My Not So Perfect Life blends a part love story with workplace drama, creating a sharply observed narrative that critiques the false judgments prevalent in our social-media-obsessed world. Sophie Kinsella, a New York Times bestselling author, delivers a timely novel filled with vibrant, relatable characters and her signature storytelling gifts.

Everywhere Katie Brenner looks, someone else is living the life she longs for, especially her boss, Demeter Farlowe. Demeter is brilliant and creative, lives with her perfect family in a posh townhouse, and wears the coolest clothes. Meanwhile, Katie's life is a daily struggle—from her dismal rental to her oddball flatmates to the tense office politics she's trying to navigate. No wonder Katie takes refuge in not-quite-true Instagram posts, especially as she's desperate to make her dad proud.

Then, just as she's finding her feet—not to mention a possible new romance—the worst happens. Demeter fires Katie. Shattered but determined to stay positive, Katie retreats to her family's farm in Somerset to help them set up a vacation business. London has never seemed so far away—until Demeter unexpectedly turns up as a guest. Secrets are spilled and relationships rejiggered, and as the stakes for Katie's future get higher, she must question her own assumptions about what makes for a truly meaningful life.

What happens when the one that got away comes back?

Rachel and Ben. Ben and Rachel. It was them against the world. Until it all fell apart. It’s been a decade since they last spoke, but when Rachel bumps into Ben one rainy day, the years melt away.

From the moment they met, they’d been a gang of two; partners in crime and the best of friends. But life has moved on. Ben is married. Rachel is definitely not. In fact, the men in her life make her want to take holy orders…

Yet in that split second, Rachel feels the old friendship return. And along with it, the broken heart she’s never been able to mend.

Hilarious, heartbreaking, and everything in between, you’ll be hooked from their first ‘hello’.

Sweet, bookish Neve Slater always plays by the rules, and the number one rule is that good-natured fat girls like her don't get guys like gorgeous, handsome William, heir to Neve's heart since university. But William's been in LA for three years, and Neve's been slimming down and re-inventing herself so that when he returns, he'll fall head over heels in love with the new, improved her.

So she's not that interested in other men. Until her sister Celia points out that if Neve wants William to think she's an experienced love-goddess and not the fumbling, awkward girl he left behind, then she'd better get some, well, experience.

What Neve needs is someone to show her the ropes, someone like Celia's colleague Max. Wicked, shallow, sexy Max. And since he's such a man-slut, and so not Neve's type, she certainly won't fall for him. Because William is the man for her... right?

Somewhere between losing weight and losing her inhibitions, Neve's lost her heart – but to who?

The odds are stacked against Chuffy when he falls head over heels for American heiress Pauline Stoker. Who better to help him win her over but Jeeves, the perfect gentleman's gentleman?

But when Bertie, Pauline's ex-fiancé, finds himself caught up in the fray, much to his consternation, even Jeeves struggles to get Chuffy his fairy-tale ending.

Meanwhile, Bertie's dedicated but somewhat untuneful playing of the banjo has driven Jeeves, his otherwise steadfast gentleman's gentleman, to give notice. Looking for respite, Bertie disappears to the country as a guest of his chum Chuffy, only to find his peace shattered by the arrival of his ex-fiancée Pauline Stoker, her formidable father, and the eminent loony-doctor Sir Roderick Glossop.

It seems Bertie cannot survive for long without Jeeves - and soon a situation arises which only Jeeves can solve.

You are about to travel to Edgecombe St. Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut.

Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel, he will steal your heart.

The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village.

Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition?

During the postmodern boom of Blair’s Britain, two well-meaning drug dealers on the verge of becoming respectable businessmen become embroiled in a surreal gangster heist.

Tony, a West London drug dealer, attempts to start a legitimate business around a new age herbal pill that provides natural highs. In order to secure the cash for their start-up venture, he strikes a deal with a kooky English aristocrat.

Their plans go askew, however, when Richard, their lawyer and long-term friend, involves them in his own shady dealings. Richard acquires an international bearer bond worth $100 million, which belongs to Poncho Khan, a notorious Indian crime boss.

In a time when mass consumerism and licentious hedonism are the dominant features of London society, the three men attempt to outsmart the drug king before they fall victim to their own depravity.

Meet Oliver Tate, the dryly precocious, soon-to-be-fifteen-year-old hero of this engagingly offbeat debut novel. Oliver lives in the seaside town of Swansea, Wales. At once a self-styled social scientist, a spy in the baffling adult world surrounding him, and a budding, hormone-driven emotional explorer, Oliver is stealthily (and perhaps a bit more nervously than he’d ever admit) nosing his way forward through the murky and uniquely perilous waters of adolescence.

