A landmark, magisterial history of the trial of Japan’s leaders as war criminals—the largely overlooked Asian counterpart to Nuremberg.

In the weeks after Japan finally surrendered to the Allies, the world turned to the question of how to move on from years of carnage and destruction. For Harry Truman, Douglas MacArthur, and their fellow victors, the questions of justice seemed clear: Japan’s leaders needed to be tried and punished for the surprise attack at Pearl Harbor; shocking atrocities against citizens in China, the Philippines, Korea, and elsewhere; rampant abuses of POWs. For the Allied Forces, the trial was an opportunity to achieve justice against the defendants, but also to create a legal framework for the prosecution of war crimes and to prohibit the use of aggressive war, and to create the kind of liberal international order that would prevail in Europe. For the Japanese leaders facing trial, it was their chance to argue that their war had been waged to liberate Asia from Western imperialism.

For more than two years, lawyers for both sides presented their cases before a panel of judges from China, India, the Philippines, and Australia, as well as the US and Europe. The testimony ran from horrific accounts of brutality and the secret plans to attack Pearl Harbor to the Japanese military’s threats to destabilize the government if it sued for peace. Yet rather than clarity and unanimity, the trial brought division and complexity; these tensions and contradictions could also be seen playing out across Asia as the trial unfolded, from China’s descent into civil war to India’s independence and partition to Japan’s first successful democratic elections and the rewriting of a new, liberal constitution.

Judgment at Tokyo is a riveting story of wartime action, dramatic courtroom battles, and the epic formative years that set the stage for the Asian postwar era.

Red Memory: The Afterlives Of China's Cultural Revolution explores the lasting impact of one of the most tumultuous periods in China's history. Author Tania Branigan delves into personal stories and historical accounts to shed light on how the Cultural Revolution has continued to shape China and its people long after its official end.

The book offers a nuanced look at the complex ways in which the events from that time are remembered, forgotten, and reinterpreted by those who lived through it, as well as the younger generations. It's a profound examination of memory, identity, and the power of history in contemporary society.

Sinopticon: A Celebration of Chinese Science Fiction is a groundbreaking anthology that brings together thirteen extraordinary tales of speculative fiction from China, translated into English for the very first time. Curated and translated by the critically acclaimed writer and essayist Xueting Christine Ni, this collection offers a diverse and captivating array of stories that will take readers on a journey through the imaginative landscapes of Chinese science fiction.

From the celebrated Jiang Bo's 'Starship: Library' to Regina Kanyu Wang's 'The Tide of Moon City', and Anna Wu's 'Meisje met de Parel', readers are presented with a tapestry of narratives that span a variety of themes and perspectives. The writers featured in this anthology include award winners, bestsellers, screenwriters, playwrights, philosophers, university lecturers, and computer programmers, showcasing the breadth and depth of Chinese SF.

Sinopticon invites readers to explore the transformational and often visionary world of Chinese speculative fiction, making it an essential read for all fans of the genre.

The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.

When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.

To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

The Jasmine Throne by Tasha Suri is the beginning of a new trilogy set in a world inspired by the history and epics of India, where a captive princess and a maidservant in possession of forbidden magic become unlikely allies on a dark journey to save their empire from the princess's traitor brother.

Imprisoned by her dictator brother, Malini spends her days in isolation in the Hirana: an ancient temple that was once the source of the powerful, magical deathless waters — but is now little more than a decaying ruin.

Priya is a maidservant, one among several who make the treacherous journey to the top of the Hirana every night to clean Malini's chambers. She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides.

But when Malini accidentally bears witness to Priya's true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to depose her brother from his throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire.

A reluctant medium discovers the ties that bind can unleash a dangerous power in this compelling Malaysian-set contemporary fantasy.

Jessamyn Teoh is closeted, broke, and moving back to Malaysia, a country she left when she was a toddler. So when Jess starts hearing voices, she chalks it up to stress. But there's only one voice in her head, and it claims to be the ghost of her estranged grandmother, Ah Ma. In life, Ah Ma was a spirit medium, the avatar of a mysterious deity called the Black Water Sister. Now she's determined to settle a score against a gang boss who has offended the god—and she's decided Jess is going to help her do it.

Drawn into a world of gods, ghosts, and family secrets, Jess finds that making deals with capricious spirits is a dangerous business. As Jess fights for retribution for Ah Ma, she'll also need to regain control of her body and destiny. If she fails, the Black Water Sister may finish her off for good.

Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. Plagued by a maddening anxiety, the terrible disconnect between his own concept of happiness and the joy of the rest of the world, Yozo Oba plays the clown in his dissolute life, holding up a mask for those around him as he spirals ever downward, locked arm-in-arm with death.

Osamu Dazai's immortal—and supposedly autobiographical—work of Japanese literature, is perfectly adapted here into a manga by Junji Ito. The imagery wrenches open the text of the novel one line at a time to sublimate Yozo's mental landscape into something even more delicate and grotesque. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche.

Kim is Rudyard Kipling's story of an orphan born in colonial India, torn between love for his native India and the demands of Imperial loyalty to his Irish-English heritage, and to the British Secret Service. The novel unfolds against the backdrop of The Great Game, the political conflict between Russia and Britain in Central Asia. Set after the Second Afghan War which ended in 1881, but before the Third, the story is probably set in the period 1893 to 1898.

At the novel's heart are two men - a boy who grows into early manhood and an old ascetic priest, the lama. They embark on a quest that faces them both; Kim, born in India, is nevertheless white, a sahib. While he aspires to play the Great Game of Imperialism, he is also spiritually bound to the lama, and his aim is to reconcile these opposing strands of his identity. As Kim moves chameleon-like through the two cultures, the lama searches for redemption from the Wheel of Life.

