The Hunchback of Notre-Dame is a timeless work by Victor Hugo that transports readers to Medieval Paris, under the imposing twin towers of its most revered structure, the cathedral of Notre-Dame. At the heart of this historical novel is the poignant story of Quasimodo, the deformed bell ringer, and his unrequited love for the beautiful Esmeralda, a gypsy dancer. Their lives intertwine with that of Claude Frollo, a priest battling his own inner demons.

Hugo's masterful storytelling weaves a tale of love, devotion, jealousy, and deception, set against the backdrop of a city teeming with life and the specter of social injustice. The author's remarkable powers of description bring the setting and characters vividly to life, making the novel not only an exploration of the human condition but also a critique of society and its treatment of those who are different.

La Morte Amoureuse is a terrifying tale by Théophile Gautier, narrated in the first person. It tells the story of a young priest, Romuald, who falls in love with a mysterious woman named Clarimonde. After meeting her, he experiences strange occurrences, and she haunts him in his dreams.

The author brilliantly captures the desires, emotions, and feelings of the priest, weaving a spine-chilling narrative. Romuald finds himself torn between his religious duties and the allure of Clarimonde, leading to a conflict between his spiritual obligations and forbidden passions.

By day, he is a man of the church, but by night, he becomes a Venetian lord, living a life filled with opulence and desire. This dual existence blurs the lines between reality and dreams, leaving Romuald in a constant state of turmoil.

The story is not just a tale of love and obsession but also a commentary on the nature of temptation and the eternal struggle between good and evil.

En ce temps-là, on mettait des photographies géantes de produits sur les murs, les arrêts d'autobus, les maisons, le sol, les taxis, les camions, la façade des immeubles en cours de ravalement, les meubles, les ascenseurs, les distributeurs de billets, dans toutes les rues et même à la campagne.

La vie était envahie par des soutiens-gorge, des surgelés, des shampoings antipelliculaires et des rasoirs triple-lame. L'œil humain n'avait jamais été autant sollicité de toute son histoire : on avait calculé qu'entre sa naissance et l'âge de 18 ans, toute personne était exposée en moyenne à 350 000 publicités.

Même à l'orée des forêts, au bout des petits villages, en bas des vallées isolées et au sommet des montagnes blanches, sur les cabines de téléphérique, on devait affronter des logos "Castorama", "Bricodécor", "Champion Midas" et "La Halle aux Vêtements". Il avait fallu deux mille ans pour en arriver là.

Globalia offers a daring political satire that dissects the mechanisms of oligarchic neoliberal democracy. Behind the bloody distinctions of nation and race, a universalizing democracy has been imposed in Globalia. Society now enjoys health and prosperity but is numbed in a consumptive paroxysm. Everyone speaks the same language, are radical environmentalists, neurasthenics, idle, and addicted to cosmetic surgery. To maintain cohesion, residents are kept in an unconscious self-absorption by the media and frightened by continuous terrorist attacks. As the terrorist attacks are diminishing, the Globalian authorities have decided to create a New Enemy to guarantee terror. This enemy will be an element of the system whose function is to cement its values even more... A humorous farce of contemporary society and an unflattering reflection of a probable future.

In the Shadow of Young Girls in Flower is Marcel Proust’s spectacular dissection of male and female adolescence. The narrative is charged with the narrator’s memories of Paris and the Normandy seaside.

At the heart of the story lies his relationships with his grandmother and with the Swann family. As a meditation on different forms of love, In the Shadow of Young Girls in Flower has no equal. Here, Proust introduces some of his greatest comic inventions, from the magnificently dull M. de Norpois to the enchanting Robert de Saint-Loup.

It is memorable as well for the first appearance of the two figures who are to dominate the narrator’s life—the Baron de Charlus and the mysterious Albertine.

While in Paris on business, Harvard symbologist Robert Langdon receives an urgent late-night phone call: the elderly curator of the Louvre has been murdered inside the museum. Near the body, police have found a baffling cipher. While working to solve the enigmatic riddle, Langdon is stunned to discover it leads to a trail of clues hidden in the works of Da Vinci — clues visible for all to see — yet ingeniously disguised by the painter.

