Ta-Nehisi Coates originally set off to write a book about writing, in the tradition of Orwell’s classic Politics and the English Language, but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities.

The first of the book’s three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist, Coates had never set foot on the African continent until now. He roams the “steampunk” city of “old traditions and new machinery,” but everywhere he goes he feels as if he’s in two places at once: a modern city in Senegal and a mythic kingdom in his mind. Finally, he travels to the slave castles off the coast and has his own reckoning with the legacy of the Afrocentric dream.

He takes readers along with him to Columbia, South Carolina, where he meets an educator whose job is threatened for teaching one of Coates’s own books. There he discovers a community of mostly white supporters who were transformed by the “racial reckoning” of 2020. But he also explores the backlash to this reckoning and the deeper myths of the community—a capital of the confederacy with statues of segregationists looming over its public squares.

And in Palestine, Coates discovers the devastating gap between the narratives we’ve accepted and the clashing reality of life on the ground. He meets with activists and dissidents, Israelis and Palestinians—the old, who remember their dispossessions on two continents, and the young, who have only known struggle and disillusionment. He travels into Jerusalem, the heart of Zionist mythology, and to the occupied territories, where he sees the reality the myth is meant to hide. It is this hidden story that draws him in and profoundly changes him—and makes the war that would soon come all the more devastating.

Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive nationalist myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.

Entitlement is a novel of money and morality from the New York Times bestselling author of Leave the World Behind. Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief?

Taut, unsettling, and alive to the seductive distortions of money, Entitlement is a riveting tale for our new gilded age, a story that confidently considers questions about need and worth, race and privilege, philanthropy and generosity, passion and obsession. It is a provocative, propulsive novel about the American imagination.

From a fiercely talented writer poised to be a new generation's Rachel Cusk or Deborah Levy, The Hypocrite is a novel set between the London stage and Sicily, about a daughter who turns her novelist father's fall from grace into a play, and a father who increasingly fears his precocious daughter's voice.

August 2020. Sophia, a young playwright, awaits her father's verdict on her new show. A famous author whose novels haven't aged as gracefully into the modern era as he might hope, he is completely unaware that the play centers around a vacation the two took years earlier to an island off Sicily, where he dictated to her a new book. The play has been met with rave reviews but Sophia's father has studiously avoided reading any of them. But when the house lights dim, he understands that his daughter has laid him bare, used the events of their summer to create an incisive, witty, skewering critique of the attitudes and sexual mores of men of his generation.

Set through one staging of the play, The Hypocrite seamlessly and scorchingly shifts through time and perspective, illuminating an argument between a father and his daughter that, with impeccable nuance, examines the fraught inheritances each generation is left to contend with, and the struggle to nurture empathy in a world changing at lightning-speed.

A woman is pulled into a love affair with a radical activist, unknowingly echoing her family's dangerous past and risking the foundations of her future in this electrifying novel. The course of your life can change with one split-second decision.

Minnow has always tried to lead the life her single father modeled—private, quiet, hardworking, apolitical. So she is rocked when an instinctive decision to help a student makes her the extremely public face of a scandal in the small town where she teaches. As tensions rise, vandalism and death threats follow, and an overwhelmed Minnow flees to a teaching position in Paris.

There, Minnow falls into an exhilarating and all-consuming relationship with Charles, a young Frenchman whose activism has placed him at odds with his powerful family. As Minnow is pulled into the daring protest Charles and his friends are planning, she unknowingly draws close to repeating a secret tragedy from her family's past. For her father wasn’t always the restrained, conservative man he appears today. There are things he has taken great pains to bury from his family and from the world.

In 1968, Keen is avoiding the Vietnam draft by pursuing a PhD at Harvard. He lives his life in the basement chemistry lab, studiously avoiding the news. But when he unexpectedly falls in love with Olya, a fiery community organizer, he is consumed by her world and loses sight of his own. Learning that his deferment has ended and he’s been drafted, Keen agrees to participate in the latest action that Olya is organizing—one with more dangerous and far-reaching consequences than he could have imagined.

