, Jewish assistant district attorney Larry Kramer, and British expatriate journalist Peter Fallow.

One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system.

In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.

The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

A Man Without a Country is a penetrating, introspective, and incisive volume that is laugh-out-loud funny. In this book, one of the great men of letters of this era—or any era—holds forth on life, art, sex, politics, and the state of America’s soul.

Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

Shirley is set in the industrializing England of the Napoleonic wars and the Luddite revolts of 1811-12. It tells the story of two contrasting heroines.

Caroline Helstone is a shy young woman trapped in the oppressive atmosphere of a Yorkshire rectory. Her life symbolizes the plight of single women in the nineteenth century.

Shirley Keeldar, on the other hand, is vivacious and inherits a local estate. Her wealth liberates her from societal conventions.

This novel combines social commentary with the private preoccupations seen in Jane Eyre. It demonstrates the full range of Brontë's literary talent and is considered her most feminist novel.

Shirley is a revolutionary tale that imagines a new form of power for women—equal to that of men—through a confident young woman accustomed to thinking for herself.

In the not-too-impossible-to-imagine future, a gay Jewish man has been elected president of the United States. Until the governor of one state decides that some election results in his state are invalid, awarding crucial votes to the other candidate, and his fellow party member.

This is the catalyst for couple Jimmy and Duncan to lend their support to their candidate by deciding to take part in the rallies and protests. Along the way comes an exploration of their relationship, their politics, and their country. Sometimes, as they learn, it's more about the journey than it is about reaching the destination.

David Levithan masterfully weaves together a plot that's both parts political action and reaction, as well as a touching and insightfully-drawn teen love story.

Jennie Gerhardt was Theodore Dreiser's second novel and his first true commercial success. Today, it is generally regarded as one of his three best novels, along with Sister Carrie and An American Tragedy.

Jennie Gerhardt is a powerful study of a woman tragically compromised by birth and fate. Jennie has an illegitimate child by one man and lives out of wedlock with another, but Dreiser does not condemn her for her behavior. The novel explores themes of ambition, desire, and the limitations imposed by society.

Realistic Portrayal of Society: Theodore Dreiser's novel delves into the societal norms and constraints of early 20th-century America, exposing the class divisions and moral complexities that impact the lives of the characters.

Complex Female Protagonist: Jennie Gerhardt emerges as a multidimensional character who grapples with her own ambitions, desires, and the societal expectations placed upon her. Her journey resonates with readers as she navigates the challenges of love and personal fulfillment.

Exploration of Human Relationships: The novel delves into the intricacies of human relationships, examining themes of love, sacrifice, and the conflicts between personal desires and societal obligations.

Meet the Female Chauvinist Pig – the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women – and of themselves.

Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

In this passionate report from the front lines, Ariel Levy examines the enormous cultural impact of the newest wave of post-feminism. She interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. Levy examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls.

Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity.

First published in 1905, THE HOUSE OF MIRTH shocked the New York society it so deftly chronicles, portraying the moral, social and economic restraints on a woman who dared to claim the privileges of marriage without assuming the responsibilities. Lily Bart, beautiful, witty and sophisticated, is accepted by 'old money' and courted by the growing tribe of nouveaux riches. But as she nears thirty, her foothold becomes precarious; a poor girl with expensive tastes, she needs a husband to preserve her social standing and to maintain her in the luxury she has come to expect. Whilst many have sought her, something - fastidiousness or integrity- prevents her from making a 'suitable' match.

Ravishingly beautiful and emotionally incendiary, Tar Baby is Toni Morrison’s reinvention of the love story. Jadine Childs is a black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a black fugitive who embodies everything she loathes and desires.

As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between blacks and whites, masters and servants, and men and women.

Sarah Vowell travels through the American past and, in doing so, investigates the dusty, bumpy roads of her own life. In this insightful and funny collection of personal stories, Vowell—widely hailed for her inimitable stories on public radio's This American Life—ponders a number of curious questions:

• Why is she happiest when visiting the sites of bloody struggles like Salem or Gettysburg?
• Why do people always inappropriately compare themselves to Rosa Parks?
• Why is a bad life in sunny California so much worse than a bad life anywhere else?
• What is it about the Zen of foul shots?
• And, in the title piece, why must doubt and internal arguments haunt the sleepless nights of the true patriot?

Her essays confront a wide range of subjects, themes, icons, and historical moments: Ike, Teddy Roosevelt, and Bill Clinton; Canadian Mounties and German filmmakers; Tom Cruise and Buffy the Vampire Slayer; twins and nerds; the Gettysburg Address, the State of the Union, and George W. Bush's inauguration. The result is a teeming and engrossing book, capturing Vowell's memorable wit and her keen social commentary.

