From Jesmyn Ward—the two-time National Book Award winner, youngest winner of the Library of Congress Prize for Fiction, and MacArthur Fellow—comes a haunting masterpiece, sure to be an instant classic, about an enslaved girl in the years before the Civil War.

“‘Let us descend,’ the poet now began, ‘and enter this blind world.’” — Inferno, Dante Alighieri

Let Us Descend is a reimagining of American slavery, as beautifully rendered as it is heart-wrenching. Searching, harrowing, replete with transcendent love, the novel is a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a Louisiana sugar plantation.

Annis, sold south by the white enslaver who fathered her, is the reader’s guide through this hellscape. As she struggles through the miles-long march, Annis turns inward, seeking comfort from memories of her mother and stories of her African warrior grandmother. Throughout, she opens herself to a world beyond this world, one teeming with of earth and water, of myth and history; spirits who nurture and give, and those who manipulate and take. While Ward leads readers through the descent, this, her fourth novel, is ultimately a story of rebirth and reclamation.

From one of the most singularly brilliant and beloved writers of her generation, this miracle of a novel inscribes Black American grief and joy into the very land—the rich but unforgiving forests, swamps, and rivers of the American South. Let Us Descend is Jesmyn Ward’s most magnificent novel yet, a masterwork for the ages.

Julia: A Novel is an imaginative, feminist, and brilliantly relevant-to-today retelling of Orwell's 1984, from the point of view of Winston Smith's lover, Julia, by critically acclaimed novelist Sandra Newman. Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It's 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania.

Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell's 1984. All her life, Julia has known only Oceania, and, until she meets Winston Smith, she has never imagined anything else.

She is an ideal citizen: cheerfully cynical, always ready with a bribe, piously repeating every political slogan while believing in nothing. She routinely breaks the rules, but also collaborates with the regime when necessary. Everyone likes Julia. Then one day she finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story.

Julia takes us on a surprising journey through Orwell's now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe. This unique perspective lays bare our own world in haunting and provocative ways, just as the original did almost seventy-five years ago.

From the bestselling author of We the Animals, Blackouts mines lost histories—personal and collective.

Out in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book—Sex Variants: A Study of Homosexual Patterns—and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried.

The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time.

The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures? A book about storytelling—its legacies, dangers, delights, and potential for change—and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made—a world full of ghostly shadows and flashing moments of truth.

A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

Rome—metropolis and monument, suspended between past and future, multi-faceted and metaphysical—is the protagonist, not the setting, of these nine stories. This collection marks the first short story compilation by the Pulitzer Prize–winning master since the number one New York Times bestseller Unaccustomed Earth, and is heralded as a major literary event.

In “The Boundary,” a family vacations in the Roman countryside, yet we glimpse their lives through the perspective of the caretaker’s daughter, who harbors a scar from her family’s immigrant history. “P’s Parties” recounts how a Roman couple, now without children at home, discover solace and fellowship with internationals at their friend’s annual birthday celebration—until the husband oversteps a boundary. “The Steps” introduces us to a public staircase bridging two communities and the individuals traversing it, showcasing Italy’s capital in its full social and cultural spectrum, brimming with the dynamics of an evolving city: visibility and invisibility, spontaneous acts of aggression, the dilemma of navigating different worlds and cultures, and the essence of home.

These are magnificent, inquisitive tales, penned in Jhumpa Lahiri’s chosen language of Italian and impeccably translated by the author alongside Knopf editor Todd Portnowitz. The stories are imbued with the atmospheres of Italian virtuoso Alberto Moravia and in the final narrative, are led by the unavoidable spirit of Dante Alighieri, whose verses steer the protagonist towards an altered path of life.

The Hive and the Honey is a spectacular collection of unique stories from the beloved author Paul Yoon. Each story in this collection confronts themes of identity, belonging, and the collision of cultures across countries and centuries.

A boy searches for his father, a prison guard on Sakhalin Island. In Barcelona, a woman is tasked with spying on a prizefighter who may or may not be her estranged son. A samurai escorts an orphan to his countrymen in the Edo Period. A formerly incarcerated man starts a new life in a small town in upstate New York and attempts to build a family.

The Hive and the Honey portrays the vastness and complexity of diasporic communities, with each story bringing to light the knotty inheritances of their characters. From a North Korean defector connecting with the child she once left behind to the traumas that haunt a Korean settlement in Far East Russia, Paul Yoon's stories are laced with beauty and cruelty, marking the work of an author writing at the very height of his powers.