Langdon joins forces with a gifted French cryptologist, Sophie Neveu, and learns the late curator was involved in the Priory of Sion — an actual secret society whose members included Sir Isaac Newton, Botticelli, Victor Hugo, and Da Vinci, among others.

In a breathless race through Paris, London, and beyond, Langdon and Neveu match wits with a faceless powerbroker who seems to anticipate their every move. Unless Langdon and Neveu can decipher the labyrinthine puzzle in time, the Priory’s ancient secret — and an explosive historical truth — will be lost forever.

In My Mother's House & Sido, Colette explores the enchanting themes of childhood, family, and the profound influence of her mother. Sido, a vibrant and lively woman, cherished cities, music, theater, and books, yet devoted herself wholeheartedly to her village, Saint-Saveur, her garden, and above all, her children. Particularly, her youngest, whom she affectionately called Minet-Chéri.

Unlike Colette's other works, Gigi and Chéri, which delve into the complexities of sexual love, this book centers on a powerful, nurturing woman in late-nineteenth-century rural France. It beautifully conveys the impact Sido had on her community and her daughter, who grew up to become a renowned writer.

Madame Bovary yearns for a life of luxury and passion of the kind she reads about in romantic novels. But life with her country doctor husband in the provinces is unutterably boring, and she embarks on love affairs to realize her fantasies. This new translation by Margaret Mauldon perfectly captures Flaubert's distinctive style.

'Would this misery go on forever? Was there no escape? And yet she was every bit as good as all those other women who led happy lives!' When Emma Rouault marries Charles Bovary she imagines she will pass into the life of luxury and passion that she reads about in sentimental novels and women's magazines. But Charles is a dull country doctor, and provincial life is very different from the romantic excitement for which she yearns. In her quest to realize her dreams she takes a lover, and begins a devastating spiral into deceit and despair. Flaubert's novel scandalized its readers when it was first published in 1857, and it remains unsurpassed in its unveiling of character and society. In this new translation Margaret Mauldon perfectly captures the tone that makes Flaubert's style so distinct and admired.

Simone de Beauvoir, novelist, dramatist, and philosopher, was the most distinguished woman writer in modern France. A leading exponent of French existentialism, her work complements, though it is independent of, that of her great friend Jean-Paul Sartre.

In The Ethics of Ambiguity, Madame de Beauvoir penetrates at once to the core ethical problems of modern man: what shall he do, how shall he go about making values, in the face of this awareness of the absurdity of his existence? She forces the reader to face the absurdity of the human condition, and then, having done so, proceeds to develop a dialectic of ambiguity which will enable him not to master the chaos, but to create with it.

This book remains a concise yet thorough examination of existence and what it means to be human.

Arthur Rimbaud is remembered as much for his volatile personality and tumultuous life as he is for his writings, most of which he produced before the age of eighteen. This book brings together his poetry, prose, and letters, including "The Drunken Boat," "The Orphans' New Year," "After the Flood," and "A Season in Hell," considered by many to be his finest works.

Complete Works is divided into eight "seasons": Childhood, The Open Road, War, The Tormented Heart, The Visionary, The Damned Soul, A Few Belated Cowardices, and The Man with the Wind at His Heels - that reflect the facets of Rimbaud's life.

Insightful commentary by translator and editor Paul Schmidt reveals the courage, vision, and imagination of Rimbaud's poetry and sheds light on one of the most enigmatic figures in letters.

The Modern Library’s fifth volume of In Search of Lost Time contains both The Captive (1923) and The Fugitive (1925). In The Captive, Proust’s narrator describes living in his mother’s Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever.

Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection.

For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin’s acclaimed reworking of C. K. Scott Moncrieff’s translation to take into account the new definitive French editions of Á la recherché du temps perdu.

Twenty Years After (1845) is the thrilling sequel to The Three Musketeers, offering a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve and dispersed their loyalties. But treasons and stratagems still cry out for justice: civil war endangers the throne of France, while in England, Cromwell threatens to send Charles I to the scaffold.

Alexandre Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. Their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil.