"Appointment in Samarra" is a profound exploration of small-town life and the unraveling of a man's existence over the course of just 72 hours around Christmas. Julian English is a man who squanders what fate gave him. He lives on the right side of the tracks, with a country club membership and a wife who loves him.

His decline and fall is a matter of too much spending, too much liquor, and a couple of reckless gestures. This story is powerful because his calamity is both petty and preventable. Unlike Faulkner's Olympus-like tragedies, in O'Hara, they could be happening to you.

Brimming with wealth and privilege, jealousy and infidelity, O’Hara’s iconic first novel is an unflinching look at the dark side of the American dream—and a lasting testament to the keen social intelligence of a major American writer.

"My satire is against those who see figures and averages, and nothing else," proclaimed Charles Dickens in explaining the theme of this classic novel. Published in 1854, the story concerns one Thomas Gradgrind, a "fanatic of the demonstrable fact," who raises his children, Tom and Louisa, in a stifling and arid atmosphere of grim practicality.

Without a moral compass to guide them, the children sink into lives of desperation and despair, played out against the grim background of Coketown, a wretched community shadowed by an industrial behemoth. Louisa falls into a loveless marriage with Josiah Bouderby, a vulgar banker, while the unscrupulous Tom, totally lacking in principle, becomes a thief who frames an innocent man for his crime. Witnessing the degradation and downfall of his children, Gradgrind realizes that his own misguided principles have ruined their lives.

Considered Dickens' harshest indictment of mid-19th-century industrial practices and their dehumanizing effects, this novel offers a fascinating tapestry of Victorian life, filled with the richness of detail, brilliant characterization, and passionate social concern that typify the novelist's finest creations.

Of Dickens' work, the eminent Victorian critic John Ruskin had this to say: "He is entirely right in his main drift and purpose in every book he has written; and all of them, but especially Hard Times, should be studied with close and earnest care by persons interested in social questions."

Like an elegantly chilling postscript to The Metamorphosis, this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world.

The narrator is a scientist hideously deformed in a laboratory accident—a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by him. His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such a mask is more than a disguise: it is an alternate self—a self that is capable of anything.

A remorseless meditation on nature, identity, and the social contract, The Face of Another is an intellectual horror story of the highest order.

Birmingham, England, c. 1973: a time of industrial strikes, bad pop music, corrosive class warfare, and adolescent angst. Amidst the chaos of IRA bombings and societal upheaval, four friends navigate the complexities of their teenage years.

Meet the class clown who stoops very low for a laugh, a confused artist enthralled by guitar rock, an earnest radical with socialist leanings, and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. Together, they hold on to one another as the world seems to self-destruct around them, guiding each other through the choppy waters of a decidedly ambiguous decade.

Sugar, 19, a prostitute in Victorian London, yearns for a better life. From the brutal brothel-keeper Mrs. Castaway, she ascends in society. The affections of self-involved perfume magnate William Rackham soon smell like love. Her social rise attracts preening socialites, drunken journalists, untrustworthy servants, vile guttersnipes, and whores of all kinds.

Parable of the Talents is the Nebula Award-winning sequel to Parable of the Sower, continuing the gripping story of Lauren Olamina in a socially and economically depressed California in the 2030s.

Convinced that her community should colonize the stars, Lauren and her followers make preparations. However, the collapse of society and rise of fanatics result in Lauren's followers being enslaved, and her daughter stolen from her. Now, Lauren must fight back to save the new world order.

This novel explores themes of alienation and transcendence, violence and spirituality, slavery and freedom, and separation and community, to astonishing effect in the shockingly familiar, broken world of 2032.

London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you."

On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra—a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.

In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all—that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end—a "happy" ending that poses tough questions about just how happy it really is.

That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

By the time Rock Hudson's death in 1985 alerted all America to the danger of the AIDS epidemic, the disease had spread across the nation, killing thousands of people and emerging as the greatest health crisis of the 20th century. America faced a troubling question: What happened? How was this epidemic allowed to spread so far before it was taken seriously?

In answering these questions, Shilts weaves the disparate threads into a coherent story, pinning down every evasion and contradiction at the highest levels of the medical, political, and media establishments. Shilts shows that the epidemic spread wildly because the federal government put budget ahead of the nation's welfare; health authorities placed political expediency before the public health; and scientists were often more concerned with international prestige than saving lives.

Against this backdrop, Shilts tells the heroic stories of individuals in science and politics, public health and the gay community, who struggled to alert the nation to the enormity of the danger it faced. And the Band Played On is both a tribute to these heroic people and a stinging indictment of the institutions that failed the nation so badly.

Main Street, the story of an idealistic young woman's attempts to reform her small town, brought Sinclair Lewis immediate acclaim when it was published in 1920. It remains one of the essential texts of the American scene.

