They are the Pipers of Cape Breton Island — a family steeped in lies and unspoken truths that reach out from the past, forever mindful of the tragic secret that could shatter the family to its foundations. Chronicling five generations of this eccentric clan, Fall on Your Knees follows four remarkable sisters whose lives are filled with driving ambition, inescapable family bonds, and forbidden love.

Their experiences will take them from their stormswept homeland, across the battlefields of World War I, to the freedom and independence of Jazz-era New York City.

Compellingly written, running the literary gamut from menacingly dark to hilariously funny, this is an epic saga of one family’s trials and triumphs in a world of sin, guilt, and redemption.

In the last gasp of youth, Simon "Sick Boy" Williamson is back in Edinburgh. He taps into one last great scam: directing and producing a porn film. To make it work, he needs bedfellows: the lovely Nikki Fuller-Smith, a student with ambition, ego, and troubles to rival his own; old pal Mark Renton; and a motley crew that includes the neighborhood's favorite ex-beverage salesman, "Juice" Terry.

In the world of Porno, however, even the cons are conned. Sick Boy and Renton jockey for top dog. The out-of-jail and in-for-revenge Begbie is on the loose. But it's the hapless, drug-addled Spud who may be spreading the most trouble.

Porno is a novel about the Trainspotting crew ten years further down the line: still scheming, still scamming, still fighting for the first-class seats as the train careens at high velocity with derailment looming around the next corner.

Pat Conroy has created a huge, brash thunderstorm of a novel, stinging with honesty and resounding with drama. Spanning forty years, this is the story of turbulent Tom Wingo, his gifted and troubled twin sister Savannah, and their struggle to triumph over the dark and tragic legacy of the extraordinary family into which they were born.

Filled with the vanishing beauty of the South Carolina low country as well as the dusty glitter of New York City, The Prince of Tides is Pat Conroy at his very best.

When an infected bolt of cloth carries plague from London to an isolated village, a housemaid named Anna Frith emerges as an unlikely heroine and healer. Through Anna's eyes we follow the story of the fateful year of 1666, as she and her fellow villagers confront the spread of disease and superstition. As death reaches into every household and villagers turn from prayers to murderous witch-hunting, Anna must find the strength to confront the disintegration of her community and the lure of illicit love. As she struggles to survive and grow, a year of catastrophe becomes instead annus mirabilis, a "year of wonders."

Inspired by the true story of Eyam, a village in the rugged hill country of England, Year of Wonders is a richly detailed evocation of a singular moment in history.

Eugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it has since sold more than one million copies. This edition includes a new foreword by Harold Bloom.

The action covers a fateful, heart-rending day from around 8:30 am to midnight, in August 1912 at the seaside Connecticut home of the Tyrones - the semi-autobiographical representations of O'Neill himself, his older brother, and their parents at their home, Monte Cristo Cottage.

One theme of the play is addiction and the resulting dysfunction of the family. All three males are alcoholics and Mary is addicted to morphine. They all constantly conceal, blame, resent, regret, accuse and deny in an escalating cycle of conflict with occasional desperate and half-sincere attempts at affection, encouragement and consolation.

Miles Ryan's life seemed to end the day his wife was killed in a hit-and-run accident two years ago. As deputy sheriff of New Bern, North Carolina, he not only grieves for her and worries about their young son Jonah but longs to bring the unknown driver to justice. Then Miles meets Sarah Andrews, Jonah's second-grade teacher. A young woman recovering from a difficult divorce, Sarah moved to New Bern hoping to start over. Tentatively, Miles and Sarah reach out to each other...soon they are falling in love. But what neither realizes is that they are also bound together by a shocking secret, one that will force them to reexamine everything they believe in—including their love.

Jonathan Franzen's third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.

Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says.

Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints.

Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.

