How to think about the end of the world and what we must do to rebuild beyond that final moment, for readers of The Mushroom at the End of the World by Anna Lowenhaupt Tsing and Extinction: A Radical History by Ashley Dawson. What are we to think as we face the sixth extinction moment? Kant's invitation to imagine an 'end of all things' no longer feels like just a thought experiment.

Philosopher Ben Ware argues that we must accept this without looking away. In fact, extinction is the very lens through which we see our current reality. He argues that in order to map the catastrophic present, we will first need to take a tiger's leap into the past in order to construct a new 'dialectics of extinctions'.

On Extinction takes us on a breath-taking philosophical journey. Bringing dialectical thought to bear on one of the most pressing issues of our times, Ware argues that radical politics today should not be concerned with merely averting the worst, but rather with beginning again at the end: bringing to completion a mode of political and economic life which tethers us all–the yet to be born–to a sick but undying present. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need.

In the late 1980s, two teenage girls found refuge from a world of cosy conformity, sexism and the nuclear arms race in protest and punk. Then, drawn in by a promise of meaning and purpose, they cast off their punk outfits and became born-again Christians. Unsure which fate would come first - nuclear annihilation or the Second Coming of Jesus - they sought answers from end-times evangelists, scrutinising friends and family for signs of demon possession and identifying EFTPOS and barcodes as signs of a looming apocalypse.

Fast forward to 2021, and Rebecca and Maz - now a science historian and an engineer - are on a road trip to the West Coast. Their journey, though full of laughter and conversation and hot pies, is haunted by the threats of climate change, conspiracy theories, and a massive overdue earthquake.

End Times interweaves the stories of these two periods in Rebecca's life, both of which have at heart a sleepless fear of the end of the world. Along the way she asks: Why do people hold on to some ideas but reject others? How do you engage with someone whose beliefs are wildly different from your own? And where can we find hope when it sometimes feels as if we all live on a fault line that could rupture at any moment?

Oracle, by international bestseller Thomas Olde Heuvelt, is a supernatural thriller where an omen from our past threatens the return of ancient forces that will change the world forever.

On a foggy winter morning, Luca Wolf and Emma Reich discover an eighteenth-century sailing ship stranded on a barren flower field, its name written on its side: Oracle. Emma, unable to resist, enters the hatch on the tilted deck. The ship's bell begins to toll, and no one sees her again. Not much later, eleven people have disappeared, Luca and his mother have been absconded by a clandestine government agency which has questions, no answers, and is determined to uncover the ship’s secrets before a media storm erupts.

But as they force Robert Grim, a retired specialist of the occult with a strange history and a healthy dislike of authority, to unravel the mystery, the Oracle is revealed to be a harbinger of an ancient doom awakened underneath the sea. What follows is a maelstrom of international intrigue, history, young love, humanity’s relationship with climate and disease, and pure terror as they come face to face with an open doorway to apocalypse.

A Children’s Bible follows a group of twelve eerily mature children on a forced vacation with their families at a sprawling lakeside mansion. Contemptuous of their parents, the children decide to run away when a destructive storm descends on the summer estate, embarking on a dangerous foray into the apocalyptic chaos outside.

Lydia Millet’s prophetic and heartbreaking story of generational divide offers a haunting vision of what awaits us on the far side of Revelation.

From The New York Times cybersecurity reporter Nicole Perlroth, This Is How They Tell Me the World Ends reveals the untold story of the cyberweapons market—the most secretive, invisible, government-backed market on earth—and a terrifying first look at a new kind of global warfare.

Zero day: a software bug that allows a hacker to break into your devices and move around undetected. One of the most coveted tools in a spy's arsenal, a zero day has the power to silently spy on your iPhone, dismantle the safety controls at a chemical plant, alter an election, and shut down the electric grid (just ask Ukraine).

For decades, under cover of classification levels and non-disclosure agreements, the United States government became the world's dominant hoarder of zero days. U.S. government agents paid top dollar—first thousands, and later millions of dollars—to hackers willing to sell their lock-picking code and their silence. Then the United States lost control of its hoard and the market. Now those zero days are in the hands of hostile nations and mercenaries who do not care if your vote goes missing, your clean water is contaminated, or our nuclear plants melt down.

