August Blue, a mesmerising new novel from the twice Booker-shortlisted author Deborah Levy, delves into the life of Elsa M. Anderson, a piano virtuoso and former child prodigy, now in her thirties, who finds herself in a moment of crisis. At the pinnacle of her career, Elsa walks off the stage in Vienna, mid-performance, setting off on a journey to escape her talent and her past.
Her odyssey takes her to Athens, where she encounters a woman so familiar, she could be her double. This woman purchases a pair of mechanical dancing horses at a flea market—objects Elsa herself desires but cannot have. This encounter sparks Elsa's trek across Europe, haunted by the presence of the woman who seems to share her soul.
August Blue paints a dazzling portrait of melancholy and metamorphosis, exploring the ways we attempt to rewrite our life stories and the pursuit to reinvent ourselves.
France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever—and is cursed to be forgotten by everyone she meets. Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world.
But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.
A Doll's House (1879), is a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on the stage. The play ushered in a new social era and "exploded like a bomb into contemporary life".
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The Door is a fascinating and unsettling exploration of the relationship between two very different women. Magda is a writer, educated, married to an academic, public-spirited, with an on-again-off-again relationship to Hungary’s Communist authorities. Emerence is a peasant, illiterate, impassive, abrupt, and seemingly ageless. She lives alone in a house that no one else may enter, not even her closest relatives. She is Magda’s housekeeper and has taken control over Magda’s household, becoming indispensable to her. And Emerence, in her way, has come to depend on Magda.
They share a kind of love—at least until Magda’s long-sought success as a writer leads to a devastating revelation. Len Rix’s prizewinning translation of The Door at last makes it possible for American readers to appreciate the masterwork of a major modern European writer.
The Idiot, a novel by Elif Batuman, is a portrait of the artist as a young woman, exploring the themes of self-discovery and inventing oneself. Set in the year 1995, when email was a new phenomenon, we follow Selin, the daughter of Turkish immigrants, as she begins her freshman year at Harvard. Without any preconceived plans, she enrolls in classes on unfamiliar subjects, forges a friendship with the charismatic and worldly Serbian classmate Svetlana, and, almost by chance, starts corresponding with Ivan, a Hungarian mathematics student.
Despite their limited face-to-face interactions, Selin and Ivan develop a complex relationship through their email exchanges, with each message adding new and mysterious layers to the act of writing. As the school year concludes, Ivan departs for Budapest, and Selin embarks on a teaching assignment in the Hungarian countryside, a position arranged by one of Ivan's friends. Her journey also includes a two-week sojourn in Paris with Svetlana.
Unlike the typical narratives of American college students abroad, Selin's experiences in Europe lead her on an introspective journey. She confronts the bewildering and exhilarating turmoil of first love and comes to an important realization: she is destined to become a writer. The Idiot is a candid reflection on the complexities of becoming an adult, filled with exquisite emotional and intellectual sensitivity, mordant wit, and a writing style that captures the unpredictable nature of memory itself.
Guy de Maupassant's scandalous tale of an opportunistic young man corrupted by the allure of power, Bel-Ami is translated with an introduction by Douglas Parmee in Penguin Classics. Young, attractive and very ambitious, George Duroy, known to his admirers as Bel-Ami, is offered a job as a journalist on La Vie francaise and soon makes a great success of his new career. But he also comes face to face with the realities of the corrupt society in which he lives - the sleazy colleagues, the manipulative mistresses, and wily financiers - and swiftly learns to become an arch-seducer, blackmailer and social climber in a world where love is only a means to an end.
Written when Maupassant was at the height of his powers, Bel-Ami is a novel of great frankness and cynicism, but it is also infused with the sheer joy of life - depicting the scenes and characters of Paris in the belle epoque with wit, sensitivity, and humanity. Douglas Parmee's translation captures all the vigour and vitality of Maupassant's novel. His introduction explores the similarities between Bel-Ami and Maupassant himself and demonstrates the skill with which the author depicts his large cast of characters and the French society of the Third Republic.