One of Thomas Hardy's most powerful works, The Return of the Native centers famously on Egdon Heath, the wild, haunted Wessex moor that D. H. Lawrence called "the real stuff of tragedy." The heath's changing face mirrors the fortunes of the farmers, inn-keepers, sons, mothers, and lovers who populate the novel. The "native" is Clym Yeobright, who comes home from a cosmopolitan life in Paris. He; his cousin Thomasin; her fiancé, Damon Wildeve; and the willful Eustacia Vye are the protagonists in a tale of doomed love, passion, alienation, and melancholy as Hardy brilliantly explores that theme so familiar throughout his fiction: the diabolical role of chance in determining the course of a life. As Alexander Theroux asserts in his Introduction, Hardy was committed to the deep expression of [nature's] ironic chaos and strange apathy, even hostility, toward man.

The Oxford School Shakespeare has become the preferred introduction to the literary legacy of the greatest playwright in the English language. This exclusive collection of the Bard's best works has been designed specifically for readers new to Shakespeare's rich literary legacy. Each play is presented complete and unabridged, in large print. Every book is well illustrated, and starts with a commentary and character summary. Scene synopses and character summaries clarify confusing plots, while incisive essays explore the historical context and Shakespeare's sources. Each book ends with a complete list of Shakespeare's plays and a brief chronology of the Bard's life. The detailed explanatory notes are written clearly and positioned right next to the text--no more squinting at microscopic footnotes or flipping pages back and forth in search of endnotes! The new edition of the series features new covers and new illustrations, including both new drawings and photos from recent productions of Shakespeare's plays around the globe. In addition, the notes and the introductory material have been completely revised in line with new research and in order to make them clearer and more accessible. Finally, the entire text has been redesigned and reset to enhance readability. The new edition achieves the feat of unprecedented clarity of presentation without any cuts to the original text or the detailed explanations.

When confronted by raging fires or deadly accidents, volunteer fireman Taylor McAden feels compelled to take terrifying risks to save lives. But there is one leap of faith Taylor can't bring himself to make: He can't fall in love. For all his adult years, Taylor has sought out women who need to be rescued, women he leaves as soon as their crisis is over, as soon as the relationship starts to become truly intimate.

Then, one day, a raging, record-breaking storm hits his small Southern town. Denise Holton, a young single mother, is driving through it when her car skids off the road. With her is her four-year-old son, Kyle, a boy with severe learning disabilities and for whom she has sacrificed everything. Unconscious and bleeding, she—but not Kyle—will be found by Taylor McAden. And when she wakes, the chilling truth becomes clear to both of them: Kyle is gone.

During the search for Kyle, the connection, the lifeline, between Taylor and Denise takes root. Taylor doesn't know that this rescue will be different from all the others, demanding far more than raw physical courage. That it will lead him to the possibility of his own rescue from a life lived without love. That it will require him to open doors to his past that were slammed shut by pain. That it will dare him to live life to the fullest by daring to love.

In The Rescue, Nicholas Sparks weaves his inimitable spell, immersing us in the passions and the surprising complexities of modern relationships—and in doing so, teaching us something about our own.

This edition of Richard III features seven scenes, opening with the Duke of Gloucester’s villainous “Winter of our discontent” speech and followed by his audacious wooing of Lady Anne. Queen Margaret’s chilling curses, Richard’s string of murders, and the haunting chants of his victims’ ghosts are stage drama at its best. The climax is a gripping battle in which the Earl of Richmond slays Richard and becomes King of England.

There is also an essay by editor Nick Newlin on how to produce a Shakespeare play with novice actors, and notes about the original production of this abridgement at the Folger Shakespeare Library’s annual Student Shakespeare Festival.

The edition includes a preface by Nick Newlin, containing helpful advice on presenting Shakespeare in a high school setting with novice actors, as well as an appendix with play-specific suggestions and recommendations for further resources.

New York Times bestselling author Maeve Binchy has captured the hearts of millions with her unforgettable novels. Binchy's graceful storytelling and wise compassion have earned her the devotion of fans worldwide--and made her one of the most beloved authors of our time. Now she dazzles us once again with a new novel filled with her signature warmth, humor, and tender insight.