His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the pansexuals, Zoroastrians, and other mystifying, fascinating beings in his orbit.

“It’s in my interests to know about my parents’ mental problems,” he reasons. Thus, when he discovers that his affable dad is quietly struggling with depression, Oliver marshals all the daytime-TV pop-psychology wisdom at his command—not to mention his formidable, uninhibited powers of imagination—to put things right again.

But a covert expedition into the mysterious territory of middle-aged malaise is bound to be tricky business for a teenager with more to learn about the agonies and ecstasies of life than a pocket thesaurus and his “worldly” school chum Chips can teach him. Ready or not, however, Oliver is about to get a crash course. His awkwardly torrid and tender relationship with Jordana is hurtling at the speed of teenage passion toward the inevitable magic moment... and whatever lies beyond.

And his boy-detective exploits have set him on a collision course with the New Age old flame who’s resurfaced in his mother’s life to lead her into temptation with lessons in surfing, self-defense... and maybe seduction. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do?

Poised precariously on the cusp of innocence and experience, yesterday’s daydreams and tomorrow’s decisions, Oliver Tate aims to damn the torpedoes and take the plunge.

Workaholic attorney Samantha Sweeting has just done the unthinkable. She's made a mistake so huge, it'll wreck any chance of a partnership. Going into utter meltdown, she walks out of her London office, gets on a train, and ends up in the middle of nowhere.

Asking for directions at a big, beautiful house, she's mistaken for an interviewee and finds herself being offered a job as a housekeeper. Her employers have no idea they've hired a lawyer—and Samantha has no idea how to work the oven. She can't sew on a button, bake a potato, or get the ironing board to open.

How she takes a deep breath and begins to cope—and finds love—is a story as delicious as the bread she learns to bake. But will her old life ever catch up with her? And if it does... will she want it back?

Who can forget our beloved gentleman's personal gentleman, Jeeves, who ever comes to the rescue when the hapless Bertie Wooster falls into trouble. My Man Jeeves is sure to please anyone with a taste for pithy buffoonery, moronic misunderstandings, gaffes, and aristocratic slapstick.

Contents:

• Leave It to Jeeves
• Jeeves and the Unbidden Guest
• Jeeves and the Hard-boiled Egg
• Absent Treatment
• Helping Freddie
• Rallying Round Old George
• Doing Clarence a Bit of Good
• The Aunt and the Sluggard

It bites: New York hotels cost an arm and a leg, and Terri had flown from England to help plan her cousin’s wedding. The new in-laws offered lodging. But they were a weird bunch. There was the sometimes-chipper-sometimes-brooding Lucern, and the wacky stage-actor, Vincent. (She couldn't imagine Broadway casting a hungrier singing-and-dancing Dracula.)

And then there was Bastien. Just looking into his eyes, Terri had to admit she was falling for him - someone even taller, darker and hungrier than the other two. She was feeling a mite peckish herself. And if she stayed with him, those blood-sucking hotel owners wouldn't get to her!

At sixteen, Adrian Mole's life continues to be nothing but a set of tragic circumstances. His tempestuous relationship with an alluring schoolmate tortures him, while his intellectualism continues to be ignored by the British press. Despite it all, he remains as agonizingly funny as ever in this, the second of his diaries.

Adrian navigates the complexities of adolescence with a blend of humor and insight, offering readers a glimpse into the hilarious and sometimes poignant world of a teenage diarist.

To Libby Mason, Mr. Right has always meant Mr. Rich. A twenty-seven-year-old publicist, she's barely able to afford her fashionable and fabulous lifestyle and often has to foot the bill for dates with Struggling Writer Nick, a sexy but perpetually strapped-for-cash guy she's dating (no commitments – really).

So when Ed, Britain's wealthiest but stodgiest bachelor, enters the picture, her idea of the fairy tale romance is turned on its head. Mr. Maybe is the tale of her heartfelt but hilarious deliberation, irresistibly chronicled by bestselling author Jane Green.

On one hand, Nick makes up for his low bank-account balance by his performance in the sack, or in the bathtub, as the case may be. But life with him means little more than nightly trips to the bar, a dark and grungy apartment, and plenty of dull political tirades to boot. But those blue eyes, and that tender heart...

On the other hand, there's Ed, whose luxurious house and gargantuan bank account are quite tempting to the starving Libby. But his unsavory mustache and bumbling ways make Libby wonder if the platinum AMEX and unlimited "retail therapy" are worth it. He may have fallen in love with her at first sight, but nothing seems to solve his lackluster performance in the sack – even speed reading The Joy of Sex.

