In the midst of a mysterious environmental crisis, as London is submerged below floodwaters, a woman gives birth to her first child, Z. Days later, the family is forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds.

This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family's world—of new life and new hope—sings with love.

The Door is a fascinating and unsettling exploration of the relationship between two very different women. Magda is a writer, educated, married to an academic, public-spirited, with an on-again-off-again relationship to Hungary’s Communist authorities. Emerence is a peasant, illiterate, impassive, abrupt, and seemingly ageless. She lives alone in a house that no one else may enter, not even her closest relatives. She is Magda’s housekeeper and has taken control over Magda’s household, becoming indispensable to her. And Emerence, in her way, has come to depend on Magda.

They share a kind of love—at least until Magda’s long-sought success as a writer leads to a devastating revelation. Len Rix’s prizewinning translation of The Door at last makes it possible for American readers to appreciate the masterwork of a major modern European writer.

Con un ritmo y un lenguaje magistrales, Fernanda Melchor, autora de Falsa liebre explora en esta obra las sinrazones que subyacen a los actos más desesperados de barbarie pasional. Una novela cruda y desgarradora en la que el lector quedará envuelto, atrapado por las palabras y la atmósfera de terrible, aunque gozosa, fatalidad.

Un grupo de niños encuentra un cadáver flotando en las aguas turbias de un canal de riego cercano a la ranchería de La Matosa. El cuerpo resulta ser de la Bruja, una mujer que heredó dicho oficio de su madre fallecida, y a quienes los pobladores de esa zona rural respetaban y temían. Tras el macabro hallazgo, las sospechas y habladurías recaerán sobre un grupo de muchachos del pueblo, a quienes días antes una vecina vio mientras huían de casa de la hechicera, cargando lo que parecía ser un cuerpo inerte.

A partir de ahí, los personajes involucrados en el crimen nos contarán su historia mientras los lectores nos sumergimos en la vida de este lugar acosado por la miseria y el abandono, y donde convergen la violencia del erotismo más oscuro y las sórdidas relaciones de poder. 

Hourglass is an inquiry into how marriage is transformed by time--abraded, strengthened, shaped in miraculous and sometimes terrifying ways by accident and experience. With courage and relentless honesty, Dani Shapiro opens the door to her house, her marriage, and her heart, and invites us to witness her own marital reckoning--a reckoning in which she confronts both the life she dreamed of and the life she made, and struggles to reconcile the girl she was with the woman she has become.

Drawing on literature, poetry, philosophy, and theology, Shapiro writes gloriously of the joys and challenges of matrimonial life, in a luminous narrative that unfurls with urgent immediacy and sharp intelligence. Artful, intensely emotional work from one of our finest writers.

The Idiot, a novel by Elif Batuman, is a portrait of the artist as a young woman, exploring the themes of self-discovery and inventing oneself. Set in the year 1995, when email was a new phenomenon, we follow Selin, the daughter of Turkish immigrants, as she begins her freshman year at Harvard. Without any preconceived plans, she enrolls in classes on unfamiliar subjects, forges a friendship with the charismatic and worldly Serbian classmate Svetlana, and, almost by chance, starts corresponding with Ivan, a Hungarian mathematics student.

Despite their limited face-to-face interactions, Selin and Ivan develop a complex relationship through their email exchanges, with each message adding new and mysterious layers to the act of writing. As the school year concludes, Ivan departs for Budapest, and Selin embarks on a teaching assignment in the Hungarian countryside, a position arranged by one of Ivan's friends. Her journey also includes a two-week sojourn in Paris with Svetlana.

Unlike the typical narratives of American college students abroad, Selin's experiences in Europe lead her on an introspective journey. She confronts the bewildering and exhilarating turmoil of first love and comes to an important realization: she is destined to become a writer. The Idiot is a candid reflection on the complexities of becoming an adult, filled with exquisite emotional and intellectual sensitivity, mordant wit, and a writing style that captures the unpredictable nature of memory itself.

A cuatro profesores de literatura, Pelletier, Morini, Espinoza y Norton, los une su fascinación por la obra de Beno von Archimboldi, un enigmático escritor alemán cuyo prestigio crece en todo el mundo. La complicidad se vuelve vodevil intelectual y desemboca en un peregrinaje a Santa Teresa (trasunto de Ciudad Juárez), donde hay quien dice que Archimboldi ha sido visto. Ya allí, Pelletier y Espinoza se enteran de que la ciudad es desde años atrás escenario de una larga cadena de crímenes: en los vertederos aparecen cadáveres de mujeres con señales de haber sido violadas y torturadas. Es el primer asomo de la novela a sus procelosos caudales, repletos de personajes memorables cuyas historias, a caballo entre la risa y el horror, abarcan dos continentes e incluyen un vertiginoso travelling por la historia europea del siglo XX.

Idaho, a sharp, stunning debut novel by Emily Ruskovich, explores themes of grief, loss, and redemption, and has been recognized as an Irish bestseller. Set against the backdrop of a hot August day, a family outing to collect birch wood in a mountain clearing becomes the scene of a harrowing event.

Jenny, the mother, is tasked with trimming the logs while Wade, the father, stacks them. Their daughters, June and May, try to enjoy their time with lemonade and songs amidst the sweltering heat. Amidst the mundane, something unthinkable occurs, a shocking act that will send the family spiraling in different directions and leave haunting questions lingering for years to come.

Idaho is a multi-layered narrative that is both beautifully crafted and devastating in its portrayal of the complexities of family life and the human condition. It is a tale that promises to captivate readers, leaving a lasting impression long after the final page is turned.

Un revólver para salir de noche, escrita por Monika Zgustova, es una obra que sigue su exploración de la figura femenina en el siglo XX. En esta ocasión, la autora se enfoca en Véra Nabokov, la esposa de Vladimir Nabokov, quien desempeñó un papel clave en la vida y el éxito del renombrado escritor.

Véra Nabokov es retratada como una mujer de gran claridad, que eligió dedicar su vida al triunfo de su esposo. Ella fue la primera en leer los manuscritos de Vladimir, encargándose de transcribirlos y prepararlos para su publicación. Además, Véra organizó la vida de la familia Nabokov durante su exilio, viviendo primero en Berlín, luego en París y, finalmente, en Estados Unidos. Allí convenció a Vladimir de cambiar al inglés y centrarse en la novela, hasta que volvieron a Europa y se establecieron en Suiza.

La novela también explora las dinámicas de poder en la relación de los Nabokov, cuestionando si Véra era realmente independiente o si su existencia giraba completamente en torno a su marido. La narrativa se sumerge en las complejas interacciones de Nabokov con otras mujeres y el impacto que tuvieron en su vida y obra, a pesar de los esfuerzos de Véra por mantener el control.