Minnow’s and Keen's intertwining stories take us through the turmoil of the late sixties student movements and into the chaos of the modern world. Exploding with suspense, heart, and intelligence, There's Going to Be Trouble is a story about revolution, legacy, passionate love, and how we live with the consequences of our darkest secrets.

From "a master of verbal burlesque [and] a connoisseur of psychological blackmail" (John Updike), Witold Gombrowicz's harrowing and hilarious pastiche of the Gothic novel, now in a new, authoritative English translation.

Witold Gombrowicz is considered by many to be Poland's greatest modernist, and in The Possessed, he demonstrates his playful brilliance and astonishing range by using the familiar tropes of the Gothic novel to produce a darkly funny and lively subversion of the form.

With dreams of escaping his small-town existence and the limitations of his class, a young tennis coach travels to the heart of the Polish countryside to train Maja Ocholowska, a beautiful and promising player whose bourgeois family has fallen upon difficult circumstances. Yet as Maja and the young man are alternately drawn to and repulsed by the other, they find themselves embroiled in the fantastic happenings taking place at the dilapidated castle nearby, where a mad prince haunts the halls, and bewitched towels, conniving secretaries, famous clairvoyants, and uncanny doubles conspire to determine the fate of the lovers.

Serialized first in Poland in the days preceding the Nazi invasion, and now translated directly into English for the first time by Antonia Lloyd-Jones, The Possessed is a comic jewel, a hair-raising thriller, and a provocative early masterpiece from the acclaimed author of classics like Pornografia and Cosmos.

Samantha Irby invites us to share in the gory particulars of her real life, all that festers behind the glitter and glam.

The success of Irby's career has taken her to new heights. She fields calls with job offers from Hollywood and walks the red carpet with the iconic ladies of Sex and the City. Finally, she has made it. But, behind all that new-found glam, Irby is just trying to keep her life together as she always had.

Her teeth are poisoning her from inside her mouth, and her diarrhea is back. She gets turned away from a restaurant for wearing ugly clothes, she goes to therapy and tries out Lexapro, gets healed with Reiki, explores the power of crystals, and becomes addicted to QVC. Making light of herself as she takes us on an outrageously funny tour of all the details that make up a true portrait of her life, Irby is once again the relatable, uproarious tonic we all need.

Con las sutiles herramientas de la antropología contemporánea, tanto de gabinete como de campo, Natalia Radetich se lanzó a la jungla de concreto para conocer desde dentro la mecánica por la que Uber, quizá la más emblemática de las aplicaciones para el transporte de pasajeros, crea sus mensajes para convencer —y mantener enganchados— a conductores y usuarios, y para, con total descaro, eludir su responsabilidad fiscal y patronal. Escrito con rigor y sagacidad, ricamente documentado y nutrido de observaciones en el terreno, este libro desmenuza los elementos de un novedoso fenómeno que está ocurriendo delante de nosotros, lo mismo en la movilidad, el reparto de alimentos o la mensajería: la uberización del trabajo. En ese escenario despiadado ha surgido, sin embargo, un ánimo solidario entre quienes sufren la precarización laboral.

Este libro resultará clave para entender la actual etapa del capitalismo y los mecanismos de la apropiación empresarial.

Do You Have Kids? Life When the Answer is No explores the lives of those who are childfree or childless, whether by choice or circumstance. This book delves into how these individuals find meaning, connection, and joy in a society that often emphasizes parenthood.

Kate Kaufmann weaves together wisdom from women aged twenty-four to ninety-one, sharing candid insights about their lives. This book is an exhaustively researched guide that challenges societal norms and expectations, offering alternate routes to fulfilling lives.

Today, about one in five adults over the age of 40 will never have children. Despite this growing demographic, conversations around childlessness or being childfree are often stifled by social taboos. This book provides a platform for these much-needed discussions, illuminating a perfectly normal way of being.

Join the conversation and explore the unexpected aspects of life when the answer is no.

Childless Living offers an insightful exploration into the self-fulfilling lives of individuals who, by chance or choice, do not have children. This enlightening book delves into the myriad life choices people make regarding parenthood and unveils alternate ways to find purpose in life.

Based on a comprehensive global survey and over 50 in-depth interviews with childless and childfree individuals aged 19 to 91 from diverse cultures and backgrounds, the book provides readers with a broader context to understand the growing trend of leading a self-fulfilling, childless life.

