Two young housemates embark on a road trip to discover themselves in a fractured America in this sparkling novel of love, friendship, and chosen family, by the award-winning author of The Third Rainbow Girl. What does it feel like, standing in the moments that will mark your life?

When Bernie replies to Leah's ad for a new housemate in Philadelphia, the two begin an intense and defiantly uncategorizable friendship based on a mutual belief in their art, and one another. Both aspire to capture the world around them: Leah through her writing; Bernie through her photography.

After Bernie's former photography professor, the renowned yet tarnished Daniel Dunn, dies and leaves her a complicated inheritance, Leah volunteers to accompany Bernie to his home in rural Pennsylvania, turning the jaunt into a road trip with an ambitious mission: to document America through words and photographs.

What ensues is a three-week journey into the heart of the nation, bringing the artists into conversation with people from all walks of life—as they try to make sense of the times they are living in. Along the way, Leah and Bernie discover what it means to pursue their own ideas and dreams, and to embrace what they are capable of both romantically and artistically.

Housemates is a warm and insightful coming-of-age story of youth and freedom, a glorious celebration of queer life, and how art and love might save us all.

Delilah Green Doesn't Care is a clever and steamy queer romantic comedy about taking chances and accepting love—with all its complications. Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it's a different woman every night, but that's just fine with her.

When Delilah's estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid's stuck-up besties, and decides that maybe there's some fun (and a little retribution) to be had in Bright Falls, after all.

Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they've known each other for years, they don't really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they're forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn't sure she has the strength to resist Delilah's charms. Even worse, she's starting to think she doesn't want to.

Eudora Welty’s Photographs, originally published in 1989, serves as the definitive book of the critically acclaimed writer’s photographs. Her camera’s viewfinder captured deep compassion and her artist’s sensibilities.

Photographs is a deeply felt documentation of 1930s Mississippi taken by a keenly observant photographer who showed the human side of her subjects. Also included in the book are pictures from Welty’s travels to New York, New Orleans, South Carolina, Mexico, and Europe in the 1930s, ’40s, and ’50s.

The photographs in this edition are new digital scans of Welty’s original negatives and authentic prints, restoring the images to their original glory. It also features sixteen additional images, several of which were selected by Welty for her 1936 photography exhibit in New York City and have never before been reproduced for publication.

The book includes a resonant, new foreword by Pulitzer Prize-winning writer and Mississippi native Natasha Trethewey.

This second novel begins in 1940, immediately after the first book ended. Having escaped Miss Peregrine’s island by the skin of their teeth, Jacob and his new friends must journey to London, the peculiar capital of the world. Along the way, they encounter new allies, a menagerie of peculiar animals, and other unexpected surprises.

Complete with dozens of newly discovered (and thoroughly mesmerising) vintage photographs, this new adventure will delight readers of all ages.

Mary Coin takes inspiration from Dorothea Lange’s iconic "Migrant Mother" photograph, weaving a story of two women—one famous and one forgotten—and their remarkable chance encounter.

In 1936, a young mother resting by the side of a road in Central California is spontaneously photographed by a woman documenting the migrant laborers who have taken to America’s farms in search of work. Little personal information is exchanged, and neither woman has any way of knowing that they have produced what will become the most iconic image of the Great Depression.

Three vibrant characters anchor the narrative of Mary Coin. Mary, the migrant mother herself, emerges as a woman with deep reserves of courage and nerve, harboring private passions and carefully-guarded secrets. Vera Dare, the photographer, wrestles with creative ambition and makes the choice to leave her children to pursue her work. Walker Dodge, a present-day professor of cultural history, discovers a family mystery embedded in the picture.

In luminous, exquisitely rendered prose, Silver creates an extraordinary tale from a brief moment in history, reminding us that although a great photograph can capture the essence of a moment, it only scratches the surface of a life.

Frank Nowell was the official photographer of the 1909 Alaska-Yukon-Pacific Exposition in Seattle. This book draws on the extensive collection of his photographs held by the University of Washington Libraries.

For those who experienced it, the Alaska-Yukon-Pacific Exposition was a time of wonder in a "citadel set in stars"—a grand world's fair that transformed the summer of 1909 in Seattle into a whirl of excitement and pleasure. On what would become the University of Washington campus, for a brief moment a huge city emerged. At noon on June 1, amidst the blasting of horns and whistles, confetti filled the air and the gates were opened to a pent-up crowd of about 80,000 fairgoers. At the end of the evening on October 16, the fair was over and the magical city became a memory for its 3.7 million visitors.

For those who couldn't make the trip to see the exhibits and for the rest of us today, the best record of the event was made by Frank H. Nowell, official photographer for the exposition. He documented the construction of the city, its landscaping, the people who built it, and the people who visited it, as well as the buildings that housed displays from dozens of foreign countries. He used a large view camera and 8 x 10 glass-plate negatives to create several thousand photographs. For this book, Nicolette Bromberg has chosen the best and most representative. Her essay illuminates both the man and the fair, providing perspective to a history of the West that connects us to a world-expanding event a hundred years ago, and also contains Nowell's photographs of Alaska during the gold rush, relating how an Alaskan photographer became the official A-Y-P photographer.

For the 100th anniversary of the exposition, John Stamets organized and led University of Washington students in a project to rephotograph the site. This book includes an essay by Stamets describing the challenges, delights, and problems of the project, along with thirty rephotographs that imagine the fabulously spectacular ghost city on the campus.

Discovered in 1855, Green Lake has been an essential feature within Seattle's distinctive juxtaposition of landscape architecture and urban expansion, providing recreation and community focus for the last 150 years.

Named after the persistent algae bloom that still occurs, the lake is a valuable natural landmark at the center of a neighborhood in transition. Its past is threaded with tenacious organizations and ambitious individuals.

From its first homesteader, Erhart "Green Lake John" Saifried, to the vision of the Olmsted brothers, from Guy Phinney's menagerie to the triumph and tragedy of Helene Madison, from ice-skating to the Aqua Follies, this broad collection of vintage images illustrates a bygone era and provides a unique perspective on community values and ecological struggle.

The Art of The Fellowship of the Ring provides an authoritative and insightful look into the creative development of the first film in Peter Jackson's acclaimed The Lord of the Rings trilogy. This official publication boasts 500 exclusive images, ranging from initial pencil sketches and conceptual drawings to full-color paintings that influenced the film's visual design.

The book covers all principal locations, costumes, armor, and creatures in stunning detail, including content that did not make it into the final film. Alongside sketches, paintings, and digital images, the book features photographs illustrating how the creative process materialized, as well as film stills.

Contributions from artists Alan Lee and John Howe, whose work inspired Peter Jackson's vision of Middle-earth, are highlighted. They, along with other designers, share insights into how they contributed to the film's development, offering a behind-the-scenes look at bringing Middle-earth to life.

With text compiled from exclusive interviews with director Peter Jackson, special effects supervisor Richard Taylor, and designers such as Grant Major and Ngila Dickson, The Art of The Fellowship of the Ring celebrates the collective efforts that transformed the first Lord of the Rings movie into an award-winning global phenomenon.

The Bridges of Madison County tells the story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream. This novel gives voice to the longings of men and women everywhere-and shows us what it is to love and be loved so intensely that life is never the same again.