A provocative tale of family heartbreak, friendship, and revelation, Tara Road explores every woman's fantasy: escape, into another place, another life. "What if . . ." Binchy asks, and answers in her most astonishing novel to date.

Praise for Tara Road

• "Her best work yet . . . Tara Road is like a total immersion in a colorful new world, where the last page comes too soon."—Seattle Times
• "An irresistible tale."—Elle
• "Engrossing."—Wall Street Journal
• "Difficult to put down!"—Denver Post
• "One of Binchy's best."—Kirkus Reviews

In the hopeful 1950s, Frank and April Wheeler appear to be a model couple: bright, beautiful, talented, with two young children and a starter home in the suburbs. Perhaps they married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is now about to crumble. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

Set in post-apartheid South Africa, J. M. Coetzee’s searing novel tells the story of David Lurie, a twice divorced, 52-year-old professor of communications and Romantic Poetry at Cape Technical University. Lurie believes he has created a comfortable, if somewhat passionless, life for himself. He lives within his financial and emotional means. Though his position at the university has been reduced, he teaches his classes dutifully; and while age has diminished his attractiveness, weekly visits to a prostitute satisfy his sexual needs. He considers himself happy. However, when Lurie seduces one of his students, he sets in motion a chain of events that will shatter his complacency and leave him utterly disgraced.

Message in a Bottle, shimmering with suspense and emotional intensity, takes readers on a hunt for the truth about a man and his memories, and about both the heartbreaking fragility and enormous strength of love. Nicholas Sparks, renowned as a chronicler of the human heart, presents a story that renews our faith in destiny and the ability of true lovers to find each other no matter where, no matter when.

Thrown to the waves, and to fate, the bottle could have ended up anywhere. Instead, it is found just three weeks after it begins its journey. Theresa Osborne, divorced and the mother of a twelve-year-old son, picks it up during a seaside vacation from her job as a Boston newspaper columnist. Inside is a letter that opens with: My Dearest Catherine, I miss you my darling, as I always do, but today is particularly hard because the ocean has been singing to me, and the song is that of our life together... For "Garrett," the man who signs the letter, the message is the only way he knows to express his undying love for a woman he has lost. For Theresa, wary of romance since her husband shattered her trust, the message raises questions that intrigue her. Who are Garrett and Catherine? Where is he now? What is his story? Challenged by the mystery, and pulled to find Garrett by emotions she does not fully understand, Theresa begins a search that takes her to a sunlit coastal town and an unexpected confrontation. Brought together by chance—or something more powerful—Theresa and Garrett are people whose lives are about to touch for a purpose, in a tale that resonates with our deepest hopes for finding that special someone and everlasting love.

In Coney Island, Brooklyn, Sarah Goldfarb, a lonely widow, wants nothing more than to lose weight and appear on a television game show. She becomes addicted to diet pills in her obsessive quest, while her junkie son, Harry, along with his girlfriend, Marion, and his best friend, Tyrone, have devised an illicit shortcut to wealth and leisure by scoring a pound of uncut heroin. Entranced by the gleaming visions of their futures, these four convince themselves that unexpected setbacks are only temporary. Even as their lives slowly deteriorate around them, they cling to their delusions and become utterly consumed in the spiral of drugs and addiction, refusing to see that they have instead created their own worst nightmares.

No play in the modern theatre has so captured the imagination and heart of the American public as Tennessee Williams's The Glass Menagerie. As Williams's first popular success, it launched the brilliant, if somewhat controversial, career of our pre-eminent lyric playwright. Since its premiere in Chicago in 1944, with the legendary Laurette Taylor in the role of Amanda, Menagerie has been the bravura piece for great actresses from Jessica Tandy to Joanne Woodward, and is studied and performed in classrooms and theatres around the world. The Glass Menagerie (in the reading text the author preferred) is now available only in its New Directions Paperbook edition. A new introduction by the editor of The Tennessee Williams Annual Review, Robert Bray, reappraises the play more than half a century after it won the New York Drama Critics Circle Award.

