The Last White Ruby: The Vanishing Polar Circles is a captivating poetry collection that delves into the experiences of living and working in the polar environment. Ronnie Smith, an aviator who spent many years flying for the US Air Force in these extreme regions, shares his unique perspective.

Through his keen sensitivity to the human condition, Smith brings the surreal landscapes and flying phenomena to life, inviting readers to explore the beauty, danger, and unusual wonders of the polar regions. The elements present an ever-present challenge, as extreme cold and wilderness confront aviators and seamen with uncompromising force.

These remote regions, where nature reigns supreme, also offer scientists early clues about global warming and environmental decay. Smith's portrayal captures the pristine beauty and the vital role the icecaps play as the planet's cooling mechanism, a beauty we risk losing due to climate change.

With eloquent prose, Smith transports readers to places few will ever see, allowing them to appreciate the fragile magnificence of the polar circles.

If you could read my mind, you wouldn't be smiling. Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has Purely-Obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush. Yet Sam knows she'd be truly crazy to leave the protection of the most popular girls in school.

So when Sam meets Caroline, she has to keep her new friend with a refreshing sense of humor and no style a secret, right up there with Sam's weekly visits to her psychiatrist. Caroline introduces Sam to Poet's Corner, a hidden room and a tight-knit group of misfits who have been ignored by the school at large. Sam is drawn to them immediately, especially a guitar-playing guy with a talent for verse, and starts to discover a whole new side of herself. Slowly, she begins to feel more normal than she ever has as part of the popular crowd... until she finds a new reason to question her sanity and all she holds dear.

From the legendary creator of Where the Sidewalk Ends, A Light in the Attic, Falling Up, and The Giving Tree comes an unforgettable new character in children's literature: Runny Babbit.

Runny Babbit is Shel Silverstein's hilarious and New York Times-bestselling book of spoonerisms—words or phrases with letters or syllables swapped: bunny rabbit becomes Runny Babbit.

Welcome to the world of Runny Babbit and his friends Toe Jurtle, Skertie Gunk, Rirty Dat, Dungry Hog, Snerry Jake, and many others who speak a topsy-turvy language all their own.

So if you say, "Let's bead a rook
That's billy as can se,"
You're talkin' Runny Babbit talk,
Just like mim and he.

And don't miss Runny Babbit Returns, the new book from Shel Silverstein!

Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city and its squalor and inequalities, the pressures of time and mortality, and the liberation provided by the sensual delights of intoxication, art, and women.

Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry—a format which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux, and freedom of his age—and one of the founding texts of literary modernism.

Milk and Honey is a collection of poetry and prose that delves into the themes of survival, violence, abuse, love, loss, and femininity. It is structured into four distinct chapters, each one confronting a different form of pain and offering a path to healing a different heartache.

The book guides readers through the darkest moments of life and uncovers the sweetness hidden within them—because there is sweetness to be found everywhere, if one is only willing to search for it.

Lullabies is a sequel to the hugely popular, best-selling Love & Misadventure. This collection continues to explore the intricacies of love and loss, set to a musical theme.

Love's poetic journey in this new, original collection begins with a Duet and travels through Interlude and Finale with an Encore popular piece from the best-selling Love & Misadventure.

Lang Leav's evocative poetry speaks to the soul of anyone who is on this journey. Her talent for translating complex emotions with astonishing simplicity has won her a cult following of devoted fans from all over the world.

Lang Leav is a poet and internationally exhibiting artist.

في مجال المسرح و الشعر، و في المجال الأدبي عموما، معروف أن هناك أدبا يتم تطويع المواضيع و الأفكار له، و أدبا يتم تطويعه و استخدامه لعرض الأفكار و المواضيع من خلاله.

في المسرح مثلا، لدينا تجارب لتوفيق الحكيم و دكتور مصطفى محمود من مسرحيات هي فنيا قد تكون غير صالحة باعتراف أصحابها ذاتهم، لكنها على مستوى عرض الموضوع و الفكرة ناجحة طبعا. كذلك في الشعر، هناك أشعار يتم تطويع المواضيع و الأفكار لها، و هناك أشعار يتم تطويعها و استخدامها لعرض الأفكار و المواضيع و الأحداث، الشيء الذي يجعل الجانب الفني فيها مجورا عليه.

