The Year of the Hare is a delightfully witty and mordant modern classic from Finland. It tells the story of a journalist who befriends an injured hare and embarks into the Finnish wilderness.

Kaarlo Vatanen is fed up with his life. He's sick of his job, his wife, his urban lifestyle in Helsinki. But all this changes one warm summer's evening, when he encounters an injured hare on a deserted country road. On an impulse he can't fully explain, Vatanen abruptly abandons his car, his home, his wife, and his job to chase the hare into the forest.

A year of comic misadventures ensues, where Vatanen and his unlikely companion battle through forest fires, pagan sacrifices, military war games, and encounters with murderous bears. They are kept afloat by the help and understanding of other sympathetic free spirits.

The Year of the Hare is a freewheeling adventure through the Finnish countryside and a witty portrayal of one man's long detour from conventional living.

The power-hungry High Lord of Kalare has launched a rebellion against the aging First Lord, Gaius Sextus, who with the loyal forces of Alera must fight beside the unlikeliest of allies—the equally contentious High Lord of Aquitaine.

Meanwhile, young Tavi of Calderon joins a newly formed legion under an assumed name even as the ruthless Kalare unites with the Canim, bestial enemies of the realm whose vast numbers spell certain doom for Alera.

When treachery from within destroys the army's command structure, Tavi finds himself leading an inexperienced, poorly equipped legion—the only force standing between the Canim horde and the war-torn realm.

The 50 million Americans who suffer from insomnia need—and want—this answer now. There is no "one size fits all" solution to insomnia because, as this revolutionary book illustrates, there are three types that affect those who suffer from it: difficulty falling asleep, difficulty staying asleep, and broken sleep. And each of them requires a specialized treatment program.

Now, leading experts in the evaluation and treatment of insomnia deliver personalized programs that provide relief for such persistent sleep problems as:

• Sunday night insomnia
• Anxiety caused by the "dread of bedtime"
• Waking before the alarm
• Awaking with a sudden start or jolt
• Scattered sleep patterns

Based on cutting-edge knowledge of circadian rhythms developed in research labs for decades, this is the first sleep program that helps readers to self-diagnose and treat their particular type of insomnia.

The Pillow Book is a fascinating, detailed account of Japanese court life in the eleventh century. Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, The Tale of Genji, fictionalized the elite world Lady Shonagon so eloquently relates.

Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, The Pillow Book is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

I am Meredith Gentry, P.I., solving cases in Los Angeles, far from the peril and deception of my real home–because I am also Princess Meredith, heir to the darkest throne faerie has to offer.

The Unseelie Court infuses me with its power. But at what price does such magic come? How much of my human side will I have to give up, and how much of the sinister side of faerie will I have to embrace? To sit on a throne that has ruled through bloodshed and violence for centuries, I might have to become that which I dread the most.

Enemies watch my every move. My cousin Cel strives to have me killed even now from his prison cell. But not all the assassination attempts are his. Some Unseelie nobles have waited centuries for my aunt Andais, Queen of Air and Darkness, to become weak enough that she might be toppled from her throne. Enemies unforeseen move against us–enemies who would murder the least among us.

The threat will drive us to allow human police into faerie for the first time in our history. I need my allies now more than ever, especially since fate will lead me into the arm of Mistral, Master of Storms, the queen’s new captain of her guard. Our passion will reawaken powers long forgotten among the warriors of the sidhe. Pain and pleasure await me–and danger, as well, for some at that court seek only death.

I will find new joys with the butterfly-winged demi-fey. My guards and I will show all of faerie that violence and sex are as popular among the sidhe as they are among the lesser fey of our court. The Darkness will weep, and Frost will comfort him. The gentlest of my guards will find new strength and break my heart. Passions undreamed of await us–and my enemies gather, for the future of both courts of faerie begins to unravel.

For centuries, the people of Alera have relied on the power of the furies to protect them from outside invaders. But the gravest threat might be closer than they think.

Tavi has escaped the Calderon Valley and the mysterious attack of the Marat on his homeland. But he is far from safe, as trying to keep up the illusion of being a student while secretly training as one of the First Lord's spies is a dangerous game. And he has not yet learned to use the furies, making him especially vulnerable.

