Marking a dramatic new direction for Jones, The Unicorn Woman is a riveting tale set in the Post WWII South, narrated by a Black soldier who returns to Jim Crow and searches for a mythical ideal.

Set in the early 1950s, this latest novel from Pulitzer Prize and National Book Award finalist Gayl Jones follows the witty but perplexing army veteran Buddy Ray Guy as he embodies the fate of Black soldiers who return, not in glory, but into their Jim Crow communities.

A cook and tractor repairman, Buddy was known as Budweiser to his army pals because he's a wise guy. But underneath that surface, he is a true self-educated intellectual and a classic seeker: looking for religion, looking for meaning, looking for love. As he moves around the south, from his hometown of Lexington, Kentucky, primarily, to his second home of Memphis, Tennessee, he recalls his love affairs in post-war France and encounters with a variety of colorful characters and mythical prototypes: circus barkers, topiary trimmers, landladies who provide shelter and plenty of advice for their all-Black clientele, proto feminists, and bigots.

The lead among these characters is, of course, The Unicorn Woman, who exists, but mostly lives in Bud's private mythology. Jones offers a rich, intriguing exploration of Black (and Indigenous) people in a time and place of frustration, disappointment, and spiritual hope.

Colored Television presents a brilliant dark comedy about second acts, creative appropriation, and the racial identity–industrial complex. Jane harbors high hopes that her life is on the brink of transformation. After a prolonged period of precarious existence, Jane, her artist husband Lenny, and their two children embark on a journey as house sitters in a friend's opulent abode nestled in the Los Angeles hills—a fortuitous arrangement that aligns perfectly with Jane's sabbatical.

If she can complete her latest work of literature, Nusu Nusu—a sweeping epic that Lenny playfully dubs her 'mulatto War and Peace'—she'll secure tenure, along with a semblance of stability and achievement. However, reality fails to meet expectations. Desperate for an alternative, Jane, like many authors before her, casts a hopeful eye towards Hollywood. A chance encounter with an up-and-coming producer, eager to craft 'diverse content' for a streaming platform, brings a glimmer of hope. He is keen to collaborate with a 'real writer' to produce what he imagines will be the ultimate biracial comedy for television.

Just as things begin to look up for Jane, they take a drastic turn for the worse. Colored Television is not only humorous and incisive but also a compelling read, marking Senna's most timely and insightful novel to date.

Tattoos on the Heart meets Ghettoside in this gripping true story about a botched gang murder set in the invisible economy of LA's immigrant street vendors.

Baby-faced teen Giovanni Macedo is desperate to build a reputation with local LA gang, the Columbia Lil Cycos -- so desperate that he agrees to kill an undocumented Mexican street vendor. The vendor, Francisco Clemente, had been refusing to give in to the gang’s shakedown demands. But Giovanni botches the hit, accidentally killing a baby instead. The imprisoned overlords who rule their world must be placated so the gang lures Giovanni across the border and plots his disposal. But, in turn, the gang botches Giovanni's killing. And so, incredibly, Giovanni rises from the dead, determined to both seek redemption for his unforgivable crime and take down the whole gang who drove him to do it.

The Rent Collectors is filled with ruthless gang members, tattoo artists, a legendary FBI investigator, a girl who risks her life to serve as a witness, all in service to the story of the irrationally courageous immigrant whose ethical stance triggers these incredible events.

Jesse Katz has built a teeth clenching and breathless narrative that explicates the difficult and proud lives of undocumented black market workers who are being exploited both by the gangs and by the city of LA -- in other words, by two sets of rent collectors.

Shae is a poignant coming-of-age story by Mesha Maren, one of the most exciting young queer writers on the literary landscape. This novel invites readers into the life of Shae, a teenager living in a rural small town in West Virginia. Shae's world is turned upside down when she falls in love with Cam, who is on the cusp of an important personal transformation.

When Shae, at the tender age of sixteen, meets Cam, the slightly older new kid in town, she believes she has discovered the ideal companion she's always desired. Their bond quickly escalates from friendship to something more. However, their relationship takes an unexpected turn when Shae becomes pregnant and Cam begins to transition, embracing female pronouns and experimenting with clothes that no longer fit Shae.