This edition of The Glass Menagerie also includes Williams's essay on the impact of sudden fame on a struggling writer, The Catastrophe of Success, as well as a short section of Williams's own Production Notes.

Like a surreal and highly caffeinated version of The Big Chill, Jonathan Coe's new novel follows four students who knew each other in college in the eighties. Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events. Robert has his life changed forever by the misunderstandings that arise from her condition. Terry spends his wakeful nights fueling his obsession with movies. And an increasingly unstable doctor, Gregory, sees sleep as a life-shortening disease which he must eradicate.

But after ten years of fretful slumber and dreams gone bad, the four reunite in their college town to confront their disorders. In a Gothic cliffside manor being used as a clinic for sleep disorders, they discover that neither love, nor lunacy, nor obsession ever rests.

Set amid the splendor of London drawing rooms and gilded Venetian palazzos, The Wings of the Dove is the story of Milly Theale, a naïve, doomed American heiress, and a pair of lovers, Kate Croy and Merton Densher, who conspire to obtain her fortune. In this witty tragedy of treachery, self-deception, and betrayal, Henry James weaves together three ill-fated and wholly human destinies unexpectedly linked by desire, greed, and salvation.

As Amy Bloom writes in her Introduction, “The Wings of the Dove is a novel of intimacy. . . . [James] gives us passion, he gives us love in its terrible and enchanting forms.”

Il Virginian era un piroscafo. Negli anni tra le due guerre faceva la spola tra Europa e America, con il suo carico di miliardari, di emigranti e di gente qualsiasi. Dicono che sul Virginian si esibisse ogni sera un pianista straordinario, dalla tecnica strabiliante, capace di suonare una musica mai sentita prima, meravigliosa. Dicono che la sua storia fosse pazzesca, che fosse nato su quella nave e che da lì non fosse mai sceso. Dicono che nessuno sapesse il perché.

Set in Los Angeles in the early 1980's, this coolly mesmerizing novel is a raw, powerful portrait of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a world shaped by casual nihilism, passivity, and too much money—a place devoid of feeling or hope.

Clay comes home for Christmas vacation from his Eastern college and re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark.

Bestselling novelist Margaret George brings to life the glittering kingdom of Cleopatra, Queen of the Nile, in this lush, sweeping, and richly detailed saga. Told in Cleopatra's own voice, this is a mesmerizing tale of ambition, passion, and betrayal, which begins when the twenty-year-old queen seeks out the most powerful man in the world, Julius Caesar, and does not end until, having survived the assassination of Caesar and the defeat of the second man she loves, Marc Antony, she plots her own death rather than be paraded in triumph through the streets of Rome.

Most of all, in its richness and authenticity, it is an irresistible story that reveals why Margaret George's work has been widely acclaimed.

Does growing up have to mean growing apart? Since childhood, Bryon and Mark have been as close as brothers. Now things are changing. Bryon's growing up, spending a lot of time with girls, and thinking seriously about who he wants to be. Mark still just lives for the thrill of the moment. The two are growing apart - until Bryon makes a shocking discovery about Mark. Then Bryon faces a terrible decision - one that will change both of their lives forever.

Another classic from the author of the internationally bestselling The Outsiders Continue celebrating 50 years of The Outsiders by reading this companion novel. That Was Then, This is Now is S. E. Hinton's moving portrait of the bond between best friends Bryon and Mark and the tensions that develop between them as they begin to grow up and grow apart. "A mature, disciplined novel which excites a response in the reader . . . Hard to forget."—The New York Times

"I’ve not always been what I am now"

In a fit of drunken anger, Michael Henchard sells his wife and baby daughter for five guineas at a country fair. Over the course of the following years, he manages to establish himself as a respected and prosperous pillar of the community of Casterbridge, but behind his success there always lurk the shameful secret of his past and a personality prone to self-destructive pride and temper. Subtitled ‘A Story of a Man of Character’, Hardy’s powerful and sympathetic study of the heroic but deeply flawed Henchard is also an intensely dramatic work, tragically played out against the vivid backdrop of a close-knit Dorsetshire town.