L'Assommoir (1877), the seventh novel in the Les Rougon-Macquart cycle, is a poignant story of a woman's struggle for happiness in working-class Paris. At the heart of this narrative is Gervaise, who begins with the dream of a better life by starting her own laundry business, achieving success for a while. However, her husband's addiction to the local drinking spot, the Assommoir, leads them down a path of poverty and despair.
This novel not only became a contemporary bestseller but also sparked a fierce debate about the scope of modern literature. It outraged conservative critics with its unflinching portrayal of the harsh realities faced by the working poor, capturing both the brutality and the pathos of its characters' lives.
The complex moral ambiguities of seduction and revenge make Les Liaisons dangereuses (1782) one of the most scandalous and controversial novels in European literature. The subject of major film and stage adaptations, the novel's prime movers, the Vicomte de Valmont and the Marquise de Merteuil, form an unholy alliance and turn seduction into a game - a game which they must win.
This new translation gives Laclos a modern voice, and readers will be able to judge whether the novel is as "diabolical" and "infamous" as its critics have claimed, or whether it has much to tell us about the kind of world we ourselves live in. David Coward's introduction explodes myths about Laclos's own life and puts the book in its literary and cultural context.
On his third birthday, Oskar decides to stop growing. Haunted by the deaths of his parents and wielding his tin drum, Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.
If you start to read this book, you will go on a journey with a nine-year-old boy named Bruno. (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence.
Fences like this exist all over the world. We hope you never have to encounter one.
Berlin, 1942: When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move to a new house far, far away, where there is no one to play with and nothing to do. A tall fence stretches as far as the eye can see and cuts him off from the strange people in the distance.
But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different from his own, and their meeting results in a friendship that has devastating consequences.
The first two stories of a masterwork once thought lost, written by a pre-WWII bestselling author who was deported to Auschwitz and died before her work could be completed. By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece.
The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.
Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.
One of the most important and controversial writers of the 20th century, Knut Hamsun made literary history with the publication in 1890 of this powerful, autobiographical novel recounting the abject poverty, hunger and despair of a young writer struggling to achieve self-discovery and its ultimate artistic expression.
The book brilliantly probes the psychodynamics of alienation, obsession, and self-destruction, painting an unforgettable portrait of a man driven by forces beyond his control to the edge of the abyss. Hamsun influenced many of the major 20th-century writers who followed him, including Kafka, Joyce and Henry Miller. Required reading in world literature courses, the highly influential, landmark novel will also find a wide audience among lovers of books that probe the "unexplored crannies in the human soul" (George Egerton).
From the author of the masterpiece All Quiet on the Western Front, The Black Obelisk is a classic novel of the troubling aftermath of World War I in Germany. A hardened young veteran from the First World War, Ludwig now works for a monument company, selling stone markers to the survivors of deceased loved ones. Though ambivalent about his job, he suspects there’s more to life than earning a living off other people’s misfortunes.
A self-professed poet, Ludwig soon senses a growing change in his fatherland, a brutality brought upon it by inflation. When he falls in love with the beautiful but troubled Isabelle, Ludwig hopes he has found a soul who will offer him salvation—who will free him from his obsession to find meaning in a war-torn world. But there comes a time in every man’s life when he must choose to live—despite the prevailing thread of history horrifically repeating itself.
Captain Corelli’s Mandolin is set in the early days of the second world war, before Benito Mussolini invaded Greece. Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches.
British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.
Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investigating an ivory procurement agent, Kurtz, who is employed by the government.
Preceded by his reputation as a brilliant emissary of progress, Kurtz has now established himself as a god among the natives in one of the darkest places on earth. Marlow suspects something else of Kurtz: he has gone mad.
A reflection on corruptive European colonialism and a journey into the nightmare psyche of one of the corrupted, Heart of Darkness is considered one of the most influential works ever written.