When the attack comes it's on two fronts. A sudden strike threatens the First Lord's life and threatens to plunge the land into civil war. While in the Calderon Valley, the threat faced from the Marat is dwarfed by an ancient menace. And Tavi must learn to harness the furies if he has any chance of fighting the greatest threat Alera has ever known . . .

Susan Michaels was once the hottest reporter on the Beltway Beat until she walked into a setup that ruined her reputation. Now she's working for a small Seattle paper, penning stories about killer moths and alien babies, convinced that her life couldn't get any worse...

That was before an idea for a breaking news piece brings her to a local animal shelter where she ends up listening to her source rant about vampires and gets coerced into adopting a cat despite her allergies. But when her new pet suddenly reveals himself to be a gorgeous - and lethal - shapeshifter, Susan realizes that there's far more at stake than a career-saving by-line.

Born into a world of predators, Were-Hunter Ravyn Kontis was betrayed by those he loved best. Soulless, pitiless, he has spent three hundred years battling the Daimons who seek to subjugate humankind. And with the ultimate battle about to begin, this one very human woman holds the power to shatter both their worlds...

The fiftieth Anniversary Edition of the groundbreaking international bestseller that has shown millions of readers how to achieve rich, productive lives by developing their hidden capacities for love. Most people are unable to love on the only level that truly matters: love that is compounded of maturity, self-knowledge, and courage. As with every art, love demands practice and concentration, as well as genuine insight and understanding.

In his classic work, The Art of Loving, renowned psychoanalyst and social philosopher Erich Fromm explores love in all its aspects—not only romantic love, steeped in false conceptions and lofty expectations, but also brotherly love, erotic love, self-love, the love of God, and the love of parents for their children.

Memories of My Melancholy Whores is Gabriel García Márquez’s first work of fiction in ten years, written at the height of his powers. On the eve of his ninetieth birthday, our unnamed protagonist–an undistinguished journalist and lifelong bachelor–decides to give himself “the gift of a night of wild love with an adolescent virgin.”

The girl, whom an old madam procures for him, is splendidly young, with the silent power of a sleeping beauty. The night of love blossoms into a transforming year. It is a year in which he relives, in a rush of memories, his lifetime of (paid-for) sexual adventures and experiences a revelation that brings him to the edge of dying–not of old age, but, at long last, of uncorrupted love. Memories of My Melancholy Whores is a brilliant gem by the master storyteller.

Born into a poor family in Spain, Inés, a seamstress, finds herself condemned to a life of hard work without reward or hope for the future. It is the sixteenth century, the beginning of the Spanish conquest of the Americas, and when her shiftless husband disappears to the New World, Inés uses the opportunity to search for him as an excuse to flee her stifling homeland and seek adventure.

After her treacherous journey takes her to Peru, she learns that her husband has died in battle. Soon she begins a fiery love affair with a man who will change the course of her life: Pedro de Valdivia, war hero and field marshal to the famed Francisco Pizarro.

Valdivia's dream is to succeed where other Spaniards have failed: to become the conqueror of Chile. The natives of Chile are fearsome warriors, and the land is rumored to be barren of gold, but this suits Valdivia, who seeks only honor and glory. Together the lovers Inés Suárez and Pedro de Valdivia will build the new city of Santiago, and they will wage a bloody, ruthless war against the indigenous Chileans—the fierce local Indians led by the chief Michimalonko, and the even fiercer Mapuche from the south.

The horrific struggle will change them forever, pulling each of them toward their separate destinies. Inés of My Soul is a work of breathtaking scope: meticulously researched, it engagingly dramatizes the known events of Inés Suárez's life, crafting them into a novel full of the narrative brilliance and passion readers have come to expect from Isabel Allende.

One of the most popular and critically acclaimed comic book titles of all time, New York Times best-selling author Neil Gaiman's masterpiece The Sandman set new standards for mature, lyrical fantasy and graphic narrative. Now, Vertigo and DC Comics are proud to present the first of four definitive Absolute Editions collecting this groundbreaking series in its entirety.

The Absolute Sandman, Volume One reprints issues 1-20 of The Sandman, and features all-new coloring on issues 1-18, commissioned especially for this edition. This volume also includes a full reproduction of Gaiman's original proposal for the series and the complete script and pencils by Gaiman and Charles Vess for the World Fantasy Award-winning story "A Midsummer Night's Dream" from The Sandman 19. Finally, a gallery of character design sketches show the evolution of Dream of the Endless.