Filled with spies, hackers, arms dealers, and a few unsung heroes, written like a thriller and a reference, This Is How They Tell Me the World Ends is an astonishing feat of journalism. Based on years of reporting and hundreds of interviews, Nicole Perlroth lifts the curtain on a market in shadow, revealing the urgent threat faced by us all if we cannot bring the global cyber arms race to heel.

An unknown planet emerges from inside a wormhole, and its discoverer, Dr. Oguro, christens the body Remina after his own daughter. His finding is met with great fanfare, and Remina herself rises to fame. However, the object picks up speed as it moves along in its curious course, eliminating planets and stars one after another, until finally Earth itself faces extinction.

Is the girl Remina the true cause of the catastrophe? A masterwork of horror from Junji Ito, unfolding on a universal scale.

En los futuros donde suceden estos diez relatos, una colecció de dispositivos como pings, ansibles, lentillas, perfiladores o telones sensoriales -algunos de ellos instalados dentro del cuerpo humano- permiten a las personas conectar sus mentes en una nube digital, compartir sus pensamientos y memorias, ponerles filtros a sus percepciones o calcular el éxito de un romance, mientras comen tacos de canasta o navegan sobre las calles de una Ciudad de México totalmente cubierta por el agua.

Con una inteligencia arrasadora, Andrea Chapela enfrenta a las protagonistas a realidades donde el conocimiento científico, la tecnología de punta y la vida cotidiana interactúan de forma cada vez ms intrincada e inevitable, de modo que incluso en la intimidad de la mente ya no reina la voz de la propia conciencia. La tecnología deja de ser un fetiche técnico para mostrar su capacidad de moldear los afectos y los vínculos humanos.

Las protagonistas son mujeres que se encuentran en una disyuntiva en sus relaciones personales a partir de un dispositivo de tecnología mental o de asimilación de la realidad que, a pesar de que debería facilitar la vida, amenaza con volver ms asfixiantes, impredecibles o peligrosas las interacciones humanas. La mente y sus secretos, la percepción y la duda de si percibimos solo lo que deseamos, los límites de la intimidad; estos son algunos de los temas que trata el libro.

Survivor Song thrusts us into a chillingly prescient tale of suspense and terror. Massachusetts is overwhelmed by a rabies-like virus, spread by saliva and with a terrifyingly short incubation period. The infected are driven to bite and infect as many others as they can before succumbing to the disease. Amidst the chaos, hospitals are inundated, and society crumbles as the government's emergency protocols falter.

Dr. Ramola "Rams" Sherman, a soft-spoken pediatrician, receives a frantic call from Natalie, a pregnant friend whose husband has been killed by an infected neighbor. Bitten herself, Natalie's only hope is to reach a hospital for the rabies vaccine. The clock is ticking for her and her unborn child.

What follows is a desperate odyssey through a landscape twisted into a barely recognizable terrain of danger and terror. Survivor Song is an all-too-plausible novel that not only races through the pages but shakes readers to their core, showcasing Paul Tremblay's mastery of the horror genre.

Shana wakes up one morning to discover her little sister in the grip of a strange malady. She appears to be sleepwalking. She cannot talk and cannot be woken up. And she is heading with inexorable determination to a destination that only she knows. But Shana and her sister are not alone. Soon they are joined by a flock of sleepwalkers from across America, on the same mysterious journey. And like Shana, there are other "shepherds" who follow the flock to protect their friends and family on the long dark road ahead.

For as the sleepwalking phenomenon awakens terror and violence in America, the real danger may not be the epidemic but the fear of it. With society collapsing all around them—and an ultraviolent militia threatening to exterminate them—the fate of the sleepwalkers depends on unraveling the mystery behind the epidemic. The terrifying secret will either tear the nation apart—or bring the survivors together to remake a shattered world.

In the midst of a mysterious environmental crisis, as London is submerged below floodwaters, a woman gives birth to her first child, Z. Days later, the family is forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds.

This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family's world—of new life and new hope—sings with love.

This is the way the world ends... for the last time.

The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother's mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

The remarkable conclusion to the post-apocalyptic and highly acclaimed trilogy that began with the multi-award-nominated The Fifth Season.

The season of endings grows darker as civilization fades into the long, cold night.

Essun has found shelter, but not her missing daughter. Instead, there is Alabaster Tenring, destroyer of the world, with a request that would seal the fate of the Stillness forever.