Kim captures the opulence of India's exotic landscape, overlaid by the uneasy presence of the British Raj, presenting a vivid picture of India, its teeming populations, religions, superstitions, and the life of the bazaars and the road. Long recognized as Kipling's finest work, Kim was a key factor in his winning the Nobel Prize for Literature in 1907.

Jade City is an epic tale of family, honor, and those who live and die by the ancient laws of jade and blood. Set in the bustling metropolis of Kekon, jade is the most precious commodity, enhancing the abilities of the honorable Green Bone warriors. The Kaul family has long used it to protect the island from invasion. But as a new generation vies for power, they face not only their rivals but also a changing world.

When a revolutionary drug allows anyone to wield jade's power, the city's delicate balance is shattered, leading to a violent clan war that will determine the fate of all Green Bones. Fonda Lee crafts a narrative that is as gripping as it is immersive, inviting readers into a world where the lines between right and wrong are as complex as the city of Kekon itself.

Luffy stands against Doflamingo with a determination to bring a true liberation to the tragic Dressrosa. Will the extreme battle finally reach its conclusion? The oceanic adventure romance over the "One Piece" treasure is at its climax!

Kitchen is an enchantingly original book that juxtaposes two tales about mothers, love, tragedy, and the power of the kitchen and home in the lives of a pair of free-spirited young women in contemporary Japan. Mikage, the heroine, is an orphan raised by her grandmother, who has passed away. Grieving, Mikage is taken in by her friend Yoichi and his mother (who is really his cross-dressing father) Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Banana Yoshimoto spins a lovely, evocative tale with the kitchen and the comforts of home at its heart.

In a whimsical style that recalls the early Marguerite Duras, Kitchen and its companion story, Moonlight Shadow, are elegant tales whose seeming simplicity is the ruse of a very special writer whose voice echoes in the mind and the soul.

If you live near the jungle, you will realize that what is real and what is not real is not always clear. In the forest, there is not a big gap between the two.

A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.

Straddling the worlds of the mundane and the magical, Spirits Abroad collects ten science fiction and fantasy stories with a distinctively Malaysian sensibility.

Kurôzu-cho, a small fogbound town on the coast of Japan, is cursed. According to Shuichi Saito, the withdrawn boyfriend of teenager Kirie Goshima, their town is haunted not by a person or being but by a pattern: uzumaki, the spiral, the hypnotic secret shape of the world. It manifests itself in everything from seashells and whirlpools in water to the spiral marks on people's bodies, the insane obsessions of Shuichi's father and the voice from the cochlea in our inner ear. As the madness spreads, the inhabitants of Kurôzu-cho are pulled ever deeper into a whirlpool from which there is no return!

Moonlight Shadow is a tale of love and loss, exploring the depths of human emotion and the powerful bonds that tie people together. In this story, Satsuki struggles to move on from the death of her beloved, a pain shared by Hiiragi, who dresses in his late sister's school uniform as a form of remembrance. The enigmatic Urara, with her unique ability to discern people's phone numbers with just one glance, believes that on one special day, under certain conditions, it is possible to reunite with lost loved ones. Could this be true for Satsuki and Hiiragi, who are haunted by the memories of those they cannot forget?

Hikaru no Go, Vol. 19: One Step Forward! follows the journey of Hikaru Shindo who, after discovering a haunted go board, is possessed by the spirit of a master player named Fujiwara-no-Sai. This encounter awakens an untapped genius for the game within Hikaru, propelling him to pursue his dream of defeating Akira Toya, a famed go prodigy.

After stumbling across a haunted go board, Hikaru Shindo discovers that the spirit of a master player named Fujiwara-no-Sai has taken up residence in his consciousness. Sai awakens in Hikaru an untapped genius for the game, and soon the schoolboy is chasing his own dream--defeating the famed go prodigy Akira Toya.

Without realizing it, Kimihiro Watanuki has purchased a dream. According to his boss Yūko Ishikawa, the mysterious time-space witch, people usually buy good dreams–but Kimihiro's dream is a man-eating nightmare. Even worse, it has come true!

Then Kimihiro meets a wistful girl who, like him, can see the spirit world. Together they try to prevent a harmless ghost from being exorcised from its beloved resting place, an ancient cherry tree. The girl's mother wants her to have nothing to do with Kimihiro, but the spirits say otherwise. . . .

Includes chapters 52-58.

Kimihiro Watanuki's after-school job working for the mysterious witch Yûko Ishikawa has taken a dangerous turn. A recent assignment cost Kimihiro his right eye to a spider with a grudge. Now the missing eye has become the latest must-have item in the spirit world. Even the Zashiki-Warashi, the pretty spirit who has a crush on Kimihiro, has become entangled in the mess — and she's being held captive by an unknown evil! Can Kimihiro save both the girl and his eye—without getting himself killed by beings more powerful than he can imagine?

Includes chapters 48-51.

It's Valentine's Day--and while Domeki is showered with chocolates and cards from girls, Watanuki receives none. To make matters worse, he must also do the usual chores for Yûko, which includes making chocolate cake for her and Mokona, as well as the treats his boss wants to give away as gifts. But when Watanuki discovers he has a shy and secret admirer who is not quite human, he finds that chocolates can be more than just sweets.

Then, after seeing identical twin sisters pass by in the street, Yûko makes a curious remark: that there are chains that only humans can use to bind others. Watanuki meets the sisters and senses that the relationship between them is not what it seems. . . .

xxxHOLiC crosses over with Tsubasa, also by CLAMP. Don't miss it!

Includes chapters 23-28.