Buddenbrooks, first published in Germany in 1901, when Mann was only twenty-six, has become a classic of modern literature. It is the story of four generations of a wealthy bourgeois family in northern Germany facing the advent of modernity; in an uncertain new world, the family’s bonds and traditions begin to disintegrate. As Mann charts the Buddenbrooks’ decline from prosperity to bankruptcy, from moral and psychic soundness to sickly piety, artistic decadence, and madness, he ushers the reader into a world of stunning vitality, pieced together from births and funerals, weddings and divorces, recipes, gossip, and earthy humor.

In its immensity of scope, richness of detail, and fullness of humanity, Buddenbrooks surpasses all other modern family chronicles. With remarkable fidelity to the original German text, this superb translation emphasizes the magnificent scale of Mann’s achievement in this riveting, tragic novel.

Set in the slums of eighteenth-century France, Perfume: The Story of a Murderer explores the extraordinary sense of smell of Jean-Baptiste Grenouille from his birth. Despite his great olfactory gift, Grenouille's lack of personal scent makes him different from other people. His life's journey leads him to apprentice himself to a prominent perfumer who teaches him to harness his remarkable talent in mixing precious oils and herbs.

Grenouille's talent turns into an obsession, as he desires to capture the scents of various objects and ultimately, the elusive aroma of a beautiful young virgin. This fixation sets him on a path of increasingly terrifying acts, culminating in a quest to create the ultimate perfume. Patrick S\u00fcskind's novel is a haunting narrative of murder and sensual depravity, told with a brilliant flair that captivates the reader.

In 1914, a room full of German schoolboys, fresh-faced and idealistic, are goaded by their schoolmaster to troop off to the 'glorious war'. With the fire and patriotism of youth, they sign up. What follows is the moving story of a young 'unknown soldier' experiencing the horror and disillusionment of life in the trenches.

Is Sophie Fevvers, toast of Europe's capitals, part swan...or all fake? Courted by the Prince of Wales and painted by Toulouse-Lautrec, she is an aerialiste extraordinaire and star of Colonel Kearney's circus. She is also part woman, part swan. Jack Walser, an American journalist, is on a quest to discover the truth behind her identity. Dazzled by his love for her, and desperate for the scoop of a lifetime, Walser has no choice but to join the circus on its magical tour through turn-of-the-nineteenth-century London, St Petersburg, and Siberia.

This enchanting journey takes readers on an intoxicating trip through a world so magical that only Angela Carter could have created it.

Before George R. R. Martin, there was Dorothy Dunnett... THE PERFECT GIFT for fans of A Game of Thrones. 'She is a brilliant story teller, The Lymond Chronicles will keep you reading late into the night, desperate to know the fate of the characters you have come to care deeply about.' - The Times Literary Supplement

Checkmate is the sixth and final book in the series. It is 1557 and legendary Scottish warrior Francis Crawford of Lymond is once more in France. There he is leading an army to rout the hated English from Calais. Yet while Lymond seeks victory on the battlefield, he is haunted by his troubled past - chiefly the truth about his origins and his marriage (in name only) to young Englishwoman Philippa Somerville. As the French offer him a way out of his marriage and his wife appears in France on a mission of her own, the final moves are made in a great game that has been playing out over an extraordinary decade of war, love, and struggle - bringing The Lymond Chronicles to a spellbinding close.

'A masterpiece of historical fiction' - Washington Post
'Melodrama of the most magnificent kind' - The Guardian

A stranger walks out of a bar and is later found dead at the wheel of his car. The narrator creates the story of this man — or, rather, two stories, based on the two personae that he has imagined. One of these is named Enderlin; the other, Gantenbein.

Originally published as A Wilderness of Mirrors.

A vivid depiction of the suffering history has imposed upon the people of Bosnia from the late sixteenth century to the beginning of World War I, The Bridge on the Drina earned Ivo Andric the Nobel Prize for Literature in 1961. A great stone bridge built three centuries ago in the heart of the Balkans by a Grand Vezir of the Ottoman Empire dominates the setting of Andric's stunning novel. Spanning generations, nationalities, and creeds, the bridge stands witness to the countless lives played out upon it:

Radisav, the workman, who tries to hinder its construction and is impaled on its highest point; to the lovely Fata, who throws herself from its parapet to escape a loveless marriage; to Milan, the gambler, who risks everything in one last game on the bridge with the devil his opponent; to Fedun, the young soldier, who pays for a moment of spring forgetfulness with his life. War finally destroys the span, and with it the last descendant of that family to which the Grand Vezir confided the care of his pious bequest - the bridge.

Acclaimed entertainer Hans Schnier collapses when his beloved Marie leaves him because he won’t marry her within the Catholic Church. The desertion triggers a searing re-examination of his life—the loss of his sister during the war, the demands of his millionaire father, and the hypocrisies of his mother, who first fought to “save” Germany from the Jews, then worked for “reconciliation” afterwards.

Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime—and brings about his own downfall.

The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien—the cold exploiter whose Machiavellian campaign is undercut by his own emotions—is one of the most intriguing characters in European literature.

The Notebooks of Malte Laurids Brigge is Rilke’s major prose work and was one of the earliest publications to introduce him to American readers. The very wide audience which Rilke’s work commands today will welcome the reissue in paperback of this extremely perceptive translation of the Notebooks by M. D. Herter Norton.

A masterly translation of one of the first great modernist novels by one of the German language's greatest poets, in which a young man named Malte Laurids Brigge lives in a cheap room in Paris while his belongings rot in storage. Every person he sees seems to carry their death within them and with little but a library card to distinguish him from the city's untouchables, he thinks of the deaths, and ghosts, of his aristocratic family, of which he is the sole living descendant. Suffused with passages of lyrical brilliance, Rilke's semi-autobiographical novel is a moving and powerful coming-of-age story.

Set in Vienna on the eve of World War I, this great novel of ideas tells the story of Ulrich, ex-soldier and scientist, seducer and skeptic, who finds himself drafted into the grandiose plans for the 70th jubilee of the Emperor Franz Josef. This new translation - published in two elegant volumes - is the first to present Musil's complete text, including material that remained unpublished during his lifetime.