"My name is MacKayla, Mac for short. I'm a sidhe-seer, one who sees the Fae, a fact I accepted only recently and very reluctantly. My philosophy is pretty simple - any day nobody's trying to kill me is a good day in my book. I haven't had many good days lately. Not since the walls between Man and Fae came down. But then, there's not a sidhe-seer alive who's had a good day since then."

When MacKayla's sister was murdered, she left a single clue to her death, a cryptic message on Mac's cell phone. Journeying to Ireland in search of answers, Mac is soon faced with an even greater challenge: staying alive long enough to master a power she had no idea she possessed - a gift that allows her to see beyond the world of man, into the dangerous realm of the Fae.

As Mac delves deeper into the mystery of her sister's death, her every move is shadowed by the dark, mysterious Jericho...while at the same time, the ruthless V'lane - an alpha Fae who makes sex an addiction for human women - closes in on her. As the boundary between worlds begins to crumble, Mac's true mission becomes clear: to find the elusive Sinsar Dubh before someone else claims the all-powerful Dark Book - because whoever gets to it first holds nothing less than complete control both worlds in their hands.

Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative, and penetrating analysis of the impact of technology on society make it an intellectual tour de force.

Susan had never hung up a stocking. She'd never put a tooth under her pillow in the serious expectation that a dentally inclined fairy would turn up. It wasn't that her parents didn't believe in such things. They didn't need to believe in them. They knew they existed. They just wished they didn't.

There are those who believe and those who don't. Through the ages, superstition has had its uses. Nowhere more so than in the Discworld where it's helped to maintain the status quo. Anything that undermines superstition has to be viewed with some caution. There may be consequences, particularly on the last night of the year when the time is turning.

When those consequences turn out to be the end of the world, you need to be prepared. You might even want more standing between you and oblivion than a mere slip of a girl - even if she has looked Death in the face on numerous occasions...

A Book of Wonders for Grown-Up Readers

Every once in a great while a book comes along that reminds us of the magic spell that stories can cast over us to dazzle, entertain, and enlighten. Welcome to the Arabian Nights for our time—a lush and fantastical epic guaranteed to spirit you away from the very first page.

Secreted away in a garden, a lonely girl spins stories to warm a curious prince: peculiar feats and unspeakable fates that loop through each other and back again to meet in the tapestry of her voice. Inked on her eyelids, each twisting, tattooed tale is a piece in the puzzle of the girl's own hidden history. And what tales she tells! Tales of shape-shifting witches and wild horsewomen, heron kings and beast princesses, snake gods, dog monks, and living stars—each story more strange and fantastic than the one that came before. From ill-tempered mermaid to fastidious Beast, nothing is ever quite what it seems in these ever-shifting tales—even, and especially, their teller. Adorned with illustrations by the legendary Michael Kaluta, Valente's enchanting lyrical fantasy offers a breathtaking reinvention of the untold myths and dark fairy tales that shape our dreams. And just when you think you've come to the end, you realize the adventure has only begun.

He always knew he was different. First there were the dreams. Then the deaths began. When Matt Freeman gets into trouble with the police, he's sent to be fostered in Yorkshire. It's not long before he senses there's something wrong with his guardian; with the whole village. Then Matt learns about the Old Ones and begins to understand just how he is different. But no one will believe him; no one can help. There is no proof. There is no logic. There is just the Gate.

My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead...

Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate.

An angry rebel, John dropped out of school and enlisted in the Army, not knowing what else to do with his life--until he meets the girl of his dreams, Savannah. Their mutual attraction quickly grows into the kind of love that leaves Savannah waiting for John to finish his tour of duty, and John wanting to settle down with the woman who has captured his heart.

But 9/11 changes everything. John feels it is his duty to re-enlist. And sadly, the long separation finds Savannah falling in love with someone else. "Dear John," the letter read... and with those two words, a heart was broken and two lives were changed forever. Returning home, John must come to grips with the fact that Savannah, now married, is still his true love—and face the hardest decision of his life.

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell."

Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family.

A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage.

Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity".

Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece.