Amidst this personal upheaval, Shae faces another challenge - a struggle with opioid addiction following a traumatic C-section and the birth of their daughter, Eva. The story provides a stark look at the opioid crisis, particularly how it affects rural communities like theirs in West Virginia. As Shae grapples with her dependence, Cam continues her journey of self-discovery, confronting the harsh realities of being a trans woman in rural America.

Shae is a deeply emotional exploration of two young women's lives and the place they cherish, despite its flaws. This novel is a testament to Mesha Maren's storytelling prowess, following her acclaimed works Sugar Run and Perpetual West.

You Are Here: Poetry In The Natural World, edited by the twenty-fourth Poet Laureate of the United States, Ada Limón, is a singular collection of poems that reflects on our relationship to the natural world. This book brings together fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more.

Contrary to the traditional images evoked by "nature poetry," this collection presents an updated and vibrant perspective. Each poem interacts with the author's local landscape, whether it's the vast array of flora in a national park or a resilient tree blooming by a bus stop. These works offer an intimate model of how we relate to the world around us.

Through a beautifully diverse range of voices from across the United States, You Are Here challenges our preconceptions about nature and poetry. The collection is both joyful and provocative, wondrous and urgent, offering a lyrical reimagining of what "nature" and "poetry" signify in the current era, and inviting readers to experience both in a fresh, new light.

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world.

Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today.

The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless.

An epic novel of the construction of the Panama Canal, casting light on the unsung people who lived, loved, and labored there, by Cristina Henrquez, acclaimed author of The Book of Unknown Americans

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

Ada Bunting is a bold sixteen-year-old from Barbados who arrives in Panama as a stowaway alongside thousands of other West Indians seeking work. Alone and with no resources, she is determined to find a job that will earn enough money for her ailing sister's surgery. When she sees a young manOmarwho has collapsed after a grueling shift, she is the only one who rushes to his aid.

John Oswald has dedicated his life to scientific research and has journeyed to Panama in single-minded pursuit of one goal: eliminating malaria. But now, his wife, Marian, has fallen ill herself, and when he witnesses Ada's bravery and compassion, he hires her on the spot as a caregiver. This fateful decision sets in motion a sweeping tale of ambition, loyalty, and sacrifice.

Searing and empathetic, The Great Divide explores the intersecting lives of activists, fishmongers, laborers, journalists, neighbors, doctors, and soothsayers those rarely acknowledged by history even as they carved out its course.

An urgent examination of how disruptive politics, technology, and art are capsizing old assumptions in a great wave of change breaking over today’s world, creating both opportunity and peril—from the Pulitzer Prize–winning critic and author of the New York Times bestseller The Death of Truth.

The twenty-first century is experiencing a watershed moment defined by chaos and uncertainty, as one emergency cascades into another, underscoring the larger dynamics of change that are fueling instability across the world.

Since the global financial crisis of 2008, people have increasingly lost trust in institutions and elites, while seizing upon new digital tools to sidestep traditional gatekeepers. As a result, powerful new voices—once regarded as radical, unorthodox, or marginal—are disrupting the status quo in politics, business, and culture. Meanwhile, social and economic inequalities are stoking populist rage across the world, toxic partisanship is undermining democratic ideals, and the internet and AI have become high-speed vectors for the spread of misinformation.

Writing with a critic’s understanding of cultural trends and a journalist’s eye for historical detail, Michiko Kakutani looks at the consequences of these new asymmetries of power. She maps the migration of ideas from the margins to the mainstream and explores the growing influence of outsiders—those who have sown chaos and fear (like Donald Trump), and those who have provided inspirational leadership (like Ukraine’s president Volodymyr Zelensky).

Kakutani argues that today’s crises are not only signs of an interconnected globe’s profound vulnerabilities, but also stress tests pointing to the essential changes needed to survive this tumultuous era and build a more sustainable future.

A timely, in-depth, and vital exploration of the American labor movement and its critical place in our society and politics by acclaimed labor reporter Hamilton Nolan. Nolan is an expert who has covered labor and politics for more than a decade, and has helped to unionize his own industry.

The thesis is simple: Inequality is America's biggest problem. Unions are the single strongest tool that working people have to fix this problem. But the labor movement of today has failed to enable enough individuals to join unions. Thus, organized labor's powerful potential is being wielded incompetently. And what is happening inside of organized labor will—far more than most people realize—determine the economic and social course of American life for years to come.