ديوان (دول العرب و عظماء الإسلام) لأمير الشعراء أحمد شوقي مثلا هو واحد من هذه الأدبيات التي جار صاحبها على الجانب الفني فيها، لصالح المواضيع و الأفكار التي طرحها من خلال أشعاره. و ليس ذاك لمشكلة ما أو نقص في حس الشاعر أو موهبته، و إنما ذاك لثقل و تعقيد وكثافة التجربة التي مر بها الشاعر و التي أبت عليه شعريا كفكرة مجملة، و هو أحوج ما يكون إلى التعبير عنها مجملا مما دفع به إلى ذلك الأسلوب، لا ابتذالا أو تهاونا، و لكن رغبة منه في أن يهتف بها جملة واحدة بشكل مباشر و صريح للتنفيس و لمشاركة الناس بها.

كذلك أعترف بأنني قد جرت على الجانب الفني في الجزء الأول من الكتاب (الأصوات) لصالح الموضوع و الحدث، و لكنه ليس جور لا يغتفر، فـ (الأصوات) هي أشعار غنائية على أي حال أي أن مباشرتها مغفورة! هي أيضا أشعار تُسمع لا تُقرأ، تُسمع مغناة :)، و هو ما دفعني لوسمها بـ (أصوات) منذ البداية.

عموما فـ (الصوت روح) هو كارت تعارف ما بيني و بين القراء ليس إلا، و لا أعده تجربة جدية في الكتابة على أية حال.

هدى عويس، الكاتبة مطربة موسيقى عربية في الأساس، قررت أن تستقل و تغني أغانيها الخاصة و أن تخرج من عباءة الغناء النمطي و الكلمات النمطية للغناء العربي عن الهيام و الهجران و اللوعة و ما إلى ذلك. و بعدما أرهقها البحث عن الكلمات المناسبة التي تستطيع من خلالها خدمة رسالتها و أفكارها و كل ما هي مؤمنة به، قررت أن توفر أجرة شاعر! و أن تقدم بصوتها بروحها لكل ذلك. لم لا؟ و هي تملك الموهبة اللازمة للقيام بذلك، فقد كان لها العديد من المحاولات الأدبية في سنوات نشأتها الأولى، انقطعت بعدها لفترة طويلة (جدا) عن الكتابة لأسباب قهرية، إلا أنها الآن تحاول نفض الغبار عن موهبتها تلك و تجديدها ما دامت الحاجة تدعو إلى ذلك.

لقد وفقت في تأليف أشعار الكتاب كلها في حوالي أسبوعين من أواخر أبريل و أول مايو 2014، عدا (يحيا الإرهاب) و (ضلع أعوج).

هي أيضا تؤمن بأن (الصوت روح)، و هذا ما عبرت عنه و حاولت إيصاله إلى القارئ من خلال صفحات الكتاب.

بداية استعانت الكاتبة برمزية (مأذنة المسجد) في صورة الغلاف للتعبير عن رسالتها الروحية و الفكرية. الكتاب يعرض لثنائية ضدية ما بين الحسي و الروحي (الصوت و الروح) و يطرحها من منظور جديد يجعل منها تكاملية بشكل ما، و ذلك من خلال مقدمة مبسطة في بداية الكتاب. بعدها تستخدم الكاتبة بعض الأشعار العامية و التي دورها في المقام الأول يحدد كـ (موديل) إن صح التعبير لتوضيح نظريتها أو للتدليل عليها. و إن كانت الأشعار هذه قيمتها و دورها لا يتعدى (كونها موديل) لطرح فكرة الكاتبة، إلا أنه يشفع لها في النهاية أنها كتبتهم بإخلاص حقيقي لهذه القضايا و (الأصوات) التي عرضت لهم من خلالها.

بعدها تقدم الكاتبة لـ (صوتها) كأي كاتب آخر! (فأي كاتب من وجهة نظرها يعرض صوته و وجهة نظره الذاتية من خلال كتاباته و دراساته و أشعاره، مهما ادعى الموضوعية). من خلال خواطر روحانية عن الوجود و الكون و الدين مشوبة ببعض الرؤى الفلسفية، تتحدى من خلالها النظرة المادية لتلك القضايا و التي استفحلت في مجتمعاتنا خلال الفترة الأخيرة. في الختام، بعض المحاولات الشعرية التي كتب أغلبها في ربيع 2014 و التي تستمر الكاتبة من خلالها في عرض (صوتها) و رؤاها الروحانية و الفلسفية و الحياتية أيضا و لكن بنظم شعري.

