A young woman wins the role of a lifetime in a film about a legendary heroine — but the real drama is behind the scenes in this sumptuous historical epic from the author of Mexican Gothic.

1950s Hollywood: Every actress wants to play Salome, the star-making role in a big-budget movie about the legendary woman whose story has inspired artists since ancient times.

So when the film’s mercurial director casts Vera Larios, an unknown Mexican ingenue, in the lead role, she quickly becomes the talk of the town. Vera also becomes an object of envy for Nancy Hartley, a bit player whose career has stalled and who will do anything to win the fame she believes she richly deserves.

Two actresses, both determined to make it to the top in Golden Age Hollywood—a city overflowing with gossip, scandal, and intrigue—make for a sizzling combination.

But this is the tale of three women, for it is also the story of the princess Salome herself, consumed with desire for the fiery prophet who foretells the doom of her stepfather, Herod: a woman torn between the decree of duty and the yearning of her heart.

Before the curtain comes down, there will be tears and tragedy aplenty in this sexy Technicolor saga.

Colored Television presents a brilliant dark comedy about second acts, creative appropriation, and the racial identity–industrial complex. Jane harbors high hopes that her life is on the brink of transformation. After a prolonged period of precarious existence, Jane, her artist husband Lenny, and their two children embark on a journey as house sitters in a friend's opulent abode nestled in the Los Angeles hills—a fortuitous arrangement that aligns perfectly with Jane's sabbatical.

If she can complete her latest work of literature, Nusu Nusu—a sweeping epic that Lenny playfully dubs her 'mulatto War and Peace'—she'll secure tenure, along with a semblance of stability and achievement. However, reality fails to meet expectations. Desperate for an alternative, Jane, like many authors before her, casts a hopeful eye towards Hollywood. A chance encounter with an up-and-coming producer, eager to craft 'diverse content' for a streaming platform, brings a glimmer of hope. He is keen to collaborate with a 'real writer' to produce what he imagines will be the ultimate biracial comedy for television.

Just as things begin to look up for Jane, they take a drastic turn for the worse. Colored Television is not only humorous and incisive but also a compelling read, marking Senna's most timely and insightful novel to date.

She’s rewriting his love story. But can she rewrite her own?

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone—much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script—it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme.

But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter—even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules—and comes true?

A dazzling novel about making art, desire, and the inextricable link between the personal and the political set against the decadence of post-war Los Angeles. George is a Hungarian immigrant working as a studio hack writing monster movies in 1950s Los Angeles. He must navigate the McCarthy era studio system filled with possible Communists and spies; the life of closeted men along Sunset Boulevard; the inability of the era to disassemble love from persecution and guilt.

But when a famous actress named Madeleine offers George a writing residency at her estate in Malibu to work on the political writing he cares most deeply about, his world changes dramatically. Soon it's drinks by the pool every night, pleasure in every direction, and Madeleine carrying him like an ornament into a class of postwar L.A. society ordinarily hidden from men like him.

What this lifestyle hides behind, aside from the monsters on the screen, are the monsters dwelling closer to home: this endless bacchanalia covers a gnawing hole shelled wide by the horror of the war they'd thought they left behind. Beneath his newfound relationships lie the pernicious forces of the American political project. And what George can never escape: his past as György, the queer Jew who fled Budapest before the war, landing in New York all alone a decade prior.

In New York as in California, the people he loves aren't what they seem—and neither is his adopted country, one pretending to have transcended bigotry, authoritarianism, and violence. The Future Was Color is an immaculately written exploration of making art and reinventing the self, post-war American decadence, and the psychosis that lingers in a world that's seen the bomb. Spanning from sun-drenched Los Angeles, to hidden corners of working-class New York, to a virtuosic climax in the Las Vegas desert, it upends our perceptions of just how personal the political can be.

Reboot is a raucous and wickedly smart satire of Hollywood, toxic fandom, and our chronically online culture. It follows David Crader, a washed-up actor on his quest to revive the cult TV drama that catapulted him to teenage fame.

Once a former child actor from the hit 90s teen drama Rev Beach, David now juggles his new roles as deadbeat dad, part-time alcoholic, and occasional videogame voice actor. Summoned to Los Angeles by Grace, his ex-wife and former co-star, David sees an opportunity for a reboot—not just of the show that made him famous but also of his listless existence.