In deeply reported chapters that span the country, Nolan shows readers how organized labor can and does wield power effectively—in spots—but also why it has long been unable to build itself into the powerful institution that the working class needs. These narratives both inspire by example and motivate by counter-example. Whether it's a union that has succeeded in a single city, and is trying to scale that effectiveness nationally, or the ins and outs of a historically large and transformative union campaign, or the human face of a strike, or a profile of the most anti-union state in America, Nolan highlights the actual mechanisms that connect labor to politics to real change. Throughout, Nolan follows Sara Nelson, the powerful and charismatic head of the flight attendants union, as she struggles with how (and whether) to assert herself as a national leader of the labor movement, to try to fix what is broken about it. The Hammer draws the line from forgotten workplaces to Washington's halls of power, and shows how labor can utterly transform American politics—if it can first transform itself.

Be A Revolution: How Everyday People Are Fighting Oppression and Changing the World--And How You Can, Too is an eye-opening and galvanizing look at the current state of anti-racist activism across America by Ijeoma Oluo, the author of the #1 New York Times bestseller So You Want To Talk About Race and Mediocre.

In this book, Oluo examines the impact of white male supremacy on our systems, culture, and lives throughout American history and presents a compelling argument for understanding these systems of oppression. More importantly, it addresses the critical question: What can we do about them?

Be A Revolution showcases the efforts of people across America working to create real positive change in our structures. It covers various powerful systems such as education, media, labor, health, housing, policing, and more, highlighting the actions taken to create change for intersectional racial equity.

Moreover, it provides readers with insights into how they can find entryways into change in these areas or contribute to the important work being done elsewhere. Oluo's goal is to educate, inspire action, and shift conversations on race and racism from a place of pain and trauma to a place of loving action. This book is not only an urgent chronicle of an important moment in history but also an inspiring and restorative call for action.

Some People Need Killing: A Memoir Of Murder In My Country is a riveting account by journalist Patricia Evangelista, who came of age in the aftermath of a street revolution that promised a new future for the Philippines. Decades later, as the nation grappled with mounting inequality, it witnessed the fragility of its democratic institutions under the regime of Rodrigo Duterte.

Evangelista's book is a meticulously reported chronicle of the Philippines' drug war. For six years, she immersed herself in the world of killers and survivors, documenting the police and vigilante killings carried out in the name of Duterte's war on drugs—a conflict that has led to the slaughter of thousands and created an atmosphere of fear.

The book's title comes from the words of a vigilante, reflecting a psychological accommodation that many in the country have made: "I'm really not a bad guy," he said. "I'm not all bad. Some people need killing." Through her profound act of witness and literary journalism, Evangelista offers a dissection of the grammar of violence and an investigation into the human impulses to dominate and resist.

From the best-selling author of The Twelve Tribes of Hattie, comes a searing multi-generational novel set in the 1980s in racially and politically turbulent Philadelphia and in the tiny town of Bonaparte, Alabama, about a mother fighting for her sanity and survival.

From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia 1985, Ava is already plotting a way out. She is repulsed by the shelter's squalid conditions: their cockroach-infested room, the barely edible food, and the shifty night security guard. She is determined to rescue her son from the perils and indignities of that place, and to save herself from the complicated past that led them there.

Ava has been estranged from her own mother, Dutchess, since she left her Alabama home as a young woman barely out of her teens. Despite their estrangement and the thousand miles between them, mother and daughter are deeply entwined, but Ava can't forgive her sharp-tongued, larger than life mother whose intractability and bouts of debilitating despair brought young Ava to the outer reaches of neglect and hunger. Ava wants to love her son differently, better.

But when Toussaint’s father, Cass, reappears, she is swept off course by his charisma, and the intoxicating power of his radical vision to destroy systems of racial injustice and bring about a bold new way of communal living. Meanwhile, in Alabama, Dutchess struggles to keep Bonaparte, once a beacon of Black freedom and self-determination, in the hands of its last five Black residents—families whose lives have been rooted in this stretch of land for generations—and away from rapidly encroaching white developers. She fights against the erasure of Bonaparte's venerable history and the loss of the land itself, which she has so arduously preserved as Ava's inheritance.