In many countries, choosing not to have children is becoming more common, and this book discusses topics often left unspoken—how people without children spend their time and money, and most importantly, how they find purpose and fulfillment in their lives.

Author Lisette Schuitemaker, who herself was never drawn to family life, shares intimate conversations and surprising insights from her interviews with non-parenting individuals worldwide. From exhilarating to painful stories, these narratives reveal that choosing not to start a family is a valid and fulfilling path.

This book is a must-read for anyone who has not taken the path of parenthood, those with close family or friends leading self-directed lives without offspring, and anyone contemplating this essential life choice. It celebrates both the joys of parenting and the bravery of those following the lesser-known path of non-parenting.

Arrangement in Black and White captures the conflicts that give edge and interest to all meaningful love stories, yet it does so with an eye toward modern women, interracial politics, and the human inability to balance passion with social, public life. It is a powerful story for contemporary readers.

She's white; he's black. But their conflicts are more than racial. Margy's from Iowa, an artist, the product of an abusive mother and neglectful father. Everet's from Connecticut, a civil rights lawyer on the rise toward greater recognition, and their lives take a tense turn when he decides to run for political office just as Margy moves forward in her own career.

More American women are childless than ever before—nearly half those of childbearing age don’t have children. While our society often assumes these women are “childfree by choice,” that’s not always true. In reality, many of them expected to marry and have children, but it simply hasn’t happened. Wrongly judged as picky or career-obsessed, they make up the “Otherhood,” a growing demographic that has gone without definition or visibility until now.

In Otherhood, author Melanie Notkin reveals her own story as well as the honest, poignant, humorous, and occasionally heartbreaking stories of women in her generation—women who expected love, marriage, and parenthood, but instead found themselves facing a different reality. She addresses the reasons for this shift, the social and emotional impact it has on our collective culture, and how the “new normal” will affect our society in the decades to come.

Notkin aims to reassure women that they are not alone and encourages them to find happiness and fulfillment no matter what the future holds. A groundbreaking exploration of an essential contemporary issue, Otherhood inspires thought-provoking conversation and gets at the heart of our cultural assumptions about single women and childlessness.

Rude Bitches Make Me Tired is an always sensible and mildly profane etiquette manual for the modern age. Celia Rivenbark addresses real-life quandaries ranging from how to deal with braggy playground moms to wondering if you can have sex in your aunt's bed on vacation to correctly grieving the dearly departed (hint: it doesn't include tattoos or truck decals).

This book will provide answers to all your mannerly questions as Celia discusses the social conundrums of our day and age, including:

• Navigating the agonies of check splitting ("Who had the gorgonzola crumbles and should we really care?")
• The baffling aspects of airline travel (such as "Recline Monster" and other animals)
• The art of the visit (always leave them wanting more . . . much more)
• Gym and locker etiquette (hint: no one wants to talk to you while you're buck naked)
• Office manners ("Loud talkers, cake hawkers, and Britney Sue's unfortunate cyst")

Good manners have never been so wickedly funny!

No Kidding, comedy writer Henriette Mantel, along with Jennifer Coolidge, tackles the topic of actually not having kids. This fascinating collection features a star-studded group of contributors—including Margaret Cho, Wendy Liebman, Laurie Graff, and other accomplished, funny women—writing about why they opted out of motherhood.

Whether their reasons have to do with courage, apathy, monetary considerations, health issues, or something else entirely, the essays featured in the pages of No Kidding honestly (and humorously) delve into the minds of women who have chosen what they would call a more sane path.

Hilarious, compelling, and inspiring, No Kidding reveals a perspective that has too long been hidden, shamed, and silenced—and celebrates an entire population of women who have decided that kids are just not right for them.

How to Be a Woman is a hilarious and insightful exploration into the life of modern women. Although women now have the vote and access to contraception, life isn't exactly a stroll down the catwalk. Caitlin Moran, with her rapier wit, dives into the uncertainties and questions that plague women today.

