Someone Like Us is a compelling narrative that delves into the life of the son of Ethiopian immigrants, who embarks on a quest to unravel a hidden family history, shedding light on a past fraught with unexpected loss, addiction, and the constant emotional pull towards home.

Having left behind a promising career as a journalist to start anew in Paris, Mamush encounters Helen, a photographer whose unique perspective on the world opens up the possibility of not just love, but also family. Five years down the line, with his marriage to Helen teetering on the edge, Mamush returns to the tight-knit Ethiopian immigrant community in Washington DC that shaped his upbringing. The community is anchored by his unwavering mother and Samuel, a charismatic father figure whose infectious charm and humor mask a more complex and troubling reality.

On the day of Mamush's return to Washington, the shocking news of Samuel's death in his garage reaches him. With Helen and their young son back in Paris, Mamush embarks on an unexpected cross-country journey in America, seeking answers to questions he was always discouraged from asking. In his pursuit of truth, he comes to realize that the key to salvaging his family and returning home may lie in confronting not only the enigma surrounding Samuel's life and demise but also his own haunted memories and the years he spent camouflaging them.

This is an unforgettable and masterful work from Dinaw Mengestu, an author celebrated for his extraordinary talent.

A dazzling novel about making art, desire, and the inextricable link between the personal and the political set against the decadence of post-war Los Angeles. George is a Hungarian immigrant working as a studio hack writing monster movies in 1950s Los Angeles. He must navigate the McCarthy era studio system filled with possible Communists and spies; the life of closeted men along Sunset Boulevard; the inability of the era to disassemble love from persecution and guilt.

But when a famous actress named Madeleine offers George a writing residency at her estate in Malibu to work on the political writing he cares most deeply about, his world changes dramatically. Soon it's drinks by the pool every night, pleasure in every direction, and Madeleine carrying him like an ornament into a class of postwar L.A. society ordinarily hidden from men like him.

What this lifestyle hides behind, aside from the monsters on the screen, are the monsters dwelling closer to home: this endless bacchanalia covers a gnawing hole shelled wide by the horror of the war they'd thought they left behind. Beneath his newfound relationships lie the pernicious forces of the American political project. And what George can never escape: his past as György, the queer Jew who fled Budapest before the war, landing in New York all alone a decade prior.

In New York as in California, the people he loves aren't what they seem—and neither is his adopted country, one pretending to have transcended bigotry, authoritarianism, and violence. The Future Was Color is an immaculately written exploration of making art and reinventing the self, post-war American decadence, and the psychosis that lingers in a world that's seen the bomb. Spanning from sun-drenched Los Angeles, to hidden corners of working-class New York, to a virtuosic climax in the Las Vegas desert, it upends our perceptions of just how personal the political can be.

From one of the sharpest voices in fiction today, a profound and enthralling novel about beauty, power, and capital's influence on art and those who devote their lives to creating it.

Once, Jay was an artist. Shortly after graduating from his London art school, he was tipped for greatness, a promising career already taking shape before him. Now, undocumented in the United States, he lives out of his car and makes a living as an essential worker, delivering groceries in a wealthy area of upstate New York. The pandemic is still at its height—the greater public panicked in quarantine—and though he has returned to work, Jay hasn't recovered from the effects of a recent Covid case.

When Jay arrives at a house set in an enormous acreage of woodland, he finds the last person he ever expected to see again: Alice, a former lover from his art school days. Their relationship was tumultuous and destructive, ultimately ending when she ghosted him and left for America with his best friend and fellow artist, Rob. In the twenty years since, their fortunes could not be more different: as Jay teeters on the edge of collapse, Alice and Rob have found prosperity in a life surrounded by beauty. Ashamed, Jay hopes she won't recognize him behind his dirty surgical mask; when she does, she invites him to recover on the property—where an erratic gallery owner and his girlfriend are isolating as well—setting a reckoning decades in the making into motion.

Gripping and brilliantly orchestrated, Blue Ruin moves back and forth through time to deliver an extraordinary portrait of an artist as he reunites with his past and confronts the world he once loved and left behind.

A provocative, virtuosic inquiry that reveals how the valorization of migrations past is intimately linked to the exclusion and demonization of migrants today.