As Ava becomes more enmeshed with Cass, Toussaint senses the danger simmering all around him—his well-intentioned but erratic mother; the intense, volatile figure of his father who drives his fledgling Philadelphia community toward ever increasing violence and instability. He begins to dream of Dutchess and Bonaparte, his home and birthright, if only he can find his way there.

Brilliant, explosive, vitally important new work from one of America’s most fiercely talented storytellers.

From James McBride, author of the bestselling Oprah’s Book Club pick Deacon King Kong and the National Book Award–winning The Good Lord Bird, comes a novel about small-town secrets and the people who keep them.

In 1972, workers in Pottstown, Pennsylvania, were digging the foundations for a new development when they unexpectedly discovered a skeleton at the bottom of a well. The skeleton's identity and how it ended up there were long-held secrets kept by the residents of Chicken Hill—a dilapidated neighborhood where immigrant Jews and African Americans lived side by side, sharing ambitions and sorrows.

Chicken Hill was home to Moshe and Chona Ludlow, where Moshe integrated his theater and Chona ran the Heaven & Earth Grocery Store. When the state sought to institutionalize a deaf boy, it was Chona and Nate Timblin, the Black janitor at Moshe’s theater and the unofficial leader of the Black community on Chicken Hill, who conspired to keep the boy safe.

As the characters' stories intertwine and deepen, it becomes clear how much those living on the margins of white, Christian America struggle and what they must do to survive. The revelation of what truly happened on Chicken Hill and the role played by the town’s white establishment, McBride reveals that even in the darkest times, it is love and community—heaven and earth—that sustain us.

James McBride brings his masterful storytelling skills and deep faith in humanity to The Heaven & Earth Grocery Store, crafting a novel as compassionate as Deacon King Kong and as inventive as The Good Lord Bird.

Darrin Bell was six years old when his mother told him he couldn't have a realistic water gun. She said she feared for his safety, that police tend to think of little Black boys as older and less innocent than they really are.

Through evocative illustrations and sharp humor, Bell examines how The Talk shaped intimate and public moments from childhood to adulthood. While coming of age in Los Angeles—and finding a voice through cartooning—Bell becomes painfully aware of being regarded as dangerous by white teachers, neighbors, and police officers and thus of his mortality. Drawing attention to the brutal murders of African Americans and showcasing revealing insights and cartoons along the way, he brings us up to the moment of reckoning when people took to the streets protesting the murders of George Floyd and Breonna Taylor. And now Bell must decide whether he and his own six-year-old son are ready to have The Talk.

From the bestselling author of All You Can Ever Know comes a searing memoir of family, class, and grief—a daughter's search to understand the lives her adoptive parents led, the life she forged as an adult, and the lives she's lost. In this country, unless you attain extraordinary wealth, you will likely be unable to help your loved ones in all the ways you'd hoped. You will learn to live with the specific, hollow guilt of those who leave hardship behind, yet are unable to bring anyone else with them.

Nicole Chung couldn't hightail it out of her overwhelmingly white Oregon hometown fast enough. As a scholarship student at a private university on the East Coast, no longer the only Korean she knew, she found community and a path to the life she'd long wanted. But the middle class world she begins to raise a family in—where there are big homes, college funds, nice vacations—looks very different from the middle class world she thought she grew up in, where paychecks have to stretch to the end of the week, health insurance is often lacking, and there are no safety nets.

When her father dies at only sixty-seven, killed by diabetes and kidney disease, Nicole feels deep grief as well as rage, knowing that years of precarity and lack of access to healthcare contributed to his early death. And then the unthinkable happens—less than a year later, her beloved mother is diagnosed with cancer, and the physical distance between them becomes insurmountable as COVID-19 descends upon the world.

Exploring the enduring strength of family bonds in the face of hardship and tragedy, A Living Remedy examines what it takes to reconcile the distance between one life, one home, and another—and sheds needed light on some of the most persistent and grievous inequalities in American society.

Above Ground is a remarkable poetry collection from Clint Smith, the #1 New York Times bestselling and National Book Critics Circle award-winning author of How the Word Is Passed. This vibrant and compelling new collection traverses the vast emotional terrain of fatherhood and explores how becoming a parent has recalibrated Smith's sense of the world.