Why do bras hurt? Why are we supposed to get Brazilians? And why the incessant talk about babies? Caitlin Moran interweaves laugh-out-loud funny scenes from her own life with provocative observations on women's lives. From the riot of adolescence to her development as a writer, wife, and mother, Moran slices right to the truth—whether it's about the workplace, strip clubs, love, fat, abortion, popular entertainment, or children.

With humor, insight, and verve, How To Be a Woman lays bare the reasons female rights and empowerment are essential issues not only for women today but also for society itself.

During the postmodern boom of Blair’s Britain, two well-meaning drug dealers on the verge of becoming respectable businessmen become embroiled in a surreal gangster heist.

Tony, a West London drug dealer, attempts to start a legitimate business around a new age herbal pill that provides natural highs. In order to secure the cash for their start-up venture, he strikes a deal with a kooky English aristocrat.

Their plans go askew, however, when Richard, their lawyer and long-term friend, involves them in his own shady dealings. Richard acquires an international bearer bond worth $100 million, which belongs to Poncho Khan, a notorious Indian crime boss.

In a time when mass consumerism and licentious hedonism are the dominant features of London society, the three men attempt to outsmart the drug king before they fall victim to their own depravity.

Pregnant and secretly married, Cheryl Anway scribbles what becomes her last will and testament on a school binder shortly before a rampaging trio of misfit classmates gun her down in a high school cafeteria.

Overrun with paranoia, teenage angst, and religious zeal in the massacre's wake, this sleepy suburban neighborhood declares its saints, brands its demons, and moves on. But for a handful of people still reeling from that horrific day, life remains permanently derailed.

Four dramatically different characters tell their stories: Cheryl, who calmly narrates her own death; Jason, the boy no one knew was her husband, still marooned ten years later by his loss; Heather, the woman trying to love the shattered Jason; and Jason's father, Reg, whose rigid religiosity has separated him from nearly everyone he loves.

Hey Nostradamus! is an unforgettable portrait of people wrestling with spirituality and with sorrow and its acceptance.

En ce temps-là, on mettait des photographies géantes de produits sur les murs, les arrêts d'autobus, les maisons, le sol, les taxis, les camions, la façade des immeubles en cours de ravalement, les meubles, les ascenseurs, les distributeurs de billets, dans toutes les rues et même à la campagne.

La vie était envahie par des soutiens-gorge, des surgelés, des shampoings antipelliculaires et des rasoirs triple-lame. L'œil humain n'avait jamais été autant sollicité de toute son histoire : on avait calculé qu'entre sa naissance et l'âge de 18 ans, toute personne était exposée en moyenne à 350 000 publicités.

Même à l'orée des forêts, au bout des petits villages, en bas des vallées isolées et au sommet des montagnes blanches, sur les cabines de téléphérique, on devait affronter des logos "Castorama", "Bricodécor", "Champion Midas" et "La Halle aux Vêtements". Il avait fallu deux mille ans pour en arriver là.

A Portrait of the Artist as a Young Man is James Joyce's compelling coming-of-age story and a tour de force of style and technique. The novel portrays the Dublin upbringing of Stephen Dedalus, from his youthful days at Clongowes Wood College to his radical questioning of all convention. In doing so, it provides an oblique self-portrait of the young Joyce himself.

At its center lie questions of origin and source, authority and authorship, and the relationship of an artist to his family, culture, and race. Exuberantly inventive in style, the novel subtly and beautifully orchestrates the patterns of quotation and repetition instrumental in Stephen's quest to create his own character, his own language, life, and art: "to forge in the smithy of my soul the uncreated conscience of my race."

This Penguin Classics edition is the definitive text, authorized by the Joyce estate and collated from all known proofs, manuscripts, and impressions to reflect the author's original wishes.

Mrs. Dalloway is often heralded as Virginia Woolf's greatest novel, presenting a vivid portrait of a single day in a woman's life. Clarissa Dalloway is much more than a perfect society hostess—she is a character of depth and complexity, as she prepares her house for a party and is simultaneously flooded with memories of the past.

The narrative explores the inner experiences of Clarissa, as well as other characters, through Woolf's pioneering use of stream of consciousness. This technique illuminates the enormity found within everyday moments and insists that a life filled with errands and social obligations can be as significant a subject as any grand adventure.