الكاتبة أشارت في البداية لـ (معجم) بالكلمات العامية المصرية في الكتاب، و بالنسبة لها كانت فكرة موفقة على المستوى الشخصي على الأقل لأنها تعتقد في قدرة اللغات السامية على الاستمرار و العربية هنا بالأخص لكونها لغة القرآن الكريم. فعلى المحور المكاني في الوقت الحاضر و على المحور الزماني مستقبلا لمواجهة تطويع اللغة لمقتضيات عصرها و ما يستتبع ذلك من اختلاف اللهجات على المستوى المكاني في نفس العصر أو على المستوى الزماني على نفس المكان، وجدت أهمية من هذا المنطلق لوضع معجم لترجمة اللغة العامية المصرية على أساس محور ثابت ألا و هو (اللغة العربية الأم). إذن فاستخدامها للعامية لم يكن دعوة، أو مشاركة منها في دعوة إلى استخدام العامية عوضا عن العربية الفصحى، و إنما تعاملا مع واقع.

إلا أنها لم توفق في المراجعة اللغوية و فشلت في تحقيق هدفها هذا بسبب استعجالها على تقديم نفسها للقراء ككاتبة و لقلقها من وصول خبر الكتاب للسلطات قبل تسجيله و توثيقه بدار الكتب، ما جعلها تغفل عن هذه النقطة المهمة، نقطة (مراجعة كتابها لغويا). و إن كانت تستغرب من انتقد عدم مراجعة (الأشعار العامية) في الكتاب (لغويا)! فإن كان من المفهوم ضرورة مراجعة العربية الفصحى لغويا، فمن غير المفهوم أو حتى المقبول ادعاء (نموذج) معين للعامية أو القول بأن لها قواعد لغوية و أصول!

عن تلك الجزئية خصوصا علقت الكاتبة بأن من عاب عليها بمثل هذا القول خصوصا، هو إما مدعي سفيه أو جاهل لا ريب! و عن استخدامها للغة العامية من أساسه فقد أرجعته لمحاولة منها لاجتذاب فئة معينة من الشباب يهمها أن تصل رسالتها إليهم لأنها الفئة الأكثر استهدافا من قبل المنظمات العلمانية و أصحاب المذاهب المادية. هي فئة يجتذبها هذا اللون من الأدب العامي على حد علمها سواء مقالة أو أشعار.

أيضا عن تأثرها بأسلوب الأستاذ و الدكتور (مصطفى محمود) رحمه الله فهي لم تنكره، بل على العكس فقد اعتبرت هذا التأثر الواضح بالأسلوب المنهجي و الأدبي لـ (أستاذها) على حد وصفها مدعاة لفخرها.

افتتاحية الكتاب: مأذنة المسجد كانت أهم وسيلة إعلام في مجتمعنا الإسلامي على مر العصور. لذا حينما قررت أن أخرج إلى النور أول كتبي (الصوت روح) و الذي عبرت فيه عن جزء مهم من رسالتي، تلك الكلمة التي خلقت من أجلها، أو خلقت لأكونها، لم أجد أفضل من مأذنة المسجد كوسيلة إعلام أدشن من عليها و أنادي بـ رسالتي تلك. و كان لي الشرف أن أعتلي في سبيل ذلك مأذنة الأزهر الشريف و التي تعد من أهم منابرنا على الإطلاق. و قد يسر الله لي الأمر بعد دعاء و تسليم، و ها أنا ذا، و ها هو كتابي اليوم بين أيديكم فـ بسم الله.

Within this collection lies a glimpse into the human experience—a journey through life's ups and downs, its twists and turns, all captured in the artistry of poetry. As we delve into these pages, we embark on a voyage of discovery, exploring the myriad emotions and insights that make us who we are.

These poems invite us to reflect on the essence of humanity, to ponder the joys and sorrows that shape our existence. Whether we find ourselves drawn to tales of resilience in the face of adversity or touched by the warmth of friendship, each verse offers a window into the human soul.

In reading these poems, we are reminded of the common threads that bind us together—the shared experiences, the universal truths, the timeless emotions that connect us all. They speak to our longing for connection, our thirst for understanding, our quest for meaning in a complex world.

As we journey through these pages, may we find solace in the beauty of language, in the power of storytelling, and in the knowledge that we are not alone on this journey called life. May these poems inspire us to embrace our humanity, to cherish the moments that make life worth living, and to celebrate the rich tapestry of human experience that unites us all.

My beloved isn't dazzling light, Darkness is my beloved - The reason I'm so fond of her...

The poet gives his reason for loving his darkness. The all-pervading darkness is primordial, it is something very pure. The poet shows that it is not something to be feared, but to love and to embrace.

Darkness is the song of the profound silence, to be listened to and to be enjoyed...

Cacoethes (Kak-oh-ee-theez): Passionate urge or desire.

This diverse and vivid collection of fictional short stories and poetry distinctly spans the fervent range of emotions experienced through passion and disappointment, illuminating the complexities of love and friendship.

This collection, with many of the pieces broken up and found again throughout the book, is arranged in a certain order that follows the course of relationships. They mostly detail the emotional disarray and desire of men and women in, at, and against love.

