From a fiercely talented writer poised to be a new generation's Rachel Cusk or Deborah Levy, The Hypocrite is a novel set between the London stage and Sicily, about a daughter who turns her novelist father's fall from grace into a play, and a father who increasingly fears his precocious daughter's voice.

August 2020. Sophia, a young playwright, awaits her father's verdict on her new show. A famous author whose novels haven't aged as gracefully into the modern era as he might hope, he is completely unaware that the play centers around a vacation the two took years earlier to an island off Sicily, where he dictated to her a new book. The play has been met with rave reviews but Sophia's father has studiously avoided reading any of them. But when the house lights dim, he understands that his daughter has laid him bare, used the events of their summer to create an incisive, witty, skewering critique of the attitudes and sexual mores of men of his generation.

Set through one staging of the play, The Hypocrite seamlessly and scorchingly shifts through time and perspective, illuminating an argument between a father and his daughter that, with impeccable nuance, examines the fraught inheritances each generation is left to contend with, and the struggle to nurture empathy in a world changing at lightning-speed.

A pair of fierce foes are forced to work together to save the arts at their school in this swoony YA enemies-to-lovers romance that fans of Jenny Han and Morgan Matson are sure to adore.

Lifelong rivals Natalie and Reid have never been on the same team. So when their school's art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She's fighting to direct the school's first ever student-written play, but for her small production to get funding, the school's award-winning band will have to lose it. Reid's band. And he's got no intention of letting the show go on.

But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year's band and theater budget. Everyone could win. Except Natalie and Reid. Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don't know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them...

A Doll's House (1879), is a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on the stage. The play ushered in a new social era and "exploded like a bomb into contemporary life".

The Student Edition contains these exclusive features:

• A chronology of the playwright's life and work
• An introduction giving the background of the play
• Commentary on themes, characters. language and style
• Notes on individual words and phrases in the text
• Questions for further study
• Bibliography for further reading.

Finding Freia Lockhart is Australian author Aimee Said's debut novel, featuring an authentic and fresh voice that resonates with young adult readers. Freia Lockhart is struggling to fit in at her high school. Her best friend, Kate, is fixated on joining the popular clique known as the Bs: Belinda, Bethanee, and Brianna. Freia feels like a turkey surrounded by flamingos when she's with the Bs, but she's determined to keep her friendship with Kate.

When Kate persuades Freia to try out for the school play, promising it will be an opportunity to mingle with the cute guys and the Bs, things don't go as planned. Freia ends up working on production lighting alongside the rumored bad boy, Daniel. As she gets to know Daniel, Freia realizes that first impressions can be misleading. When Daniel needs a friend, Freia takes a stand, risking her reputation and her tenuous position with the Bs to support him.

Amidst the drama and complexities of teenage life, Freia discovers a surprising new group of friends. Her dry wit and insightful observations about her peers, her 'ancient' parents, and life in general, will strike a chord with readers. The story of Freia Lockhart is a journey of self-discovery, embracing one's true identity, and understanding what really matters in life.

Who's Afraid of Virginia Woolf? is a dark comedy that portrays the bitter marriage of George and Martha as it unravels in a searing night of dangerous fun and games. Twelve times a week, actress Uta Hagen wished to play Martha, reflecting the audience and critics' inability to get enough of Edward Albee's masterful play.

By the evening’s end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With its razor-sharp dialogue and the stripping away of social pretense, the play is considered a brilliantly original work of art—an excoriating theatrical experience, surging with shocks of recognition and dramatic fire.

Wicked: The Grimmerie is not just a companion book to the musical; it is a phenomenon in its own right. Every week, thousands flock to the Gershwin Theatre in New York to experience the show, which has become the most successful musical on Broadway since 2004. Based on Gregory Maguire's bestselling novel, Wicked tells the story of Elphaba, the headstrong Wicked Witch of the West, and Glinda, the good witch, as they navigate life in the Land of Oz.

This whimsical keepsake is designed to resemble the Grimmerie, an ancient book of spells that Elphaba uses in the show. It offers fans a behind-the-scenes peek at the musical, profiles of the cast and creative team, and inside stories. The book is filled with full-color photographs and includes irresistible special features such as an Ozian glossary, spells, an illustrated family tree, and a step-by-step look at how Elphaba gets green before each show. Wicked: The Grimmerie provides everything fans need to relive the Broadway experience day after day.