Heartbreaking and redeeming, Pearl is the story of a young woman in a small English village who is struggling with the disappearance of her mother, what feels like a lifetime ago. Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a small village, she clings to the fragmented memories of her mother’s love; the smell of fresh herbs, the games they played, and the songs and stories of her childhood.

As time passes, Marianne finds it difficult to adjust, fixated on her mother’s disappearance and the secrets she’s sure her father is keeping from her. Yet, in one of her mother’s dusty old books, she discovers a medieval poem called Pearl, and, trusting in the promise of its consolation, it seems as if her life begins to parallel the poem's course. But questions remain. Marianne is ever more tormented by the unmarked gravestone in the abandoned chapel and the tidal pull of the river, and as her childhood home begins to crumble, the past leads her down a path of self-destruction.

Can Marianne ever come to understand her mother’s choices? And will her own future as a mother help her find her peace?

From one of contemporary literature’s most exciting new voices, a haunting story centered on the Hungarian polymath John von Neumann, tracing the impact of his singular legacy on the dreams and nightmares of the twentieth century and the nascent age of AI.

Benjamín Labatut’s When We Cease to Understand the World electrified a global readership. In The Maniac, Labatut has created a tour de force on an even grander scale. A prodigy whose gifts terrified the people around him, John von Neumann transformed every field he touched, inventing game theory and the first programmable computer, and pioneering AI, digital life, and cellular automata.

Through a chorus of family members, friends, colleagues, and rivals, Labatut shows us the evolution of a mind unmatched and of a body of work that has unmoored the world in its wake. The Maniac places von Neumann at the center of a literary triptych that begins with Paul Ehrenfest, an Austrian physicist and friend of Einstein, who fell into despair when he saw science and technology become tyrannical forces; it ends a hundred years later, in the showdown between the South Korean Go Master Lee Sedol and the AI program AlphaGo, an encounter embodying the central question of von Neumann's most ambitious unfinished project: the creation of a self-reproducing machine, an intelligence able to evolve beyond human understanding or control.

A work of beauty and fabulous momentum, The Maniac confronts us with the deepest questions we face as a species.

Land of Milk and Honey is a rapturous and revelatory novel from the award-winning author of How Much of These Hills Is Gold. It tells the story of a young chef whose discovery of pleasure alters her life and, indirectly, the world.

Amidst a backdrop where smog has spread and food crops are rapidly disappearing, a chef flees her dying career in a bleak city to take a job at a decadent mountaintop colony, a place seemingly untouched by the world's troubles. Here, the sky is once again clear, and rare ingredients are in abundance.

Her enigmatic employer and his visionary daughter have created a lush new existence for the global elite, rekindling the chef's senses to the joys of taste, touch, and her own body. In this realm filled with hidden splendors and a cool, seductive violence, the chef experiences a thrilling dissolution of her boundaries.

She soon finds herself at the heart of a shocking endeavor to transform the world far beyond culinary delights. Land of Milk and Honey is a sensuous and surprising tale, joyful yet bitingly sharp. It's a daringly imaginative journey through desire and deception, privilege and faith, survival, and the roles we assume. Above all, it is an ode to food, to unbridled delight, and to the transformative power of a woman embracing her own voracious appetite.

From the best-selling author of The Twelve Tribes of Hattie, comes a searing multi-generational novel set in the 1980s in racially and politically turbulent Philadelphia and in the tiny town of Bonaparte, Alabama, about a mother fighting for her sanity and survival.

From the moment Ava Carson and her ten-year-old son, Toussaint, arrive at the Glenn Avenue family shelter in Philadelphia 1985, Ava is already plotting a way out. She is repulsed by the shelter's squalid conditions: their cockroach-infested room, the barely edible food, and the shifty night security guard. She is determined to rescue her son from the perils and indignities of that place, and to save herself from the complicated past that led them there.

Ava has been estranged from her own mother, Dutchess, since she left her Alabama home as a young woman barely out of her teens. Despite their estrangement and the thousand miles between them, mother and daughter are deeply entwined, but Ava can't forgive her sharp-tongued, larger than life mother whose intractability and bouts of debilitating despair brought young Ava to the outer reaches of neglect and hunger. Ava wants to love her son differently, better.

But when Toussaint’s father, Cass, reappears, she is swept off course by his charisma, and the intoxicating power of his radical vision to destroy systems of racial injustice and bring about a bold new way of communal living. Meanwhile, in Alabama, Dutchess struggles to keep Bonaparte, once a beacon of Black freedom and self-determination, in the hands of its last five Black residents—families whose lives have been rooted in this stretch of land for generations—and away from rapidly encroaching white developers. She fights against the erasure of Bonaparte's venerable history and the loss of the land itself, which she has so arduously preserved as Ava's inheritance.

