Praying to the West: How Muslims Shaped the Americas is an insightful and perspective-shifting journey by celebrated journalist Omar Mouallem. In the book, Mouallem explores his personal connection with Islam, delving into its influence on his values, politics, and heritage. Having grown up in a Muslim household, he later adopted atheism and used his voice to critique organized religion. However, as a father, Mouallem is confronted with the challenges his children may face due to their heritage in an increasingly nativist Western world.

Mouallem embarks on a quest to uncover the untold history of Islam across the Americas, visiting thirteen unique mosques from California to Quebec, and Brazil to Canada's icy north. Through his travels, he encounters diverse Muslim communities, each providing varied perspectives on what it means to be Muslim in the Americas. This exploration reveals the significant role Islam has played in shaping the continent, influencing everything from industrialization to political shifts.

Ultimately, Praying to the West uncovers a hidden narrative of home and belonging. It highlights the ongoing struggle for acceptance in towns and cities across the Americas, advocating for a more inclusive future for all.

Vivid, visceral, utterly compelling, American Dirt is the first novel to explore the experience of attempting to illegally cross the US-Mexico border.

Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved most in the world. Today, her eight-year-old son Luca is all she has left. For him, she will carry a machete strapped to her leg. For him, she will leap onto the roof of a high speed train. For him, she will find the strength to keep running.

Largo pétalo de mar es una novela escrita por Isabel Allende. La historia se desarrolla durante la Guerra Civil Española y sigue a los personajes de Víctor Dalmau y Roser Bruguera. Juntos, huyen a Francia y luego se embarcan en el Winnipeg, un barco fletado por el poeta Pablo Neruda, para llegar a Chile. En Chile, Víctor y Roser se enfrentan a los desafíos de una nueva vida, pero también encuentran amor y amistad. A medida que el tiempo pasa, la historia se entrelaza con eventos históricos como el golpe militar de 1973 y el exilio forzado de muchos chilenos. Esta novela épica es una historia de amor, pérdida, esperanza y resistencia. Isabel Allende teje hábilmente la narrativa, explorando temas de identidad, pertenencia y el poder del amor en tiempos difíciles.

In 1972, when she was seven, Firoozeh Dumas and her family moved from Iran to Southern California, arriving with no firsthand knowledge of this country beyond her father's glowing memories of his graduate school years here. More family soon followed, and the clan has been here ever since.

Funny in Farsi chronicles the American journey of Dumas's wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.

In a series of deftly drawn scenes, we watch the family grapple with American English (hot dogs and hush puppies—a complete mystery), American traditions (Thanksgiving turkey—an even greater mystery, since it tastes like nothing), and American culture (Firoozeh’s parents laugh uproariously at Bob Hope on television, although they don’t get the jokes even when she translates them into Farsi).

Above all, this is an unforgettable story of identity, discovery, and the power of family love. It is a book that will leave us all laughing—without an accent.

In the 1960s, political tension forces the García family away from Santo Domingo and towards the Bronx. The sisters all hit their strides in America, adapting and thriving despite cultural differences, language barriers, and prejudice.

But Mami and Papi are more traditional, and they have far more difficulty adjusting to their new country. Making matters worse, the girls—frequently embarrassed by their parents—find ways to rebel against them.

The García sisters—Carla, Sandra, Yolanda, and Sofía—tell their stories about being at home—and not at home—in America. Uprooted from their family home in the Dominican Republic, they arrive in New York City in 1960 to find a life far different from the genteel existence of maids, manicures, and extended family they left behind.

What they have lost—and what they find—is revealed in the fifteen interconnected stories that make up this exquisite novel from one of the premier novelists of our time.