Oscar Wilde's The Importance of Being Earnest is a madcap farce about mistaken identities, secret engagements, and lovers' entanglements that continues to delight readers more than a century after its 1895 publication and premiere performance. The rapid-fire wit and eccentric characters have made it a mainstay of the high school curriculum for decades.

Cecily Cardew and Gwendolen Fairfax are both in love with the same mythical suitor. Jack Worthing has wooed Gwendolen as Ernest, while Algernon has also posed as Ernest to win the heart of Jack's ward, Cecily. When all four arrive at Jack's country home on the same weekend, the "rivals" fight for Ernest's undivided attention and the "Ernests" to claim their beloveds—pandemonium breaks loose. Only a senile nursemaid and an old, discarded handbag can save the day.

This edition includes a glossary and reader's notes to help the modern reader appreciate Wilde's wry wit and elaborate plot twists.

The Crucible is a searing portrayal of a community engulfed by hysteria. Written by Arthur Miller in 1953, this powerful drama unfolds in the rigid theocracy of Salem, Massachusetts, where rumors of women practicing witchcraft galvanize the town's most basic fears and suspicions.

When a young girl accuses Elizabeth Proctor of being a witch, the self-righteous church leaders and townspeople insist that she be brought to trial. The ensuing ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor illuminate the destructive power of socially sanctioned violence.

As a mirror to reflect the anti-communist hysteria of its time, The Crucible uses the historical events of the Salem witch trials to comment on the insidious nature of McCarthyism in the United States. Miller's drama is as much a commentary on the perils of political extremism and the fragility of social cohesion as it is an examination of the Salem witch trials.

Revised from the rather long original complete works of Shakespeare, this abridged version is written by three Americans, with no qualifications worth speaking of. The playtext is reproduced here with footnotes which will be of no help to anyone and a letter from the authors to the Queen.

The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller (Death of a Salesman and The Crucible), and Williams’ essay “The World I Live In.”

It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams’ A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter, and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the ’40s and ’50s.

A Midsummer Night's Dream is one of William Shakespeare's most enchanting comedies. The story revolves around the adventures of four young Athenian lovers and a group of amateur actors, who are manipulated by the fairies inhabiting the forest in which most of the play is set.

The play opens with Hermia, who is in love with Lysander, facing an arranged marriage to Demetrius, whom her friend Helena loves. Hermia and Lysander plan to escape Athens to avoid the marriage decree by Hermia's father. Meanwhile, in the forest, the King and Queen of the fairies, Oberon and Titania, are in the midst of a quarrel.

Oberon's mischievous servant, Puck, is sent to fetch a magical flower, the juice of which can cause one to fall in love with the first creature they see upon waking. Chaos ensues as Puck's love potion causes unintended love triangles and mistaken identities. Additionally, a group of laborers are rehearsing a play for the upcoming wedding of the Duke of Athens, and Puck's interference leads to further comedic outcomes, including one actor, Bottom, being transformed into a donkey and becoming the object of the enchanted Titania's affections.

The play masterfully blends elements of love, humor, and magic, culminating in a delightful tale that continues to be celebrated and performed around the world.

Othello is a powerful drama created by William Shakespeare that delves into the complexities of a marriage that starts with fascination and intense mutual devotion but ends in jealous rage and tragic demises. The play transports the audience to the romantic Mediterranean, transitioning from Venice to the island of Cyprus, and adds an exotic touch with tales of Othello's African past.

The narrative weaves a tale of stark contrasts between the hero, Othello, a Moor, and Desdemona, a Venetian lady. Despite differences in race, age, and cultural background, their love is portrayed as strong enough to overcome these obstacles. However, the malevolent Iago, who harbors a deep-seated hatred for Othello, sets out to dismantle this love through deceit and manipulation.

As Othello falls prey to Iago's insinuations of Desdemona's infidelity, the early fascination morphs into horror, particularly for the audience. We witness the generous and trusting Othello caught in Iago's web, and the innocent Desdemona, completely devoted to her love, subjected to Othello's brutal accusations and assaults—a result of his erroneous beliefs about her loyalty.

King Lear by William Shakespeare is a profound theatrical exploration of familial conflict, honor, and madness. With its compelling narrative, the play delves into the heart of a kingdom divided by the whims of a flawed monarch and the machinations of his ambitious offspring.