As Ava becomes more enmeshed with Cass, Toussaint senses the danger simmering all around him—his well-intentioned but erratic mother; the intense, volatile figure of his father who drives his fledgling Philadelphia community toward ever increasing violence and instability. He begins to dream of Dutchess and Bonaparte, his home and birthright, if only he can find his way there.

Brilliant, explosive, vitally important new work from one of America’s most fiercely talented storytellers.

An incandescent novel from one of our greatest living novelists (The Times) about the inheritance of trauma, wonder, and love across three generations of women.

Nell McDaragh never knew her grandfather, the famed Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless, full of verve and wit, twenty-two-year-old Nell leaves her mother Carmel's home to find her voice as a writer and live a life of her choosing. Carmel, too, knows the magic of her Daddo's poetry—and the broken promises within its verses. When Phil abandons the family, Carmel struggles to reconcile "the poet" with the man whose desertion scars Carmel, her sister, and their cancer-ridden mother.

The Wren, the Wren brings to life three generations of women who contend with inheritances—of abandonment and of sustaining love that is "more than a strand of DNA, but a rope thrown from the past, a fat twisted rope, full of blood." In sharp prose studded with crystalline poetry, Anne Enright masterfully braids a family story of longing, betrayal, and hope.

Set against the backdrop of a rapidly changing world, Lessons is a sweeping and intimate novel from the Booker Prize-winning author Ian McEwan.

It follows the life of Roland Baines, whose world is forever altered by a chance encounter at school. The novel takes us through pivotal moments in Roland's life, from the Suez Crisis of 1956 to the COVID-19 pandemic, examining love, loss, and the passage of time. As Roland navigates the complexities of life, Lessons delves into the personal and political, creating a rich tapestry of human experience.

The narrative explores the intimate connections between the personal and the historical, as Roland's life intersects with the major events of the late twentieth and early twenty-first centuries. McEwan's masterful storytelling weaves a tale that is both deeply personal and universally resonant, reflecting on the lessons we learn and the ones we choose to ignore.

A taut and electrifying novel from celebrated bestselling author Lauren Groff, about one spirited girl alone in the wilderness, trying to survive.

A servant girl escapes from a colonial settlement in the wilderness. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her. What she finds in this terra incognita is beyond the limits of her imagination and will bend her belief in everything that her own civilization has taught her.

Lauren Groff’s new novel is at once a thrilling adventure story and a penetrating fable about trying to find a new way of living in a world succumbing to the churn of colonialism. The Vaster Wilds is a work of raw and prophetic power that tells the story of America in miniature, through one girl at a hinge point in history, to ask how—and if—we can adapt quickly enough to save ourselves.

From acclaimed and bestselling novelist Zadie Smith, The Fraud is a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and about who deserves to be believed.

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life, and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

Andrew Bogle meanwhile grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. He knows that the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.

The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task…

Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity, and the mystery of “other people.”

In this beautiful and moving novel about family, love, and growing up, Ann Patchett once again proves herself one of America's finest writers. "Patchett leads us to a truth that feels like life rather than literature." --The Guardian

It's spring and Lara's three grown daughters have returned to the family orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the one story they've always longed to hear – of the film star with whom she shared a stage, and a romance, years before.

Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart.

Witness by National Book Award finalist Jamel Brinkley is an elegant, insistent narrative of actions taken and not taken. It explores the profound question: What does it mean to really see the world around you—to bear witness? And what does it cost us, both to see and not to see?

In this collection of ten stories, each set in the changing landscapes of contemporary New York City, a range of characters—from children to grandmothers to ghosts—live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city.

Witness enacts its own testimony through portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust—doctors, employers, siblings—too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.

With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.

A masterful collection of stories that plumb the depths of everyday life to reveal the shifting tides and hidden undercurrents of ordinary relationships. Tessa Hadley has been praised as "one of the greatest stylists alive" by Ron Charles of the Washington Post. Her work draws comparisons to Alice Munro, with a keen eye for the travails, fantasies, and small joys of life.

The anthology, featuring twelve stories, explores the profound impact of seemingly small events. From Heloise's encounter with a connection to her father's tragic death, to two estranged sisters' awkward reunion, and Janie's mother's disrupted wedding plans, each narrative delves into the complexities of human relationships.

