Colored Television presents a brilliant dark comedy about second acts, creative appropriation, and the racial identity–industrial complex. Jane harbors high hopes that her life is on the brink of transformation. After a prolonged period of precarious existence, Jane, her artist husband Lenny, and their two children embark on a journey as house sitters in a friend's opulent abode nestled in the Los Angeles hills—a fortuitous arrangement that aligns perfectly with Jane's sabbatical.

If she can complete her latest work of literature, Nusu Nusu—a sweeping epic that Lenny playfully dubs her 'mulatto War and Peace'—she'll secure tenure, along with a semblance of stability and achievement. However, reality fails to meet expectations. Desperate for an alternative, Jane, like many authors before her, casts a hopeful eye towards Hollywood. A chance encounter with an up-and-coming producer, eager to craft 'diverse content' for a streaming platform, brings a glimmer of hope. He is keen to collaborate with a 'real writer' to produce what he imagines will be the ultimate biracial comedy for television.

Just as things begin to look up for Jane, they take a drastic turn for the worse. Colored Television is not only humorous and incisive but also a compelling read, marking Senna's most timely and insightful novel to date.

She’s rewriting his love story. But can she rewrite her own?

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies—good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates—The Charlie Yates! Her personal writing god!—it’s a break too big to pass up.

Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone—much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script—it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme.

But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter—even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules—and comes true?

A dazzling novel about making art, desire, and the inextricable link between the personal and the political set against the decadence of post-war Los Angeles. George is a Hungarian immigrant working as a studio hack writing monster movies in 1950s Los Angeles. He must navigate the McCarthy era studio system filled with possible Communists and spies; the life of closeted men along Sunset Boulevard; the inability of the era to disassemble love from persecution and guilt.

But when a famous actress named Madeleine offers George a writing residency at her estate in Malibu to work on the political writing he cares most deeply about, his world changes dramatically. Soon it's drinks by the pool every night, pleasure in every direction, and Madeleine carrying him like an ornament into a class of postwar L.A. society ordinarily hidden from men like him.

What this lifestyle hides behind, aside from the monsters on the screen, are the monsters dwelling closer to home: this endless bacchanalia covers a gnawing hole shelled wide by the horror of the war they'd thought they left behind. Beneath his newfound relationships lie the pernicious forces of the American political project. And what George can never escape: his past as György, the queer Jew who fled Budapest before the war, landing in New York all alone a decade prior.

In New York as in California, the people he loves aren't what they seem—and neither is his adopted country, one pretending to have transcended bigotry, authoritarianism, and violence. The Future Was Color is an immaculately written exploration of making art and reinventing the self, post-war American decadence, and the psychosis that lingers in a world that's seen the bomb. Spanning from sun-drenched Los Angeles, to hidden corners of working-class New York, to a virtuosic climax in the Las Vegas desert, it upends our perceptions of just how personal the political can be.

Reboot is a raucous and wickedly smart satire of Hollywood, toxic fandom, and our chronically online culture. It follows David Crader, a washed-up actor on his quest to revive the cult TV drama that catapulted him to teenage fame.

Once a former child actor from the hit 90s teen drama Rev Beach, David now juggles his new roles as deadbeat dad, part-time alcoholic, and occasional videogame voice actor. Summoned to Los Angeles by Grace, his ex-wife and former co-star, David sees an opportunity for a reboot—not just of the show that made him famous but also of his listless existence.

Hollywood, the Internet, and a fractured nation have other plans, though. David soon drinks himself to a realization: The seemingly innocuous revival of an old Buffy rip-off could be the spark that sets ablaze a nation gripped by far-right conspiracies, toxic fandoms, and mass violence.

Reboot is a madcap and eerily prescient speculative comedy for our era of glass-eyed doomscrolling and 90s nostalgia. It's a tale of former teen heartthrobs, online edge lords, and fish-faced cryptids, perfect for anyone who still agonizes over Angel versus Spike, lives in fear of the QAnon mom next door, or has run afoul of a rabid "stan" and lived to tell the tale.

Table for Two, from the bestselling author of The Lincoln Highway, A Gentleman in Moscow, and Rules of Civility, presents a richly detailed and sharply drawn collection of stories set in New York and Los Angeles.

The millions of readers of Amor Towles are in for a treat as he shares some of his shorter six stories set in New York City and a novella in Los Angeles. The New York stories, most of which are set around the turn of the millennium, explore themes from the death-defying acrobatics of the male ego to the fateful consequences of brief encounters, and the delicate mechanics of compromise that operate at the heart of modern marriages.

In Towles's novel, Rules of Civility, the indomitable Evelyn Ross leaves New York City in September 1938 with the intention of returning home to Indiana. But as her train pulls into Chicago, where her parents are waiting, she instead extends her ticket to Los Angeles. Told from seven points of view, "Eve in Hollywood" describes how Eve crafts a new future for herself—and others—in the midst of Hollywood's golden age.

Throughout the stories, two characters often find themselves sitting across a table for two where the direction of their futures may hinge upon what they say to each other next.

Written with his signature wit, humor, and sophistication, Table for Two is another glittering addition to Towles's canon of stylish and transporting historical fiction.

India Allwood grew up wanting to be an actor. From an awkward sixteen-year-old to Broadway ingenue to TV superhero, her journey through the world of acting is as vibrant as it is challenging. Her latest role in a movie about adoption presents a narrative she knows all too well, but one she believes is fraught with stereotypes and misconceptions.

As an adoptive mom in real life, India is determined to dispel the myths that surround adoption, to showcase the love and complexity that comes with it. In a bold move, she speaks her truth to a journalist, criticizing the movie's one-dimensional portrayal of adoptive families. This act of candor catapults her into a whirlwind of controversy, with media storms, public scrutiny, and ideological battles on all sides.

Amidst the chaos, India's twin ten-year-olds realize that they need support. Naturally, they turn to their family. Yet, family is more than a simple construct of blood relations or legal bonds; for India, it's a tapestry woven with diverse threads, each with its own story.

The narrative of Family Family delves into the heart of what truly constitutes a family, navigating the intricate and often messy web of relationships that define our closest connections. At its core, this is a tale of understanding, acceptance, and the universal quest to find one's place in the fabric of family life.