Lang Leav is a poet and internationally exhibiting artist. Her work expresses the intricacies of love and loss. Love & Misadventure is her first poetry collection, beautifully illustrated and thoughtfully conceived, taking you on a rollercoaster ride through an ill-fated love affair - from the initial butterflies to the soaring heights - through to the devastating plunge.

Leav has an unnerving ability to see inside the hearts and minds of her readers. Her talent for translating complex emotions with astonishing simplicity has won her a cult following of devoted fans from all over the world. Forget the dainty, delicate love poems of yore; these little poems pack a mighty punch.

Paradise Lost by John Milton is a monumental epic poem in the English language. It chronicles the dramatic story of the Fall of Man, filled with rebellion, treachery, and the clash between innocence and corruption. The narrative unfolds across three distinct realms - heaven, hell, and earth - as Satan and his cohort of rebel angels conspire against God.

Central to this cosmic conflict are Adam and Eve, whose human frailties lead them to temptation, yet their story is ultimately one of enduring love. Paradise Lost is renowned for Milton's extensive knowledge and his ambitious undertaking of the epic form. For centuries, it has captivated audiences and left a lasting impact on Western culture.

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide; his ascent of Mount Purgatory and encounter with his dead love, Beatrice; and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption.

Dante Alighieri was born in Florence in 1265 and belonged to a noble but impoverished family. His life was divided by political duties and poetry, the most famous of which was inspired by his meeting with Bice Portinari, whom he called Beatrice, including La Vita Nuova and The Divine Comedy. He died in Ravenna in 1321.

Meeting with Christ and Other Poems is written by internationally renowned poet Deepak Chaswal. His poetry has been widely appreciated by eminent poets, critics, and poetry lovers around the globe.

Prof. Hugh Fox (Professor Emeritus of Michigan State University, archaeologist, editor, writer, and iconic poet of international fame) has liked and appreciated this book in these words: "One of the deepest, widest, most universal poetry books ever written about individual spirituality in a world-wide context. And Chaswal has the single most original view of Christianity in all its totality and specifics of anyone else on the contemporary scene. What he wants is individual sanity, salvation, an escape from the depravities of the modern world into an ancient oneness with the universe, a kind of reworking of human spirituality, so that it really functions and Man as such can glide into, drift into individual completeness. Christ isn't someone distant for Chaswal but someone he goes to Jerusalem to meet and converse with, all about a return to essential humanity. He hates greed, selfishness, in a sense the whole mechanical-cybernetic drifting of the modern world into a flow that is turning humankind into something minor and self-involved that it was never intended to be. Chaswal identifies with blacks, whites, Indians in India, Americans....you name it, he identifies with it. Universalism at its most universal. You read his poetry and you go through a kind of spiritual renewal."

In the words of Candice James, Poet Laureate, New Westminster, BC CANADA: "Deepak Chaswal is a master of words and weaves them into an intricate pattern that indelibly imprints the mind. His poem, 'Man', tells succinctly the story of our existence from cradle to grave. In 'Day of Judgement' Chaswal's poetry wanders the bleak alleyways of ignorance, atrocity, and man's inhumanity to man. He then leads us from the paths of iniquity into a gentle serenity with his musing in his poem 'Joy'. Deepak Chaswal bares his soul to bleed onto every page that you may be further enriched for reading it."

Felix Nicolau (prolific poet, novelist, critic and Associate Professor of English and Comparative Literature at "Hyperion" University of Bucharest, Romania, where he is the Dean of Faculty of Letters and Foreign Languages) observes: "Now and again Christ pops up before our eyes - bearer of intense messages. But when He emerges in front of the Poet there’ll be some mind-twisting revelation for sure. Deepak Chaswal regretfully conjures apocalypse and playfully takes snapshots of voracious appearances. His art can’t sit legs crossed and contemplate ivory towers. Every verse in this book testifies for or against something, proving the intellectual and political charge of contemporary poetry. Then, the details and frailties of a world in turmoil are cunningly surprised by the poet. Such an art refutes the confined vision of Cyclops and energetically assumes the thousand-eyed body of Argus. More than ever, the poet is a seer, full of experience and innocence in the same time."

Philip Ellis, a freelance critic, poet and scholar from Australia comments: "The poetry of Deepak Chaswal's Meeting with Christ and Other Poems invokes the exterior world in language both spiritual and secular, so that the world becomes something newer and stranger than what it was in the past. It is also a melange of images and motifs which appear, disappear and reappear throughout this collection, and it is a body of work unique to his life experiences and his worldview. It is a poetry where the tropes of Western religion, such as Christ and angels, encounter Chaswal's eastern milieu and are transformed, made, again, strange. The result of all this is a verbal and formal richness, using rhyme and free verse alike in its dexterity, and poems that are both distinctive."

