James, by Percival Everett, is a brilliant and action-packed reimagining of The Adventures of Huckleberry Finn, told from the perspective of the enslaved character Jim. This novel is both harrowing and ferociously funny, showcasing Jim's agency, intelligence, and compassion in a radically new light.

When Jim overhears that he is about to be sold and separated from his wife and daughter, he decides to hide on Jackson Island to plan his next move. Meanwhile, Huck Finn, seeking to escape his violent father, fakes his own death. Together, they embark on a dangerous and transcendent journey down the Mississippi River, facing floods, storms, and scam artists, all while navigating the promise and peril of the Free States and beyond.

With electrifying humor and lacerating observations, James is a redefining a cornerstone of twenty-first century American literature.

From New Yorker staff writer and author Kyle Chayka comes a timely history and investigation of a world ruled by algorithms, which determine the shape of culture itself. From trendy restaurants to city grids, to TikTok and Netflix feeds the world round, algorithmic recommendations dictate our experiences and choices.

The algorithm is present in the familiar neon signs and exposed brick of Internet cafes, be it in Nairobi or Portland, and the skeletal, modern furniture of Airbnbs in cities big and small. Over the last decade, this network of mathematically determined decisions has taken over, almost unnoticed—informing the songs we listen to, the friends with whom we stay in touch—as we've grown increasingly accustomed to our insipid new normal.

This ever-tightening web woven by algorithms is called “Filterworld.” Kyle Chayka shows us how online and offline spaces alike have been engineered for seamless consumption, becoming a source of pervasive anxiety in the process. Users of technology have been forced to contend with data-driven equations that try to anticipate their desires—and often get them wrong. What results is a state of docility that allows tech companies to curtail human experiences—human lives—for profit.

But to have our tastes, behaviors, and emotions governed by computers, while convenient, does nothing short of call the very notion of free will into question. In Filterworld, Chayka traces this creeping, machine-guided curation as it infiltrates the furthest reaches of our digital, physical, and psychological spaces. With algorithms increasingly influencing not just what culture we consume, but what culture is produced, urgent questions arise: What happens when shareability supersedes messiness, innovation, and creativity—the qualities that make us human? What does it mean to make a choice when the options have been so carefully arranged for us? Is personal freedom possible on the Internet?

To the last question, Filterworld argues yes—but to escape Filterworld, and even transcend it, we must first understand it.

The Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others.

The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears's groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last.

The Splinter in the Sky is a diverse, exciting debut space opera about a young tea expert named Enitan, who finds herself taken as a political prisoner and recruited to spy on government officials. This precarious role may empower her to win back her nation's independence, making it a compelling read for fans of N.K. Jemisin and Nnedi Okorafor.

After the dust settles from the failed war of conquest between the Holy Vaalbaran Empire and the Ominirish Republic, Enitan's simple life as a scribe and tea enthusiast is upended. Despite the last Emperor's surrender, the aftermath is deeply personal when her lover is assassinated, and her sibling is abducted by Imperial soldiers. Determined to seek vengeance and rescue her sibling, Enitan abandons her dreams of a peaceful life to navigate the treacherous political landscape of the Vaalbaran capital. Through her journey, she discovers the lengths she is willing to go to not only exact vengeance but also to secure the freedom of her homeland.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies. It is a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.

Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs.

Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid.

Ren aches to be in the water. She dreams of the scent of chlorine—the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

Imagine a world where your brain can be interrogated to learn your political beliefs, thought crimes are punishable by law, and your own feelings can be used against you. Where perfumers create customized fragrances to perfectly suit your emotions, and social media titans bypass your conscious mind to hook you to their products. A world where people who suffer from epilepsy receive alerts moments before a seizure, and the average person can peer into their own mind to eliminate painful memories or cure addictions.

Neuroscience has already made all of the above possible today, and neurotechnology will soon become the universal controller for all of our interactions with technology. This can benefit humanity immensely, but without safeguards, it can severely threaten our fundamental human rights to privacy, freedom of thought, and self-determination. Companies, governments, and militaries are all in: from contemplative neuroscience to consumer-based EEG technology, there have never been more ways to hack and track our brains.

The Battle for Your Brain by Nita A. Farahany dives deeply into the promises and perils of the coming dawn of brain access and alteration. Written by one of the world's foremost experts on neuroscience as it intersects with law and ethics, this highly original book offers a pathway forward to navigate the complex ethical dilemmas that neurotechnology presents, which will fundamentally impact our freedom to understand, shape, and define ourselves.