The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams’ essay “The World I Live In.”

It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams’ A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

Père Goriot is the tragic story of a father whose obsessive love for his two daughters leads to his financial and personal ruin. Interwoven with this theme is that of the impoverished young aristocrat, Rastignac, who came to Paris from the provinces to hopefully make his fortune. He befriends Goriot and becomes involved with the daughters. The story is set against the background of a whole society driven by social ambition and lust for wealth.

Memoirs of a Geisha transports readers to a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. Through the eyes of one of Japan's most celebrated geishas, we experience the struggle for dignity and identity in a time of war and transformation. Arthur Golden crafts a tale that is at once romantic, erotic, suspenseful—and utterly unforgettable.

Pawn in Frankincense is the fourth in the legendary Lymond Chronicles.

Somewhere within the bejeweled labyrinth of the Ottoman empire, a child is hidden. Now his father, Francis Crawford of Lymond, soldier of fortune and the exiled heir of Scottish nobility, is searching for him while ostensibly engaged on a mission to the Turkish Sultan.

At stake is a pawn in a cutthroat game whose gambits include treason, enslavement, and murder.

The Last Don is Domenico Clericuzio, a wise and ruthless old man who is determined to see his heirs established in legitimate society but whose vision is threatened when secrets from the family's past spark a vicious war between two blood cousins. This mesmerizing tale takes us inside the equally corrupt worlds of the mob, the movie industry, and the casinos. Here, beautiful actresses and ruthless hitmen are ruled by lust and violence, sleazy producers and greedy studio heads are drunk on power, crooked cops and desperate gamblers play dangerous games of betrayal, and one man controls them all.

A Midsummer Night's Dream is one of William Shakespeare's most enchanting comedies. The story revolves around the adventures of four young Athenian lovers and a group of amateur actors, who are manipulated by the fairies inhabiting the forest in which most of the play is set.

The play opens with Hermia, who is in love with Lysander, facing an arranged marriage to Demetrius, whom her friend Helena loves. Hermia and Lysander plan to escape Athens to avoid the marriage decree by Hermia's father. Meanwhile, in the forest, the King and Queen of the fairies, Oberon and Titania, are in the midst of a quarrel.

Oberon's mischievous servant, Puck, is sent to fetch a magical flower, the juice of which can cause one to fall in love with the first creature they see upon waking. Chaos ensues as Puck's love potion causes unintended love triangles and mistaken identities. Additionally, a group of laborers are rehearsing a play for the upcoming wedding of the Duke of Athens, and Puck's interference leads to further comedic outcomes, including one actor, Bottom, being transformed into a donkey and becoming the object of the enchanted Titania's affections.

The play masterfully blends elements of love, humor, and magic, culminating in a delightful tale that continues to be celebrated and performed around the world.

Precious Jones, an illiterate sixteen-year-old, has up until now been invisible: invisible to the father who rapes her and the mother who batters her and to the authorities who dismiss her as just one more of Harlem's casualties. But when Precious, pregnant with a second child by her father, meets a determined and highly radical teacher, we follow her on a journey of education and enlightenment as Precious learns not only how to write about her life, but how to make it her own for the first time.

Passion divides and unites a spirited pair of lovers in a 16th-century battle of the sexes. Witty dialogue and slapstick humor abound in this ever-popular comedy. Inexpensive, unabridged edition perfect for students.

Tender Is the Night is a modern classic, restored by Fitzgerald scholar James L.W. West III and featuring a personal foreword by Fitzgerald’s great-granddaughter Blake Hazard and a new introduction by bestselling Amor Towles. Set in the south of France in the late 1920s, it is the tragic tale of a young actress, Rosemary Hoyt, and her complicated relationship with the alluring American couple Dick and Nicole Diver. A brilliant psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth pushed him into a glamorous lifestyle, and whose growing strength highlights Dick’s decline. Lyrical, expansive, and hauntingly evocative, Tender Is the Night was one of the most talked-about books of the year when it was originally published in 1934, and is even more beloved by readers today.