Carol Milford dreams of living in a small, rural town. But Gopher Prairie, Minnesota, isn't the paradise she'd imagined. As a work of social satire, this complex and compelling look at small-town America in the early 20th century has earned its place among the classics.

Satirizing small-town life, Main Street is perhaps Sinclair Lewis's most famous book, contributing to his eventual Nobel Prize for Literature. It relates the life and struggles of Carol Milford Kennicott as she comes into conflict with the small-town mentality of the residents of Gopher Prairie.

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage à la mode, Marian discovers, is something she literally can't stomach...

The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and the desire to be consumed. This groundbreaking work of fiction is marked by blazingly surreal humor and a colorful cast of eccentric characters.

Père Goriot is the tragic story of a father whose obsessive love for his two daughters leads to his financial and personal ruin. Interwoven with this theme is that of the impoverished young aristocrat, Rastignac, who came to Paris from the provinces to hopefully make his fortune. He befriends Goriot and becomes involved with the daughters. The story is set against the background of a whole society driven by social ambition and lust for wealth.

Middlemarch, a masterpiece of English literature by George Eliot, is set in the fictitious Midlands town during the years 1830-32. The novel intertwines multiple storylines to create a coherent narrative that delves into various themes such as the status of women, social expectations, hypocrisy, religion, political reform, and education. Often hailed as one of the greatest novels in the English language, Middlemarch offers a profound exploration of human relationships and societal dynamics.

The narrative follows a rich array of characters, each with their own complex stories and struggles. At the heart of the novel are Dorothea Brooke, the idealistic yet naive heroine, and Tertius Lydgate, a brilliant but morally flawed physician. Their journeys alongside other memorable characters like Rosamond Vincy, Edward Casaubon, Will Ladislaw, Fred Vincey, and Mary Garth provide both a critical social commentary and an engaging reading experience with elements of humor and irony.

Warsaw under Russian rule in the late 1870s is the setting for Prus’s grand panorama of social conflict, political tension, and personal suffering. The middle-aged hero, Wokulski, successful in business, is being destroyed by his obsessive love for a frigid society doll, Izabela. Embattled aristocrats, the new men of finance, Dickensian tradesmen, and the urban poor all come vividly to life on the vast, superbly detailed canvas against which Wokulski’s personal tragedy is played out.

Unlike his Western European counterparts, Prus had to work under official censorship. In this edition, most of the smaller cuts made by the Tsarist censor have been restored, and one longer fragment is included as an appendix.

Nine Parts of Desire is a compelling and insightful exploration into the hidden world of Islamic women. As a prizewinning foreign correspondent for The Wall Street Journal, Geraldine Brooks spent six years covering the Middle East through wars, insurrections, and the volcanic upheaval of resurgent fundamentalism. Yet for her, headline events were only the backdrop to a less obvious but more enduring drama: the daily life of Muslim women.

This book is the story of Brooks' intrepid journey toward an understanding of the women behind the veils, and of the often contradictory political, religious, and cultural forces that shape their lives. Defying our stereotypes about the Muslim world, Brooks' acute analysis of the world's fastest-growing religion deftly illustrates how Islam's holiest texts have been misused to justify repression of women, and how male pride and power have warped the original message of a once liberating faith.

The Fifties is a sweeping social, political, economic, and cultural history of the ten years that Halberstam regards as seminal in determining what our nation is today. Halberstam offers portraits of not only the titans of the age: Eisenhower, Dulles, Oppenheimer, MacArthur, Hoover, and Nixon, but also of Harley Earl, who put fins on cars; Dick and Mac McDonald and Ray Kroc, who mass-produced the American hamburger; Kemmons Wilson, who placed his Holiday Inns along the nation's roadsides; U-2 pilot Gary Francis Powers; Grace Metalious, who wrote Peyton Place; and "Goody" Pincus, who led the team that invented the Pill.

This vivid narrative is more than just a survey of the decade; it is a masterfully woven examination of far-reaching change, from the unexpected popularity of Holiday Inn to the marketing savvy behind McDonald’s expansion. A meditation on the staggering influence of image and rhetoric, The Fifties is vintage Halberstam, offering a lively, graceful insight into how much of our time was born in those years.

Moscow to the End of the Line is a classic of Russian humor and social commentary. The story follows a fired cable fitter who embarks on a binge and hops a train to Petushki, where his most beloved of trollops awaits.

Throughout the journey, he delivers a magnificent monologue to angels, fellow passengers, and the world at large. His musings cover a range of topics including alcohol, politics, society, philosophy, the pains of love, and, of course, more alcohol.

Karim Amir lives with his English mother and Indian father in the routine comfort of suburban London, enduring his teenage years with good humor, always on the lookout for adventure and sexual possibilities.