Le Comte de Monte-Cristo I is a gripping adventure that takes readers through the tumultuous journey of Edmond Dantès. In this first volume, Dantès experiences a dramatic fall, both literally and figuratively, as he is unjustly imprisoned and later makes his daring escape.

"On fit encore quatre ou cinq pas en montant toujours, puis Dantès sentit qu'on le prenait par la tête et par les pieds et qu'on le balançait." These words mark the beginning of Dantès' descent into despair, as he is cast into the sea, bound to a heavy weight.

With a heart-stopping narrative, Dumas weaves a tale of revenge, hope, and the relentless pursuit of justice. This classic piece of French literature is a testament to the enduring power of determination and resilience.

Solennels parmi les couples sans amour, ils dansaient, d'eux seuls préoccupés, goûtaient l'un à l'autre, soigneux, profonds, perdus. Béate d'être tenue et guidée, elle ignorait le monde, écoutait le bonheur dans ses veines, parfois s'admirant dans les hautes glaces des murs, élégante, émouvante, exceptionnelle, femme aimée, parfois reculant la tête pour mieux le voir qui lui murmurait des merveilles point toujours comprises, car elle le regardait trop, mais toujours de toute son âme approuvées, qui lui murmurait qu'ils étaient amoureux, et elle avait alors un impalpable rire tremblé, voilà, oui, c'était cela, amoureux, et il lui murmurait qu'il se mourait de baiser et bénir les longs cils recourbés, mais non pas ici, plus tard, lorsqu'ils seraient seuls, et alors elle murmurait qu'ils avaient toute la vie, et soudain elle avait peur de lui avoir déplu, trop sûre d'elle, mais non, ô bonheur, il lui souriait et contre lui la gardait et murmurait que tous les soirs ils se verraient.

Ariane devant son seigneur, son maître, son aimé Solal, tous deux entourés d'une foule de comparses : ce roman n'est rien de moins que le chef-d'œuvre de la littérature amoureuse de notre époque.

A Season in Hell was written by Arthur Rimbaud at the tender age of 18, following a passionate and tumultuous affair with fellow poet, Paul Verlaine. This piece has been a beacon for anguished poets, artists, and lovers for over a century.

This volume beautifully presents the text in both French and English, accompanied by evocative photographs by Robert Mapplethorpe. It serves as a powerful testament to the passion and suffering experienced by Rimbaud and continues to influence artists and poets worldwide.

Père Goriot is the tragic story of a father whose obsessive love for his two daughters leads to his financial and personal ruin. Interwoven with this theme is that of the impoverished young aristocrat, Rastignac, who came to Paris from the provinces to hopefully make his fortune. He befriends Goriot and becomes involved with the daughters. The story is set against the background of a whole society driven by social ambition and lust for wealth.

Madeline is one of the best-loved characters in children's literature. Set in picturesque Paris, this tale of a brave little girl's trip to the hospital captures the hearts of readers young and old. The story follows Madeline, the smallest and naughtiest of the twelve little charges of Miss Clavel, who wakes up one night with an attack of appendicitis.

The combination of a spirited heroine, timelessly appealing art, cheerful humor, and rhythmic text makes Madeline a perennial favorite with children of all ages.

With imaginative verve, intelligence, and exceptional detail, The Oracle Glass captures the rich tang of one of history's most irresistible eras. Spinning actual police records from the reign of Louis XIV into a darkly captivating story, it follows the fortunes of Genevieve Pasquier, a fifteen-year-old girl who has been transformed into an imperious, seemingly infallible fortune-teller.

Genevieve is a skinny, precocious little monkey with a mind full of philosophy and the power to read the swirling waters of an oracle glass - for a demimonde who will believe anything. Left for dead by her family, Genevieve is taken in by La Voisin, an ingenious occultist and omnipotent society fortune-teller. La Voisin also rules a secret society of witches - abortionists and poisoners - who manipulate the lives of the rich and scandalous all the way up to the throne.

Tutored by La Voison, Genevieve creates a new identity for herself - as the mysterious Madame de Morville, complete with an antique black dress, a powdered face, a cane, and a wickedly sarcastic streak who is supposedly nearly one hundred fifty years old. Even the reigning mistress of the Sun King himself consults Madame de Morville on what the future holds for her. And as Madame de Morville, Genevieve can revel in what women are usually denied: power, an independent income, and the opportunity to speak her mind.