This is the way the world ends. Again.

Three terrible things happen in a single day. Essun, a woman living an ordinary life in a small town, comes home to find that her husband has brutally murdered their son and kidnapped their daughter. Meanwhile, mighty Sanze -- the world-spanning empire whose innovations have been civilization's bedrock for a thousand years -- collapses as most of its citizens are murdered to serve a madman's vengeance. And worst of all, across the heart of the vast continent known as the Stillness, a great red rift has been torn into the heart of the earth, spewing ash enough to darken the sky for years. Or centuries.

Now Essun must pursue the wreckage of her family through a deadly, dying land. Without sunlight, clean water, or arable land, and with limited stockpiles of supplies, there will be war all across the Stillness: a battle royale of nations not for power or territory, but simply for the basic resources necessary to get through the long dark night. Essun does not care if the world falls apart around her. She'll break it herself, if she must, to save her daughter.

She could save the world—or destroy it.

Sixteen-year-old Evangeline "Evie" Greene leads a charmed life, until she begins experiencing horrifying hallucinations. When an apocalyptic event decimates her Louisiana hometown, Evie realizes her hallucinations were actually visions of the future—and they're still happening. Fighting for her life and desperate for answers, she must turn to her wrong-side-of-the-bayou classmate: Jack Deveaux.

But she can't do either alone.

With his mile-long rap sheet, wicked grin, and bad attitude, Jack is like no boy Evie has ever known. Even though he once scorned her and everything she represented, he agrees to protect Evie on her quest. She knows she can't totally depend on Jack. If he ever cast that wicked grin her way, could she possibly resist him?

Who can Evie trust?

As Jack and Evie race to find the source of her visions, they meet others who have gotten the same call. An ancient prophesy is being played out, and Evie is not the only one with special powers. A group of twenty-two teens has been chosen to reenact the ultimate battle between good and evil. But it's not always clear who is on which side.

Under the bubbling hot springs and geysers of Yellowstone National Park is a supervolcano. Most people don't know it's there. The caldera is so large that it can only be seen from a plane or satellite. It just could be overdue for an eruption, which would change the landscape and climate of our planet.

For Alex, being left alone for the weekend means having the freedom to play computer games and hang out with his friends without hassle from his mother. Then the Yellowstone supervolcano erupts, plunging his hometown into a nightmare of darkness, ash, and violence. Alex begins a harrowing trek to search for his family and finds help in Darla, a travel partner he meets along the way. Together they must find the strength and skills to survive and outlast an epic disaster.

It's the end of the world. Six students have taken cover in Cortege High, but shelter is little comfort when the dead outside won't stop pounding on the doors. One bite is all it takes to kill a person and bring them back as a monstrous version of their former self.

To Sloane Price, that doesn't sound so bad. Six months ago, her world collapsed and since then, she's failed to find a reason to keep going. Now seems like the perfect time to give up. As Sloane eagerly waits for the barricades to fall, she's forced to witness the apocalypse through the eyes of five people who actually want to live.

But as the days crawl by, the motivations for survival change in startling ways and soon the group's fate is determined less and less by what's happening outside and more and more by the unpredictable and violent bids for life—and death—inside. When everything is gone, what do you hold on to?

The Strain is the first installment in a thrilling trilogy that presents a horrifying battle between man and vampire, threatening all of humanity. A Boeing 777 lands at JFK Airport and comes to an inexplicable stop on the tarmac. With all shades pulled down, lights out, and communication channels silent, the ground crews are baffled. The CDC sends out an alert, and Dr. Eph Goodweather, head of their Canary project which investigates biological threats, is summoned to investigate.

What Dr. Goodweather discovers on the plane sends chills down his spine. Meanwhile, in Spanish Harlem, Abraham Setrakian, a former professor and Holocaust survivor, senses that an ominous war is brewing. As a vampiric virus infects New York and begins to spread, Dr. Goodweather, Setrakian, and a diverse group of fighters unite to stop the contagion and save the city, including Dr. Goodweather's own family, before it's too late.

Authored by Guillermo del Toro, the visionary filmmaker behind the Academy Award-winning Pan's Labyrinth, and Chuck Hogan, a Hammett Award-winning author, The Strain offers a bold, epic, and extraordinary narrative that reinvents the vampire novel with a chilling and unputdownable tale of survival.