Throughout the collection, Hadley examines the tensions between responsibility and freedom, power and desire, and the clash between societal norms and personal aspirations. The stories are as psychologically astute as they are emotionally rich, highlighting Hadley's ability to bring to life both the superficial aspects of life and its deeper, often hidden layers.

This collection is a vital addition to Tessa Hadley's celebrated body of work and stands as a testament to her extraordinary skill in literary craft.

Banyan Moon is a sweeping, evocative debut novel following three generations of Vietnamese American women reeling from the death of their matriarch, revealing the family's inherited burdens and buried secrets.

When Ann Tran gets the call that her beloved grandmother, Minh, has passed away, her life is already at a crossroads. Ann has built a seemingly perfect life. She lives in a beautiful lake house and has a charming professor boyfriend, but it all crumbles away with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Hu'o'ng. Under the same roof for the first time in years, mother and daughter must face the simmering questions of their past, while trying to rebuild their relationship without the one person who's always held them together.

Running parallel to this is Minh's story, as she goes from a lovestruck teenager living in the shadow of the Vietnam War to a determined young mother immigrating to America in search of a better life. And when Ann makes a shocking discovery in the Banyan House's attic, long-buried secrets come to light as it becomes clear how decisions Minh made in her youth affected the rest of her life and her family.

Spanning decades and continents, from 1960s Vietnam to the wild swamplands of the Florida coast, Banyan Moon is a stunning and deeply moving story of mothers and daughters, the things we inherit, and the lives we choose to make out of that inheritance.

From “one of the most acute and lasting writers of her generation” (The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen.

“Who else but Lorrie Moore could make, in razor-sharp irresistible prose, a ghost story about death buoyant with life?” —PEOPLE

“Is it an allegory? Is it real? It doesn’t matter...[It’s] a novel with big questions, no answers, and it’s absolutely brilliant.” —Lit Hub

“[A] triumph of tone and, ultimately, of the imagination.” —The Guardian

Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart.

A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all...

With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.

Yellowface has been described as 'A riot' by PANDORA SYKES, 'Razor-sharp' by TIME, 'A wild ride' by STYLIST, 'Darkly comic' by GQ, and 'Satirical and humorous' by COSMOPOLITAN. It introduces us to Athena Liu, a literary darling, and June Hayward, literally nobody.

When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. With a blend of dark humour, as evidence threatens June's stolen success, she will discover exactly how far she will go to keep what she thinks she deserves, leading to deadly consequences. What happens next is entirely everyone else's fault.

The Late Americans is a deeply involving new novel by Brandon Taylor, the Booker Prize finalist and acclaimed author of Real Life and Filthy Animals. Set in the shared and private spaces of Iowa City, the novel follows a loose circle of lovers and friends through a volatile year of self-discovery. Among them are Seamus, a young poet; Ivan, a dancer turned aspiring banker; Fatima, whose independence and work ethic complicate her relationships; and Noah, who experiences sex as something that comes to him unexpectedly.

The characters are surrounded by a diverse cast, including artists, landlords, meatpacking workers, and mathematicians who populate the cafes, classrooms, and kitchens of the city. Their interactions sometimes lead to violent and electrifying consequences. As each individual prepares for an uncertain future, they gather at a cabin to bid farewell to their former lives—a moment of reckoning that changes them forever.

The Late Americans is a novel about friendship, chosen family, love, sex, ambition, and the precarious nature of contemporary life. It poses fresh questions and offers a rich, involving narrative that cements Brandon Taylor's position as a perceptive chronicler of our times.

The Guest by Emma Cline is a captivating novel that explores the complexities of identity, belonging, and the thin line between being a welcome and an unwelcome guest. Set against the backdrop of the East End of Long Island as summer draws to a close, we meet Alex, a young woman who finds herself no longer welcome in the opulent world she's been navigating.

After a faux pas at a dinner party, the older man she's been staying with sends her packing with a ride to the train station and a one-way ticket back to the city. With little to her name and her phone damaged by water, Alex's ability to read and manipulate the desires of those around her becomes her survival tool. She chooses to stay on the island, becoming a spectral presence weaving through the elite enclaves of wealth and privilege.

Driven by desperation and a fluid moral compass, Alex spends the days leading up to Labor Day moving from one temporary refuge to another, leaving a trail of chaos in her wake. The Guest is a sharply drawn, propulsive narrative that holds the reader spellbound, a testament to Emma Cline's prowess as a storyteller.