From the New York Times bestselling author of American Psycho and Less Than Zero comes a nihilistic novel set in the early eighties that portrays a chilling descent into the abyss beneath L.A.'s gorgeous surfaces.

This time is the early eighties. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city. Dirk sees his best friend killed in a desert car wreck, then rifles through his pockets for a last joint before the ambulance comes. Cheryl, a wannabe newscaster, chides her future stepdaughter, “You're tan but you don't look happy.” Jamie is a clubland carnivore with a taste for human blood.

Look for Bret Easton Ellis’s new novel, The Shards!

The famous confession of Alexander Portnoy, who is thrust through life by his unappeasable sexuality, yet held back at the same time by the iron grip of his unforgettable childhood. Hilariously funny, boldly intimate, startlingly candid, Portnoy’s Complaint was an immediate bestseller upon its publication in 1969, and is perhaps Roth’s best-known book.

Portnoy's Complaint n. [after Alexander Portnoy (1933-)] A disorder in which strongly-felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature. Spielvogel says: 'Acts of exhibitionism, voyeurism, fetishism, auto-eroticism and oral coitus are plentiful; as a consequence of the patient's "morality," however, neither fantasy nor act issues in genuine sexual gratification, but rather in overriding feelings of shame and the dread of retribution, particularly in the form of castration.' (Spielvogel, O. 'The Puzzled Penis', Internationale Zeitschrift für Psychoanalyse, Vol. XXIV, p. 909.) It is believed by Spielvogel that many of the symptoms can be traced to the bonds obtaining in the mother-child relationship.

The Sailor Who Fell from Grace with the Sea tells the tale of a band of savage thirteen-year-old boys who reject the adult world as illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call "objectivity." When the mother of one of them begins an affair with a ship's officer, he and his friends idealize the man at first; but it is not long before they conclude that he is in fact soft and romantic. They regard their disappointment in him as an act of betrayal on his part, and react violently.

Hardy's last work of fiction, Jude the Obscure is also one of his most gloomily fatalistic, depicting the lives of individuals who are trapped by forces beyond their control. Jude Fawley, a poor villager, wants to enter the divinity school at Christminster. Sidetracked by Arabella Donn, an earthy country girl who pretends to be pregnant by him, Jude marries her and is then deserted. He earns a living as a stonemason at Christminster; there he falls in love with his independent-minded cousin, Sue Bridehead. Out of a sense of obligation, Sue marries the schoolmaster Phillotson, who has helped her. Unable to bear living with Phillotson, she returns to live with Jude and eventually bears his children out of wedlock. Their poverty and the weight of society's disapproval begin to take a toll on Sue and Jude; the climax occurs when Jude's son by Arabella hangs Sue and Jude's children and himself. In penance, Sue returns to Phillotson and the church. Jude returns to Arabella and eventually dies miserably.

The novel's sexual frankness shocked the public, as did Hardy's criticisms of marriage, the university system, and the church. Hardy was so distressed by its reception that he wrote no more fiction, concentrating solely on his poetry.

In the summer of 1947, when the creation of the state of Pakistan was formally announced, ten million people—Muslims and Hindus and Sikhs—were in flight. By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra.

It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the “ghost train” arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war.

Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endured and transcends the ravages of war.

“Among King’s best.”—San Francisco Chronicle

When housekeeper Dolores Claiborne is questioned in the death of her wealthy employer, a long-hidden secret from her past is revealed—as is the strength of her own will to survive...

Schindler's List is a remarkable work of fiction based on the true story of German industrialist and war profiteer, Oskar Schindler, who, confronted with the horror of the extermination camps, gambled his life and fortune to rescue 1,300 Jews from the gas chambers.