The poems interrogate the ways our lives are shaped by both personal lineages and historical institutions. They revel in the wonder of discovering the world anew through the eyes of children, as they experience it for the first time. The poems meditate on what it means to raise a family amidst constant social and political tumult. Above Ground wrestles with how we hold wonder and despair in the same hands, how we carry intimate moments of joy and a collective sense of mourning in the same body.

Smith's lyrical, narrative poems invite the reader on a journey through the early years of his children's lives and the changing world in which they are growing up—a world that we all are a part of. Above Ground is a breathtaking collection that follows Smith's first award-winning book of poetry, Counting Descent.

The Pulitzer Prize–winning author of Evicted reimagines the debate on poverty, making a “provocative and compelling” (NPR) argument about why it persists in America: because the rest of us benefit from it. “Urgent and accessible . . . Its moral force is a gut punch.”—The New Yorker

The United States, the richest country on earth, has more poverty than any other advanced democracy. Why? Why does this land of plenty allow one in every eight of its children to go without basic necessities, permit scores of its citizens to live and die on the streets, and authorize its corporations to pay poverty wages?

In this landmark book, acclaimed sociologist Matthew Desmond draws on history, research, and original reporting to show how affluent Americans knowingly and unknowingly keep poor people poor. Those of us who are financially secure exploit the poor, driving down their wages while forcing them to overpay for housing and access to cash and credit. We prioritize the subsidization of our wealth over the alleviation of poverty, designing a welfare state that gives the most to those who need the least. And we stockpile opportunity in exclusive communities, creating zones of concentrated riches alongside those of concentrated despair. Some lives are made small so that others may grow.

Elegantly written and fiercely argued, this compassionate book gives us new ways of thinking about a morally urgent problem. It also helps us imagine solutions. Desmond builds a startlingly original and ambitious case for ending poverty. He calls on us all to become poverty abolitionists, engaged in a politics of collective belonging to usher in a new age of shared prosperity and, at last, true freedom.

A haunting, unforgettable memoir about a beloved younger sister and the painful memory of her murder, from one of Mexico's greatest living writers.

Can you enjoy yourself while you are in pain? The question, which is not new, arises over and over again during that eternity that is mourning.

In the early hours of July 16, 1990, Liliana Rivera Garza was murdered by her abusive ex-boyfriend. A life full of promise and hope, cut tragically short, Liliana's story instead became subsumed into Mexico's dark and relentless history of domestic violence. With Liliana's case file abandoned by a corrupt criminal justice system, her family, including her older sister Cristina, was forced to process their grief and guilt in private, without any hope for justice.

In luminous, poetic prose, Rivera Garza tells a singular yet universally resonant story: that of a spirited, wondrously hopeful young woman who tried to survive in a world of increasingly normalized gendered violence. It traces the story of her childhood, her early romance with a handsome--but possessive and short-tempered--man, through the exhilarating weeks leading up to that fateful July morning, a summer when Liliana loved, thought, and traveled more widely and freely than she ever had before.

Using her remarkable talents as a scholar, novelist, and poet, Cristina Rivera Garza returns to Mexico after decades of living in the United States to collect and curate evidence--handwritten letters, police reports, school notebooks, architectural blueprints--in order to render and understand a life beyond the crime itself. Tracing the full arc of their childhood and adolescence in central Mexico, through the painful and confusing years after Liliana's death, Rivera Garza confronts the trauma of losing her sister, and examines from multiple angles how this tragedy continues to shape who she is--and what she fights for--today.

A novel inspired by the true story of the once racially integrated Malaga Island off the coast of Maine, by the Pulitzer Prize-winning author of Tinkers.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discovered an island where they could make a life together. More than a century later, the Honeys' descendants remain there, with an eccentric, diverse band of neighbors: a pair of sisters raising three Penobscot orphans; Theophilus and Candace Larks and their nocturnal brood; the prophetic Zachary Hand To God Proverbs, a Civil War veteran who carves Biblical images in a hollow tree. Then comes the intrusion of civilization: eugenics-minded state officials determine to cleanse the island, and a missionary schoolteacher selects one light-skinned boy to save. The rest will succumb to the authorities' institutions or cast themselves on the waters in a new Noah's Ark.

