The Pulitzer Prize–winning author of Evicted reimagines the debate on poverty, making a “provocative and compelling” (NPR) argument about why it persists in America: because the rest of us benefit from it. “Urgent and accessible . . . Its moral force is a gut punch.”—The New Yorker

The United States, the richest country on earth, has more poverty than any other advanced democracy. Why? Why does this land of plenty allow one in every eight of its children to go without basic necessities, permit scores of its citizens to live and die on the streets, and authorize its corporations to pay poverty wages?

In this landmark book, acclaimed sociologist Matthew Desmond draws on history, research, and original reporting to show how affluent Americans knowingly and unknowingly keep poor people poor. Those of us who are financially secure exploit the poor, driving down their wages while forcing them to overpay for housing and access to cash and credit. We prioritize the subsidization of our wealth over the alleviation of poverty, designing a welfare state that gives the most to those who need the least. And we stockpile opportunity in exclusive communities, creating zones of concentrated riches alongside those of concentrated despair. Some lives are made small so that others may grow.

Elegantly written and fiercely argued, this compassionate book gives us new ways of thinking about a morally urgent problem. It also helps us imagine solutions. Desmond builds a startlingly original and ambitious case for ending poverty. He calls on us all to become poverty abolitionists, engaged in a politics of collective belonging to usher in a new age of shared prosperity and, at last, true freedom.

A nameless character. A faceless figure. A disturbing, thought-provoking journey through the facts of the world we live in that we often refuse to acknowledge.

By taking full advantage of their author's lack of identity and extreme levels of introspection, The Unwords unleash a full scale attack on all fronts of cultural and social decay. Education, religion, politics, language, relationships and common every day social activities are stripped down to their bare foundations and deconstructed through the eyes of a man who has rejected any notion of self in his quest for truth and justice.

Written in fluent poetic verse which expands into full-page illustrations that carry the theme into artistic territory, the words blend seamlessly with the arts as they form novel-like chapters; a new, refreshing form of writing known as "Graphic-verse."

Originally published in 2012, The Unwords introduced Graphic-verse to the public and readers quickly embraced this newly created genre. This expanded second edition of The Unwords features 35 pages of additional material, including 54 full color illustrations as well as an introduction by the author himself, revealing his entire creative process, his influences, as well as his motivations and the reasoning behind the book's unusual structure.

Words are meant to be spoken. In a dishonest world, what remains unspoken can only be the truth. In a dishonest world... the pen is never mightier than the sword!

In The End of Faith, Sam Harris delivers a startling analysis of the clash between reason and religion in the modern world. He offers a vivid, historical tour of our willingness to suspend reason in favor of religious beliefs—even when these beliefs inspire the worst human atrocities.

While warning against the encroachment of organized religion into world politics, Harris draws on insights from neuroscience, philosophy, and Eastern mysticism to deliver a call for a truly modern foundation for ethics and spirituality that is both secular and humanistic.

The bestselling novels from the foremost philosopher of the modern age, this set includes Atlas Shrugged and The Fountainhead.