Las Mujeres Cuentan. Relatos de escritoras chilenas ofrece un encuentro con algunas de las mejores voces narrativas de escritoras chilenas en plena actividad. Las autoras escogieron y propusieron nuevas historias que dieran cuenta de su particular visi�n del mundo actual, conformando un libro caleidosc�pico, como un trozo de cristal que refleja las diferentes dimensiones de una realidad retratada por mujeres de �pocas diversas e historias heterog�neas.

Esta colecci�n es imprescindible para quien desee obtener una perspectiva de Chile, su historia y estado actual. La mirada de las mujeres en estas historias es a veces feroz y descarnada, otras tierna e indulgente. Ning�n lector o lectora quedar� indiferente frente a esta di�spora de relatos donde se mezclan amor, crimen, necesidades urgentes y abandono, y donde los afectos son la �ltima esperanza a la que nos aferramos con salvajismo.

En los futuros donde suceden estos diez relatos, una colecció de dispositivos como pings, ansibles, lentillas, perfiladores o telones sensoriales -algunos de ellos instalados dentro del cuerpo humano- permiten a las personas conectar sus mentes en una nube digital, compartir sus pensamientos y memorias, ponerles filtros a sus percepciones o calcular el éxito de un romance, mientras comen tacos de canasta o navegan sobre las calles de una Ciudad de México totalmente cubierta por el agua.

Con una inteligencia arrasadora, Andrea Chapela enfrenta a las protagonistas a realidades donde el conocimiento científico, la tecnología de punta y la vida cotidiana interactúan de forma cada vez ms intrincada e inevitable, de modo que incluso en la intimidad de la mente ya no reina la voz de la propia conciencia. La tecnología deja de ser un fetiche técnico para mostrar su capacidad de moldear los afectos y los vínculos humanos.

Las protagonistas son mujeres que se encuentran en una disyuntiva en sus relaciones personales a partir de un dispositivo de tecnología mental o de asimilación de la realidad que, a pesar de que debería facilitar la vida, amenaza con volver ms asfixiantes, impredecibles o peligrosas las interacciones humanas. La mente y sus secretos, la percepción y la duda de si percibimos solo lo que deseamos, los límites de la intimidad; estos son algunos de los temas que trata el libro.

Seventy-one days and seventy-one nights had come and gone since Khalid began killing his brides. This dawn, Khalid would mark the loss of the seventy-second girl, Shahrzad al-Khayzuran. Khalid didn't know how many more of these dawns he could take. And there was something about this latest girl that piqued his interest.

Not only had she volunteered to marry him, but at their wedding ceremony, she had seemed not the least bit afraid. In fact, what he had seen in her eyes was nothing short of pure hatred. She was about to lose her life. Why wasn't she afraid? Why did she hate him so? He had never before gone to his wife's chambers before her death at dawn. Tonight would be different.

Kitchen is an enchantingly original book that juxtaposes two tales about mothers, love, tragedy, and the power of the kitchen and home in the lives of a pair of free-spirited young women in contemporary Japan. Mikage, the heroine, is an orphan raised by her grandmother, who has passed away. Grieving, Mikage is taken in by her friend Yoichi and his mother (who is really his cross-dressing father) Eriko. As the three of them form an improvised family that soon weathers its own tragic losses, Banana Yoshimoto spins a lovely, evocative tale with the kitchen and the comforts of home at its heart.

In a whimsical style that recalls the early Marguerite Duras, Kitchen and its companion story, Moonlight Shadow, are elegant tales whose seeming simplicity is the ruse of a very special writer whose voice echoes in the mind and the soul.

Single, Carefree, Mellow is that rare and wonderful thing: a debut that is superbly accomplished, endlessly entertaining, and laugh-out-loud funny.

Maya is in love with both her boyfriend and her boss. Sadie's lover calls her as he drives to meet his wife at marriage counseling. Gwen pines for her roommate, a man who will hold her hand but then tells her that her palm is sweaty. And Sasha agrees to have a drink with her married lover's wife and then immediately regrets it. These are the women of Single, Carefree, Mellow, and in these eleven sublime stories they are grappling with unwelcome houseguests, disastrous birthday parties, needy but loyal friends, and all manner of love, secrets, and betrayal.

In Cranberry Relish Josie's ex—a man she met on Facebook—has a new girlfriend he found on Twitter. In Blue Heron Bridge Nina is more worried that the Presbyterian minister living in her garage will hear her kids swearing than about his finding out that she's sleeping with her running partner. And in The Rhett Butlers a teenager loses her virginity to her history teacher and then outgrows him.

In snappy, glittering prose that is both utterly hilarious and achingly poignant, Katherine Heiny chronicles the ways in which we are unfaithful to each other, both willfully and unwittingly. Maya, who appears in the title story and again in various states of love, forms the spine of this linked collection, and shows us through her moments of pleasure, loss, deceit, and kindness just how fickle the human heart can be.

This Night So Dark is the breathtaking short story that connects the first two novels in the Starbound trilogy, These Broken Stars and This Shattered World. Tarver still has nightmares about the night, six months before the Icarus crash, when he rescued a group of civilian researchers being held hostage by brutal mercenaries.