Necip Fazıl Kısakürek, a poet who bravely wandered through the mystical-tragic corridors of the human soul, wrote his own "Poetika" and stands as a central figure in modern Turkish poetry. His identity as a thinker and advocate also makes him a leading actor in Turkish intellectual life.

Çile is a masterpiece, a collection that the poet meticulously curated over years, refining and organizing his poetry, capturing the essence of his sixty-year poetic journey in a structure he built himself.

In the words of Behçet Necatigil: "Necip Fazıl evaluated the elements of our Sufi poetry using the standards of modern French poetry, exploring the place of the abstract human in the universe. He expressed the problems of matter and spirit, the hidden feelings and passions of the inner world, with a robust and settled language, and a stable and solid technique."

Hunter. Autumn. Summer. Different homes. Different guardians. Different last names. Different lives. But there is one person who binds them together. Kristina.

Nineteen years after Kristina Snow met the monster---crank---her children are reeling from the consequences of her decisions. Instead of one big, happy family, they are a desperate tangle of scattered lives united by anger, doubt, and fear.

A predisposition to addiction and a sense of emptiness where a mother's love should be leads all three down the road of their mother's notorious legacy. Sex, drugs, alcohol, abuse---there is more of Kristina in her children than they would ever like to believe. But when the thread that ties them together brings them face-to-face, they'll discover something powerful in each other and in themselves---the trust, the hope, the courage to begin to break the cycle.

Fallout is bestselling author Ellen Hopkins's riveting conclusion to her trilogy begun by Crank and Glass. It is a revelation and a testament to the harsh reality that addiction is never just one person's problem.

Dating to the ninth century B.C., Homer's timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War.

Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer's poetry, and evokes the impact and nuance of the Iliad's mesmerizing repeated phrases in what Peter Levi calls "an astonishing performance."

The Canterbury Tales is a timeless piece of literature, penned by Geoffrey Chaucer at the end of the 14th century. This vibrant collection of stories is presented in the form of a storytelling contest by a group of pilgrims on their journey to the shrine of Saint Thomas Becket at Canterbury Cathedral. The tales, most of which are in verse with some in prose, showcase Chaucer's unparalleled wit and insight into the human condition.

Each character, from the noble Knight to the bawdy Wife of Bath, is drawn with vivid detail, bringing to life the social spectrum of Chaucer's time. The stories themselves range from romantic adventures to moral allegories, reflecting the rich diversity of medieval society. Chaucer's daring use of the English language, rather than the conventional Latin, marked a pivotal moment in the evolution of English literature.

Although The Canterbury Tales remains an unfinished masterpiece, with some tales left incomplete and others lacking final revision, its legacy endures. The work continues to captivate readers with its complex characters, intricate narratives, and biting social commentary.

The Mind is John Fitzgerald’s third poetry collection, continuing and expanding on his insight into the myriad aspects of human emotion.

The poems are philosophical; emotions are set against the ‘objective’ consciousness of the mind. The result is a deep exploration of what it means to be human.

Reflects on the events in our lives that take place even while we are reaching for light in a dark world.

For all the ten years of her life, Hà has only known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her friends close by. But now the Vietnam War has reached her home. Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope.

In America, Hà discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.

Few readers need any introduction to the work of the most influential poet of the twentieth century. In addition to the title poem, this selection includes "The Love Song of J. Alfred Prufrock", "Gerontion", "Ash Wednesday", and other poems from Mr. Eliot's early and middle work.

"In ten years' time," wrote Edmund Wilson in Axel0s Castle (1931), "Eliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948 Mr. Eliot was awarded the Nobel Prize for his work as trail-blazing pioneer of modern poetry.

FRESH is a collection of poetry created over a scant few months in late 2010. It moves in many different directions but manages to keep a consistent voice.

It has an urgency, and haphazardness to it that celebrates growth, change, and looking forward while still not forgetting what has gone before.

It proves that time spent in college can be good for more than binge drinking and sleeping ‘til noon; learning can actually take place as well.

The Rubáiyát of Omar Khayyám (Persian: رباعیات عمر خیام‎) is the title that Edward FitzGerald gave to his translation of a selection of poems, originally written in Persian and numbering about a thousand, attributed to Omar Khayyám (1048–1131), a Persian poet, mathematician, and astronomer. A ruba'i is a two-line stanza with two parts (or hemistichs) per line, hence the word rubáiyát (derived from the Arabic language root for "four"), meaning "quatrains".