When and how did migration become a crime? Why have “Greek ideals” remained foundational to the West’s idea of itself? How have our personal migration myths—and nostalgia for times past—shaped today’s troubling realities of nationalism and fortified borders?

In 2021, Lauren Markham went to Greece to cover the aftermath of a fire that had burned down the largest refugee camp in Europe. Almost no one had wanted the camp—not humanitarian activists, not the country’s growing neo-fascist movement, not even the government, which resented the disproportionate responsibility it bore for an overwhelming international human rights problem. But almost immediately, in spite of scant evidence, six young Afghan refugees were arrested for the crime.

As she immersed herself in the story, Markham saw that it was part of a larger tapestry, rooted not only in centuries of global history but also in the myths we tell ourselves about who we are.

A Map of Future Ruins helps us see that the stories we tell about migration don’t just explain what happened. They are oracles: they predict the future.

Broughtupsy is an enthralling debut novel that captures the cinematic yet intimate journey of a young Jamaican woman, Akúa, as she grapples with grief and the elusive concept of home.

Tired of feeling unmoored, twenty-year-old Akúa travels from Canada to Jamaica to seek a connection with her estranged sister Tamika following the death of their younger brother Bryson from sickle cell anemia—the same disease that claimed their mother ten years earlier. Akúa's mission is to spread Bryson's ashes and rekindle familial bonds.

During two pivotal weeks, the sisters revisit childhood haunts, revealing the chasm between them and the cultural distance Akúa has traversed. Struggling with her identity, she repeatedly questions, "Am I Jamaican?" Beneath these doubts simmer anger and abandonment issues, manifesting in the unasked question, "Why didn’t you stay with me?"

As Akúa disperses her brother's ashes around Kingston, she encounters Jayda, a bold stripper who introduces her to an alternate side of the city. Their growing closeness forces Akúa to face the harsh realities of being gay in a devoutly religious family and the broader implications of being a gay woman in Jamaica.

Broughtupsy weaves a narrative that is part family saga, part coming-of-age story, and part exploration of sexual identity. It is a profound narrative that delves into the complexities of family obligations and the lengths one will go to experience the essence of home.

Martyr! by Kaveh Akbar is an electrifying, funny, and wholly original novel that heralds the arrival of an essential new voice in contemporary fiction. The story follows Cyrus Shams, a newly sober, orphaned son of Iranian immigrants, who is guided by the voices of artists, poets, and kings on a remarkable search for a family secret. This journey leads him to a terminally ill painter living out her final days in the Brooklyn Museum.

Cyrus grapples with an inheritance of violence and loss: his mother's plane was shot down over the skies of the Persian Gulf in a senseless accident, and his father's life in America was circumscribed by his work at a factory farm. As a drunk, an addict, and a poet, Cyrus's obsession with martyrs drives him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death and toward his mother, through a painting that suggests she may not have been who or what she seemed.

Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, and others.

Behind You Is the Sea fearlessly confronts stereotypes about Palestinian culture, weaving a remarkable portrait of life's intricate moments, from joyous weddings to heart-wrenching funerals, from shattered hearts to hidden truths. This is a story that challenges perceptions, offering a heartfelt glimpse into the interior lives of those who call this community home.

An exciting debut novel that gives voice to the diverse residents of a Palestinian American community in Baltimore—from young activists in conflict with their traditional parents to the poor who clean for the rich—lives which intersect across divides of class, generation, and religion.

Funny and touching, Behind You Is the Sea brings us into the homes and lives of three main families—the Baladis, the Salamehs, and the Ammars—Palestinian immigrants who've all found a different welcome in America. Their various fates and struggles cause their community dynamic to sizzle and sometimes explode: The wealthy Ammar family employs young Maysoon Baladi, whose own family struggles financially, to clean up after their spoiled teenagers. Meanwhile, Marcus Salameh confronts his father in an effort to protect his younger sister for "dishonoring" their name. Only a trip to Palestine, where Marcus experiences an unexpected and dramatic transformation, can bridge this seemingly unbridgeable divide between the two generations.