Freedom at Midnight is a captivating account of the end of an empire and the birth of two nations. At midnight on August 14, 1947, the Union Jack took its final descent from the flagstaff of Viceroy’s House, New Delhi. This marked the moment when a fifth of humanity claimed their independence from the largest empire history has ever seen.

The price of freedom was steep, as the nation erupted into riots, bloodshed, partition, and war. This book delves into the true story of the events surrounding Indian independence, starting with Lord Mountbatten of Burma's appointment as the last Viceroy of British India, and concluding with the assassination and funeral of Mahatma Gandhi.

Authored by Larry Collins and Dominique Lapierre, this book is a richly detailed narrative that reads more like sensational fiction than history, despite being entirely true. It captures the essence of maharajas, tigers, extravagance, massacres, cruelty, and heroism, making history both breathtaking and heartbreaking.

La protagonista de Boulder se gana la vida como cocinera en un viejo barco mercante. Es la situación perfecta: soledad, una cabina, el océano, algún puerto en el que conocer mujeres y horas para encarar el vacío, para sentir la fuerza de la provisionalidad. Hasta que un día una de ellas consigue que abandone el mar, acceda a vivir entre cuatro paredes y se implique en la gestación asistida y en la educación de un hijo. ¿Qué ha hecho la maternidad con la mujer que en su día conoció en un bar de la Patagonia? ¿Qué hará ella, animal enjaulado en una casa unifamiliar de Reikiavik?

Todo ha cambiado excepto su apodo, Boulder: esas enormes piedras aisladas en medio del paisaje, expuestas a todo sin que nadie sepa de dónde vienen ni porque están ahí.

Después de la exitosa Permafrost, esta es la segunda novela del tríptico donde Baltasar explora la voz, la vida y el cuerpo de tres mujeres.

The Republic of False Truths offers an intense and gripping narrative that takes us into the heart of the Egyptian revolution. This globally-acclaimed novel provides an intimate look at the struggle for freedom in a country under the grip of a repressive regime.

In the bustling streets of Cairo in 2011, tensions mount as a revolution brews. Characters from all walks of life are drawn into the chaos: General Alwany, a high-ranking government official entrenched in the security apparatus, balances his piety and love for his family with his role in torturing state enemies; Asma, a young teacher, fights against the rampant corruption at her school; Ashraf, an unemployed actor, is swept into the heart of Tahrir Square through a fortuitous encounter; and Nourhan, a television personality, staunchly defends those in power.

Their lives intertwine as a new generation raises its voice, love crosses social divides, and the revolution gains momentum. Even as the old regime clings to power, individuals like General Alwany face pivotal moments when their own kin join the protests. Alaa Al Aswany crafts a deeply human portrait of the Egyptian Revolution, offering a compelling and passionate recount of his country's recent history.

Northern California, during the violent end of the 1960s. At the start of summer, a lonely and thoughtful teenager, Evie Boyd, sees a group of girls in the park, and is immediately caught by their freedom, their careless dress, their dangerous aura of abandon.

Soon, Evie is in thrall to Suzanne, a mesmerizing older girl, and is drawn into the circle of a soon-to-be infamous cult and the man who is its charismatic leader. Hidden in the hills, their sprawling ranch is eerie and run down, but to Evie, it is exotic, thrilling, and charged—a place where she feels desperate to be accepted.

As she spends more time away from her mother and the rhythms of her daily life, and as her obsession with Suzanne intensifies, Evie does not realize she is coming closer and closer to unthinkable violence.

The Girls is a spellbinding and arresting coming-of-age story that paints an indelible portrait of girls, and the women they become, during a time when everything can go horribly wrong.

The day my mother was killed, she told my father I wouldn't speak again, and she told him if I died, he would die too. Then she predicted the king would trade his soul and lose his son to the sky.

My father has a claim to the throne, and he is waiting in the shadows for all of my mother's words to come to pass. He wants desperately to be king, and I just want to be free.

But freedom will require escape, and I'm a prisoner of my mother's curse and my father's greed. I can't speak or make a sound, and I can't wield a sword or beguile a king. In a land purged of enchantment, love might be the only magic left, and who could ever love ... a bird?"--Back cover.

The Argonauts by Maggie Nelson is a genre-bending memoir that intertwines the author's personal narrative with a deep engagement in literary and theoretical texts. At the heart of this work is a story of romance between Nelson and her partner, artist Harry Dodge, whose experiences of gender transition and reassignment intersect with Nelson's journey through pregnancy.

This reflective, poignant exploration of motherhood, desire, and identity is grounded in an intimate portrayal of the author's queer family life. Nelson challenges the societal norms surrounding sexuality, gender, marriage, and childrearing, advocating for radical individual freedom and the value of caregiving.