Omar Khayyám was an eleventh-century Persian poet, mathematician, and astronomer. Renowned in his own time for his scientific achievements, his fame was reborn in the nineteenth century when Edward Fitzgerald published a translation of his rubáiyát (quatrains in a style popular among Persian intellectuals of his day). Fitzgerald's first translation was first published anonymously in 1859. (His revised editions were published in 1868, 1872, and 1879). FitzGerald's translation of the Rubaiyat of Omar Khayyam is perhaps the most frequently read Victorian poem of all time.

The Years Distilled are the verses from twenty years of spoken word and performance poetry on stages and in coffee houses around the United States. While the collection only represents a small fraction of the writing done over two decades (1990-2010), it is an almost complete collection of the pieces performed.

The ranting and rambling contained within this book is often juvenile, sometimes petty, and commonly complaining; however, all the works are born of passion. The people and places that inspired the words between these covers are too numerous to mention individually, but they are all held very dear. It is because these souls, times, and locations have touched so deeply that a permanent mark was left.

These memories are now yours to share, for what they're worth.

These are all very different works of varied style and subject matter, plucked at random from a collection of writing. They are in no order whatsoever. What is the common thread? Every one of them was written to be performed, and with only two exceptions, they all have been.

The poems in Sylvia Plath's Ariel, including many of her best-known such as 'Lady Lazarus', 'Daddy', 'Edge' and 'Paralytic', were all written between the publication in 1960 of Plath's first book, The Colossus, and her death in 1963. 'If the poems are despairing, vengeful and destructive, they are at the same time tender, open to things, and also unusually clever, sardonic, hardminded . . . They are works of great artistic purity and, despite all the nihilism, great generosity . . . the book is a major literary event.' A. Alvarez in the Observer

This beautifully designed edition forms part of a series with five other cherished poets, including Wendy Cope, Don Paterson, Philip Larkin, Simon Armitage and Alice Oswald.

الديوان الأخير للشاعر الراحل محمود درويش بعنوان لا أريد لهذي القصيدة أن تنتهي ينقسم الديوان إلى ثلاثة أقسام:

الأول بعنوان لاعب النرد وهو يبدأ بالقصيدة التي استهل بها أمسيته الأخيرة في رام الله.

القسم الثاني خصص لقصيدة واحدة لا أريد لهذي القصيدة أن تنتهي والأرجح أنها القصيدة الأخيرة التي كتبها زمنياً، والتي أراد لها الشاعر أن لا تنتهي. وهي ترمز إلى علاقة الشاعر بذاته وأرضه وموته.

أما القسم الثالث فيضم مجموعة من القصائد التي كتبها محمود درويش على مراحل منها الوطني ومنها الشخصي وبينها قصيدتان إلى نزار قباني وإميل حبيبي.

I have two luxuries to brood over...
Your Loveliness and the hour of my death

Though John Keats (1795-1821) died when he was just twenty-five years old, he left behind some of the most exquisite and moving poetry ever written. He also left an incredibly beautiful and tender collection of love letters, inspired by his great love for Fanny Brawne. Although they knew each other for just a few short years and spent a great deal of that time apart due to Keats' worsening illness, which forced him to live abroad, Keats wrote again and again about Fanny—his very last poem is called simply "To Fanny"—and wrote love letters to her constantly. She, in turn, would wear the ring he had given her until her death.

This remarkable volume contains the love poems and correspondence composed by Keats in the heat of his passion, and is a dazzling display of a talent cruelly cut short.

Beat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. This collection brings together the famous poems that made his name as a defining figure of the counterculture.

They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'.

Dark, ecstatic, and rhapsodic, these works show why Ginsberg was one of the most influential poets of the twentieth century.

Songs of Innocence and of Experience is an illustrated collection of poems by William Blake. It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul.

Les Mains libres est un modèle de complicité artistique, où deux grands artistes se rencontrent pour créer une œuvre indissociable. Les dessins de Man Ray et les poèmes de Paul Éluard résonnent ensemble de manière intuitive.

Renversant l'ordre habituel des choses, Éluard précise que c'est lui, le poète, qui a "illustré" les dessins de Man Ray. Plutôt que de simples illustrations, les textes et les dessins dialoguent, créant des embarcadères vers des destinations imprévues.

Toutes les pages de ce livre témoignent d'une intuition active et partagée, toujours en mouvement et éclairante. Deux artistes découvrent leur champ commun, avec les mains libres et le bonheur d'être ensemble.

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin's novel in verse follows the fates of three men and three women. It was Pushkin's own favourite work, and this new translation conveys the literal sense and the poetic music of the original.