Now Tarver and Lilac must reconcile his memories of that fateful night with the truth that they uncovered on a mysterious planet after the Icarus crashed. This story includes bonus preview chapters from This Shattered World.

Moonlight Shadow is a tale of love and loss, exploring the depths of human emotion and the powerful bonds that tie people together. In this story, Satsuki struggles to move on from the death of her beloved, a pain shared by Hiiragi, who dresses in his late sister's school uniform as a form of remembrance. The enigmatic Urara, with her unique ability to discern people's phone numbers with just one glance, believes that on one special day, under certain conditions, it is possible to reunite with lost loved ones. Could this be true for Satsuki and Hiiragi, who are haunted by the memories of those they cannot forget?

The author of the acclaimed memoir The Suicide Index returns with a virtuosic collection of stories, each a stirring parable of the power of love and the impossibility of understanding it. Spanning centuries and continents, from eighteenth-century Vienna to contemporary America, Joan Wickersham shows, with uncanny exactitude, how we never really know what's in someone else's heart—or in our own.

Wickersham's gift is for capturing the habits of mind that lead even smart people to deceive themselves. Her book makes you slow down and listen, and then watch for people to reveal themselves. Elegantly structured, emotionally compelling... Short stories don't get much better than this.

On a beach in the Dominican Republic, a doomed relationship flounders. In the heat of a hospital laundry room in New Jersey, a woman does her lover's washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own.

In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

A short story featured in Review of Australian Fiction and later put on Marchetta's website.

Lady Celie of the Lumateran Flatlands is visiting the Belegonian spring castle on the isle of Ferragost. Cut off from the rest of Belegonia by poor weather, she is confined to the island with four others, including the mysterious castellan of the castle. When the body of one of the guests is discovered on the rocks outside the east tower, Celie is not only considered a suspect, but finds herself embroiled in events that are entwined with her own kingdom's cursed history, as well as the future of the entire land of Skuldenore.

Is it a gesture of goodwill or a sinister trap that lures Rupert St. Vincent and his family to a magnificent estate?

How desperate is Joyce Lambert, a destitute young widow whose only recourse is to marry a man she despises?

What unexpected circumstance stirs old loyalties in Theodora Darrell, an unfaithful wife about to run away with her lover?

In this riveting collection of short stories, the answers are as unexpected as they are satisfying. The Queen of Mystery takes bizarre romantic entanglements, supernatural visitations, and classic murder to inventive new heights.

Museum of the Weird is a stunning collection of stories that reveal wondrous play and surreal humor.

A monogrammed cube appears in your town. Your landlord cheats you out of first place in the annual Christmas decorating contest. You need to learn how to love and care for your mate—a paring knife. These situations and more reveal the wondrous play and surreal humor that make up the stories in Amelia Gray’s stunning collection.

Acerbic wit and luminous prose mark these shorts, while sickness and death lurk amidst the humor. Characters find their footing in these bizarre scenarios and manage to fall into redemption and rebirth. Museum of the Weird invites you into its hallways, then beguiles, bewitches, and reveals a writer who has discovered a manner of storytelling all her own.

Tales from Earthsea delves deeper into the enchanting world of Earthsea, presenting readers with five captivating tales. These stories unfold during times both preceding and succeeding the era chronicled in the original novels. Accompanying these tales is an insightful essay that invites readers to explore the rich tapestry of Earthsea—its people, languages, history, and the very essence of its magic.

The collection includes:

• The Finder
• Darkrose and Diamond
• The Bones of the Earth
• On the High Marsh
• Dragonfly

Readers are also treated to new maps and a special essay that delves into Earthsea's history, languages, literature, and magic, offering a comprehensive guide to this beloved fantasy realm.

The Elephant Vanishes is a collection that showcases the imaginative genius of Haruki Murakami, an international literary icon. These stories blend the mundane with the extraordinary, creating a world where the surreal becomes the new normal.

A man witnesses the inexplicable disappearance of his favorite elephant, newlyweds find themselves driven by insatiable hunger to rob a McDonald's, and a young woman becomes the object of affection for a peculiar green monster. Each story takes the reader on a journey across the boundaries of reality, returning with remarkable treasures.

By turns haunting and hilarious, this collection includes the story Barn Burning, which inspired the major motion picture Burning.

'There is no harm in a man's cub.' Best known for the 'Mowgli' stories, Rudyard Kipling's The Jungle Book expertly interweaves myth, morals, adventure, and powerful storytelling. Set in Central India, Mowgli is raised by a pack of wolves. Along the way, he encounters memorable characters such as the foreboding tiger Shere Kahn, Bagheera the panther, and Baloo the bear.

Including other stories such as that of Rikki-Tikki-Tavi, a heroic mongoose, and Toomai, a young elephant handler, Kipling's fables remain as popular today as they ever were.

Pertenece Echeverría al llamado grupo intelectual de 1837, que sentó las bases de la incipiente sociedad argentina. El éxito y la gran acogida de "La cautiva" se debe a que es una obra comprometida con el medio social en el que surge y cuya renovación formal intenta adecuarse a la realidad que describe. "El matadero" se anticipa en cierto modo a su época y desarrolla líneas que seguirá después la literatura argentina.