Life gets more interesting, however, when his father becomes the Buddha of Suburbia, beguiling a circle of would-be mystics. And when the Buddha falls in love with one of his disciples, the beautiful and brazen Eva, Karim is introduced to a world of renegade theater directors, punk rock stars, fancy parties, and all the sex a young man could desire.

A love story for at least two generations, a high-spirited comedy of sexual manners and social turmoil, The Buddha of Suburbia is one of the most enchanting, provocative, and original books to appear in years.

Hailed as a classic of speculative fiction, Marge Piercy’s landmark novel is a transformative vision of two futures—and what it takes to will one or the other into reality.

Harrowing and prescient, Woman on the Edge of Time speaks to a new generation on whom these choices weigh more heavily than ever before. Connie Ramos is a Mexican American woman living on the streets of New York. Once ambitious and proud, she has lost her child, her husband, her dignity—and now they want to take her sanity.

After being unjustly committed to a mental institution, Connie is contacted by an envoy from the year 2137, who shows her a time of sexual and racial equality, environmental purity, and unprecedented self-actualization. But Connie also bears witness to another potential outcome: a society of grotesque exploitation in which the barrier between person and commodity has finally been eroded. One will become our world. And Connie herself may strike the decisive blow.

New Grub Street by George Gissing re-creates a microcosm of London's literary society as he experienced it. This novel is both a major social document and a compelling story that draws readers into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances on Grub Street, including the ambitious journalist Jasper Milvain and the embittered critic Alfred Yule.

Gissing brings to life the bitter battles fought out in obscure garrets or in the Reading Room of the British Museum, portraying the conflict between integrity and the demands of the marketplace. The narrative delves into the miseries of genteel poverty and the damage that failure and hardship inflict on human personality and relationships.

Before WATCHMEN, Alan Moore made his debut in the U.S. comic book industry with the revitalization of the horror comic book The Swamp Thing. His deconstruction of the classic monster stretched the creative boundaries of the medium and became one of the most spectacular series in comic book history.

With modern-day issues explored against a backdrop of horror, Swamp Thing's stories became commentaries on environmental, political and social issues, unflinching in their relevance. Saga of the Swamp Thing Book One collects issues #20-27 of this seminal series including the never-before-reprinted Saga of the Swamp Thing #20, where Moore takes over as writer and concludes the previous storyline.

Book One begins with the story "The Anatomy Lesson," a haunting origin story that reshapes Swamp Thing mythology with terrifying revelations that begin a journey of discovery and adventure that will take him across the stars and beyond.

Rabbit Is Rich is a captivating novel by the acclaimed author John Updike. This book, the third installment in the Rabbit Angstrom series, delves into the life of Harry Angstrom, a character familiar to Updike's readers.

Set in 1979, amidst a backdrop of a nation grappling with economic uncertainty, Harry finds himself in a position of newfound prosperity as the Chief Sales Representative of Springer Motors, a Toyota agency in Brewer, Pennsylvania. While the world around him faces challenges such as Skylab falling, gas lines lengthening, and inflation soaring, Harry feels ready to enjoy life.

However, life takes an unexpected turn when his son, Nelson, returns from the West, and the image of an old love reappears. The novel paints a vivid picture of Rabbit's middle age, filled with new and returning characters, as he continues his pursuit of the elusive rainbow of happiness.

The Women's Room is the bestselling feminist novel that awakened both women and men. It follows the transformation of Mira Ward and her circle as the women's movement begins to have an impact on their lives. A biting social commentary on an emotional world gone silently haywire, this book is a modern classic offering piercing insight into the social norms accepted so blindly and revered so completely.

Marilyn French questions those accepted norms and poignantly portrays the hopeful believers looking for new truths.

The Way We Live Now is a compelling tale of greed and deception, penned by the talented Anthony Trollope in 1875. This classic novel delves into the world of high finance and the fraudulent machinations of a great financier, Augustus Melmotte. As Melmotte's grand schemes unfold, readers are drawn into a vivid portrayal of the railway business and the intricate social dynamics of the time.

At the heart of the story is Melmotte's daughter, whose life is manipulated by a grasping lover. Anthony Trollope masterfully captures the hypocrisy and moral decay of British society, making this novel a timeless piece in the literature of money.

This narrative is not just a story; it's an immersive experience into the economic intrigues of Victorian London. The Way We Live Now remains a ripping good read, offering both entertainment and a poignant social commentary.

Our Mutual Friend is a satiric masterpiece about the allure and peril of money, revolving around the inheritance of a dust-heap where the rich discard their trash. When the body of John Harmon, the dust-heap’s expected heir, is found in the Thames, fortunes change hands in unexpected ways, elevating "Noddy" Boffin from a low-born but kindly clerk to "the Golden Dustman."

As Charles Dickens’s last complete novel, Our Mutual Friend delves into the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With a flavorful cast of characters and numerous subplots, it stands as one of Dickens’s most complex—and satisfying—novels.