Behind You Is the Sea faces stereotypes about Palestinian culture head-on and, shifting perspectives to weave a complex social fabric replete with weddings, funerals, broken hearts, and devastating secrets.

Banyan Moon is a sweeping, evocative debut novel following three generations of Vietnamese American women reeling from the death of their matriarch, revealing the family's inherited burdens and buried secrets.

When Ann Tran gets the call that her beloved grandmother, Minh, has passed away, her life is already at a crossroads. Ann has built a seemingly perfect life. She lives in a beautiful lake house and has a charming professor boyfriend, but it all crumbles away with one positive pregnancy test. With both her relationship and carefully planned future now in question, Ann returns home to Florida to face her estranged mother, Hu'o'ng. Under the same roof for the first time in years, mother and daughter must face the simmering questions of their past, while trying to rebuild their relationship without the one person who's always held them together.

Running parallel to this is Minh's story, as she goes from a lovestruck teenager living in the shadow of the Vietnam War to a determined young mother immigrating to America in search of a better life. And when Ann makes a shocking discovery in the Banyan House's attic, long-buried secrets come to light as it becomes clear how decisions Minh made in her youth affected the rest of her life and her family.

Spanning decades and continents, from 1960s Vietnam to the wild swamplands of the Florida coast, Banyan Moon is a stunning and deeply moving story of mothers and daughters, the things we inherit, and the lives we choose to make out of that inheritance.

Our Migrant Souls is a defining exploration of the Latino identity in the United States by Pulitzer Prize-winning writer Héctor Tobar. The term "Latino" is one of the most rapidly growing but loosely defined major race categories in the country.

Composed as a direct address to young people who identify or are classified as "Latino," this book stands as the first account of the historical and social forces shaping Latino identity. Tobar examines the impacts of colonialism, public policy, immigration, media, and pop culture, decoding the meaning of "Latino" as a racial and ethnic identity in contemporary America.

Our Migrant Souls gives voice to the frustrations and aspirations of young Latinos who have witnessed the transformation of Latinidad into negative stereotypes and have faced insult and division. Tobar shares his experiences as a journalist, novelist, mentor, leader, and educator, intertwining his personal narrative and his parents' migration from Guatemala with his journey across the country to uncover a narrative that is expansive, inspiring, and alive.

Traduttore, traditore: An act of translation is always an act of betrayal.

Babel is a profound exploration of the complexities of language, power, and colonialism, set against the backdrop of the British Empire's expansion.

When orphan Robin Swift is brought from Canton to London by Professor Lovell, he embarks on an intense education in languages and translation, aiming for a bright future at Oxford University's Royal Institute of Translation, known as Babel. This institution stands at the heart of the Empire's superiority, harnessing the mystical power of silver working to manifest the elusive meanings lost in translation.

As Robin becomes entrenched in the scholastic utopia of Babel, his ties to his heritage pull him into an inner conflict. When an aggressive war threatens China over silver and opium, Robin is torn between the comfort of academia and the call for justice. He must confront a crucial question: Can change come from within, or is violence an inevitable part of revolution?

Praying to the West: How Muslims Shaped the Americas is an insightful and perspective-shifting journey by celebrated journalist Omar Mouallem. In the book, Mouallem explores his personal connection with Islam, delving into its influence on his values, politics, and heritage. Having grown up in a Muslim household, he later adopted atheism and used his voice to critique organized religion. However, as a father, Mouallem is confronted with the challenges his children may face due to their heritage in an increasingly nativist Western world.

Mouallem embarks on a quest to uncover the untold history of Islam across the Americas, visiting thirteen unique mosques from California to Quebec, and Brazil to Canada's icy north. Through his travels, he encounters diverse Muslim communities, each providing varied perspectives on what it means to be Muslim in the Americas. This exploration reveals the significant role Islam has played in shaping the continent, influencing everything from industrialization to political shifts.

Ultimately, Praying to the West uncovers a hidden narrative of home and belonging. It highlights the ongoing struggle for acceptance in towns and cities across the Americas, advocating for a more inclusive future for all.