Beneath her intelligence and wit, what drives Genevieve is a private revenge - but what she doesn't expect is for love to come in the bargain.

Discipline and Punish: The Birth of the Prison is a brilliant work by Michel Foucault, one of the most influential philosophers since Sartre. This provocative study explores the evolution of the justice system, focusing primarily on France.

Foucault challenges existing ideas surrounding prison reforms from the late 1700s and early 1800s, even into the twentieth century. He suggests that the shift away from public executions towards incarceration was a means of reframing the power dynamics between society and the individual.

The book delves into how the focus of punishment has shifted from the prisoner's body to the soul. It provides a highly provocative account of how penal institutions have become integral to societal control.

Through this work, Foucault offers an in-depth analysis of how modern penitentiaries emerged and how they reflect broader social structures and power relations.

Hiroshima Mon Amour is a profound exploration of the influence of war on both Japanese and French culture. The screenplay, written by Marguerite Duras, accompanies the classic film directed by Alain Renais, which gained international acclaim upon its release in 1959.

This story revolves around a love affair between a Japanese architect and a French actress who visits Japan to make a film on peace. Hiroshima Mon Amour delves deeply into the themes of love and inhumanity, offering a stunning portrayal of personal and cultural conflict.

With its compelling narrative and artistic brilliance, this screenplay remains one of the most influential works in the history of cinema.

Pierrot Mon Ami, considered by many to be one of Raymond Queneau's finest achievements, is a quirky coming-of-age novel concerning a young man's initiation into a world filled with deceit, fraud, and manipulation.

From his short-lived job at a Paris amusement park where he helps to raise women's skirts to the delight of an unruly audience, to his frustrated and unsuccessful love of Yvonne, to his failed assignment to care for the tomb of the shadowy Prince Luigi of Poldevia, Pierrot stumbles about, nearly immune to the effects of duplicity.

This "innocent" implies how his story, at almost every turn, undermines, upsets, and plays upon our expectations, leaving us with more questions than answers, and doing so in a gloriously skewed style (admirably re-created by Barbara Wright, Queneau's principal translator).

The Ladies' Paradise (Au Bonheur des Dames) recounts the rise of the modern department store in late nineteenth-century Paris. The store serves as a symbol of capitalism, of the modern city, and of the bourgeois family. It is emblematic of changes in consumer culture, as well as shifts in sexual attitudes and class relations at the end of the century.

This new translation of the eleventh novel in Zola's Rougon-Macquart cycle captures the spirit of one of his greatest works. Octave Mouret, the store's owner-manager, masterfully exploits the desires of his female customers. In his private life, as much as in business, he is the great seducer. However, when he falls in love with the innocent Denise Baudu, he discovers she is the only salesgirl who refuses to be commodified.

Henry and June is drawn from the original, uncensored journals of Anaïs Nin, spanning a single year in her life. During this period, she discovers both love and torment in an insatiable couple. From late 1931 to the end of 1932, Nin falls in love with Henry Miller's writing and his wife June's striking beauty.

When June leaves Paris for New York, Henry and Anaïs begin a fiery affair that liberates her sexually and morally, but also undermines her marriage and eventually leads her into psychoanalysis. As she grapples with her own conscience, a single question dominates her thoughts: What will happen when June returns to Paris?

This is an intimate account of one woman's sexual awakening, exposing the pain and pleasure felt by someone trapped between two loves.

Set in Paris and attracting comparisons with Franz Kafka and Edgar Allan Poe, The Pigeon is Patrick Süskind's tense, disturbing follow-up to the bestselling Perfume. The novella tells the story of a day in the meticulously ordered life of bank security guard Jonathan Noel, who has been hiding from life since his wife left him for her Tunisian lover.

When Jonathan opens his front door on a day he believes will be just like any other, he encounters not the desired empty hallway but an unwelcome, diabolical intruder...