Through her narrative, Nelson conducts a rigorous examination of philosophical and theoretical discourses, tracing the contours of what iconic theorists have to say about the complexities of contemporary social structures. The Argonauts is thus not only a memoir but also an impassioned argument for the embracement of unorthodox forms of love and kinship in the modern age.

The Hen Who Dreamed She Could Fly tells the heartwarming story of a hen named Sprout, who is no longer content to lay eggs on command. She dreams of a different life, inspired by the glimpses of freedom she sees every morning through the barn doors. Determined to escape into the wild and hatch an egg of her own, Sprout embarks on a journey of freedom, individuality, and motherhood.

This novel, with its plucky and spirited heroine, is an anthem for those who dare to defy tradition and follow their dreams. Set against the backdrop of Korea, it offers readers a unique cultural perspective while resonating with universal themes.

With a delightful cast of animal characters, including the hen, the duck, the rooster, the dog, and the weasel, this story is reminiscent of classics like Animal Farm and Charlotte’s Web. The first English-language edition of Sun-mi Hwang’s fable beautifully captures the unforgettable journey of Sprout, making it a treasured addition to world literature.

How is it that the law enforcer itself does not have to keep the law? How is it that the law permits the state to lawfully engage in actions which, if undertaken by individuals, would land them in jail? These are among the most intriguing issues in political and economic philosophy. More specifically, the problem of law that itself violates law is an insurmountable conundrum of all statist philosophies.

The problem has never been discussed so profoundly and passionately as in this essay by Frédéric Bastiat from 1850. The essay might have been written today. It applies in every way to our own time, which is precisely why so many people credit this one essay for showing them the light of liberty. Bastiat's essay here is timeless because it applies whenever and wherever the state assumes unto itself different rules and different laws from that by which it expects other people to live.

And so we have this legendary essay, written in a white heat against the leaders of 19th century France, the reading of which has shocked millions out of their toleration of despotism. This new edition from the Mises Institute revives a glorious translation that has been out of print for a hundred years, one that circulated in Britain in the generation that followed Bastiat's death. This newly available translation provides new insight into Bastiat's argument. It is a more sophisticated, more substantial, and more precise rendering than any in print.

The question that Bastiat deals with: how to tell when a law is unjust or when the law maker has become a source of law breaking? When the law becomes a means of plunder it has lost its character of genuine law. When the law enforcer is permitted to do with others' lives and property what would be illegal if the citizens did them, the law becomes perverted.

Bastiat doesn't avoid the difficult issues, such as why should we think that a democratic mandate can convert injustice to justice. He deals directly with the issue of the expanse of legislation: It is not true that the mission of the law is to regulate our consciences, our ideas, our will, our education, our sentiments, our exchanges, our gifts, our enjoyments. Its mission is to prevent the rights of one from interfering with those of another, in any one of these things. Law, because it has force for its necessary sanction, can only have the domain of force, which is justice.

More from Bastiat's The Law: Socialism, like the old policy from which it emanates, confounds Government and society. And so, every time we object to a thing being done by Government, it concludes that we object to its being done at all. We disapprove of education by the State - then we are against education altogether. We object to a State religion - then we would have no religion at all. We object to an equality which is brought about by the State then we are against equality, etc., etc. They might as well accuse us of wishing men not to eat, because we object to the cultivation of corn by the State.

How is it that the strange idea of making the law produce what it does not contain - prosperity, in a positive sense, wealth, science, religion - should ever have gained ground in the political world? The modern politicians, particularly those of the Socialist school, found their different theories upon one common hypothesis; and surely a more strange, a more presumptuous notion, could never have entered a human brain. They divide mankind into two parts. Men in general, except one, form the first; the politician himself forms the second, which is by far the most important.

'A landmark contribution to humanity's understanding of itself' The New York Times.

Why can it sometimes feel as though half the population is living in a different moral universe? Why do ideas such as 'fairness' and 'freedom' mean such different things to different people? Why is it so hard to see things from another viewpoint? Why do we come to blows over politics and religion?

Jonathan Haidt reveals that we often find it hard to get along because our minds are hardwired to be moralistic, judgemental and self-righteous. He explores how morality evolved to enable us to form communities, and how moral values are not just about justice and equality - for some people authority, sanctity or loyalty matter more. Morality binds and blinds, but, using his own research, Haidt proves it is possible to liberate ourselves from the disputes that divide good people.

It is astonishing that anyone lived this story. It is even more astonishing that anyone survived it. Stefan grows up in the grip of a raging famine. Stalin’s Five Year Plan brings genocide to Ukraine – millions of people starve to death. To free themselves from the daily terrors of Soviet rule, Stefan and his friends fight imaginary battles in nearby woods to defend their land. The games they play are their only escape.