Hollywood, the Internet, and a fractured nation have other plans, though. David soon drinks himself to a realization: The seemingly innocuous revival of an old Buffy rip-off could be the spark that sets ablaze a nation gripped by far-right conspiracies, toxic fandoms, and mass violence.

Reboot is a madcap and eerily prescient speculative comedy for our era of glass-eyed doomscrolling and 90s nostalgia. It's a tale of former teen heartthrobs, online edge lords, and fish-faced cryptids, perfect for anyone who still agonizes over Angel versus Spike, lives in fear of the QAnon mom next door, or has run afoul of a rabid "stan" and lived to tell the tale.

Table for Two, from the bestselling author of The Lincoln Highway, A Gentleman in Moscow, and Rules of Civility, presents a richly detailed and sharply drawn collection of stories set in New York and Los Angeles.

The millions of readers of Amor Towles are in for a treat as he shares some of his shorter six stories set in New York City and a novella in Los Angeles. The New York stories, most of which are set around the turn of the millennium, explore themes from the death-defying acrobatics of the male ego to the fateful consequences of brief encounters, and the delicate mechanics of compromise that operate at the heart of modern marriages.

In Towles's novel, Rules of Civility, the indomitable Evelyn Ross leaves New York City in September 1938 with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, "Eve in Hollywood" describes how Eve crafts a new future for herself—and others—in the midst of Hollywood's golden age.

Throughout the stories, two characters often find themselves sitting across a table for two where the direction of their futures may hinge upon what they say to each other next.

Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles's canon of stylish and transporting historical fiction.

India Allwood grew up wanting to be an actor. From an awkward sixteen-year-old to Broadway ingenue to TV superhero, her journey through the world of acting is as vibrant as it is challenging. Her latest role in a movie about adoption presents a narrative she knows all too well, but one she believes is fraught with stereotypes and misconceptions.

As an adoptive mom in real life, India is determined to dispel the myths that surround adoption, to showcase the love and complexity that comes with it. In a bold move, she speaks her truth to a journalist, criticizing the movie's one-dimensional portrayal of adoptive families. This act of candor catapults her into a whirlwind of controversy, with media storms, public scrutiny, and ideological battles on all sides.

Amidst the chaos, India's twin ten-year-olds realize that they need support. Naturally, they turn to their family. Yet, family is more than a simple construct of blood relations or legal bonds; for India, it's a tapestry woven with diverse threads, each with its own story.

The narrative of Family Family delves into the heart of what truly constitutes a family, navigating the intricate and often messy web of relationships that define our closest connections. At its core, this is a tale of understanding, acceptance, and the universal quest to find one's place in the fabric of family life.

Pageboy: A Memoir is a candid and transformative journey of Academy Award-nominated actor Elliot Page. From the brink of self-discovery in a queer bar before the world premiere of Juno, through the whirlwind of Hollywood's expectations, to the pressures of performing that nearly suffocated him, Elliot Page's memoir is a tale of defiance, strength, and joy.

Elliot's story delves into the intimate aspects of sex, love, trauma, and the challenges of navigating a life in the spotlight. As he grapples with his identity and the societal pressures to conform to a binary, Elliot's narrative is both an ode to self-realization and a powerful exploration of what it means to break free from the expectations of others. Pageboy reveals the behind-the-scenes details of a life lived in the public eye and the personal interrogations that lead to a celebration of true self.

Sparks fly when a romance novelist and a documentary filmmaker join forces to craft the perfect Hollywood love story and take both of their careers to the next level—but only if they can keep the chemistry between them from taking the whole thing off script.

Felicity “Fizzy” Chen is lost. Sure, she’s got an incredible career as a beloved romance novelist with a slew of bestsellers under her belt, but when she’s asked to give a commencement address, it hits her: she hasn’t been practicing what she’s preached. Fizzy hasn’t ever really been in love. Lust? Definitely. But that swoon-worthy, can’t-stop-thinking-about-him, all-encompassing feeling? Nope. Nothing. What happens when the optimism she’s spent her career encouraging in readers starts to feel like a lie?

Connor Prince, documentary filmmaker and single father, loves his work in large part because it allows him to live near his daughter. But when his profit-minded boss orders him to create a reality TV show, putting his job on the line, Connor is out of his element. Desperate to find his romantic lead, a chance run-in with an exasperated Fizzy offers Connor the perfect solution. What if he could show the queen of romance herself falling head-over-heels for all the world to see? Fizzy gives him a hard pass—unless he agrees to her list of demands. When he says yes, and production on The True Love Experiment begins, Connor wonders if that perfect match will ever be in the cue cards for him, too.