Engaging, full of suspense, and varied in tone, it contains a large cast of characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favourite work, and this new translation seeks to retain both the literal sense and the poetic music of the original, and capture the poem's spontaneity and wit.

Les Fleurs du Mal (The Flowers of Evil) by Charles Baudelaire is a masterwork that scandalized society with its portrayals of sex, same-sex love, death, the corrupting and oppressive power of the modern city, and lost innocence. The book remains powerful and relevant for our time.

In Spleen et idéal, Baudelaire dramatizes the erotic cycle of ecstasy and anguish of sexual and romantic love. Tableaux Parisiens condemns the crushing effects of urban planning on a city's soul and praises the city's anti-heroes, including the deranged and derelict. Le Vin centers on the search for oblivion in drink and drugs. The book explores the many kinds of love that lie outside traditional morality in Fleurs du Mal and rebellion is at the heart of Révolte.

The Wasteland, Prufrock and Other Poems is a captivating collection of T.S. Eliot's most influential works. This volume brings together three of Eliot's powerful collections into one.

It includes such classic poems as The Love Song of J. Alfred Prufrock, Portrait of a Lady, Preludes, Gerontion, Sweeney Among the Nightingales, and The Waste Land.

T.S. Eliot masterfully explores themes of modernism, existentialism, and the human condition through his eloquent verses.

Sister Outsider: Essays and Speeches is a profound collection of fifteen essays by the influential black lesbian poet and feminist writer, Audre Lorde. Written between 1976 and 1984, these essays give clear voice to Lorde's literary and philosophical personae.

In this charged collection, Lorde takes on issues such as sexism, racism, ageism, homophobia, and class. She propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

These essays explore and illuminate the roots of Lorde's intellectual development and her deep-seated concerns about increasing empowerment among minority women writers. Lorde's works stress the continuity and the geographical and intellectual links between Dahomey, Africa, and her emerging self.

This commemorative edition includes a new foreword by Lorde-scholar and poet Cheryl Clarke, who celebrates the ways in which Lorde's philosophies resonate more than twenty years after they were first published.

Leonard Cohen is one of the great writers, performers, and most consistently daring artists of our time. Book of Longing is Cohen’s eagerly awaited new collection of poems, following his highly acclaimed 1984 title, Book of Mercy, and his hugely successful 1993 publication, Stranger Music.

Book of Longing contains erotic, playful, and provocative line drawings and artwork on every page, by the author, which interact in exciting and unexpected ways on the page with poetry that is timeless, meditative, and at times darkly humorous.

The book brings together all the elements that have brought Leonard Cohen’s artistry with language worldwide recognition.

The Red Parts chronicles the uncanny series of events that led to Nelson's interest in her aunt's death, the reopening of the case, the bizarre and brutal trial that ensued, and the effects these events had on the disparate group of people they brought together. But The Red Parts is much more than a "true crime" record of a murder, investigation, and trial. For into this story Nelson has woven an account of a girlhood and early adulthood haunted by loss, mortality, mystery, and betrayal, as well as a look at the personal and political consequences of our cultural fixation on dead (white) women.

When it appeared in 1924, this work launched into the international spotlight a young and unknown poet whose writings would ignite a generation. W. S. Merwin's incomparable translation faces the original Spanish text. Now in a black-spine Classics edition with an introduction by Cristina Garcia, this book stands as an essential collection that continues to inspire lovers and poets around the world.

The most popular work by Chile's Nobel Prize-winning poet, and the subject of Pablo Larraín's acclaimed feature film Neruda starring Gael García Bernal.

Millie McDeevit screamed a scream
So loud it made her eyebrows steam.
She screamed so loud
Her jawbone broke,
Her tongue caught fire,
Her nostrils smoked...

Poor Screamin' Millie is just one of the unforgettable characters in this wondrous new book of poems and drawings by the creator of Where the Sidewalk Ends and A Light in the Attic. Here you will also meet Allison Beals and her twenty-five eels; Danny O'Dare, the dancin' bear; the Human Balloon; and Headphone Harold.

So come, wander through the Nose Garden, ride the Little Hoarse, eat in the Strange Restaurant, and let the magic of Shel Silverstein open your eyes and tickle your mind.

Spring Water by John M. FitzGerald is a book unlike any other in contemporary poetry: a novel-in-verse about an ordinary man who, quietly and without notice, lives the life of a serial killer.

This haunting, and disturbingly plausible, collection establishes FitzGerald as an important new voice in narrative poetry.

When Billie Jo is just fourteen, she must endure heart-wrenching ordeals that no child should have to face. The quiet strength she displays while dealing with unspeakable loss is as surprising as it is inspiring.