Sliding on the Snow Stone is the true story of Stefan's extraordinary journey across a landscape of hunger, fear and devastating loss. With Europe on the brink of World War Two, Stefan and his family pray they'll survive in their uncertain world. They long to be free.

In 1932-33, as part of their drive towards industrialisation, the Soviet Union demanded impossibly high requisitions of grain from rural areas in Ukraine. In a deliberate act of genocide, Ukrainian smallholdings were stripped of food, and the population began to perish, with some estimates as high as 10 million deaths, from starvation. In Ukraine, this atrocity became known as the Holodomor (death by hunger). The following years saw Soviet purges and terrors resulting in the elimination of academics and intellectuals, or of anyone who spoke out against Soviet rule. When World War Two arrived on Ukraine’s doorstep, many people viewed the Nazis as liberators – a view that was quickly proved wrong. Sliding on the Snow Stone is Stefan’s personal account of a historical period drenched in the blood of a nation, and of his yearning for freedom.

Throughout history, some books have changed the world. They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them.

Published anonymously in 1776, six months before the Declaration of Independence, Thomas Paine’s Common Sense was a radical and impassioned call for America to free itself from British rule and set up an independent republican government. Savagely attacking hereditary kingship and aristocratic institutions, Paine urged a new beginning for his adopted country in which personal freedom and social equality would be upheld and economic and cultural progress encouraged. His pamphlet was the first to speak directly to a mass audience—it went through fifty-six editions within a year of publication—and its assertive and often caustic style both embodied the democratic spirit he advocated, and converted thousands of citizens to the cause of American independence.

Krishnamurti shows how people can free themselves radically and immediately from the tyranny of the expected, no matter what their age. This book opens the door to transforming society and their relationships.

With witty sarcasm, Krishnamurti discusses the chains in which the present man lives, addressing fears of the known and fears of the unknown. He critiques the readiness to accept the ideological tyranny of religious institutions while rejecting political dictatorship.

Freedom from all the shackles that draw us backward from being a universal citizen is the core topic discussed in this book.

ENOUGH GAMES. Luke Garner is a third-born in a restrictive society that allows only two children per family. Risking his life, he came out of hiding to fight against the Population Police laws. Now, in the final volume of Margaret Peterson Haddix's suspenseful Shadow Children series, Luke inadvertently sets off a rebellion that results in the overthrow of the government. The people are finally free. But who is in charge now? And will this new freedom be everything they had hoped?

In Edinburgh in the 1930s, the Lennox family is having trouble with their youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done.

Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?

Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page.

David's entire twelve-year life has been spent in a grisly prison camp in Eastern Europe. He knows nothing of the outside world. But when he is given the chance to escape, he seizes it. With his vengeful enemies hot on his heels, David struggles to cope in this strange new world, where his only resources are a compass, a few crusts of bread, his two aching feet, and some vague advice to seek refuge in Denmark.

Is that enough to survive? David's extraordinary odyssey is dramatically chronicled in Anne Holm's classic about the meaning of freedom and the power of hope.

Stolen Lives: Twenty Years in a Desert Jail is a gripping memoir that reads like a political thriller. It tells the story of Malika Oufkir's turbulent and remarkable life.

Born in 1953, Malika Oufkir was the eldest daughter of General Oufkir, the King of Morocco's closest aide. Adopted by the king at the age of five, Malika spent most of her childhood and adolescence in the seclusion of the court harem, one of the most eligible heiresses in the kingdom, surrounded by luxury and extraordinary privilege.

Then, on August 16, 1972, her father was arrested and executed after an attempt to assassinate the king. Malika, her five younger brothers and sisters, and her mother were immediately imprisoned in a desert penal colony. After fifteen years, the last ten of which they spent locked up in solitary cells, the Oufkir children managed to dig a tunnel with their bare hands and make an audacious escape.

Recaptured after five days, Malika was finally able to leave Morocco and begin a new life in exile in 1996. This is a heartrending account of extreme deprivation and the courage with which one family faced its fate. Stolen Lives is an unforgettable story of one woman's journey to freedom.

Entre la narrativa detectivesca, la novela «de carretera», el relato biográfico y la crónica, Los detectives salvajes está considerada por la crítica y el público de todo el mundo como una de las mejores y más originales ficciones escritas en las últimas décadas.