Working with the actual testimony of Schindler's Jews, Thomas Keneally artfully depicts the courage and shrewdness of an unlikely savior, a man who is a flawed mixture of hedonism and decency and who, in the presence of unutterable evil, transcends the limits of his own humanity.

Othello is a powerful drama created by William Shakespeare that delves into the complexities of a marriage that starts with fascination and intense mutual devotion but ends in jealous rage and tragic demises. The play transports the audience to the romantic Mediterranean, transitioning from Venice to the island of Cyprus, and adds an exotic touch with tales of Othello's African past.

The narrative weaves a tale of stark contrasts between the hero, Othello, a Moor, and Desdemona, a Venetian lady. Despite differences in race, age, and cultural background, their love is portrayed as strong enough to overcome these obstacles. However, the malevolent Iago, who harbors a deep-seated hatred for Othello, sets out to dismantle this love through deceit and manipulation.

As Othello falls prey to Iago's insinuations of Desdemona's infidelity, the early fascination morphs into horror, particularly for the audience. We witness the generous and trusting Othello caught in Iago's web, and the innocent Desdemona, completely devoted to her love, subjected to Othello's brutal accusations and assaults—a result of his erroneous beliefs about her loyalty.

King Lear by William Shakespeare is a profound theatrical exploration of familial conflict, honor, and madness. With its compelling narrative, the play delves into the heart of a kingdom divided by the whims of a flawed monarch and the machinations of his ambitious offspring.

The tragedy unfolds as Lear, the aging king, decides to divide his realm amongst his three daughters, leading to a treacherous power struggle that strips him of his authority and sanity. Through the tribulations of Lear and his court, Shakespeare examines themes of loyalty, betrayal, and the harsh consequences of vanity and pride.

At its core, King Lear is a poignant commentary on the human condition, the fragility of power, and the complex bonds that tie families together, often tightly interwoven with suffering and loss. It is a story that resonates as much today as it did when it was first performed, with timeless insights into the depths of human nature and the inevitable flow of fate.

Angels in America is a play in two parts by American playwright Tony Kushner. The play is a complex, often metaphorical, and at times symbolic examination of AIDS and homosexuality in America in the 1980s. Certain major and minor characters are supernatural beings (angels) or deceased persons (ghosts). The play contains multiple roles for several of the actors. Initially and primarily focusing on a gay couple in Manhattan, the play also has several other storylines, some of which occasionally intersect.

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers' final union in death seems almost inevitable.

And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

Sophie's Choice is a poignant and deeply moving novel that intertwines the narratives of three distinct individuals. At the heart of the story is the aspiration of a young man from the South, who holds an unwavering dream of becoming a writer. This ambition is set against the backdrop of a tumultuous love affair, marked by both passion and strife, between a brilliant Jewish man and a captivating Polish woman.

The novel delves into the harrowing past of the woman, Sophie, revealing a traumatic wound that haunts her—the very wound that propels both her and Nathan, her lover, on a path towards destruction. Sophie's Choice explores themes of love, guilt, and the lasting impact of the past on the present, making it a timeless exploration of the human condition.

"A story has no beginning or end: arbitrarily one chooses a moment of experience from which to look ahead..." This is a record of hate far more than of love, writes Maurice Bendrix in the opening passages of The End of the Affair, and it is a strange hate indeed that compels him to set down the retrospective account of his adulterous affair with Sarah Miles. Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.

In a poor, remote section of Southern Mexico, the paramilitary group, the Red Shirts have taken control. God has been outlawed, and the priests have been systematically hunted down and killed. Now, the last priest is on the run. Too human for heroism, too humble for martyrdom, the nameless little worldly “whiskey priest” is nevertheless impelled toward his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.

In his introduction, John Updike calls The Power and the Glory, “Graham Greene’s masterpiece…. The energy and grandeur of his finest novel derive from the will toward compassion, an ideal communism even more Christian than Communist.”