Little orphan Heidi goes to live high in the Alps with her gruff grandfather and brings happiness to all who know her on the mountain. When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

Two brothers and their friend stumble upon the wreckage of a plane–the pilot is dead and his duffle bag contains four million dollars in cash. In order to hide, keep, and share the fortune, these ordinary men all agree to a simple plan.

Life and Fate is an epic tale of a country told through the fate of a single family, the Shaposhnikovs. As the battle of Stalingrad looms, Grossman's characters must work out their destinies in a world torn apart by ideological tyranny and war. Completed in 1960 and then confiscated by the KGB, this sweeping panorama of Soviet society remained unpublished until it was smuggled into the West in 1980, where it was hailed as a masterpiece.

Lisey Debusher Landon lost her husband, Scott, two years ago, after a twenty-five year marriage of the most profound and sometimes frightening intimacy. Scott was an award-winning, bestselling novelist and a very complicated man. Early in their relationship, before they married, Lisey had to learn from him about books and blood and bools. Later, she understood that there was a place Scott went--a place that both terrified and healed him, that could eat him alive or give him the ideas he needed in order to live. Now it's Lisey's turn to face Scott's demons, Lisey's turn to go to Boo'ya Moon. What begins as a widow's efforts to sort through the papers of her celebrated husband becomes a nearly fatal journey into the darkness he inhabited.

Perhaps King's most personal and powerful novel, Lisey's Story is about the wellsprings of creativity, the temptations of madness, and the secret language of love.

Hundreds of years before Alanna first drew her sword in Tamora Pierce's memorable debut, Alanna: The First Adventure, Tortall had a heroine named Beka Cooper - a fierce young woman who fights crime in a world of magic. This is the beginning of her story, her legend, and her legacy....

Beka Cooper is a rookie with the law-enforcing Provost's Guard, commonly known as "the Provost's Dogs," in Corus, the capital city of Tortall. To the surprise of both the veteran "Dogs" and her fellow "puppies," Beka requests duty in the Lower City. The Lower City is a tough beat. But it's also where Beka was born, and she's comfortable there.

Beka gets her wish. She's assigned to work with Mattes and Clary, famed veterans among the Provost's Dogs. They're tough, they're capable, and they're none too happy about the indignity of being saddled with a puppy for the first time in years. What they don't know is that Beka has something unique to offer. Never much of a talker, Beka is a good listener. So good, in fact, that she hears things that Mattes and Clary never could - information that is passed in murmurs when flocks of pigeons gather ... murmurs that are the words of the dead.

In this way, Beka learns of someone in the Lower City who has overturned the power structure of the underworld and is terrorizing its citizens into submission and silence. Beka's magical listening talent is the only way for the Provost's Dogs to find out the identity of this brutal new underlord, for the dead are beyond fear. And the ranks of the dead will be growing if the Dogs can't stop a crime wave the likes of which has never been seen. Luckily for the people of the Lower City, the new puppy is a true terrier!

For the twelve million members of The Church of Jesus Christ of Latter-day Saints worldwide (six million in the United States), The Book of Mormon is literally the word of God, a companion volume to the Bible that contains the everlasting gospel. Doubleday is proud to publish this official trade edition of The Book of Mormon by special arrangement with the Church.

According to Mormon belief, The Book of Mormon was inscribed on golden plates by generations of prophets, quoted and abridged by the prophet-historian Mormon, and buried in the ground by Mormon's son, Moroni. Fourteen centuries later, in 1823, the angel Moroni led Joseph Smith to the plates hidden in a hillside in upstate New York. Smith translated the ancient language into English through divine revelation. The Book of Mormon narrates the historical, religious, political, and military events that shaped and continue to inform the Church's teachings. The publication of this edition offers the opportunity to explore one of the largest denominations in America today.

A preeminent scientist - and the world's most prominent atheist - asserts the irrationality of belief in God, and the grievous harm religion has inflicted on society, from the Crusades to 9/11.

With rigor and wit, Dawkins examines God in all his forms, from the sex-obsessed tyrant of the Old Testament, to the more benign (but still illogical) Celestial Watchmaker favored by some Enlightenment thinkers. He eviscerates the major arguments for religion, and demonstrates the supreme improbability of a supreme being. He shows how religion fuels war, foments bigotry, and abuses children, buttressing his points with historical and contemporary evidence.