Dès ses premiers livres, Henri Michaux faisait entendre une voix profondément singulière. Et même si la parenté de ces textes avec les récits de Kafka (dans Plume notamment, publié en 1930) peut sembler évidente, leur force tient encore aujourd'hui du miracle : miracle de voir une langue retrouver sa jouvence, miracle de découvrir chaque mot remis à nu, débarrassé de tout artifice, y dévoilant un monde loin des apparences, une réalité secrète et souterraine.

Toute sa vie, Michaux fut un grand solitaire, un aristocrate de la littérature. Mais à peine entrebâillées, les portes de ce Lointain intérieur projettent le lecteur dans un royaume de rêves et de terreurs, dont le fil se déroule suivant la logique implacable du désespoir. Ce monde brutal, pesant, écrase l'homme-plume avec une sauvagerie qui évoque les premiers âges de notre Histoire.

La poésie de Michaux ne s'embarrasse pas de mélodies. Cri, clameur, puis rumeur, gonflements et sursauts, éruptions puis éboulements. Moderne, à l'écart de toutes les modes, Michaux a su demeurer une référence, un pionnier qui n'a pas pris une ride.

Remembrance of Things Past: Volume II delves into the intricate tapestry of Belle Epoque France, unfolding through the profound reflections of its narrator. This volume encompasses The Guermantes Way and Cities of the Plain, capturing the essence of art, time, and memory.

As the narrator grows up, falls in love, and experiences the tumultuous events of the First World War, the narrative mesmerizes readers with its intricate portrayal of human emotions and societal norms. The translation by C. K. Scott Moncrieff, later revised by Terence Kilmartin, has been celebrated for capturing the essence of Proust's monumental work.

This literary masterpiece invites readers into a world where personal experiences are intertwined with historical events, offering a unique perspective on the passage of time and the power of memory.

"Tous maudits, jusqu'à la septième génération !" : telle est la funeste malédiction que le chef des templiers, depuis les flammes du bûcher, lance au visage de Philippe le Bel, roi de France.

Nous sommes en 1314 et la prophétie va se réaliser : pendant plus d'un demi-siècle, les rois se succèdent sur le trône de France, mais n'y restent jamais bien longtemps. D'intrigues de palais en morts subites, de révolutions dynastiques en guerres meurtrières, c'est la valse des rois maudits...

L'avenir de la France se joue pendant ces quelques années noires, période trouble de l'Histoire. Une époque extraordinaire, jamais ennuyeuse, comme romanesque...

L'auteur l'a bien compris, lui qui conte les histoires secrètes du royaume et des hommes, de leurs passions comme de leurs faiblesses qui bien souvent bouleversèrent le sort de la France.

Illuminations is a collection of prose poems by the great French Symbolist, Arthur Rimbaud (1854-1891). These poems have acquired enormous prestige among readers everywhere and have been a revolutionary influence on poetry in the twentieth century.

Rimbaud's Illuminations are presented here both in their original texts and in superb English translations by Louise Varèse. This edition also includes two additional series of prose poems, featuring two poems only recently discovered in France. The introduction by Miss Varèse discusses the complexities of Rimbaldien scholarship and the unique qualities of Rimbaud’s writing.

Rimbaud, known for his work A Season in Hell, wrote these prose poems during a period he described as filled with interest in hallucinations—"des vertiges, des silences, des nuits." These perceptions were captured by the poet in a beam of pellucid and strangely active language, illuminating unexplored aspects of experience and thought.

Set in France during the days immediately before World War II, The Age of Reason is the story of Mathieu, a French professor of philosophy obsessed with the idea of freedom. Translated from the French by Eric Sutton.

Le Monogramme is a brief yet profound work by Odysseus Elytis, a Nobel Prize-winning author. Elytis cherished this book deeply, considering it akin to his own version of the "Cantique des cantiques."

This poem is a beautiful tapestry of desire and mystical quest, intertwining the profane and the sacred, the everyday reality and the cosmic impulse. It wasn't until the current edition that a French translation by Natalie Depraz did justice to its essence.

The text is elegantly accompanied by eight calligraphies from Bruno Gigarel.

