Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

Keiko Furukura had always been considered a strange child, and her parents always worried how she would get on in the real world, so when she takes on a job in a convenience store while at university, they are delighted for her. For her part, in the convenience store she finds a predictable world mandated by the store manual, which dictates how the workers should act and what they should say, and she copies her coworkers' style of dress and speech patterns so that she can play the part of a normal person. However, eighteen years later, at age 36, she is still in the same job, has never had a boyfriend, and has only few friends. She feels comfortable in her life, but is aware that she is not living up to society's expectations and causing her family to worry about her. When a similarly alienated but cynical and bitter young man comes to work in the store, he will upset Keiko's contented stasis--but will it be for the better?

Disappearance at Devil's Rock is an eerie tale that blends literary fiction, psychological suspense, and supernatural horror. Elizabeth Sanderson's world is turned upside down when she receives the devastating news that her fourteen-year-old son, Tommy, has vanished without a trace in the woods of a local park. The lack of answers from the search efforts leaves Elizabeth and her young daughter, Kate, grappling with the inconceivable.

Their distress is amplified by frustration and anger, as the local and state police fail to produce any leads. Tommy's friends, Josh and Luis, who were with him on that fateful night at Borderland State Park—a place cursed according to local lore—might not be completely forthcoming with what they know.

As Elizabeth lives through what seems like a never-ending nightmare, she encounters a series of bizarre occurrences. She believes she sees a ghostly apparition of Tommy in her bedroom; Kate and other residents also report sightings of a mysterious figure peering into their homes at night. Adding to the eeriness, pages from Tommy's journal start to appear out of nowhere, revealing his fascination with the supernatural, the tragic loss of his father, and a chilling folktale tied to the very woods where he disappeared.

The deeper the search for answers goes, the more haunting and malevolent the implications become. No one is ready to face the harrowing truth about the night Tommy disappeared at Devil's Rock.

An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction.

Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

Insightful, incisive, witty, and wise, The View from the Cheap Seats explores the issues and subjects that matter most to Neil Gaiman—offering a glimpse into the head and heart of one of the most acclaimed, beloved, and influential artists of our time.

From the author of the award-winning novels Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page.

The collection delves into the lifetime consequences that can come from a simple act, and the way our lives play across the world, marking language, image, and each other. Thirteen Ways of Looking is framed by two author’s notes, each dealing with contemporary issues at home and in Ireland, the author's birthplace.

Brilliant in its clarity and deftness, this collection reminds us why Colum McCann is considered among the very best contemporary writers. Accompanied by three equally powerful stories set in Afghanistan, Galway, and London, this is a tribute to humanity's search for meaning and grace.

Ana quiere plantar una milpa en su traspatio, en plena Ciudad de México. Pero en la tierra hay altos contenidos de plomo y la privada donde vive está plagada de ausencias. Su hermana murió, sus papás están de luto y sus hermanos de campamento; su única amiga se fue a buscar a quien la abandonó cuatro años atrás. Menos mal que queda Alfonso.

Alfonso es un antropólogo especializado en alimentación prehispánica. Es viudo y dueño de la privada Campanario. Él mismo la diseñó a partir de un esquema de la lengua humana y dio a las casas el nombre de cada uno de los cinco sabores que percibimos: Dulce, Salado, Amargo, Ácido y Umami.

En duelo, los habitantes de la privada desearían echar el tiempo atrás. Tejida al revés, esta novela se los permite. Mientras Ana remueve la tierra y clava las semillas, sus vecinos hurgan en el pasado. Pero el traspatio de la memoria está minado con preguntas: ¿Quién fue mi mujer? ¿Por qué se fue mi mamá? Y, ¿cómo es posible que se ahogara una niña que sabía nadar? Umami constituye una propuesta literaria original en su afán por explorar la amplia gama de sensaciones y emociones que el ser humano -en distintas etapas de la vida- experimenta.

Las autodenominadas «mujeres ardientes», que protestan contra una forma extrema de violencia doméstica que se ha vuelto viral; una estudiante que se arranca las uñas y las pestañas, y otra que intenta ayudarla; los años de apagones dictados por el gobierno durante los cuales se intoxican tres amigas que lo serán hasta que la muerte las separe; el famoso asesino en serie llamado Petiso Orejudo, que sólo tenía nueve años; hikikomori, magia negra, los celos, el desamor, supersticiones rurales, edificios abandonados o encantados... En estos doce cuentos el lector se ve obligado a olvidarse de sí mismo para seguir las peripecias e investigaciones de cuerpos que desaparecen o bien reaparecen en el momento menos esperado. Ya sea una trabajadora social, una policía o un guía turístico, los protagonistas luchan por apadrinar a seres socialmente invisibles, indagando así en el peso de la culpa, la compasión, la crueldad, las dificultades de la convivencia, y en un terror tan hondo como verosímil.

«El terror, en los cuentos de Mariana Enriquez, se desliza como un jadeo de agua negra sobre baldosas al sol. Como algo imposible que, sin embargo, podría suceder» (Leila Guerriero).