Dos jóvenes poetas latinoamericanos, Arturo Belano y Ulises Lima, emprenden una aventura que transcurrirá durante varias décadas y cruzará distintos países. Símbolo de la rebeldía y la necesidad de ruptura con la realidad establecida, sus vidas representan los anhelos de toda una generación. La búsqueda en 1975 de la misteriosa escritora mexicana Cesárea Tinajero, desaparecida y olvidada en los años posteriores a la revolución, sirve de inicio a un viaje sin descanso marcado por el amor, la muerte, el deseo de libertad, el humor y la literatura.

En esta novela está esbozado, como si de un juego de cajas chinas se tratara, todo el deslumbrante universo literario y personal de Roberto Bolaño.

Free to Choose: A Personal Statement is a powerful and persuasive discussion about economics, freedom, and the relationship between the two. Authored by Milton Friedman and Rose D. Friedman, this book explains how our freedom has been eroded and our prosperity undermined through the explosion of laws, regulations, agencies, and spending in Washington. The Friedmans argue that good intentions often produce deplorable results when the government acts as the middleman.

The book also provides remedies for these ills and offers insights on what can be done to expand our freedom and promote prosperity. This important analysis reveals what has gone wrong in America in the past and outlines necessary steps for our economic health to flourish.

Tigana is the magical story of a beleaguered land struggling to be free. It is the tale of a people so cursed by the black sorcery of a cruel despotic king that even the name of their once-beautiful homeland cannot be spoken or remembered...

But years after the devastation, a handful of courageous men and women embark upon a dangerous crusade to overthrow their conquerors and bring back to the dark world the brilliance of a long-lost name...Tigana. Against the magnificently rendered background of a world both sensuous and barbaric, this sweeping epic of a passionate people pursuing their dream is breathtaking in its vision, changing forever the boundaries of fantasy fiction.

Remember, remember the fifth of November...

A frightening and powerful tale of the loss of freedom and identity in a chillingly believable totalitarian world, V for Vendetta stands as one of the highest achievements of the comics medium and a defining work for creators Alan Moore and David Lloyd.

Set in an imagined future England that has given itself over to fascism, this groundbreaking story captures both the suffocating nature of life in an authoritarian police state and the redemptive power of the human spirit which rebels against it. Crafted with sterling clarity and intelligence, V for Vendetta brings an unequaled depth of characterization and verisimilitude to its unflinching account of oppression and resistance.

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now . . .

Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

Roman Tetralogi Buru mengambil latar belakang dan cikal bakal nation Indonesia di awal abad ke-20. Dengan membacanya waktu kita dibalikkan sedemikian rupa dan hidup di era membibitnya pergerakan nasional mula-mula, juga pertautan rasa, kegamangan jiwa, percintaan, dan pertarungan kekuatan anonim para srikandi yang mengawal penyemaian bangunan nasional yang kemudian kelak melahirkan Indonesia modern.

Roman bagian pertama; Bumi Manusia, sebagai periode penyemaian dan kegelisahan dimana Minke sebagai aktor sekaligus kreator adalah manusia berdarah priyayi yang semampu mungkin keluar dari kepompong kejawaannya menuju manusia yang bebas dan merdeka, di sudut lain membelah jiwa ke-Eropa-an yang menjadi simbol dan kiblat dari ketinggian pengetahuan dan peradaban.

Pram menggambarkan sebuah adegan antara Minke dengan ayahnya yang sangat sentimentil: Aku mengangkat sembah sebagaimana biasa aku lihat dilakukan punggawa terhadap kakekku dan nenekku dan orangtuaku, waktu lebaran. Dan yang sekarang tak juga kuturunkan sebelum Bupati itu duduk enak di tempatnya. Dalam mengangkat sembah serasa hilang seluruh ilmu dan pengetahuan yang kupelajari tahun demi tahun belakangan ini. Hilang indahnya dunia sebagaimana dijanjikan oleh kemajuan ilmu .... Sembah pengagungan pada leluhur dan pembesar melalui perendahan dan penghinaan diri! Sampai sedatar tanah kalau mungkin! Uh, anak-cucuku tak kurelakan menjalani kehinaan ini. Kita kalah, Ma, bisikku. Kita telah melawan, Nak, Nyo, sebaik-baiknya, sehormat-hormatnya.

Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history's keenest observers of human nature and civilization.

Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New World also speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites.

“Aldous Huxley is the greatest 20th century writer in English.” —Chicago Tribune

Un mundo feliz es un clásico de la literatura del siglo XX, una sombría metáfora sobre el futuro. La novela describe un mundo en el que finalmente se han cumplido los peores vaticinios: triunfan los dioses del consumo y la comodidad y el orbe se organiza en diez zonas en apariencia seguras y estables. Sin embargo, este mundo ha sacrificado valores humanos esenciales, y sus habitantes son procreados in vitro a imagen y semejanza de una cadena de montaje.