Qu'une vieille mule comme Amédée Fleurissoire rencontre des escrocs, et le voilà en route pour Rome, persuadé d'aller sauver le pape. À ce jeu de dupes, il n'a pas grand chose à perdre sinon quelques illusions et beaucoup d'argent.

Qu'un jeune arriviste comme Lafcadio décide de se faire passer pour le fils naturel d'un grand auteur et le voilà maître à chanter. À ce jeu de dupes, il a tout à gagner. Mais que ces deux destins se croisent à bord d'un vieux train et tout bascule : que se passerait-il si Lafcadio poussait cet inconnu hors du train, comme ça, gratuitement, un crime pour rien ?

Ça n'aurait aucun sens, mais c'est justement pour ça que ce serait grisant : la liberté dans l'acte gratuit... Les mécanismes de la pensée, les rouages de la décision, la teneur de notre liberté : autant d'aspects de la nature humaine qui fascinent Gide, et qu'il traque dans toute son oeuvre, flirtant avec les frontières de l'absurde, non sans humour, mais toujours avec style et raffinement.

Death on the Installment Plan is the compelling story of young Ferdinand's first 18 years. His life unfolds amidst the grinding struggle of small shopkeepers to survive, filled with childhood sensations and fantasies that are lusty, scatological, violent, yet also imbued with poetry.

Ferdinand battles with his ineffectual insurance clerk father and his mother, who whines around the junkshop she runs for his benefit. He briefly attends the superbly funny Meanwell College in England, a Dickensian nightmare institution.

Humiliation, failure, and boredom are constants until Ferdinand teams up with the "scientist" des Pereires—an inventor, con-man, incorrigible optimist—whose last project is to grow enormous potatoes by electricity. Des Pereires proves to be one of the most lovable charlatans in French literature.

This novel mixes unmitigated despair with Gargantuan comedy, creating a style where invective and obscenity are laced with unforgettable poetry. Céline's influence has revolutionized the contemporary approach to fiction, making this work a forerunner of today’s "black comedy."

Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime—and brings about his own downfall.

The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien—the cold exploiter whose Machiavellian campaign is undercut by his own emotions—is one of the most intriguing characters in European literature.

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the essential dimensions of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history.

And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny. As old regimes throughout the world collapse, The Rebel resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times.

Translated from the French by Anthony Bower.

Sentimental Education is based on Gustave Flaubert’s own youthful passion for an older woman and is described by the author as "the moral history of the men of my generation." It follows the amorous adventures of Frederic Moreau, a law student who, upon returning home to Normandy from Paris, notices Mme Arnoux, a slender, dark woman several years older than himself. This marks the beginning of an infatuation that will last a lifetime.

Frederic befriends her husband, an influential businessman, and as their paths cross and re-cross over the years, Mme Arnoux remains the constant, unattainable love of Moreau’s life. Blending love story, historical authenticity, and satire, Sentimental Education is one of the great French novels of the nineteenth century.

Les Enfants Terribles holds an undisputed place among the classics of modern fiction. Written in a French style that long defied successful translation, Cocteau was always a poet no matter what he was writing.

The book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation. Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies.

What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy.

Illustrated with twenty of Cocteau's own drawings.

Hopscotch is a novel by Julio Cortazar, translated by Gregory Rabassa, that revolutionized the narrative structure with its non-linear approach. The story follows Horacio Oliveira, an Argentinian writer living in Paris with his mistress, La Maga, amid a group of bohemian friends known as "the Club." After a series of personal tragedies, Oliveira returns to Buenos Aires, where his life takes a series of unexpected turns as he takes on various odd jobs.

The novel is famous for its unique structure, allowing readers to navigate through its chapters in a non-conventional order. This innovative layout mirrors the book’s thematic exploration of life's complexity and the search for meaning. Cortazar drew inspiration from a variety of sources, including Henry Miller's quest for truth, Daisetz Teitaro Suzuki's Zen Buddhism teachings, and the aesthetics of Modernist writers like Joyce. Additionally, the novel reflects influences from Surrealism, the French New Novel, jazz music, and New Wave Cinema.