Crying in H Mart is an exquisite story of family, food, grief, and endurance. Michelle Zauner, known as the indie rock sensation Japanese Breakfast, proves herself far more than a dazzling singer, songwriter, and guitarist. With humor and heart, she tells of growing up as one of the few Asian American kids at her school in Eugene, Oregon; of struggling with her mother’s particular, high expectations of her; and of a painful adolescence.

Zauner shares treasured months spent in her grandmother’s tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food. As she grew up, moving to the East Coast for college, finding work in the restaurant industry, and performing gigs with her fledgling band—and meeting the man who would become her husband—her Koreanness began to feel ever more distant, even as she found the life she wanted to live.

It was her mother’s diagnosis of terminal cancer, when Michelle was twenty-five, that forced a reckoning with her identity and brought her to reclaim the gifts of taste, language, and history her mother had given her. Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, Crying in H Mart is a book to cherish, share, and reread.

The Arsonists' City delivers all the pleasures of a good old-fashioned saga. In Alyan's hands, one family's tale becomes the story of not just a nation--Lebanon and Syria--but also the United States. It's a rich family story that gives a personal look at the legacy of war in the Middle East and an indelible rendering of how we hold on to the people and places we call home.

The Nasr family is spread across the globe--Beirut, Brooklyn, Austin, the California desert. With a Syrian mother, a Lebanese father, and three American children, they have all lived a life of migration. Yet, they've always had their ancestral home in Beirut--a constant touchstone--and the complicated, messy family love that binds them. However, following his father's recent death, Idris, the new patriarch, has decided to sell. This decision brings the family to Beirut, where they unite against Idris in a fight to save the house. They all have secrets--lost loves, bitter jealousies, abandoned passions, deep-set shame--that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, these secrets ignite, imperiling the fragile ties that hold the family together.

In a novel teeming with wisdom, warmth, and remarkable human insight, award-winning author Hala Alyan shows us that fiction often provides the best filter for the real world around us.

Vivid, visceral, utterly compelling, American Dirt is the first novel to explore the experience of attempting to illegally cross the US-Mexico border.

Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved most in the world. Today, her eight-year-old son Luca is all she has left. For him, she will carry a machete strapped to her leg. For him, she will leap onto the roof of a high speed train. For him, she will find the strength to keep running.

'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore. Her brain cells, having run out of blood, were now completely deprived of oxygen. But they did not shut down. Not right away...'

For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life - friends who are now desperately trying to find her.

Largo pétalo de mar es una novela escrita por Isabel Allende. La historia se desarrolla durante la Guerra Civil Española y sigue a los personajes de Víctor Dalmau y Roser Bruguera. Juntos, huyen a Francia y luego se embarcan en el Winnipeg, un barco fletado por el poeta Pablo Neruda, para llegar a Chile. En Chile, Víctor y Roser se enfrentan a los desafíos de una nueva vida, pero también encuentran amor y amistad. A medida que el tiempo pasa, la historia se entrelaza con eventos históricos como el golpe militar de 1973 y el exilio forzado de muchos chilenos. Esta novela épica es una historia de amor, pérdida, esperanza y resistencia. Isabel Allende teje hábilmente la narrativa, explorando temas de identidad, pertenencia y el poder del amor en tiempos difíciles.

Aednan marks the American debut of Sweden's esteemed literary figure Linnea Axelsson with an epic, multigenerational novel-in-verse that delves deep into the lives of two Sámi families. This groundbreaking work explores their enduring bond through a century marked by migration, violence, and the scars of colonial trauma.

This sweeping Scandinavian epic, reminiscent of classics such as Halldór Laxness’s Independent People and Sigrid Undset’s Kristin Lavransdatter, begins in the 1910s. We follow Ristin and her family as they migrate their reindeer herd to summer pastures. Amidst this journey, a tragedy strikes, etching a path of sorrow that echoes throughout the novel.

In the 1970s, we meet Lise, a member of a new Sámi generation confronting her identity and legacy. Her reflections on a childhood marred by forced separation from her family and the loss of her ancestral language at a Nomad School paint a vivid picture of the struggles faced by her people.

The narrative then carries us to the 2010s, introducing Sandra, Lise’s daughter. Sandra stands as a symbol of Indigenous resilience, an activist demanding justice in a landmark land rights trial during a time when the Sámi language teeters on the brink of extinction.