Full of lyricism and power, This Other Eden explores the hopes and dreams and resilience of those seen not to fit a world brutally intolerant of difference.

We Are Not Like Them is a riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event. Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions.

Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia. However, the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager.

Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.

This story is a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives, offering a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

Firekeeper's Daughter by Angeline Boulley is an exhilarating young adult novel that delves into the life of Daunis Fontaine, a biracial, unenrolled tribal member who finds herself in the midst of a harrowing FBI investigation.

Daunis's world is already complicated, being caught between her hometown and the nearby Ojibwe reservation. After a family tragedy, she is forced to put her own dreams aside to look after her mother. The only glimmer of hope comes from Jamie, the alluring new member of her brother's hockey team.

The story takes a dark turn when Daunis witnesses a chilling murder, catapulting her into a convoluted criminal investigation. Agreeing to go undercover, she navigates a labyrinth of deceit, with the death toll rising and danger closing in on her own life. Daunis must confront a crucial question: how much is she willing to risk for her community, even if it means unraveling the threads of the world she knows?

Ruth Jefferson is a labor and delivery nurse at a Connecticut hospital with more than twenty years' experience. During her shift, Ruth begins a routine checkup on a newborn, only to be told a few minutes later that she's been reassigned to another patient. The parents are white supremacists and don't want Ruth, who is African American, to touch their child. The hospital complies with their request, but the next day, the baby goes into cardiac distress while Ruth is alone in the nursery. Does she obey orders or does she intervene?

Ruth hesitates before performing CPR and, as a result, is charged with a serious crime. Kennedy McQuarrie, a white public defender, takes her case but gives unexpected advice: Kennedy insists that mentioning race in the courtroom is not a winning strategy. Conflicted by Kennedy's counsel, Ruth tries to keep life as normal as possible for her family—especially her teenage son—as the case becomes a media sensation. As the trial moves forward, Ruth and Kennedy must gain each other's trust, and come to see that what they've been taught their whole lives about others—and themselves—might be wrong.

With incredible empathy, intelligence, and candor, Jodi Picoult tackles race, privilege, prejudice, justice, and compassion—and doesn't offer easy answers. Small Great Things is a remarkable achievement from a writer at the top of her game.

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined.

Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center.

This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

In this breakout book, Ijeoma Oluo explores the complex reality of today's racial landscape--from white privilege and police brutality to systemic discrimination and the Black Lives Matter movement--offering straightforward clarity that readers need to contribute to the dismantling of the racial divide.

In So You Want to Talk About Race, Editor at Large of The Establishment Ijeoma Oluo offers a contemporary, accessible take on the racial landscape in America, addressing head-on such issues as privilege, police brutality, intersectionality, micro-aggressions, the Black Lives Matter movement, and the "N" word. Perfectly positioned to bridge the gap between people of color and white Americans struggling with race complexities, Oluo answers the questions readers don't dare ask, and explains the concepts that continue to elude everyday Americans.

Oluo is an exceptional writer with a rare ability to be straightforward, funny, and effective in her coverage of sensitive, hyper-charged issues in America. Her messages are passionate but finely tuned, and crystalize ideas that would otherwise be vague by empowering them with aha-moment clarity. Her writing brings to mind voices like Ta-Nehisi Coates and Roxane Gay, and Jessica Valenti in Full Frontal Feminism, and a young Gloria Naylor, particularly in Naylor's seminal essay The Meaning of a Word.

When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the north of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.

In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

Five months ago, Valerie Leftman's boyfriend, Nick, opened fire on their school cafeteria. Shot trying to stop him, Valerie inadvertently saved the life of a classmate, but was implicated in the shootings because of the list she helped create. A list of people and things she and Nick hated. The list he used to pick his targets.

Now, after a summer of seclusion, Val is forced to confront her guilt as she returns to school to complete her senior year. Haunted by the memory of the boyfriend she still loves and navigating rocky relationships with her family, former friends, and the girl whose life she saved, Val must come to grips with the tragedy that took place and her role in it, in order to make amends and move on with her life.

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr. But what Starr does—or does not—say could upend her community. It could also endanger her life.