The tragedy unfolds as Lear, the aging king, decides to divide his realm amongst his three daughters, leading to a treacherous power struggle that strips him of his authority and sanity. Through the tribulations of Lear and his court, Shakespeare examines themes of loyalty, betrayal, and the harsh consequences of vanity and pride.

At its core, King Lear is a poignant commentary on the human condition, the fragility of power, and the complex bonds that tie families together, often tightly interwoven with suffering and loss. It is a story that resonates as much today as it did when it was first performed, with timeless insights into the depths of human nature and the inevitable flow of fate.

In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers' final union in death seems almost inevitable.

And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

Hamlet, probably composed between 1599 and 1601, takes place in Denmark and tells how Prince Hamlet carries out his revenge on his uncle Claudius who murdered Hamlet's father, the king, and holds the usurped crown as well as nuptials with Gertrude, the mother of Hamlet. The play is vividly traced around insanity (both real and feigned) and the course from deep pain to inordinate anger. It also explores the themes of betrayal, revenge, incest, and moral corruption.

'Nicholas Nickleby' is a vibrant and heart-wrenching tale of young Nicholas left penniless after his father's death. He seeks assistance from his wealthy uncle, only to find him unscrupulous and uncaring. Forced to fend for himself and protect his mother and sister, Nicholas embarks on a journey that introduces him to a cast of extraordinary characters, from the tyrannical headmaster Wackford Squeers of Dotheboys Hall to the eccentric Crummles theatre family.

Charles Dickens, with his signature flair for the dramatic and the absurd, crafts a story that not only entertains but also delivers a fierce critique of social injustice and cruelty. The adventures of Nicholas and the friends and foes he meets along the way showcase Dickens's comic genius and his deep empathy for the underdog.

This edition, published by Penguin, includes original illustrations by 'Phiz', enriching the narrative with visual storytelling that complements Dickens's richly detailed world. An introduction by Mark Ford offers insights into the novel's historical context and its place within Dickens's body of work, making it an essential read for both new and returning readers of Dickens.

All My Sons is a profound drama set during World War II, capturing the complex relationships and ethical dilemmas within the Keller family. Joe Keller and Steve Deever were business partners who, during the war, produced defective airplane parts leading to the deaths of many men. While Deever faces imprisonment, Keller avoids punishment and prospers.

The narrative intensifies as Keller's son, Chris, engages in a love affair with Ann Deever, Steve's daughter. George Deever returns from war only to find his father incarcerated and his father's partner free. The unfolding events and the burden of guilt bear down on the characters, culminating in a gripping and electrifying climax.

Winner of the Drama Critics' Award for Best New Play in 1947, All My Sons not only established Arthur Miller as a pivotal figure in American theater but also introduced recurring themes seen in his later works: the intricate bonds between fathers and sons, and the perpetual conflict between business interests and personal morality.

La casa de Bernarda Alba es la obra teatral más conocida de Federico Garcíaa Lorca. Escrita en 1936, no pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu. La obra expone la historia de Bernarda Alba, quien tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto.

Con Bernarda viven sus cinco hijas (Angustias, Magdalena, Amelia, Martirio y Adela), su madre y sus dos criadas. La obra, de gran belleza lírica y fuerza dramática, describe la España profunda de principios del siglo XX, caracterizada por una sociedad tradicional en la que el papel que la mujer jugaba era muy secundario. Lorca destaca por su capacidad de aunar la tradición y la vanguardia, presentando temas, personajes y géneros de la tradición teatral desde inusitadas perspectivas y filtrándolos por el tamiz de unas modernas técnicas expresivas.

Twelfth Night, named for the twelfth night after Christmas, marks the end of the festive season and sets the stage for a romantic comedy of love and power. The play introduces us to the Countess Olivia, an independent woman in charge of her own household, who captures the attention of Duke Orsino. Her other suitors include her pompous steward, Malvolio, and the foppish Sir Andrew Aguecheek.

Amidst this tangled web of unrequited love arrives the shipwrecked twins, Viola and Sebastian, each believing the other to be dead. Viola, disguised as a boy, enters the service of the Duke, becoming his emissary to Olivia—and unexpectedly becoming the object of Olivia's affection. As the story unfolds, the play delves into the complexity of love and the joyful resolution of mistaken identities and romantic entanglements.