Through the interwoven voices of characters spanning generations, Axelsson crafts a poignant family saga centered around the fallout of colonial settlement. Ædnan serves as a testament to the tenacity of language, even when adopted, to encapsulate memories of what has been lost. The verse of one character to another resonates beyond mortality: "I was the weight / in the stone you brought / back from the coast // to place on / my grave," and the haunting call, "There will be rain / there will be rain."

Keita Ali is on the run. Like every boy on the mountainous island of Zantoroland, running is all Keita’s ever wanted to do. In one of the poorest nations in the world, running means respect. Running means riches—until Keita is targeted for his father’s outspoken political views and discovers he must run for his family’s survival. He signs on with notorious marathon agent Anton Hamm, but when Keita fails to place among the top finishers in his first race, he escapes into Freedom State—a wealthy island nation that has elected a government bent on deporting the refugees living within its borders in the community of AfricTown. Keita can stay safe only if he keeps moving and eludes Hamm and the officials who would deport him to his own country, where he would face almost certain death. This is the new underground: a place where tens of thousands of people deemed to be “illegal” live below the radar of the police and government officials. As Keita surfaces from time to time to earn cash prizes by running local road races, he has to assess whether the people he meets are friends or enemies: John Falconer, a gifted student struggling to escape the limits of his AfricTown upbringing; Ivernia Beech, a spirited old woman at risk of being forced into an assisted living facility; Rocco Calder, a recreational marathoner and the immigration minister; Lula DiStefano, self-declared queen of AfricTown and madam of the community’s infamous brothel; and Viola Hill, a reporter who is investigating the lengths to which her government will go to stop illegal immigration. Keita’s very existence in Freedom State is illegal. As he trains in secret, eluding capture, the stakes keep getting higher. Soon, he is running not only for his life, but for his sister’s life, too. Fast moving and compelling, The Illegal casts a satirical eye on people who have turned their backs on undocumented refugees struggling to survive in a nation that does not want them. Hill’s depiction of life on the borderlands of society urges us to consider the plight of the unseen and the forgotten who live among us.

The Idiot, a novel by Elif Batuman, is a portrait of the artist as a young woman, exploring the themes of self-discovery and inventing oneself. Set in the year 1995, when email was a new phenomenon, we follow Selin, the daughter of Turkish immigrants, as she begins her freshman year at Harvard. Without any preconceived plans, she enrolls in classes on unfamiliar subjects, forges a friendship with the charismatic and worldly Serbian classmate Svetlana, and, almost by chance, starts corresponding with Ivan, a Hungarian mathematics student.

Despite their limited face-to-face interactions, Selin and Ivan develop a complex relationship through their email exchanges, with each message adding new and mysterious layers to the act of writing. As the school year concludes, Ivan departs for Budapest, and Selin embarks on a teaching assignment in the Hungarian countryside, a position arranged by one of Ivan's friends. Her journey also includes a two-week sojourn in Paris with Svetlana.

Unlike the typical narratives of American college students abroad, Selin's experiences in Europe lead her on an introspective journey. She confronts the bewildering and exhilarating turmoil of first love and comes to an important realization: she is destined to become a writer. The Idiot is a candid reflection on the complexities of becoming an adult, filled with exquisite emotional and intellectual sensitivity, mordant wit, and a writing style that captures the unpredictable nature of memory itself.

There could only be a few winners, and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones.

In the early 1900s, teenaged Sunja, the adored daughter of a crippled fisherman, falls for a wealthy stranger at the seashore near her home in Korea. He promises her the world, but when she discovers she is pregnant — and that her lover is married — she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son's powerful father, sets off a dramatic saga that will echo down through the generations.

Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan's finest universities to the pachinko parlors of the criminal underworld, Lee's complex and passionate characters — strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis — survive and thrive against the indifferent arc of history.

The Sympathizer explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.

It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong.

 The Sympathizer is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. A gripping spy novel, an astute exploration of extreme politics, and a moving love story.

Six romances, one revolution, the story of the century.

At the start of the twentieth century, on the edge of the Russian Empire, a family prospers. It owes its success to a delicious chocolate recipe, passed down the generations with great solemnity and caution. A caution which is justified- this is a recipe for ecstasy that carries a very bitter aftertaste... 