The God Delusion makes a compelling case that belief in God is not just wrong, but potentially deadly. It also offers exhilarating insight into the advantages of atheism to the individual and society, not the least of which is a clearer, truer appreciation of the universe's wonders than any faith could ever muster.

Darkness at Noon (from the German: Sonnenfinsternis) is a novel by the Hungarian-born British novelist Arthur Koestler, first published in 1940. His best-known work tells the tale of Rubashov, a Bolshevik 1917 revolutionary who is cast out, imprisoned and tried for treason by the Soviet government he'd helped create.

Darkness at Noon stands as an unequaled fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he relives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance. Almost unbearably vivid in its depiction of one man's solitary agony, it asks questions about ends and means that have relevance not only for the past but for the perilous present.

John Crowley's masterful Little, Big is the epic story of Smoky Barnable, an anonymous young man who travels by foot from the City to a place called Edgewood—not found on any map—to marry Daily Alice Drinkawater, as was prophesied. It is the story of four generations of a singular family, living in a house that is many houses on the magical border of an otherworld. It is a story of fantastic love and heartrending loss; of impossible things and unshakable destinies; and of the great Tale that envelops us all. It is a wonder.

Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore—a far cry from the brilliant academic career Tom had begun when Nathan saw him last. Tom's boss is the colorful and charismatic Harry Brightman—a.k.a. Harry Dunkel—once the owner of a Chicago art gallery, whom fate has also brought to the "ancient kingdom of Brooklyn, New York." Through Tom and Harry, Nathan's world gradually broadens to include a new circle of acquaintances. He soon finds himself drawn into a scam involving a forged page of The Scarlet Letter, and begins to undertake his own literary venture, The Book of Human Folly, an account of "every blunder, every pratfall, every embarrassment, every idiocy, every foible, and every inane act I have committed during my long and checkered career as a man." The Brooklyn Follies is Paul Auster's warmest, most exuberant novel, a moving, unforgettable hymn to the glories and mysteries of ordinary human life.

The Sun Also Rises is a quintessential novel of the Lost Generation, one of Ernest Hemingway's masterpieces and a classic example of his spare but powerful writing style. It provides a poignant look at the disillusionment and angst of the post-World War I generation.

The novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates.

Set against an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions, the narrative captures the essence of a generation trying to find meaning in a world turned upside down. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century.

NOW A NETFLIX ORIGINAL SERIES

Some boxes should never be opened. For the first time, the complete A Series of Unfortunate Events is available in one awful package!

We can't keep you from succumbing to this international bestselling phenomenon, but we can hide all thirteen books in a huge, elaborately illustrated, shrink-wrapped box, perfect for filling an empty shelf or deep hole.

From The Bad Beginning to The End, this box set, adorned with Brett Helquist art from front to back, is the only choice for people who simply cannot get enough of a bad thing!

The novel evolved and expanded from an 1849 short story or sketch entitled Oblomov's Dream. The novel focuses on the midlife crisis of the main character, Ilya Ilyich Oblomov, an upper middle class son of a member of Russia's nineteenth century landed gentry. Oblomov's distinguishing characteristic is his slothful attitude towards life. While a common negative characteristic, Oblomov raises this trait to an art form, conducting his little daily business apathetically from his bed.

While clearly comedic, the novel also seriously examines many critical issues that faced Russian society in the nineteenth century. Some of these problems included the uselessness of landowners and gentry in a feudal society that did not encourage innovation or reform, the complex relations between members of different classes of society such as Oblomov's relationship with his servant Zakhar, and courtship and matrimony by the elite.

Nathaniel, 17, treats Bartimaeus worse than ever. The long-suffering djinni is weak from too much time in this world, near the end of his patience. Rebel Kitty, 18, hides, stealthily finishing her research on magic, demons, and Bartimaeus. She has a daring plan that she hopes will break the endless cycle of conflict between djinn and humans. But will anyone listen to what she has to say?

Together, the trio face treacherous magicians, a complex conspiracy, and a rebellious faction of demons. To survive, they must test the limits of this world and question the deepest parts of themselves. And most difficult of all—they will have to learn to trust one another.

Skin: A Natural History explores the evolution of three unique attributes of human skin: its naked sweatiness, its distinctive sepia rainbow of colors, and its remarkable range of decorations.