Written in free verse, this story is set in the heart of the Great Depression. It chronicles Oklahoma's staggering dust storms, and the environmental--and emotional--turmoil they leave in their path. An unforgettable tribute to hope and inner strength.

The most comprehensive English-language collection of work ever by "the greatest poet of the twentieth century-in any language" (Gabriel García Márquez)

In his work a continent awakens to consciousness," wrote the Swedish Academy in awarding the Nobel Prize to Pablo Neruda, author of more than thirty-five books of poetry and one of Latin America's most revered writers and political figures-a loyal member of the Communist party, a lifelong diplomat and onetime senator, a man lionized during his lifetime as "the people's poet." Born Neftali Basoalto, Neruda adopted his pen name in fear of his family's disapproval, and yet by the age of twenty-five he was already famous for the book Twenty Love Poems and a Song of Despair, which remains his most beloved. During the next fifty years, a seemingly boundless metaphorical language linked his romantic fantasies and the fierce moral and political compass-exemplified in books such as Canto General-that made him an adamant champion of the dignity of ordinary men and women.

Edited and with an introduction by Ilan Stavans, this is the most comprehensive single-volume collection of this prolific poet's work in English. Here the finest translations of nearly six hundred poems by Neruda are collected and join specially commissioned new translations that attest to Neruda's still-resounding presence in American letters.

Don Juan by Lord George Gordon Byron is a masterpiece of literature that satirizes English society. It follows the adventures of Don Juan from an illicit teenage love affair and subsequent exile to Italy, through a shipwreck, slavery, and his exploits in Russia as a favorite of the empress, to a journey to England.

The poem is renowned for its use of ottava rima, a rhyme scheme that lends a comedic effect in English, chosen by Byron for this reason. Although variations of the Don Juan myth show some variation, the basic storyline remains the same, portraying Juan not as a womanizer but as someone easily seduced by women. This satiric poem is considered by many critics as Byron's masterpiece, showcasing his sharp wit and deep insights into human behavior and society.

In Crank, Ellen Hopkins chronicles the turbulent and often disturbing relationship between Kristina, a character based on her own daughter, and the "monster," the highly addictive drug crystal meth, or "crank." Kristina is introduced to the drug while visiting her largely absent and ne'er-do-well father. While under the influence of the monster, Kristina discovers her sexy alter-ego, Bree:

"there is no perfect daughter, / no gifted high school junior, / no Kristina Georgia Snow. / There is only Bree." Bree will do all the things good girl Kristina won't, including attracting the attention of dangerous boys who can provide her with a steady flow of crank.

Enter The Realm of Possibility and meet a boy whose girlfriend is in love with Holden Caulfield; a girl who loves the boy who wears all black; a boy with the perfect body; and a girl who writes love songs for a girl she can't have.

These are just a few of the captivating characters readers will get to know in this intensely heartfelt new novel about those ever-changing moments of love and heartbreak that go hand-in-hand with high school. David Levithan plumbs the depths of teenage emotion to create an amazing array of voices that readers won't forget. So, enter their lives and prepare to welcome the realm of possibility open to us all. Love, joy, and these stories will linger.

Prized through the ages for its splendor and its savage, sophisticated wit, The Metamorphoses is a masterpiece of Western culture--the first attempt to link all the Greek myths, before and after Homer, in a cohesive whole, to the Roman myths of Ovid's day. Horace Gregory, in this modern translation, turns his poetic gifts toward a deft reconstruction of Ovid's ancient themes, using contemporary idiom to bring today's reader all the ageless drama and psychological truths vividly intact.

The Captain's Verses is a celebration of love, ecstasy, devotion, and fury, capturing all the erotic energy of a new love. First published anonymously in 1952, these poems were addressed to Matilde Urrutia, the one with "the fire / of an unchained meteor," some years before Pablo Neruda married her.

This bilingual edition is considered by many as the most intimate and passionate volume of Neruda's love poetry.

Inferno, the first part of Dante's Divine Comedy, is one of the most elusive and challenging works to render into English verse. In this translation, Anthony Esolen tackles the daunting task with finesse, striving for a marriage of sense and sound, poetry and meaning. Esolen's translation captures the poem's line-by-line vigor while remaining faithful to its allegorically and philosophically exacting structure. This rendition of Inferno is designed to be as popular with general readers as it is with teachers and students, reflecting Dante's unyielding insistence on the absence of sentimentality or intellectual compromise—even Hell, as depicted by Dante, is a work of divine art.

Esolen's critical Introduction and endnotes, along with appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—definitively illuminate the religious universe the poet inhabited, providing readers with a comprehensive understanding of the spiritual context of Dante's epic journey.