My name is Katniss Everdeen. Why am I not dead? I should be dead.

Katniss Everdeen, girl on fire, has survived, even though her home has been destroyed. Gale has escaped. Katniss's family is safe. Peeta has been captured by the Capitol. District 13 really does exist. There are rebels. There are new leaders. A revolution is unfolding.

It is by design that Katniss was rescued from the arena in the cruel and haunting Quarter Quell, and it is by design that she has long been part of the revolution without knowing it. District 13 has come out of the shadows and is plotting to overthrow the Capitol. Everyone, it seems, has had a hand in the carefully laid plans—except Katniss.

The success of the rebellion hinges on Katniss's willingness to be a pawn, to accept responsibility for countless lives, and to change the course of the future of Panem. To do this, she must put aside her feelings of anger and distrust. She must become the rebels' Mockingjay—no matter what the personal cost.

Sparks are igniting. Flames are spreading. And the Capitol wants revenge. Against all odds, Katniss Everdeen has won the Hunger Games. She and fellow District 12 tribute Peeta Mellark are miraculously still alive. Katniss should be relieved, happy even. After all, she has returned to her family and her longtime friend, Gale. Yet nothing is the way Katniss wishes it to be. Gale holds her at an icy distance. Peeta has turned his back on her completely. And there are whispers of a rebellion against the Capitol—a rebellion that Katniss and Peeta may have helped create.

Much to her shock, Katniss has fueled an unrest that she's afraid she cannot stop. And what scares her even more is that she's not entirely convinced she should try. As time draws near for Katniss and Peeta to visit the districts on the Capitol's cruel Victory Tour, the stakes are higher than ever. If they can't prove, without a shadow of a doubt, that they are lost in their love for each other, the consequences will be horrifying.

In Catching Fire, the second novel of the Hunger Games trilogy, Suzanne Collins continues the story of Katniss Everdeen, testing her more than ever before . . . and surprising readers at every turn.

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend.

More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over. A few score thousand survivors live on, not knowing whether they are the only ones left on earth.

They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price.

VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.

How many hours are in a day when you don't spend half of them watching television? When is the last time any of us REALLY worked to get something we wanted? How long has it been since any of us really NEEDED something that we WANTED? The world we knew is gone. The world of commerce and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months, society has crumbled: no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, we are forced to finally start living.

Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride.

Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

The City of Ember was built as a last refuge for the human race. Two hundred years later, the great lamps that light the city are beginning to dim. Lina and her friend Doon must race to figure out the clues to keep the lights on.

If they succeed, they will have to convince everyone to follow them into danger. But if they fail, the lights will burn out and the darkness will close in forever. They discover fragments of an ancient parchment and begin to wonder if there could be a way out of Ember. Can they decipher the words from long ago and find a new future for everyone? Will the people of Ember listen to them?

Y: The Last Man, Vol. 1: Unmanned is the gripping saga of Yorick Brown, the sole human survivor of a planet-wide plague that instantaneously kills every mammal with a Y chromosome. With his pet monkey Ampersand, Yorick embarks on a journey to find his lost love and discover why he has become the last man on Earth. This volume collects issues #1-5 and features the collaborative work of writer Brian K. Vaughan and artists Pia Guerra and Jose Marzan.

The narrative weaves a tale that is at once humorous, socially relevant, and full of surprises. As Yorick confronts a new world order dominated by women, including female Republicans now in charge of the government and Amazonian groups, he faces numerous threats and mysteries. His sister, seemingly brainwashed, is among the many challenges he must overcome in this post-apocalyptic world.

Award-winning and critically acclaimed, Y: The Last Man is a seminal work in the graphic novel genre, delivering a story that is as entertaining as it is thought-provoking.

Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction preys on our deepest fears of witnessing Armageddon and, worse still, surviving it. Dr Felix Hoenikker, one of the founding 'fathers' of the atomic bomb, has left a deadly legacy to the world. For he's the inventor of 'ice-nine', a lethal chemical capable of freezing the entire planet.

The search for its whereabouts leads to Hoenikker's three eccentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker's Death Wish comes true when his last, fatal gift to humankind brings about the end, that for all of us, is nigh...