Nina G. Jablonski examines the modern human obsession with age-related changes in skin, especially wrinkles. She delves into our use of cosmetics, body paint, tattooing, and scarification, revealing how skin serves as a canvas for self-expression.

This work provides a fascinating look at skin's structure and functions and tours its three-hundred-million-year evolution. It also touches on the importance of touch and how skin reflects and affects emotions, placing the rich cultural canvas of skin within its broader biological context.

Two months since sixty-five thousand alien objects clenched around the Earth like a luminous fist, screaming to the heavens as the atmosphere burned them to ash. Two months of silence while a world holds its breath.

Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route.

So who do you send to force introductions on an intelligence with motives unknown, maybe unknowable? Who do you send to meet the alien when the alien doesn't want to meet?

You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees X-rays and tastes ultrasound, so compromised by grafts and splices that he no longer feels his own flesh. You send a pacifist warrior in the faint hope she won't be needed, and a fainter hope that she'll do any good if she is needed. You send a monster to command them all, an extinct hominid predator once called "vampire," recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there, a conduit through which the Dead Center might hope to understand the Bleeding Edge.

You send them all to the edge of interstellar space, praying you can trust such freaks and retrofits with the fate of a world. You fear they may be more alien than the thing they've been sent to find.

College freshman Claire Danvers has had enough of her nightmarish dorm situation, where the popular girls never let her forget just where she ranks in the school's social scene: somewhere less than zero. When Claire heads off-campus, the imposing old house where she finds a room may not be much better. Her new roommates don't show many signs of life. But they'll have Claire's back when the town's deepest secrets come crawling out, hungry for fresh blood.

One dollar and eighty-seven cents is all the money Della has in the world to buy her beloved husband a Christmas present. She has nothing to sell except her only treasure -- her long, beautiful brown hair. Set in New York at the turn of the twentieth century, this classic piece of American literature tells the story of a young couple and the sacrifices each must make to buy the other a gift. Beautiful, delicate watercolors by award-winning illustrator Lisbeth Zwerger add new poignancy and charm to this simple tale about the rewards of unselfish love.

A cursed book sends a young woman on a philosophical journey through an alternate dimension in this “stylish and dizzying” novel by the author of PopCo. Graduate student Ariel Manto has a fascination with nineteenth-century scientists—especially Thomas Lumas, the mysterious author of The End of Mr. Y, a book no one alive has read. When she uncovers a copy at a used bookstore, Ariel goes down an interdimensional rabbit hole of science and faith, consciousness and death, space and time, and everything in between. And to make matters worse, the CIA is onto her.

Following in Mr. Y’s footsteps, Ariel swallows a tincture, stares into a black dot, and is transported into the Troposphere: a wonderland where she can travel through time and space using the thoughts of others. There she begins to understand all the mysteries surrounding the book, herself, and the universe. Or is it all just a hallucination?

Nick and Allie don't survive the car accident... but their souls don't exactly get where they're supposed to get either. Instead, they're caught halfway between life and death, in a sort of limbo known as Everlost: a shadow of the living world, filled with all the things and places that no longer exist. It's a magical, yet dangerous place where bands of lost children run wild and anyone who stands in the same place too long sinks to the center of the Earth.

When they find Mary, the self-proclaimed queen of lost kids, Nick feels like he's found a home, but Allie isn't satisfied spending eternity between worlds. Against all warnings, Allie begins learning the "Criminal Art" of haunting, and ventures into dangerous territory, where a monster called the McGill threatens all the souls of Everlost.

In this imaginative novel, Neal Shusterman explores questions of life, death, and what just might lie in between.

Everyone has something to hide—especially high school juniors Spencer, Aria, Emily, and Hanna. Spencer covets her sister's boyfriend. Aria is fantasizing about her English teacher. Emily is crushing on the new girl at school. Hanna uses some ugly tricks to stay beautiful. But they've all kept an even bigger secret since their friend Alison vanished.

How do I know? Because I know everything about the bad girls they were, the naughty girls they are, and all the dirty secrets they've kept. And guess what? I'm telling.

The last volume of the fabulously popular A Series of Unfortunate Events series, in which the history of the Baudelaire orphans is brought to its end.