Inspired by the Black Lives Matter movement, this is a powerful and gripping YA novel about one girl's struggle for justice.

Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

In this profound work, Coates pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, offering a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden?

Struck By Lightning: The Carson Phillips Journal follows the story of outcast high school senior Carson Phillips, who blackmails the most popular students in his school into contributing to his literary journal to bolster his college application; his goal in life is to get into Northwestern and eventually become the editor of The New Yorker. At once laugh-out-loud funny, deliciously dark, and remarkably smart, Struck By Lightning unearths the dirt that lies just below the surface of high school.

At a time when bullying torments so many young people today, this unique and important novel sheds light with humor and wit on an issue that deeply resonates with countless teens and readers.

Little Bee, a novel by Chris Cleave, presents a tale of a precarious friendship between an illegal Nigerian refugee and a recent widow from suburban London. This story is told from the alternating and disparate perspectives of both women, exploring the tenuous bonds that form between strangers from vastly different worlds.

The narrative delves into themes of loss, identity, and the search for asylum, all while highlighting the resilience of human spirit in the face of adversity.

Tricks explores the lives of five teenagers from different parts of the country. The group consists of three girls and two guys, with a mix of sexual orientations, socioeconomic backgrounds, and family situations. They are all navigating their lives the best they can, each searching for something: freedom, safety, community, family, love. However, what they do not anticipate is the complexity and potential danger that comes with saying "I love you" for all the wrong reasons.

The narrative begins with each story separate, but as the plot progresses, these stories intertwine to form a larger, powerful narrative. This book delves into the choices we make, the leaps of faith we take, the lows we fall to, and the process of growing up. It's a poignant exploration of what sex and love mean for young people, at all costs, while grappling with the question, "Can I ever feel okay about myself?"

Daelyn Rice is broken beyond repair, and after a string of botched suicide attempts, she’s determined to get her death right. She starts visiting a website for “completers”— www.through-the-light.com.While she’s on the site, Daelyn blogs about her life, uncovering a history of bullying that goes back to kindergarten. When she’s not on the Web, Daelyn’s at her private school, where she’s known as the freak who doesn’t talk.

Then, a boy named Santana begins to sit with her after school while she’s waiting to for her parents to pick her up. Even though she’s made it clear that she wants to be left alone, Santana won’t give up. And it’s too late for Daelyn to be letting people into her life... isn't it?

In this harrowing, compelling novel, Julie Anne Peters shines a light on what might make a teenager want to kill herself, as well as how she might start to bring herself back from the edge.

Right from the start, Bigger Thomas had been headed for jail. It could have been for assault or petty larceny; by chance, it was for murder and rape. Native Son tells the story of this young black man caught in a downward spiral after he kills a young white woman in a brief moment of panic.

Set in Chicago in the 1930s, Wright's powerful novel is an unsparing reflection on the poverty and feelings of hopelessness experienced by people in inner cities across the country and of what it means to be black in America.

In nineteen minutes, you can mow the front lawn, color your hair, watch a third of a hockey game. In nineteen minutes, you can bake scones or get a tooth filled by a dentist; you can fold laundry for a family of five....In nineteen minutes, you can stop the world, or you can just jump off it. In nineteen minutes, you can get revenge.

Sterling is a small, ordinary New Hampshire town where nothing ever happens -- until the day its complacency is shattered by a shocking act of violence. In the aftermath, the town's residents must not only seek justice in order to begin healing but also come to terms with the role they played in the tragedy. For them, the lines between truth and fiction, right and wrong, insider and outsider have been obscured forever. Josie Cormier, the teenage daughter of the judge sitting on the case, could be the state's best witness, but she can't remember what happened in front of her own eyes. And as the trial progresses, fault lines between the high school and the adult community begin to show, destroying the closest of friendships and families.

Nineteen Minutes is New York Times bestselling author Jodi Picoult's most raw, honest, and important novel yet. Told with the straightforward style for which she has become known, it asks simple questions that have no easy answers: Can your own child become a mystery to you? What does it mean to be different in our society? Is it ever okay for a victim to strike back? And who -- if anyone -- has the right to judge someone else?

Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

Cry, the Beloved Country, the most famous and important novel in South Africa’s history, was an immediate worldwide bestseller in 1948. Alan Paton’s impassioned novel about a black man’s country under white man’s law is a work of searing beauty.

Cry, the beloved country, for the unborn child that is the inheritor of our fear. Let him not love the earth too deeply. Let him not laugh too gladly when the water runs through his fingers, nor stand too silent when the setting sun makes red the veld with fire. Let him not be too moved when the birds of his land are singing, nor give too much of his heart to a mountain or valley. For fear will rob him of all if he gives too much.

The eminent literary critic Lewis Gannett wrote, “We have had many novels from statesmen and reformers, almost all bad; many novels from poets, almost all thin. In Alan Paton’s Cry, the Beloved Country the statesman, the poet and the novelist meet in a unique harmony.” Cry, the Beloved Country is the deeply moving story of the Zulu pastor Stephen Kumalo and his son, Absalom, set against the background of a land and a people riven by racial injustice. Remarkable for its lyricism, unforgettable for character and incident, Cry, the Beloved Country is a classic work of love and hope, courage and endurance, born of the dignity of man.

For nearly a century, the original version of Upton Sinclair's classic novel has remained almost entirely unknown. When it was published in serial form in 1905, it was a full third longer than the censored, commercial edition published in book form the following year. That expurgated commercial edition edited out much of the ethnic flavor of the original, as well as some of the goriest descriptions of the meat-packing industry and much of Sinclair's most pointed social and political commentary.

The text of this new edition is as it appeared in the original uncensored edition of 1905. It contains the full 36 chapters as originally published, rather than the 31 of the expurgated edition. A new foreword describes the discovery in the 1980s of the original edition and its subsequent suppression, and a new introduction places the novel in historical context by explaining the pattern of censorship in the shorter commercial edition.

"Speak up for yourself—we want to know what you have to say." From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her.

As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication.

In Laurie Halse Anderson's powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.

Precious Jones, an illiterate sixteen-year-old, has up until now been invisible: invisible to the father who rapes her and the mother who batters her and to the authorities who dismiss her as just one more of Harlem's casualties. But when Precious, pregnant with a second child by her father, meets a determined and highly radical teacher, we follow her on a journey of education and enlightenment as Precious learns not only how to write about her life, but how to make it her own for the first time.

The Bluest Eye is Toni Morrison's first novel, a book heralded for its richness of language and boldness of vision. Set in the author's girlhood hometown of Lorain, Ohio, it tells the story of black, eleven-year-old Pecola Breedlove. Pecola prays for her eyes to turn blue so that she will be as beautiful and beloved as all the blond, blue-eyed children in America. In the autumn of 1941, the year the marigolds in the Breedloves' garden do not bloom, Pecola's life does change - in painful, devastating ways.

With its vivid evocation of the fear and loneliness at the heart of a child's yearning, and the tragedy of its fulfillment, The Bluest Eye remains one of Toni Morrison's most powerful, unforgettable novels - and a significant work of American fiction.

This unusual fictional memoir - in good part autobiographical - narrates without self-pity and often with humor the adventures of a penniless British writer among the down-and-outs of two great cities. The Parisian episode is fascinating for its expose of the kitchens of posh French restaurants, where the narrator works at the bottom of the culinary echelon as dishwasher, or plongeur. In London, while waiting for a job, he experiences the world of tramps, street people, and free lodging houses. In the tales of both cities we learn some sobering Orwellian truths about poverty and of society.

Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other's trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, cold as death, mean as a snake, becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

Valentina Hunter's parents think they've just hit the jackpot. When her mother invents a product that makes her family millionaires overnight, they buy a new house and new cars, and enroll their daughter in the ultra-exclusive Palm Lake private school.

The school comes with an excellent resume; more Palm Lake graduates go on to the Ivy League than any other private school in the area. Ninety percent of them start college with at least a year’s worth of Advanced Placement credits, and they earn more perfect ACT scores per capita than the students at any other high school.

Valentina’s mother and father are ecstatic, but Val doesn’t share the sentiment; she would rather go to the local public school with all her middle school friends. Events only increase her desire, as Valentina quickly finds herself embroiled in bitter social battles and hostile vendettas, leaving her to question whether she’ll even be able to survive the first month.