Stasia learns it from her Georgian father and takes it north, following her new husband, Simon, to his posting at the centre of the Russian Revolution in St Petersburg. Stasia's is only the first in a symphony of grand but all too often doomed romances that swirl from sweet to sour in this epic tale of the red century. 

Tumbling down the years, and across vast expanses of longing and loss, generation after generation of this compelling family hears echoes and sees reflections. Great characters and greater relationships come and go and come again; the world shakes, and shakes some more, and the reader rejoices to have found at last one of those glorious old books in which you can live and learn, be lost and found, and make indelible new friends. 

From the award-winning author of We Should All Be Feminists and Half of a Yellow Sun, the story of two Nigerians making their way in the U.S. and the UK, raising universal questions of race, belonging, the overseas experience for the African diaspora, and the search for identity and a home.

Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be black for the first time. 

Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London. Fifteen years later, they reunite in a newly democratic Nigeria, and reignite their passion--for each other and for their homeland.

No, Really, Where Are You From? by Nancy Ng offers an insightful glimpse into the lives of eight Chinese individuals who navigate the complexities of being a visible minority in Canada. Through vivid storytelling, Ng explores the experiences of these individuals with their Chinese culture from childhood to adulthood, painting a portrait of the diverse ways in which they connect with their heritage.

The book delves into the broader themes of global migration and its significant impact on ethnic identity. It presents the nuanced and often challenging journey of ethnic identity retention and loss, which is not a matter of absolutes but is in a constant state of evolution and redefinition. Nancy Ng's work is a testament to the resilience and adaptability of the human spirit in the face of cultural shifts and societal pressures.

The secret behind France's astonishingly well-behaved children. When American journalist Pamela Druckerman has a baby in Paris, she doesn't aspire to become a "French parent." French parenting isn't a known thing, like French fashion or French cheese. Even French parents themselves insist they aren't doing anything special.

Yet, the French children Druckerman knows sleep through the night at two or three months old while those of her American friends take a year or more. French kids eat well-rounded meals that are more likely to include braised leeks than chicken nuggets. And while her American friends spend their visits resolving spats between their kids, her French friends sip coffee while the kids play.

With a notebook stashed in her diaper bag, Druckerman-a former reporter for The Wall Street Journal-sets out to learn the secrets to raising a society of good little sleepers, gourmet eaters, and reasonably relaxed parents. She discovers that French parents are extremely strict about some things and strikingly permissive about others. And she realizes that to be a different kind of parent, you don't just need a different parenting philosophy. You need a very different view of what a child actually is.

Four mothers, four daughters, four families, whose histories shift with the four winds depending on who's telling the stories. In 1949, four Chinese women, recent immigrants to San Francisco, meet weekly to play mahjong and tell stories of what they left behind in China. United in loss and new hope for their daughters' futures, they call themselves the Joy Luck Club.

Their daughters, who have never heard these stories, think their mothers' advice is irrelevant to their modern American lives – until their own inner crises reveal how much they've unknowingly inherited of their mothers' pasts.

With wit and sensitivity, Amy Tan examines the sometimes painful, often tender, and always deep connection between mothers and daughters. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of their matriarchal ties.

Tan is an astute storyteller, enticing readers to immerse themselves into these lives of complexity and mystery.

My ntonia, authored by Willa Cather, is a profound narrative set in the Nebraska heartland. This novel, the third in the Great Plains Trilogy, unfolds through the eyes of Jim Burden, a character whose voice is tinged with affection and admiration.

Readers are catapulted into the diverse experiences of immigrant life, where the bonds of community are both insistent and deep. A cast of compelling characters guides us through this journey: Russian brothers haunted by a tragic memory, ntonia's father who yearns for his homeland, and her mother, whose priorities often seem misplaced. At the core of this pastoral society is the enchanting ntonia, whose free spirit captivates all who know her.

Jim Burden's narrative is one of personal reflection as he remembers his youth and the poignant moments he shared with ntonia. Their relationship, oscillating between platonic affection and a deeper connection, offers a window into ntonia's life, her challenges, and her victories.