You are presumably looking at the back of this book, or the end of the end. The end of the end is the best place to begin the end, because if you read the end from the beginning of the beginning of the end to the end of the end of the end, you will arrive at the end of the end of your rope. This book is the last in A Series of Unfortunate Events, and even if you braved the previous twelve volumes, you probably can't stand such unpleasantries as a fearsome storm, a suspicious beverage, a herd of wild sheep, an enormous bird cage, and a truly haunting secret about the Baudelaire parents.

It has been my solemn occupation to complete the history of the Baudelaire orphans, and at last I am finished. You likely have some other occupation, so if I were you I would drop this book at once, so the end does not finish you. With all due respect, Lemony Snicket.

A Feast for Crows is the fourth book in the A Song of Ice and Fire series by George R.R. Martin, the foundation of the acclaimed HBO series Game of Thrones. As a kingdom torn asunder finds itself on the brink of peace, it is quickly launched on an even more terrifying course of destruction.

With the death of the monstrous King Joffrey, Cersei rules as regent in King's Landing. The demise of Robb Stark has broken the back of the Northern rebels, and his siblings are scattered like seeds on barren soil. The war has burned itself out, but the aftermath is just as dangerous. Outlaws, renegades, and carrion eaters gather, picking over the bones of the dead and fighting for the spoils.

In the Seven Kingdoms, new plots and alliances are formed, and surprising faces emerge from the twilight of past struggles to take up the challenges ahead. Nobles and commoners, soldiers and sorcerers, assassins and sages all stake their fortunes and their lives. For at a feast for crows, many are guests, but only a few are survivors.

San Francisco art patron Bibi Chen has planned a journey of the senses along the famed Burma Road for eleven lucky friends. But after her mysterious death, Bibi watches aghast from her ghostly perch as the travelers veer off her itinerary and embark on a trail paved with cultural gaffes and tribal curses, Buddhist illusions and romantic desires. On Christmas morning, the tourists cruise across a misty lake and disappear.

With picaresque characters and mesmerizing imagery, Saving Fish from Drowning gives us a voice as idiosyncratic, sharp, and affectionate as the mothers of The Joy Luck Club. Bibi is the observant eye of human nature–the witness of good intentions and bad outcomes, of desperate souls and those who wish to save them. In the end, Tan takes her readers to that place in their own heart where hope is found.

Three years ago, David Hunter moved to rural Norfolk to escape his life in London, his gritty work in forensics, and a tragedy that nearly destroyed him. Working as a simple country doctor, seeing his lost wife and daughter only in his dreams, David struggles to remain uninvolved when the corpse of a woman is found in the woods, a macabre sign from her killer decorating her body.

In one horrifying instant, the quiet summer countryside that had been David’s refuge has turned malevolent—and suddenly there is no place to hide.

The village of Manham is tight-knit, far from the beaten path. As a newcomer, Dr. Hunter is immediately a suspect. Once an expert in analyzing human remains, he reluctantly joins the police investigation—and when another woman disappears, it soon becomes personal. Because this time she is someone David knows, someone who has managed to penetrate the icy barrier around his heart.

With a killer’s bizarre and twisted methods screaming out to him, with a brooding countryside beset with suspicion, David can feel the darkness gathering around him. For as the clock ticks down on a young woman’s life, David must follow a macabre trail of clues—all the way to its final, horrifying conclusion.

A searing, post-apocalyptic novel destined to become Cormac McCarthy's masterpiece.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.

The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

Tiffany Aching is a trainee witch — now working for the seriously scary Miss Treason. But when Tiffany witnesses the Dark Dance — the crossover from summer to winter — she does what no one has ever done before and leaps into the dance. Into the oldest story there ever is. And draws the attention of the Wintersmith himself.

As Tiffany-shaped snowflakes hammer down on the land, can Tiffany deal with the consequences of her actions? Even with the help of Granny Weatherwax and the Nac Mac Feegle — the fightin’, thievin’ pictsies who are prepared to lay down their lives for their “big wee hag.”

Wintersmith is the third title in an exuberant series crackling with energy and humour. It follows The Wee Free Men and Hat Full of Sky.

Four mothers, four daughters, four families, whose histories shift with the four winds depending on who's telling the stories. In 1949, four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.

Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives – until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts.

With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties.

Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

Meet Dexter Morgan, a polite wolf in sheep's clothing. He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims.

But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.