Featuring his world-famous masterpiece, Death in Venice, this collection of Nobel laureate Thomas Mann's stories and novellas reveals his artistic evolution. In a widely acclaimed translation that restores the controversial passages that were censored from the original English version, Death in Venice tells about a ruinous quest for love and beauty amid degenerating splendor. Gustav von Aschenbach, a successful but lonely author, travels to the Queen of the Adriatic in search of an elusive spiritual fulfillment that turns into his erotic doom. Spellbound by a beautiful Polish boy, he finds himself fettered to this hypnotic city of sun-drenched sensuality and eerie physical decay as it gradually succumbs to a secret epidemic.
Also included in this volume are eleven other stories by Mann: Tonio Kroger, Gladius Dei, The Blood of the Walsungs, The Will for Happiness, Little Herr Friedmann, Tobias Mindernickel, Little Lizzy, Tristan, The Starvelings, The Wunderkind, and Harsh Hour. All of the stories collected here display Mann's inimitable use of irony, his subtle characterizations, and superb, complex plots.
André Gide later deemed it the greatest of all French novels, and Henry James judged it to be a masterpiece. Now, in a major literary event, Pulitzer Prize-winning poet and distinguished translator Richard Howard presents a new rendition of Stendhal's epic tale of romance, adventure, and court intrigue set in early nineteenth-century Italy.
The Charterhouse of Parma chronicles the exploits of Fabrizio del Dongo, an ardent young aristocrat who joins Napoleon's army just before the Battle of Waterloo. Yet perhaps the novel's most unforgettable characters are the hero's beautiful aunt, the alluring Duchess of Sanseverina, and her lover, Count Mosca, who plot to further Fabrizio's political career at the treacherous court of Parma in a sweeping story that illuminates an entire epoch of European history.
"Stendhal has written The Prince up to date, the novel that Machiavelli would write if he were living banished from Italy in the nineteenth century," noted Balzac in his famous review of The Charterhouse of Parma. "One sees perfection in every detail. . . . It is a masterpiece." This edition includes original illustrations by Robert Andrew Parker and Notes and a Translator's Afterword by Richard Howard.
Entre la narrativa detectivesca, la novela «de carretera», el relato biográfico y la crĂłnica, Los detectives salvajes está considerada por la crĂtica y el pĂşblico de todo el mundo como una de las mejores y más originales ficciones escritas en las Ăşltimas dĂ©cadas.
Dos jĂłvenes poetas latinoamericanos, Arturo Belano y Ulises Lima, emprenden una aventura que transcurrirá durante varias dĂ©cadas y cruzará distintos paĂses. SĂmbolo de la rebeldĂa y la necesidad de ruptura con la realidad establecida, sus vidas representan los anhelos de toda una generaciĂłn. La bĂşsqueda en 1975 de la misteriosa escritora mexicana Cesárea Tinajero, desaparecida y olvidada en los años posteriores a la revoluciĂłn, sirve de inicio a un viaje sin descanso marcado por el amor, la muerte, el deseo de libertad, el humor y la literatura.
En esta novela está esbozado, como si de un juego de cajas chinas se tratara, todo el deslumbrante universo literario y personal de Roberto Bolaño.
In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps—a community devoted exclusively to sickness—as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality. The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.
Buddenbrooks, first published in Germany in 1901, when Mann was only twenty-six, has become a classic of modern literature. It is the story of four generations of a wealthy bourgeois family in northern Germany facing the advent of modernity; in an uncertain new world, the family’s bonds and traditions begin to disintegrate. As Mann charts the Buddenbrooks’ decline from prosperity to bankruptcy, from moral and psychic soundness to sickly piety, artistic decadence, and madness, he ushers the reader into a world of stunning vitality, pieced together from births and funerals, weddings and divorces, recipes, gossip, and earthy humor.