Gregory Rabassa's translation of Hopscotch won the National Book Award in 1966, marking a significant moment for the recognition of translation in literature. Cortazar's approval of Rabassa's work led to the translator's collaboration with Gabriel García Márquez on One Hundred Years of Solitude, further cementing Rabassa's reputation as a master translator.

Memoirs of a Dutiful Daughter is a superb autobiography by one of the great literary figures of the twentieth century, Simone de Beauvoir. It offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s.

Beauvoir vividly evokes her friendships, love interests, mentors, and the early days of the most important relationship of her life, with fellow student Jean-Paul Sartre, against the backdrop of a turbulent political time in France.

El amor turbulento de Oliveira y La Maga, los amigos del Club de la Serpiente, las caminatas por París en busca del cielo y el infierno, tienen su reverso en la aventura simétrica de Oliveira, Talita y Traveler en un Buenos Aires teñido por el recuerdo.

La aparición de Rayuela en 1963 fue una verdadera revolución dentro de la novelística en lengua castellana: por primera vez, un escritor llevaba hasta las últimas consecuencias la voluntad de transgredir el orden tradicional de una historia y el lenguaje para contarla.

El resultado es este libro único, abierto a multiples lecturas, lleno de humor, de riesgo y de una originalidad sin precedentes.

Although Arthur Rimbaud stopped writing at the age of 19, he possessed the most revolutionary talent of the century. His poetry & prose have increasingly influenced major writers.

To his masterpiece A Season in Hell is here added Rimbaud's longest & possibly greatest single poem The Drunken Boat, with the original French en face. Illuminations, Rimbaud's major works are available as bilingual New Directions Paperbooks.

The reputation of A Season in Hell, which is a poetic record of a man's examination of his own depths, has steadily increased over the years.

Rimbaud's life was so extraordinary that it has taken on the quality of a myth. A biographical chronology is included.

Les jeux sont faits is a captivating novel by Jean-Paul Sartre, exploring the complexities of love and betrayal beyond the grave. The story begins with a chilling conversation:

- Il m'a empoisonnée ?
- Eh oui, madame.
- Mais pourquoi ? pourquoi ?
- Vous le gêniez, répond la vieille dame. Il a eu votre dot. Maintenant il lui faut celle de votre sœur.

Ève, overwhelmed by the betrayal, murmurs in despair:

- Et Lucette est amoureuse de lui !

The old lady offers her condolences with a touch of irony:

- Toutes mes condoléances... Mais voulez-vous me donner une signature ?

Ève, in a state of shock, signs the register, marking her official death. The old lady's parting words resonate with eerie freedom:

- Parfait, conclut la vieille dame. Vous voilà morte officiellement.
- Mais où faut-il que j'aille ?
- Où vous voudrez. Les morts sont libres.

This novel delves into existential themes, questioning the nature of freedom and the afterlife, set against a backdrop of Sartre's philosophical insights.

«Quand la sonnerie a encore retenti, que la porte du box s'est ouverte, c'est le silence de la salle qui est monté vers moi, le silence, et cette singulière sensation que j'ai eue lorsque j'ai constaté que le jeune journaliste avait détourné les yeux. Je n'ai pas regardé du côté de Marie. Je n'en ai pas eu le temps parce que le président m'a dit dans une forme bizarre que j'aurais la tête tranchée sur une place publique au nom du peuple français.»

L'étranger est le premier roman d'Albert Camus, Prix Nobel de littérature en 1957.

Now hailed as an American classic Tropic of Cancer, Henry Miller’s masterpiece, was banned as obscene in this country for twenty-seven years after its first publication in Paris in 1934. Only a historic court ruling that changed American censorship standards, ushering in a new era of freedom and frankness in modern literature, permitted the publication of this first volume of Miller’s famed mixture of memoir and fiction, which chronicles with unapologetic gusto the bawdy adventures of a young expatriate writer, his friends, and the characters they meet in Paris in the 1930s.

Tropic of Cancer is now considered, as Norman Mailer said, "one of the ten or twenty great novels of our century."

Based on the biography of Lucio Agustine Rosenkreutz Crăciunescu and Thérèse Joselynn Aubrière.

Development period from 02-2002 to 04-20-2004.