Knives Out gets a holiday rom-com twist in this rivals-to-lovers romance-mystery from New York Times bestselling author Ally Carter.

The bridge is out. The phones are down. And the most famous mystery writer in the world just disappeared out of a locked room three days before Christmas.

Meet Maggie Chase and Ethan Wyatt:

She’s the new Queen of the Cozy Mystery.

He’s Mr. Big-time Thriller Guy.

She hates his guts.

He thinks her name is Marcie (no matter how many times she’s told him otherwise.)

But when they both accept a cryptic invitation to attend a Christmas house party at the English estate of a reclusive fan, neither is expecting their host to be the most powerful author in the world: Eleanor Ashley, the Duchess of Death herself.

That night, the weather turns, and the next morning Eleanor is gone.

She vanished from a locked room, and Maggie has to wonder: Is Eleanor in danger? Or is it all some kind of test? Is Ethan the competition? Or is he the only person in that snowbound mansion she can trust?

As the snow gets deeper and the stakes get higher, every clue will bring Maggie and Ethan closer to the truth—and each other. Because, this Christmas, these two rivals are going to have to become allies (and maybe more) if they have any hope of saving Eleanor.

Assuming they don’t kill each other first.

Born on the same day near the turn of the century on opposite sides of the world, both men are brought together by fate and the quest of a dream. These two men -- ambitious, powerful, ruthless -- are locked in a relentless struggle to build an empire, fuelled by their all-consuming hatred. Over 60 years and three generations, through war, marriage, fortune, and disaster, Kane and Abel battle for the success and triumph that only one man can have.

With what should have been the greatest heist of their career gone spectacularly sour, Locke and his trusted partner, Jean, have barely escaped with their lives. Or at least Jean has. But Locke is slowly succumbing to a deadly poison that no alchemist or physiker can cure. Yet just as the end is near, a mysterious Bondsmage offers Locke an opportunity that will either save him or finish him off once and for all.

Magi political elections are imminent, and the factions are in need of a pawn. If Locke agrees to play the role, sorcery will be used to purge the venom from his body - though the process will be so excruciating he may well wish for death. Locke is opposed, but two factors cause his will to crumble: Jean's imploring - and the Bondsmage's mention of a woman from Locke's past: Sabetha. She is the love of his life, his equal in skill and wit, and now, his greatest rival.

Locke was smitten with Sabetha from his first glimpse of her as a young fellow orphan and thief-in-training. But after a tumultuous courtship, Sabetha broke away. Now they will reunite in yet another clash of wills. For faced with his one and only match in both love and trickery, Locke must choose whether to fight Sabetha - or to woo her. It is a decision on which both their lives may depend.

Gavin Guile is dying. He’d thought he had five years left—now he has less than one. With fifty thousand refugees, a bastard son, and an ex-fiancée who may have learned his darkest secret, Gavin has problems on every side. All magic in the world is running wild and threatens to destroy the Seven Satrapies. Worst of all, the old gods are being reborn, and their army of color wights is unstoppable. The only salvation may be the brother whose freedom and life Gavin stole sixteen years ago.

For centuries, mystical creatures of all description were gathered into a hidden refuge called Fablehaven to prevent their extinction. The sanctuary survives today as one of the last strongholds of true magic in a cynical world. Enchanting? Absolutely! Exciting? You bet. Safe? Well, actually, quite the opposite...

Kendra and her brother Seth have no idea that their grandfather is the current caretaker of Fablehaven. Inside the gated woods, ancient laws give relative order among greedy trolls, mischievous satyrs, plotting witches, spiteful imps, and jealous fairies. However, when the rules get broken, an arcane evil is unleashed, forcing Kendra and Seth to face the greatest challenge of their lives. To save her family, Fablehaven, and perhaps the world, Kendra must find the courage to do what she fears most.

'If life had no love in it, what else was there for Maggie?' Brought up at Dorlcote Mill, Maggie Tulliver worships her brother Tom and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother, a close friend who is also the son of her family's worst enemy, and a charismatic but dangerous suitor. With its poignant portrayal of sibling relationships, The Mill on the Floss is considered George Eliot's most autobiographical novel; it is also one of her most powerful and moving.

Rose Feller is thirty; a successful lawyer with high hopes of a relationship with Jim, Mr Not-Quite-Right, a senior partner in her firm. The last thing she needs is her messed-up, only occasionally employed sister Maggie moving in: drinking, smoking, stealing her money - and her shoes - and spoiling her chance of romance. If only Maggie would grow up and settle down with a nice guy and a steady job.

Maggie is drop dead gorgeous and irresistible to men. She's going to make it big as a TV presenter, or a singer...or an actress. All she needs is a lucky break. What she doesn't need is her uptight sister Rose interfering in her life. If only Rose would lighten-up, have some fun - and learn how to use a pair of tweezers.

Rose and Maggie think they have nothing in common but a childhood tragedy, shared DNA and the same size feet, but they are about to find out that they're more alike than they'd ever believe.

Moraes 'Moor' Zogoiby is a 'high-born crossbreed', the last surviving scion of a dynasty of Cochinise spice merchants and crime lords. He is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a labyrinthine tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerised offspring, of premature deaths and curses that strike beyond the grave. The Moor's Last Sigh is a spectacularly ambitious, funny, satirical and compassionate novel. It is a love song to a vanishing world, but also its last hurrah.