In its immensity of scope, richness of detail, and fullness of humanity, Buddenbrooks surpasses all other modern family chronicles. With remarkable fidelity to the original German text, this superb translation emphasizes the magnificent scale of Mann’s achievement in this riveting, tragic novel.
Set in the slums of eighteenth-century France, Perfume: The Story of a Murderer explores the extraordinary sense of smell of Jean-Baptiste Grenouille from his birth. Despite his great olfactory gift, Grenouille's lack of personal scent makes him different from other people. His life's journey leads him to apprentice himself to a prominent perfumer who teaches him to harness his remarkable talent in mixing precious oils and herbs.
Grenouille's talent turns into an obsession, as he desires to capture the scents of various objects and ultimately, the elusive aroma of a beautiful young virgin. This fixation sets him on a path of increasingly terrifying acts, culminating in a quest to create the ultimate perfume. Patrick S\u00fcskind's novel is a haunting narrative of murder and sensual depravity, told with a brilliant flair that captivates the reader.
In 1914, a room full of German schoolboys, fresh-faced and idealistic, are goaded by their schoolmaster to troop off to the 'glorious war'. With the fire and patriotism of youth, they sign up. What follows is the moving story of a young 'unknown soldier' experiencing the horror and disillusionment of life in the trenches.
Before George R. R. Martin, there was Dorothy Dunnett... THE PERFECT GIFT for fans of A Game of Thrones. 'She is a brilliant story teller, The Lymond Chronicles will keep you reading late into the night, desperate to know the fate of the characters you have come to care deeply about.' - The Times Literary Supplement
Checkmate is the sixth and final book in the series. It is 1557 and legendary Scottish warrior Francis Crawford of Lymond is once more in France. There he is leading an army to rout the hated English from Calais. Yet while Lymond seeks victory on the battlefield, he is haunted by his troubled past - chiefly the truth about his origins and his marriage (in name only) to young Englishwoman Philippa Somerville. As the French offer him a way out of his marriage and his wife appears in France on a mission of her own, the final moves are made in a great game that has been playing out over an extraordinary decade of war, love, and struggle - bringing The Lymond Chronicles to a spellbinding close.
'A masterpiece of historical fiction' - Washington Post
'Melodrama of the most magnificent kind' - The Guardian
A vivid depiction of the suffering history has imposed upon the people of Bosnia from the late sixteenth century to the beginning of World War I, The Bridge on the Drina earned Ivo Andric the Nobel Prize for Literature in 1961. A great stone bridge built three centuries ago in the heart of the Balkans by a Grand Vezir of the Ottoman Empire dominates the setting of Andric's stunning novel. Spanning generations, nationalities, and creeds, the bridge stands witness to the countless lives played out upon it:
Radisav, the workman, who tries to hinder its construction and is impaled on its highest point; to the lovely Fata, who throws herself from its parapet to escape a loveless marriage; to Milan, the gambler, who risks everything in one last game on the bridge with the devil his opponent; to Fedun, the young soldier, who pays for a moment of spring forgetfulness with his life. War finally destroys the span, and with it the last descendant of that family to which the Grand Vezir confided the care of his pious bequest - the bridge.
Acclaimed entertainer Hans Schnier collapses when his beloved Marie leaves him because he won’t marry her within the Catholic Church. The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father, and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.
Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime—and brings about his own downfall.
The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien—the cold exploiter whose Machiavellian campaign is undercut by his own emotions—is one of the most intriguing characters in European literature.
The Notebooks of Malte Laurids Brigge is Rilke’s major prose work and was one of the earliest publications to introduce him to American readers. The very wide audience which Rilke’s work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton.
A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.
Set in Vienna on the eve of World War I, this great novel of ideas tells the story of Ulrich, ex-soldier and scientist, seducer and skeptic, who finds himself drafted into the grandiose plans for the 70th jubilee of the Emperor Franz Josef. This new translation - published in two elegant volumes - is the first to present Musil's complete text, including material that remained unpublished during his lifetime.