A searing, exquisite new novel by the best-selling and award-winning author of Americanah and We Should All Be Feminists—the story of four women and their loves, longings, and desires.
Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until—betrayed and brokenhearted—she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America but faces an unthinkable hardship that threatens all she has worked to achieve.
In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable, or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved?
A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations on the human heart, in language that soars with beauty and power.
Mary Coin takes inspiration from Dorothea Lange’s iconic "Migrant Mother" photograph, weaving a story of two women—one famous and one forgotten—and their remarkable chance encounter.
In 1936, a young mother resting by the side of a road in Central California is spontaneously photographed by a woman documenting the migrant laborers who have taken to America’s farms in search of work. Little personal information is exchanged, and neither woman has any way of knowing that they have produced what will become the most iconic image of the Great Depression.
Three vibrant characters anchor the narrative of Mary Coin. Mary, the migrant mother herself, emerges as a woman with deep reserves of courage and nerve, harboring private passions and carefully-guarded secrets. Vera Dare, the photographer, wrestles with creative ambition and makes the choice to leave her children to pursue her work. Walker Dodge, a present-day professor of cultural history, discovers a family mystery embedded in the picture.
In luminous, exquisitely rendered prose, Silver creates an extraordinary tale from a brief moment in history, reminding us that although a great photograph can capture the essence of a moment, it only scratches the surface of a life.
D-Day is approaching. They don’t know where or when, but the Germans know it'll be soon, and for Felicity “Flick” Clairet, the stakes have never been higher. A senior agent in the ranks of the Special Operations Executive (SOE) responsible for sabotage, Flick has survived to become one of Britain’s most effective operatives in Northern France. She knows that the Germans’ ability to thwart the Allied attack depends upon their lines of communications, and in the days before the invasion, no target is of greater strategic importance than the largest telephone exchange in Europe.
But when Flick and her Resistance-leader husband try a direct, head-on assault that goes horribly wrong, her world turns upside down. Her group destroyed, her husband missing, her superiors unsure of her, her own confidence badly shaken, she has one last chance at the target, but the challenge, once daunting, is now near impossible. The new plan requires an all-woman team, none of them professionals, to be assembled and trained within days. Code-named the Jackdaws, they will attempt to infiltrate the exchange under the noses of the Germans — but the Germans are waiting for them now and have plans of their own.
There are secrets Flick does not know—secrets within the German ranks, secrets among her hastily recruited team, secrets among those she trusts the most. And as the hours tick down to the point of no return, most daunting of all, there are secrets within herself...
From the best-selling author of Persepolis comes a gloriously entertaining and enlightening look into the sex lives of Iranian women. Embroideries gathers together Marjane’s tough-talking grandmother, stoic mother, glamorous and eccentric aunt and their friends and neighbors for an afternoon of tea drinking and talking. Naturally, the subject turns to love, sex, and the vagaries of men.
As the afternoon progresses, these vibrant women share their secrets, their regrets, and their often outrageous stories about, among other things, how to fake one’s virginity, how to escape an arranged marriage, how to enjoy the miracles of plastic surgery, and how to delight in being a mistress. By turns revealing and hilarious, these are stories about the lengths to which some women will go to find a man, keep a man, or, most importantly, keep up appearances.
Full of surprises, this introduction to the private lives of some fascinating women, whose life stories and lovers will strike us as at once deeply familiar and profoundly different from our own, is sure to bring smiles of recognition to the faces of women everywhere—and to teach us all a thing or two.
Ikääntynyt Aliide Truu asuu yksin taloaan Viron maaseudulla. Maa on itsenäistynyt edellisenä vuonna ja maareformi on alkanut. Vanhan naisen arjen katkaisee pihalle pyörtynyt parikymppinen Zara. Tultuaan tajuihinsa Zara kertoo pakenevansa väkivaltaista miestään. Kohtaaminen nostaa Aliiden mieleen repivät muistot nuoruuden traagisesta rakkaudesta ja valinnoista, jotka sinetöivät hänen lähimpiensä kohtalon. Omiin epätoivoisiin ratkaisuihinsa pakotetun Zaran tilanne puolestaan osoittaa, että vaikka aika on toinen, vaino ei ole loppunut, muuttanut vain muotoaan.
Puhdistuksen syvintä ydintä on petos, johon epätoivoiset tunteet ajavat. Romaani avaa myös Viron vaiettua lähihistoriaa yhden suvun kokemusten kautta. Kirja antaa äänen sodan, kommunismin ja sorron uhreille. 1940-luvulla koettujen nöyryytysten ohella teoksessa nousee esiin nykynaisiin epävakaissa yhteiskunnallisissa olosuhteissa kohdistuva hyväksikäyttö.