Tessa Bailey is back with a Schitt's Creek-inspired romantic comedy about a Hollywood "It Girl" who's cut off from her wealthy family and exiled to a small Pacific Northwest beach town, where she butts heads with a surly, sexy local who thinks she doesn't belong.

Piper Bellinger is fashionable, influential, and her reputation as a wild child means the paparazzi are constantly on her heels. When too much champagne and an out-of-control rooftop party lands Piper in the slammer, her stepfather decides enough is enough. So he cuts her off and sends Piper and her sister to learn some responsibility running their late father's dive bar in Washington.

Piper hasn't even been in Westport for five minutes when she meets big, bearded sea captain Brendan, who thinks she won't last a week outside of Beverly Hills. So what if Piper can't do math, and the idea of sleeping in a shabby apartment with bunk beds gives her hives. How bad could it really be? She's determined to show her stepfather—and the hot, grumpy local—that she's more than a pretty face.

Except it's a small town and everywhere she turns, she bumps into Brendan. The fun-loving socialite and the gruff fisherman are polar opposites, but there's an undeniable attraction simmering between them. Piper doesn't want any distractions, especially feelings for a man who sails off into the sunset for weeks at a time. Yet as she reconnects with her past and begins to feel at home in Westport, Piper starts to wonder if the cold, glamorous life she knew is what she truly wants. LA is calling her name, but Brendan—and this town full of memories—may have already caught her heart.

Jozef Rothstein arrived from small-town Pennsylvania in Hollywood with stars in his eyes. Ten years later, he left with those same stars circling around his head.

Reeling from the humbling routine of an actor looking for work—any work, even for a chewing gum commercial, clad as a beaver in Speedo trunks and a Scooby-Doo cape while surrounded by beautiful women dressed to the nines—Rothstein found humor the best solution to saving his sanity.

Meanwhile, his money-generating job paralleled his dream employment. Rothstein's ten-year sentence as a waiter in a Jewish deli frequented by Tinsel Town's celebrities gave him more of the same ego pummeling, doled out in equal measure by customers and managers, but with a twist. The occasional hit men and drive-bys added just enough excitement to make near-death experiences an unwelcome reality.

Here, too, laughter saves the day, and Rothstein gleefully shares the inspirations for a never-ending comedy of terrors. Just as frequently, his own missteps find him flat-face on the pavement, sharing space with customers familiar to the world. And yes, Rothstein does name names.

Find your favorites in As the Matzo Ball Turns and see Hollywood stars—and waiters everywhere—in a whole new light.

Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now?

Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career.

Summoned to Evelyn's luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the '80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn's story near its conclusion, it becomes clear that her life intersects with Monique's own in tragic and irreversible ways.

Written with Reid's signature talent for creating "complex, likable characters", this is a mesmerizing journey through the splendor of old Hollywood into the harsh realities of the present day as two women struggle with what it means—and what it costs—to face the truth.

Lips of a Mastodon explores the poignant and true-to-heart love affair between James Dean and actress Pier Angeli, conceptually narrated in the actor's own words. This narrative delves into the depths of a romance that defied societal expectations and the pressures of Hollywood fame.

The story is set against the backdrop of the 1950s, a time when Dean was ascending to the heights of his career and Angeli was a rising star. Their connection, though fraught with challenges, is depicted with a raw and genuine emotion that transcends the pages, inviting readers into the intimate world of two iconic figures struggling to reconcile their love with the demands of their public lives.

A love letter to the craft and romance of film and fate in front of—and behind—the camera from the award-winning author of Hold Still.

A wunderkind young set designer, Emi has already started to find her way in the competitive Hollywood film world. Emi is a film buff and a true romantic, but her real-life relationships are a mess. She has desperately gone back to the same girl too many times to mention.

But then a mysterious letter from a silver screen legend leads Emi to Ava. Ava is unlike anyone Emi has ever met. She has a tumultuous, not-so-glamorous past, and lives an unconventional life. She’s enigmatic… She’s beautiful. And she is about to expand Emi’s understanding of family, acceptance, and true romance.

Just out of high school, Emi Price is a talented young set designer already beginning to thrive in the L.A. film scene. But her artistic eye has failed her in one key area: helping her to design a love life that’s more than make-believe.