August Blue, a mesmerising new novel from the twice Booker-shortlisted author Deborah Levy, delves into the life of Elsa M. Anderson, a piano virtuoso and former child prodigy, now in her thirties, who finds herself in a moment of crisis. At the pinnacle of her career, Elsa walks off the stage in Vienna, mid-performance, setting off on a journey to escape her talent and her past.

Her odyssey takes her to Athens, where she encounters a woman so familiar, she could be her double. This woman purchases a pair of mechanical dancing horses at a flea market—objects Elsa herself desires but cannot have. This encounter sparks Elsa's trek across Europe, haunted by the presence of the woman who seems to share her soul.

August Blue paints a dazzling portrait of melancholy and metamorphosis, exploring the ways we attempt to rewrite our life stories and the pursuit to reinvent ourselves.

From one of our fiercest stylists, a roaring epic chronicling the life, times, and secrets of a notorious artist.

When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, CM, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction.

All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification.

A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows CM as she traces X’s peripatetic trajectory over decades, from Europe to the ruins of America’s divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined.

Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.

Birnam Wood is Shakespearean in its drama, Austenian in its wit, and, like both influences, fascinated by what makes us who we are. It is an unflinching look at the surprising consequences of even our most well-intended actions, and an enthralling consideration of the human impulse to ensure our own survival.

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster has created an opportunity for Birnam Wood, an unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. Then Mira, Birnam Wood’s founder, stumbles on an answer: occupying the farm at Thorndike would mean a shot at solvency at last.

But Mira is not the only one interested in Thorndike. The enigmatic American billionaire Robert Lemoine has snatched it up to build his end-times bunker, or so he tells Mira when he catches her on the property. Intrigued by Mira and Birnam Wood, he makes them an offer that would set them up for the long term. But can they trust him? And, as their ideals and ideologies are tested, can they trust one another?

Enseñar a Hablar a un Monstruo es una indagación literaria sobre el gran misterio que nos hace humanos: el lenguaje. Es el primer libro de no ficción del novelista, traductor y profesor de linguística José C. Vales. Este ensayo narrativo y literario nos propone un viaje al origen del lenguaje, la evolución de las lenguas y el milagro de la escritura.

Armado con múltiples preguntas y reflexiones, el autor plantea las diferentes teorías que explican por qué estamos dotados de lenguaje, cómo evoluciona y de qué manera empieza a transcribirse. El texto es una lectura deliciosa, amena, interesante y sugerente respecto a un tema universal, explicado con afán didáctico y libre de tecnicismos.

Con el estilo que caracteriza a José C. Vales, repleto de lucidez, sabiduría y siempre con su toque irónico pero amable, descubriremos el fascinante mundo de la comunicación humana.

A successful film professor and podcaster, Bodie Kane, is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia's death and the conviction of the school's athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn't as much of an outsider at Granby as she'd thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case.

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman's reckoning with her past, with a transfixing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

A novel inspired by the true story of the once racially integrated Malaga Island off the coast of Maine, by the Pulitzer Prize-winning author of Tinkers.

In 1792, formerly enslaved Benjamin Honey and his Irish wife, Patience, discovered an island where they could make a life together. More than a century later, the Honeys' descendants remain there, with an eccentric, diverse band of neighbors: a pair of sisters raising three Penobscot orphans; Theophilus and Candace Larks and their nocturnal brood; the prophetic Zachary Hand To God Proverbs, a Civil War veteran who carves Biblical images in a hollow tree. Then comes the intrusion of civilization: eugenics-minded state officials determine to cleanse the island, and a missionary schoolteacher selects one light-skinned boy to save. The rest will succumb to the authorities' institutions or cast themselves on the waters in a new Noah's Ark.

Full of lyricism and power, This Other Eden explores the hopes and dreams and resilience of those seen not to fit a world brutally intolerant of difference.

Lauren Groff returns with her exhilarating first new novel since the groundbreaking Fates and Furies.

Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, 17-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease.

At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her: devotion to her sisters, and a conviction in her own divine visions. Marie, born the last in a long line of women warriors and crusaders, is determined to chart a bold new course for the women she now leads and protects. But in a world that is shifting and corroding in frightening ways, one that can never reconcile itself with her existence, will the sheer force of Marie's vision be bulwark enough?

Equally alive to the sacred and the profane, Matrix gathers currents of violence, sensuality, and religious ecstasy in a mesmerizing portrait of consuming passion, aberrant faith, and a woman that history moves both through and around. Lauren Groff's new novel, her first since Fates and Furies, is a defiant and timely exploration of the raw power of female creativity in a corrupted world.