With some of the most beautiful, complex, and idiosyncratic sentences ever written in English, Mrs. Dalloway is recognized as a revolutionary work of art that has influenced the novel as a literary form. It is a moving exploration of life's fleeting beauty, the passage of time, and the inner workings of human consciousness.

Imagine a year without Christmas. No crowded shops, no corny office parties, no fruitcakes, no unwanted presents. That's just what Luther and Nora Krank have in mind when they decide that, just this once, they'll skip the holiday altogether. Theirs will be the only house on the street without a rooftop Frosty the snowman; they won't be hosting their annual Christmas Eve bash; they aren't even going to have a tree. They won't need one, because come December 25 they're setting sail on a Caribbean cruise. But, as this weary couple is about to discover, skipping Christmas brings enormous consequences - and isn't half as easy as they'd imagined.A classic tale for modern times, Skipping Christmas offers a hilarious look at the chaos and frenzy that has become part of our holiday tradition.

The text of Eliot's 1922 masterpiece is accompanied by thorough explanatory annotations as well as by Eliot's own knotty notes, some of which require annotation themselves.

Fight Club follows the experiences of an unnamed protagonist struggling with insomnia. Inspired by his doctor's exasperated remark that insomnia is not suffering, the protagonist finds relief by impersonating a seriously ill person in several support groups. Then he meets a mysterious man named Tyler Durden and establishes an underground fighting club as radical psychotherapy.

In this novel, Chuck Palahniuk offers a dark and provocative look into the depths of the human psyche, delivering a tale that is as unsettling as it is compelling. With biting satire and a unique voice, Fight Club has become a modern classic, exploring themes of identity, consumerism, and the search for meaning in a contemporary world.

Delmore Schwartz said about The Cantos, "They are one of the touchstones of modern poetry."

William Carlos Williams commented, "[Pound] discloses history by its odor, by the feel of it—in the words; fuses it with the words, present and past, to MAKE his Cantos. Make them."

Since the 1969 revised edition, the Italian Cantos LXXII and LXXIII (as well as a 1966 fragment concluding the work) have been added. Now appearing for the first time is Pound's recently found English translation of Italian Canto LXXII.

Widely regarded as D. H. Lawrence's greatest novel, Women in Love is both a lucid account of English society before the First World War and a brilliant evocation of the inexorable power of human desire.

Women in Love continues where The Rainbow left off, with the third generation of Brangwens: Ursula Brangwen, now a teacher at Beldover, a mining town in the Midlands, and her sister Gudrun, who has returned from art school in London. The focus of the novel is primarily on their relationships: Ursula's with Rupert Birkin, a school inspector, and Gudrun's with industrialist Gerald Crich, and later with a sculptor, Loerke.

Quintessentially modernist, Women in Love is one of Lawrence's most extraordinary, innovative, and unsettling works.

Ulysses is a modernist novel by Irish writer James Joyce. It was first serialized in parts in the American journal The Little Review from March 1918 to December 1920 and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce's 40th birthday. It is considered one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement."

According to Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking." Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem the Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early 20th-century context of modernism, Dublin, and Ireland's relationship to Britain.

The novel is highly allusive and also imitates the styles of different periods of English literature. Since its publication, the book has attracted controversy and scrutiny, ranging from an obscenity trial in the United States in 1921 to protracted textual "Joyce Wars." The novel's stream-of-consciousness technique, careful structuring, and experimental prose—replete with puns, parodies, and allusions—as well as its rich characterisation and broad humour have led it to be regarded as one of the greatest literary works in history. Joyce fans worldwide now celebrate 16 June as Bloomsday.

El juguete rabioso es la primera novela del escritor Roberto Arlt –marcadamente autobiográfica– publicada en el año 1926 por la Editorial Latina. Sus manuscritos datan de la década de 1920 y fueron bosquejados por Arlt en las argentinas Sierras de Córdoba, en una época en la cual su mujer, Carmen, atacada por una complicada tuberculosis, debe instalarse en esas geografías para intentar una difícil mejoría.

Arlt, en tanto acompaña a su esposa e invierte una considerable suma de dinero en negocios que no fructifican, hace nacer a El Juguete Rabioso.