When the diamond shopping commences, Libby is forced to realize that the time for "maybe" is up. Taking romantic comedy to a hip, sparkling new level, Mr. Maybe is a classic tale of what happens to one girl when her heart and her head aren't looking for the same thing. With a laugh a minute and a heroine whose struggles in the dating jungle will remind you of your own, Mr. Maybe is a story that will leave you smitten.

Miss Pettigrew, an approaching-middle-age governess, was accustomed to a household of unruly English children. When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies.

Over the course of a single day, both women are changed forever. It's a story of transformation, unexpected friendship, and the magic of stepping out of one's comfort zone.

The first lesson Lister learned about space travel was you should never try it. But Lister didn't have a choice. All he remembered was going on a birthday celebration pub crawl through London. When he came to his senses again, with nothing in his pockets but a passport in the name of Emily Berkenstein.

So he did the only thing he could. Amazed to discover they would actually hire him, he joined the space corps—and found himself aboard Red Dwarf, a spaceship as big as a small city that, six or seven years from now, would get him back to Earth.

What Lister couldn't foresee was that he'd inadvertently signed up for a one-way jaunt three million years into the future—a future which would see him the last living member of the human race, with only a hologram crew mate and a highly evolved cat for company. Of course, that was before the ship broke the light barrier and things began to get really weird...

Excellent Women is one of Barbara Pym's richest and most amusing high comedies. At its center is Mildred Lathbury, a clergyman’s daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted.

As Mildred gets embroiled in the lives of her new neighbors—anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door—the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.

This hilarious comedy of manners by the shrewdly observant British novelist is often compared to Jane Austen, offering a poignant and witty exploration of post-war England.

Apart from breaking two of my mates' noses (one in the ring and one chasing a 'runner'), I used to be known for my stories. And they were all true. I'd come back from distant shores and speak of my adventures. So much so in fact that people used to say, "You should write a book."

My diatribes in my blogs and newspaper columns are simply my way of spinning the balls, because sometimes I like to see what number they land on. That’s all. But although I’m known mostly as a raconteur—and most of my books can be described as coming from the humourist vein—in ‘Nobody Asked Me’ I touch on some subjects that are surely going to upset a few people.

I’ve never quite understood the politically correct brigade. Hardly any subject is taboo to the Englishman when he’s laughing. No longer simply a fad, blogging is now an important new literary innovation. This book is not a story, and if you’re looking for a book that is all sweetness and light, please give this one a miss. It’s not for you. I won’t be offended and I honestly wish you a great life.

If everyone likes me, then I’m not being controversial enough—and trust me when I say that in this book I get controversial. Oh, don’t worry; the humour that my fans seem to enjoy so much is still there, but right now the planet’s spinning in new and scary directions, and this needs to be addressed. So inside the covers of this book I take a look at some of the challenges we’re currently facing. And some of my opinions are going to rattle a few people.

So is a comedy writer honestly the best one to challenge some of the perceptions we’re facing nowadays? Well, I’ve always believed that if you can make people laugh then they tend to listen to what you say when you’re serious. And my goal, my life’s ambition if you like, is to give direction to comedy, purpose to satire.

So why the rabbit popping out of a tin of soup on the cover? Well ‘Rabbit & Pork’ is Cockney rhyming slang for Talk, and on more than one occasion I’ve been accused of rabbiting away excessively—mostly at parties, and generally by my wife.

But why a tin of soup? Well, I tend to believe that everyone is born perfect. Nobody is born with an inherent capacity to hate. It has to be taught. All of our experiences—family, school, work, the books we read, the newspapers we peruse, the music we listen to, our friends, our social life, the opinions of those around us, religion, sports we play or watch, those we love and those who love us, those we desire and those who desire us, those we travel with, our hopes and dreams and ambitions and achievements, our triumphs and disasters—go into a metaphorical cooking pot that we carry with us throughout our lives. All these ‘ingredients’ make up our Soup of Life.

Now, when making a soup, once you’ve added an ingredient, it’s forever blended in and you can’t take it out again. You add a sprinkling of finely chopped garnish; cumin or oregano, and you can never take that ingredient out again. Never, ever, ever. So say at the age of six you add black pepper or rosemary or hatred or love or comedy, from then onwards it’ll always be part and parcel of your ‘soup.’ And as you add more ingredients the ‘recipe’ of your life evolves, and before you know it you can’t taste the coriander or the love any more, but it’s still there at a deep subliminal level. Remember that. Some people may not add hatred until they’re in their twenties, and most of us never add it at all.