Then she finds a mysterious letter at an estate sale, and it sends her chasing down the loose ends of a movie icon’s hidden life. And along the way, she finds Ava, and at long last, Emi’s own hidden life begins to bloom.

There is no rehearsal for true love.

When A-list film actor Ryan Christensen ducked into her pub to escape his screaming fans, never in a million years did Taryn Mitchell think her life was about to change forever. But now, eight months later, after a whirlwind romance, Taryn wakes up in Ryan’s Hollywood hotel room to find a diamond to die for on her left ring finger—and her face splashed across the cover of every gossip magazine.

Ryan’s very public proposal is catnip to the tabloids, his management team is worried, and Taryn must figure out how a small-town girl like her fits into his glittering world. What does it take to make a relationship work amidst telephoto lenses, daily on-set temptations, and jealous fans who will stop at nothing to keep you from walking down the aisle with the man of your dreams?

With no script to follow and no chance for a dress rehearsal, Taryn and Ryan will be forced to take the plunge and risk everything to make their love last.

In 1985, Bret Easton Ellis shocked, stunned and disturbed with Less Than Zero, his 'extraordinarily accomplished first novel' (New Yorker), successfully chronicling the frightening consequences of unmitigated hedonism within the ranks of the ethically bereft youth of 80s Los Angeles. Twenty-five years later, Ellis returns to those same characters - to Clay and the band of infamous teenagers whose lives weave sporadically through his - but now, they face an even greater period of disaffection: their own middle age.

Clay seems to have moved on - he's become a successful screenwriter - but when he returns from New York to Los Angeles, to help cast his new movie, he's soon drifting through a long-familiar circle. Blair, his vulnerable former girlfriend, is now married to Trent - still a bisexual philanderer - and their Beverly Hills parties attract excessive levels of fame and fortune. Clay's childhood friend Julian is a recovering addict running an ultra-discreet, high-class escort service, and their old dealer Rip, reconstructed and face-lifted nearly beyond recognition, is involved in activities far more sinister than those of his notorious past.

After a meeting with a gorgeous but talentless actress determined to win a role in his movie, Clay finds himself connected with Kelly Montrose, a producer whose gruesomely violent death is suddenly very much the talk of the town. As his seemingly endless proclivity for betrayal leads him to be drawn further and further into this ominous case it looks like he will face far more serious consequences than ever before.

No woman could resist him—except the one he wanted most...Cool, Calm, Collected... Nothing fazes Taylor Donovan. In the courtroom she never lets the opposition see her sweat. In her personal life, she never lets any man rattle her—not even her cheating ex-fiancé. So when she's assigned to coach People's "Sexiest Man Alive" for his role in his next big legal thriller, she refuses to fall for the Hollywood heartthrob's charms. Even if he is the Jason Andrews.

Confident, Famous, Irresistible... Jason Andrews is used to having women fall at his feet. When Taylor Donovan gives him the cold shoulder, he's thrown for a loop. She's unlike any other woman he's ever met: uninterested in the limelight, seemingly immune to his advances, and shockingly capable of saying no to him. She's the perfect challenge. And the more she rejects him, the more he begins to realize she may just be his perfect match.

John Truby is one of the most respected and sought-after story consultants in the film industry. His students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all his secrets for writing a compelling script.

Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative. Truby's method for constructing a story focuses on the hero's moral and emotional growth, encouraging writers to dig deep within and explore their own values and worldviews to create an effective story.

Writers will come away with a precise set of tools to work with—specific, useful techniques to make the audience care about their characters, and that make their characters grow in meaningful ways. They will construct a surprising plot that is unique to their particular concept, and they will learn how to express a moral vision that can genuinely move an audience. The foundations of story that Truby lays out are fundamental and essential to all writers, from novelists and short-story writers to journalists, memoirists, and writers of narrative non-fiction.

Raymond Chandler's fifth novel has Philip Marlowe going to Hollywood as he explores the underworld of the glitter capital, trying to find a sweet young thing's missing brother. Along the way, he uncovers a little blackmail, a lot of drugs, and more than enough murder.

In this thrilling journey, Marlowe navigates through the perilous world of 1940s Los Angeles, encountering a web of missing persons, blackmail, and the seedy underbelly of the glamorous Hollywood industry. As the bodies pile up and the truth becomes murkier, Marlowe's determination to uncover the truth puts him on a collision course with the deadly consequences of a troubled city and its ruthless players.